Look up the model fet by Electronic Audio experiments. It even simulates the power amp section. Sounds awesome with both channels cranked. Doom for days. Works great in a power amp in/effects return or front of amp. Look up demos on YT, it really nails the Sunn Model T sound for ~$200-250.
@@wootks FWIW, I already own a Model feT, but it doesn't really work for me because there is something off with the bass response. I've tried it in front of my amps, in the fx return and with a cab sim. I'm happy for those who find their sound with it, but I need to look elsewhere myself.
@@truthfactreality6814 One of my amps is a mercury edition. It recently bit the dust though due to overheating and I'm very much looking forward to the Amp X launch :)
It's great to see how intensely these nerds have studied the subject matter. Unfortunately, a lot of people seem to have forgotten how expensive such an effort is for R&D. On top of that, the devices are built like tanks and have a lot of computing power under the hood. Thank you very much for these very interesting interviews. Now if UA could provide just one of their microphones for Tore... 🙈
I can appreciate the R&D, but my standing in life will not permit a super expensive pro level pedalboard. For folks that can have 6-10 $250+ pedals, have at it. I’m out.
Great interview. I’m so glad UAD picked on these three amps. The vox and the tweed duluxe are such unique sounding amps. I’m so keen to get the Woodrow pedal because of all the quirky sounds it has. I dunno about a Marshall pedal… seems to be a million modelers based on these, and dare i say the Marshall sound is a more generic tone by comparison. I’ll be ordering one from sweetwater when I’m in the US in September, always excellent service from you guys!!
Two questions: 1) If it's geared toward direct, why is there not a 3-wire connector? I send a direct feed from my REVV D20 to the mixer and I have to drive a 30-foot cable. I thought that works only with 3-wire cables. 2) Did they model the 65 Deluxe with the treble cap in or out? Nobody wants that cap in the circuit if you're using as a pedal platform. Fender made that mistake with the Tone Master but eventually fixed it with a firmware update. Thanks for any answers!
Great questions! It’s really designed to sit on a pedalboard at instrument level, as part of a chain of pedals. You can adjust the output gain up to line level in most cases and it’s a buffered output, so you could run at line level for up to around 30 feet, but you would be best off going through a DI for longer distances. As for the treble cap, the pedal models both - in Lead mode when the boost is set above OFF the bright cap is removed, at the lower boost settings you get the warmer amp sound. I hope this helps! Feel free to reach out to me if you have any more questions. Connor Smith, Sweetwater Sales Engineer, (800) 222-4700 ext. 1793, connor_smith@sweetwater.com
In honest concern, a note for a seemingly extremely kind man, in that I really hope that Mitch is ok. He had gone from his general normal heavyset self (for years); to then an amazingly slender and apparently fit physique. And yet now in this video Mitch appears really, really heavy. Heavier than ever, tbh, and I cannot stand unconcerned. My sincere prayers here for his health and well-being. I hope it's just less than flattering camera angles, and in no way do I mean to sound remotely insulting at all, only meaning to express genuine concern.
Has Universal Audio staked a claim for the most authentic amp-in-a-box pedals yet? Let us know what you think in the comments below, and shop the entire UAFX series at Sweetwater 👉 imp.i114863.net/x93PVR
Hello, Anthony! I’m assuming you are referring to the Dream ’65 pedal. Indeed, UA has modeled the spring reverb from the Deluxe Reverb and packed it into this pedal. Thanks for the interest! Cody Kraus, Sweetwater Sales Engineer, (800) 222-4700 ext. 1766, cody_kraus@sweetwater.com
Hi, Andres! Our team would be glad to look into this for you. When you have a moment, please give us a call at (800) 222-4700 or email us at sales@sweetwater.com. You may also visit www.sweetwater.com/about/contact Thanks for the message!
These seem good. Would be interested to compare to Strymon Iridium. But I am also confused about these pedals. They take an analog signal, make it digital, process that, then convert it back to analog. If I am recording in a DAW, why not let me just make the conversion to digital once? One answer is: just sell me a plug-in and a physical box that controls it. Another would be, give me the option to output my sound digitally (so that this is an amp and an interface all on one).
Even mid-range converters are so good these days that I don't think it really matters anymore how many times you convert the signal. and UA uses really great converters.
@@weschilton OK, fair enough. Then why not give me the option to directly send that digital signal to a computer rather than forcing me to output as analog and buy an interface to convert back again?
It has a usb connection. I haven’t checked to see if it does anything more than edit the pedal. I love the digital output on my OX so I understand the need.
gives new meaning to starving musicians. but, it really has been that way since I began back in the 70s with inflation taken into consideration. it's always been expensive if you wanted anything good.
@Sweetwater Hello guys! Thanks for the vid! Are those pedals ok to work as overdrive/distortion/mod etc.. in for exemple a hiwatt amp or its recomended to use other pedals (non-cab sim) to create similar sounds? Thanks a lot! Frank
Hi, Frank. The pedals are not designed to be used as overdrive pedals in front of another amp. Since they're modeling both a guitar amp and a cabinet, they'll likely sound pretty weird going into another amp and cabinet. The main intention is to use them towards the end of a pedal signal chain and give people the option of going direct to a PA or recording rig for a silent guitar rig, but not giving up the tone and feel of an amp and cab. Thanks for your interest! Charlie Davis, Sweetwater Sales Engineer, (800) 222-4700 ext. 1320, charlie_davis@sweetwater.com
Wow 400 bucks and you can't get a basic tone unless you have a bunch of post gear to make it proper Outrageous.....the gear market period really but the Ox Box now is the thing to go with Emulation will always be lacking
I got the dream 65 today. It sounds pretty good. However if you have a HX stomp don’t buy this. I set up a deluxe reverb and a good IR and they are pretty much the same while A\B the pedals. My regular pedals sound the same through both as well. I don’t the this is the end all like everyone on the internet is saying. It sounds way better than strymon.
@@cour1988 I love the Iridium. have a Princeton Reverb and when I want a different sound or am recording late at night the Iridium is great. Don't think I'd pay $400 for these UA pedals. That kind of money seems better saved for an actual amp tp me.
It's an interesting position they're in now. I suspect you won't see a plugin as the pedal removes the need - simply run the pedal direct into your Apollo.
@@mikedr1549 Hardware is the ultimate dongle. Fractal and Strymon know it well. Just wonder if most of the guitar nerds will prefer analog with the preamp section.
@@SHOWWHITE I look forward to the DI audio samples sure to come once people start buying it. I'm not sure most players will view it as a studio tool or a live tool. Andertons just dropped their review - let's see what Lee and Pete think.
This is for all those players that can't use amps on stage and don't want a Kemper. Its a great way to make a small do it all pedalboard that can just run to front of house and your in ears.
@@weschilton I agree. However, KEMPER, Neural DSP, Fractal are way more versatile than this one. For me, I still need an overdrive, a reverb or delay for some of my essential tone.
Hello, great question! Unfortunately that is not possible on the Ruby at this time, but each of those channels has a Boost option that gives you lots of gain. Let us know if you have any other questions. Thanks! Jason Filloramo, Sweetwater Sales Engineer, (800) 222-4700 ext. 1281, Jason_Filloramo@sweetwater.com
The Joyo pedals are analog and are copies of the Tech21 series pedals that emulate the Fender, Marshall, and Vox amps in a pedal. These UA pedals are digital modelers in pedal form. The Joyo pedals are amazing for the price. The Tech21 originals had a pricetag that was several times that back when they were made but are quite similar in sound. I have the Joyo American and like I said it is very good but what it does best is clean. The overdriven sounds are quite decent for a pedal but not great. Because of this I use the Joyo fairly clean and run other pedals into it like overdrive and fuzz and like that it is actually quite good. Sweetwater Sound has a video about these UA pedals and they seem like they are a ways beyond the sound quality of the Joyo and Tech21 pedals. I can run my real amps at volume pretty frequently so I'm happy with the Joyo sometimes for practice but if I couldn't run my real amps I would probably be looking into these UA pedals. Hope that helps clarify things a bit.
@@7171jay I agree, the Joyo American sounds really good clean but I think the overdrive on it is not very good. I crank it up a little bit but definitely run other pedals through it. Actually I have the Joyo in the effects loop right now.
they're v cool, look great. the deluxe one is calling me. would like to see some more gainy ones - marshall, boogie and orange or maybe diezel. and a headphone jack, come on UA 🤞
Hi, marc12marc. Technically, any amp with an effects loop is going to work. The pedals are designed to emulate the entire sound of an amp so you'll want to make sure the cabinet emulation is turned off, and it will need to be run into the effects loop of the amp. You can either do a four cable method, which allows you to still get the sound of your amp but bypass the preamp whenever the UA pedal is turned on, or you can just run straight to the effects loop return if you just want to go from the pedal straight to the power amp. Thanks for your interest! Charlie Davis, Sweetwater Sales Engineer, (800) 222-4700 ext. 1320, charlie_davis@sweetwater.com
Love this video and the three demo videos as well! I think UA nailed all three of these products. Sorry if this is a bit off topic, but I would love it if they could emulate different Leslie speakers. Imagine plugging in a Hammond organ or one or more midi controllers and having that same sound and feel. I would totally use that live or in studio.
They are talking a lot about how they make the amps sound like different artist. Do they have a reference (cheat sheet) for each set of setting as a baseline to start for all these tones? Looking for a starting point.
A good amp with attenuator and simple EQ is so much better Pedals are getting out of control Even a good w volume control will let you crank the amp and keep the volume down Through a good PA I'm sure they sound good but believe me these guy's won't use these Certain market only IMO
Personally I didn't think they sounded all that good Maybe if you ran a bunch of post onboard gear with them but not for me Got to be tube's for me but that's just me Oh well emulation
You don't have to buy or listen to it for all the negative people. If it's good it's good that has a price more over you don't have to carry a heavy monster like an AC 30 around.
You’ve got other options from Mooer, Joyo, Line 6 etc. UA gear is awesome in the studio…in terms of R&D and the user interface you really get what you pay for.
@@weschilton fully aware it doesn’t matter to them, but these really don’t sound impressive or bring something new to the conversation. It’s a Chinese pedal running plugins, you seem more invested in defending UAD.
I'm a bit divided by the current situation. There have never been more options. There are literally thousands of guitar pedals. That is of course a good thing. At the same time, they all seem to do pretty much the same things. I'm starting to get quite frustrated that there's no real innovation going on (at least on the analogue side). Companies are basically trying to reproduce sounds of times gone by. You see companies marketing their new pedals as something absolutely spectacular, and all I hear is the same old tones with some minor differences. How many shades of brown do you need. I want a whole different color. I can't imagine young people being inspired by pedals like these.
If UA is listening, PLEASE do a JCM 800 one... Pretty please with sugar on top! And Orange, and matamp, and Sunn Model T :)
Look up the model fet by Electronic Audio experiments. It even simulates the power amp section. Sounds awesome with both channels cranked. Doom for days. Works great in a power amp in/effects return or front of amp. Look up demos on YT, it really nails the Sunn Model T sound for ~$200-250.
@@wootks FWIW, I already own a Model feT, but it doesn't really work for me because there is something off with the bass response. I've tried it in front of my amps, in the fx return and with a cab sim. I'm happy for those who find their sound with it, but I need to look elsewhere myself.
Check out bluguitar amp 1 and amp x.
@@decibelzebub Hrmm what revision do you have? Can’t say I notice anything amiss with my v3.7. I have never heard a Model T in person cranked though.
@@truthfactreality6814 One of my amps is a mercury edition. It recently bit the dust though due to overheating and I'm very much looking forward to the Amp X launch :)
Nice to see the Vox AC-30 peek out behind James Santiago's left shoulder as he is talking about how they were modeling the response parameters.
It's great to see how intensely these nerds have studied the subject matter. Unfortunately, a lot of people seem to have forgotten how expensive such an effort is for R&D. On top of that, the devices are built like tanks and have a lot of computing power under the hood. Thank you very much for these very interesting interviews. Now if UA could provide just one of their microphones for Tore... 🙈
I can appreciate the R&D, but my standing in life will not permit a super expensive pro level pedalboard. For folks that can have 6-10 $250+ pedals, have at it. I’m out.
@@denmar355I feel you. But think of it as a 250$ tube amp head. Weighing a pound.
Hope they make a Roland Jazz Chorus pedal
Great interview. I’m so glad UAD picked on these three amps. The vox and the tweed duluxe are such unique sounding amps. I’m so keen to get the Woodrow pedal because of all the quirky sounds it has. I dunno about a Marshall pedal… seems to be a million modelers based on these, and dare i say the Marshall sound is a more generic tone by comparison. I’ll be ordering one from sweetwater when I’m in the US in September, always excellent service from you guys!!
Two questions: 1) If it's geared toward direct, why is there not a 3-wire connector? I send a direct feed from my REVV D20 to the mixer and I have to drive a 30-foot cable. I thought that works only with 3-wire cables. 2) Did they model the 65 Deluxe with the treble cap in or out? Nobody wants that cap in the circuit if you're using as a pedal platform. Fender made that mistake with the Tone Master but eventually fixed it with a firmware update. Thanks for any answers!
Great questions! It’s really designed to sit on a pedalboard at instrument level, as part of a chain of pedals. You can adjust the output gain up to line level in most cases and it’s a buffered output, so you could run at line level for up to around 30 feet, but you would be best off going through a DI for longer distances. As for the treble cap, the pedal models both - in Lead mode when the boost is set above OFF the bright cap is removed, at the lower boost settings you get the warmer amp sound.
I hope this helps! Feel free to reach out to me if you have any more questions.
Connor Smith, Sweetwater Sales Engineer, (800) 222-4700 ext. 1793, connor_smith@sweetwater.com
Great to see Tore again. Hadn't seen him since the TC days.
He's been at UA for about 5 years now!
His audio on this session was terrible.
Tore is the perfect person to put on that project.
✨🔊✨
I have the Ruby and the Woodrow and both are awesome….saving up for the Dream 👍🤘😎
In honest concern, a note for a seemingly extremely kind man, in that I really hope that Mitch is ok. He had gone from his general normal heavyset self (for years); to then an amazingly slender and apparently fit physique. And yet now in this video Mitch appears really, really heavy. Heavier than ever, tbh, and I cannot stand unconcerned. My sincere prayers here for his health and well-being. I hope it's just less than flattering camera angles, and in no way do I mean to sound remotely insulting at all, only meaning to express genuine concern.
Has Universal Audio staked a claim for the most authentic amp-in-a-box pedals yet? Let us know what you think in the comments below, and shop the entire UAFX series at Sweetwater 👉 imp.i114863.net/x93PVR
Is the reverb included with the amp modeling?
Hello, Anthony! I’m assuming you are referring to the Dream ’65 pedal. Indeed, UA has modeled the spring reverb from the Deluxe Reverb and packed it into this pedal.
Thanks for the interest!
Cody Kraus, Sweetwater Sales Engineer, (800) 222-4700 ext. 1766, cody_kraus@sweetwater.com
Do you know when will the Dream 65 will be available for shipping?
Hi, Andres! Our team would be glad to look into this for you. When you have a moment, please give us a call at (800) 222-4700 or email us at sales@sweetwater.com. You may also visit www.sweetwater.com/about/contact
Thanks for the message!
These seem good. Would be interested to compare to Strymon Iridium. But I am also confused about these pedals. They take an analog signal, make it digital, process that, then convert it back to analog. If I am recording in a DAW, why not let me just make the conversion to digital once? One answer is: just sell me a plug-in and a physical box that controls it. Another would be, give me the option to output my sound digitally (so that this is an amp and an interface all on one).
Even mid-range converters are so good these days that I don't think it really matters anymore how many times you convert the signal. and UA uses really great converters.
@@weschilton OK, fair enough. Then why not give me the option to directly send that digital signal to a computer rather than forcing me to output as analog and buy an interface to convert back again?
@@andrew6889-p5c Have a look at UA's Apollo interfaces, there's also a much wider range of amp models on that platform as well as digital I/O.
It has a usb connection. I haven’t checked to see if it does anything more than edit the pedal. I love the digital output on my OX so I understand the need.
The Andertons did a video comparing these to the Strymon iridium and the DSM simplifier. It's on YT.
Universal Audio overcharges for everything
Wow they are pricey, good grief UA.
No they don't, you're just cheap.
At least Strymon and Walrus assemble in the US for that price.
@@viceroyraydeen1796 Strymon also makes better pedals.
Hope you guys do a special on bluguitar amp X that’s being released at namm 2022.
It’s easy now to get wrapped up in building a pedalboard that costs $3000. Insane.
Yeah. It’s absurd. As is the notion of a “pedal platform amp.” How about spending some of this money on a great amp?
@@dahliafiend if a 65 blackface didn't cost 2500 and up then we might. 😂
gives new meaning to starving musicians. but, it really has been that way since I began back in the 70s with inflation taken into consideration. it's always been expensive if you wanted anything good.
@@dahliafiend amps are large, much more expensive, and don't sound nearly as good at low volumes.
@@oo7799 my Princeton reverb was use: for $650’sounds great at 3
Definitely interested in the Vox one. Slightly bummed there’s no Marshall.
no Diezel either. 😁
$399 each. How many of us can afford more many $400 pedals? Not me.
@@denmar355 then it's not for you. Check out a different modular.
Wow I want all of these what a great idea still use my pedal board
A great video. Thanks so much 😎
Where exactly would these go in a pedal chain? I would assume after modulation since an amp comes after modulations.
Where ever you like.....think as a Studiorig and put it before modulation and Delay/Reverb.
@Sweetwater Hello guys! Thanks for the vid! Are those pedals ok to work as overdrive/distortion/mod etc.. in for exemple a hiwatt amp or its recomended to use other pedals (non-cab sim) to create similar sounds? Thanks a lot! Frank
Hi, Frank. The pedals are not designed to be used as overdrive pedals in front of another amp. Since they're modeling both a guitar amp and a cabinet, they'll likely sound pretty weird going into another amp and cabinet. The main intention is to use them towards the end of a pedal signal chain and give people the option of going direct to a PA or recording rig for a silent guitar rig, but not giving up the tone and feel of an amp and cab.
Thanks for your interest!
Charlie Davis, Sweetwater Sales Engineer, (800) 222-4700 ext. 1320, charlie_davis@sweetwater.com
Wow 400 bucks and you can't get a basic tone unless you have a bunch of post gear to make it proper Outrageous.....the gear market period really but the Ox Box now is the thing to go with Emulation will always be lacking
@@paulcowart3174 gotta need to test it before judging I think.
I got the dream 65 today. It sounds pretty good. However if you have a HX stomp don’t buy this. I set up a deluxe reverb and a good IR and they are pretty much the same while A\B the pedals. My regular pedals sound the same through both as well. I don’t the this is the end all like everyone on the internet is saying. It sounds way better than strymon.
Way better than Strymon iridium? Typo did you mean “no better? I don’t think the HX sounds better than the Strymon certainly not hugely so if at all
@@dahliafiend I meant I like the Dream 65 way better than strymon
@@dahliafiend Stomp was a dumpster fire for me. Iridium has been what I run for a while now. So I'm interested to compare the 65 to the iridium
@@cour1988 I love the Iridium. have a Princeton Reverb and when I want a different sound or am recording late at night the Iridium is great. Don't think I'd pay $400 for these UA pedals. That kind of money seems better saved for an actual amp tp me.
These do sound better than the Iridium, at least based on videos I've been watching on YT. Comparison videos.
399 for a digital amp simulation pedal? Maybe UA should release the plugin version?
It's an interesting position they're in now. I suspect you won't see a plugin as the pedal removes the need - simply run the pedal direct into your Apollo.
@@mikedr1549 Hardware is the ultimate dongle. Fractal and Strymon know it well. Just wonder if most of the guitar nerds will prefer analog with the preamp section.
@@SHOWWHITE I look forward to the DI audio samples sure to come once people start buying it. I'm not sure most players will view it as a studio tool or a live tool. Andertons just dropped their review - let's see what Lee and Pete think.
This is for all those players that can't use amps on stage and don't want a Kemper. Its a great way to make a small do it all pedalboard that can just run to front of house and your in ears.
@@weschilton I agree. However, KEMPER, Neural DSP, Fractal are way more versatile than this one. For me, I still need an overdrive, a reverb or delay for some of my essential tone.
What did he mean by r-style when referring to the dream 65. I know d-style was dumble but I can’t figure what r style is.
After listening to demos of these pedals, amps, whatever we want to call them, the pedal world just changed.
It's very interesting how the pedals match the guys outfits and the room altogether 😂
Is there a way to jump the normal and top boost channels on ruby?
Hello, great question! Unfortunately that is not possible on the Ruby at this time, but each of those channels has a Boost option that gives you lots of gain.
Let us know if you have any other questions. Thanks!
Jason Filloramo, Sweetwater Sales Engineer, (800) 222-4700 ext. 1281, Jason_Filloramo@sweetwater.com
The UA guy on video conference with a terrible audio sound... the irony... lol
How are these different from the Joyo American/AC/British sound pedals?
About $375 🤫…
The Joyo pedals are analog and are copies of the Tech21 series pedals that emulate the Fender, Marshall, and Vox amps in a pedal.
These UA pedals are digital modelers in pedal form.
The Joyo pedals are amazing for the price. The Tech21 originals had a pricetag that was several times that back when they were made but are quite similar in sound.
I have the Joyo American and like I said it is very good but what it does best is clean. The overdriven sounds are quite decent for a pedal but not great. Because of this I use the Joyo fairly clean and run other pedals into it like overdrive and fuzz and like that it is actually quite good.
Sweetwater Sound has a video about these UA pedals and they seem like they are a ways beyond the sound quality of the Joyo and Tech21 pedals.
I can run my real amps at volume pretty frequently so I'm happy with the Joyo sometimes for practice but if I couldn't run my real amps I would probably be looking into these UA pedals.
Hope that helps clarify things a bit.
@@7171jay
I agree, the Joyo American sounds really good clean but I think the overdrive on it is not very good. I crank it up a little bit but definitely run other pedals through it. Actually I have the Joyo in the effects loop right now.
Great Stuff as always Gentlemen! Your next challenge is to gig with your chosen pedal and report back!
they're v cool, look great. the deluxe one is calling me. would like to see some more gainy ones - marshall, boogie and orange or maybe diezel. and a headphone jack, come on UA 🤞
The Deluxe ? You mean Deluxe Reverb or Tweed Deluxe ?
Can anyone recommend an amplifier to send this pedal out to a regular guitar cab?
Hi, marc12marc. Technically, any amp with an effects loop is going to work. The pedals are designed to emulate the entire sound of an amp so you'll want to make sure the cabinet emulation is turned off, and it will need to be run into the effects loop of the amp. You can either do a four cable method, which allows you to still get the sound of your amp but bypass the preamp whenever the UA pedal is turned on, or you can just run straight to the effects loop return if you just want to go from the pedal straight to the power amp.
Thanks for your interest!
Charlie Davis, Sweetwater Sales Engineer, (800) 222-4700 ext. 1320, charlie_davis@sweetwater.com
Very cool. Call me when you do a Marshall.
What about headphones?
Dude! I have been wondering where in the world Tore went to! I’m glad he has moved up in the world!… Not that TC electronic was a bad place!
It is now
He’s been at UA for over 5 years now I believe.
Screw you UA! How can I decide now? They all sound great!
Should've had an effects loop and balanced out.
If they ever make any more Game of Thrones....Nick Bowcott has got to be cast as one of the characters..
Love this video and the three demo videos as well! I think UA nailed all three of these products.
Sorry if this is a bit off topic, but I would love it if they could emulate different Leslie speakers. Imagine plugging in a Hammond organ or one or more midi controllers and having that same sound and feel. I would totally use that live or in studio.
Where’s the 100w Marshall superlead??
More pedals.
The Sweetwater guys look TOUGH in the thumbnail
💪
They are talking a lot about how they make the amps sound like different artist. Do they have a reference (cheat sheet) for each set of setting as a baseline to start for all these tones? Looking for a starting point.
There's an app that connects via bluetooth, Check out Anderton's review on these. Seems pretty easy to use and tere are tons of amp settings.
@sweetwater can they do a hiwatt (gilmour, Townsend) should be handsome !!! Or a binson echorec thing..
Stompboxes.. the endless quest for sure.
A good amp with attenuator and simple EQ is so much better Pedals are getting out of control Even a good w volume control will let you crank the amp and keep the volume down Through a good PA I'm sure they sound good but believe me these guy's won't use these Certain market only IMO
not worth the price to me. should be good for that price though.
Personally I didn't think they sounded all that good Maybe if you ran a bunch of post onboard gear with them but not for me Got to be tube's for me but that's just me Oh well emulation
Where's the Marshall pedal???
see Mooer or Joyo. 😁
@@zoomzoom3950 if someone is looking for a UA, they wouldn't buy a budget option.
@@drdre4397 he did say Marshall, that's about as basic and common as you can get. No need to spend more to get that tone.
Oh wow!!!!
Is there a reason why these aren't simply in ONE unit? They're not analog, right?
Money duh
@@melodica5407 It was a rhetorical question.
How much is UAD paying all these RUclipsrs to avoid calling it modeling and avoid talking about the high price?
You don't have to buy or listen to it for all the negative people. If it's good it's good that has a price more over you don't have to carry a heavy monster like an AC 30 around.
I'm sure they're good but $399 each? Do we really need pedals that expensive now?
that seems to be the case.. kinda makes sense when you think of it as an amp replacement though
Nah you don’t. Get a helix or a gt core and you’ll be just as fine
@@Hamppzah
I don't know, for that money it had better be really good.
You’ve got other options from Mooer, Joyo, Line 6 etc. UA gear is awesome in the studio…in terms of R&D and the user interface you really get what you pay for.
All hype and not for me....400 bones Outrageous
No thanks UAD.
I know they are heartbroken that you won't be buying one.
@@weschilton fully aware it doesn’t matter to them, but these really don’t sound impressive or bring something new to the conversation. It’s a Chinese pedal running plugins, you seem more invested in defending UAD.
I'm a bit divided by the current situation. There have never been more options. There are literally thousands of guitar pedals. That is of course a good thing. At the same time, they all seem to do pretty much the same things. I'm starting to get quite frustrated that there's no real innovation going on (at least on the analogue side). Companies are basically trying to reproduce sounds of times gone by. You see companies marketing their new pedals as something absolutely spectacular, and all I hear is the same old tones with some minor differences. How many shades of brown do you need. I want a whole different color. I can't imagine young people being inspired by pedals like these.
I wish people would play some rhythm tracks instead of just leads. There is a massive miss on all these videos for that.
Terrible distortion
i didn't like the way they sound, just my o.
Does every UA video have to involve the usual UA talking heads bragging about how hard it was to make the product?
Strange voice on the telephoneeee
Made in China?
32 minutes of talking about new pedals. How about less talking and more playing