One can always recognize Weber; those wide-ranging, angular melodies...Beethoven liked Der Freischutz, but said this opera was "a collection of diminished seventh chords," as if he should talk. Plenty of diminished seventh chords in Beethoven! Really, Weber is the Classical composer who is the real bridge to Romanticism, not Beethoven... At 23:30 one can hear how Wagner's recitative style was VERY profoundly influenced by Weber!
It was a hard slog, especially as there is missing score at parts, where I had to just let the score sit while music is playing not on the screen, but for the most part the music is there, and was worth doing.
Un opera plein de promesses tombé dans un inexplicable oubli. Quelle tristesse pour un tel chef d'œuvre où pour la première fois Weber introduit des récitatifs accompagnés et chantés. Finis les dialogues parlés façon singspiel...cette version vaut surtout pour la beauté et la grandeur d'une magnifique staatskapelle de Dresde et la belle prestation de Jessye Norman. Dommage que Gedda soit vraiment horrible !
Díky, tuto nádhernou operu mělo na repertoáru divadlo v Olomouci v mém mladí, kolem roku 1985, chodila jsem na ni pořád znovu...
❤❤❤One of Weber's most prophetic works. Thank you for posting music/full orchestral score.
One can always recognize Weber; those wide-ranging, angular melodies...Beethoven liked Der Freischutz, but said this opera was "a collection of diminished seventh chords," as if he should talk. Plenty of diminished seventh chords in Beethoven! Really, Weber is the Classical composer who is the real bridge to Romanticism, not Beethoven...
At 23:30 one can hear how Wagner's recitative style was VERY profoundly influenced by Weber!
You're not going to have too many people agreeing with you on that one.
@@davidwelch8288 Weber was the bridge to Romanticism in the _operatic_ sense; Beethoven fulfilled this role in most other ways.
@@davidwelch8288 I think it's pretty much a consensus that Weber was the founder of German Romantic opera.
Thanks for all the hard work! Will be listening!
Great! I have never heard this opera before. It is brutal!
THANK YOU SO MUCH!!!!!!!
NO PROBLEM!!!!!!!!!!
Escutei a abertura e excertos dess ópera; tê-la aqui é uma oportunidade muito boa! Agradeço.
ein musikalisch interessantes werk in einer hervorragenden interpretation!
Thank you so much for this ! Very much appreciated !!
You recorded the entire opera by yourself!? Brilliant work!
It was a hard slog, especially as there is missing score at parts, where I had to just let the score sit while music is playing not on the screen, but for the most part the music is there, and was worth doing.
My other Weber score-videos > ruclips.net/p/PLafpqg3vsKmcXpuZ5WnTDlmt5pbpPI2NJ
Very useful, thank you for this video.
31:45
What ?!?!? No high note from the title character at the end???
19세기 [독일] 오페라 - 독일 오페라 = 철학적/ 신화적/ 종교적 사고를 바탕에 둠
베버 - [오이리안테]
2:53:06
I'm here because of Victor Hugo
Un opera plein de promesses tombé dans un inexplicable oubli. Quelle tristesse pour un tel chef d'œuvre où pour la première fois Weber introduit des récitatifs accompagnés et chantés. Finis les dialogues parlés façon singspiel...cette version vaut surtout pour la beauté et la grandeur d'une magnifique staatskapelle de Dresde et la belle prestation de Jessye Norman. Dommage que Gedda soit vraiment horrible !
1:48:28
2:15:33