How to Speed Up Your Drone Editing Workflow
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- Опубликовано: 6 июл 2024
- Tutorial on Transcoding Drone Footage for improved Workflow Performance in Adobe Premiere and Final Cut. Related Blog Post : www.mananddrone.com/speed-up-...
00:00 : Intro
01:55 : Transcoding via Adobe Media Encoder Mac + PC
05:48 : GoPro CineForm & DNXHQ Codecs
08:05 : Transcoding via Compressor for Mac
10:12 : Creating Proxies in Premiere Mac + PC
14:53 : Creating Proxies in Final Cut for Mac
17:00 : Outro
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I really love your work! I feel I have a lot to learn and watching your stuff helps thank you!
Thanks a lot this is very helpfull!
Useful Shortcuts :
00:00 : Intro
01:55 : Transcoding via Adobe Media Encoder Mac + PC
05:48 : GoPro CineForm & DNXHQ Codecs
08:05 : Transcoding via Compressor for Mac
10:12 : Creating Proxies in Premiere Mac + PC
14:53 : Creating Proxies in Final Cut for Mac
17:00 : Outro
Gear I Use & Why : kit.co/mananddrone
Thanks for the great tips. When you convert from raw footage to ProRes do you keep both files when completed the video or delete the raw and keep ProRes for future needs?
Thanks Anthony. I will keep both just incase, but only use the ProRes for editing. I have several 2TB / 4TB Seagate Backplus external usb drives which I will use as cold storage, they're a pretty good cheap storage solution.
Interesting video M&D. You covered quite a lot there. Thinking on getting the mavic 2 pro next spring. Currently using a inspire 1 pro. Would you recommend?
Hi Jon, well it depends on the use case? The Mavic 2 is very compact and easy to get in the air compared with the Inspire 1. You have better lens options for the X5 but at least the Mavic 2 produces FOV mode at 28mm and HQ mode at 40mm so you basically have 2 focal ranges. The battery life must be doubled that of the Inspire 1 too.
Man And Drone Thanks so much for taking the time to get back to me. Appreciate that. I’ll be traveling to Spain next year so thought the mavic would be ideal. I think I’ll pick one up in March. Thanks again.
very good, thank you for help
But my main question, to leave this cinema-like look with beautiful images, do you use 30 fps or 24 fps?
Do you really believe that there is a lot of difference between recording at 30 or 24 fps to try to achieve a more cinematic and impactful result?
No worries. Regarding the FPS look it's subjective most people will say 24fps I tend to find drone footage jerky at 24fps so I wont bother, A couple of my vids are 24 but most are set at 30 because that's what I want the Audience to feel.
For a cinematic look I would do this : Shoot in either 24/25/30 4K , Shutter double frame rate, use 2:35:1 Scope , Grade using FilmConvert. That should make a good starting point. It should always be a look and feel you want to portray rather than what someone else on the internet said if you catch my drift. Cheers
@@ManAndDrone Cool, I understood yes and it helped a lot, I'm going to try this so I got some cool takes too, thanks for the help.
No worries dude cheers!
In win 10 i want to editing 4k videos but they are not 100% smooth like the real one , what i need to do?
Sorry this is so long buyt I am some what confused, so I want to make sure I am not missing your point.
I just ran across this video while looking for what other drone pilots workflow is. I am somewhat confused by your explanation of the use of proxy files in the first part of this tutorial. I use Proxy files as well but it seems like I use them in a completely oppisite manner.
I dumb down my Proxies, to help with edit/scrubbing in the timeline using Adobe Premiere Pro 2019, also for playback in the timeline to check edits and the like. I simply import all my raw drone video footage into premiere and while they are all selected in the bin, I right click and choose "Proxy" | "Create proxy". This automatically opens a popup window which then prompts me to choose an output type. I can select either a formast of "H.264" or "Quicktime", which in my case I usually choose H.264. I then choose a preset which is "1024x540 H.264" . Then there are two option for where I want to store the proxies "Next to Original Media in Proxy folder" (My Standard) or I can browse to another location of my choosing. I click OK and Adobe Media Encoder starts up, loads the videos and renders them. I then turn on "Use Proxies" in Adobe Premiere and when I drag a 4k video from my bin into the time line it actually uses the proxy file duruing the editing process. It is not until I do the final render that the actually raw drone 4K video file is used as the source to render the footage out.
Am I missing something in your process?
No problem. The first part of the video I'm talking about transcoding the raw drone footage into a lossless format. You would do this because h.265 is way too taxing on today's hardware unless you have a fast computer, it also makes for faster archive viewing and selection outside of Premiere. I much prefer having my archives in Prores 422 than h.265 and file-size isn't an issue for me. The other main reason you would work with lossless such as 422 from the get-go is because it won't bog down your scrubbing when checking colour correction and effects at full resolution in Premiere.. When you toggle between proxies and original h.265 it's slow for scrubbing on most average to okay computers, if you convert that h.265 into Lossless before hand it negates that problem.
Ultimately will depend on your hardware setup.
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