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Krallice, "Porous Resonance Abyss part IIII" recording at Menegroth
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- Опубликовано: 16 май 2023
- krallice.bandcamp.com/album/p...
recording at Menegroth the Thousand Caves
Colin Marston: korg lambda, arp omni, arp odyssey, roland ju-06a
Lev Weinstein: drums
Mick Barr: bass
Nicholas McMaster: guitar
Crazy drumming
literally the greatest band of all time
no
@@in3135 impressive rebuttal. i must concede. you have convinced me
*deathspell omega enters the chat*
@@Shaktipat6I disagree, krallice is far better, onward.
ever heard of the beatles dumbass? how about the freaking ROLLING STONES????
Mind blowing competence and originality. As a wannabe drummer, just full of praise for Lev.
Well, this is certainly one of the best things on the internet
Absolutely. I watch this religiously at this point it's hard to grasp something being this perfect
I was kind of obsessed at Lyceum times with some iconic releases. I do realize 35 years after, music is unique no matter the genre, to extract you the same feeling. This recording is at least equal, with Pink Floyd's Live at Pompeii. Without the slightest intention of joking or exaggeration.
Incredible song, the last 5 minutes might be the most beautiful music Krallice has ever made.
Indeed! Was going to say it’s like a Krallice rinseout. So beautiful.
HOLY SHIT his drumming is so fucking good
Uno de los grupos maestros del metal y de la música sin etiquetas, y claramente infravalorados. Sois geniales!!!!!!!!!
Krallice is next level
14:30 to 17:00. Holy shit, man. That's on par with the last few minutes of "Years Past Matter".
I am in awe of this album. Its a masterpiece the world needs to hear.
I am so happy I clicked on this link today!
Exact same feeling here today
Easily one of the best intro buildups
You guys are so awesome
I just realized, the last few mins of this song when you all come back in sounds like the end of Jizzlobber with what Colin is doing on keys 😅
lorrrd of Synth 🔥
hopefully it goes well. i don't want to be banned from music for a period of 100 years
beyond incredible
beautiful, love it
Just LOVELY! Thank you!
Absolutely amazing.
Amazing contemporary masterpiece !!!
Fantastic!
Magic
Amazing
The synth guitar is so god damn cool
yea man this is great
When you dont quite get it... thats music
Excelente.
Why are their CD's so hard to find? I only have Dimensional Bleedthrough and Diotima.
I can hear the PSX intro with the first synth
❤
Fuuuuuuck yes!!!
Fackin rules
Hi Colin, I’m curious about your percussion setup, any info about the drums and cymbals you’re using and why you picked those pieces to complement Lev’s kit would be greatly appreciated!
for this album i used a 16" floor tom, 14" snare, 20" china, 6" icebell, and 7" cup chime. same drums but slightly different cymbals used on the previous 2 albums. i don't use any of this at all in this song ironically, but do quite a bit in the other song video i posted for song III: ruclips.net/video/YUEtaTTTmSU/видео.htmlsi=K6DA78G5QHU4ZIhI
i do the most extra drumming on the album "Psychagogue," especially on the first at last tracks. on "Psychagogue" and "Crystalline Exhaustion" lev doesn't use any cymbals besides hat and ride, so i'm doing all the accent cymbals. for "Porous..." i decided it was time for lev to have a ton of cymbals for once (and i made him play with mallets)! lev just uses whatever you put in front of him, and the two of us have extremely different approaches to drumming, which has made this phase of Krallice very fun.
@@ColinMarstonOmnisoundThanks for sharing, Colin. The drums sound absolutely godly on here. Toms have got so much attack and depth without being too much. Cymbals sound fucking perfect with that synth, too. Man. Amazing stuff.
@colin Martson : are you guys playing with metronome when you do live recording like this ?
no. i'm generally anti-click track for full band recordings. i much prefer to find the tempos by feel, and allow them to ebb and flow naturally. the only time we used a click was for "Forgiveness in Rot," the last song on the first album. at the time it was difficult for Lev to not gradually speed up over those 15 minutes of awkwardly slow blasting. now that we've been playing together for 16 years, the idea of needing a click to get the right feel seems totally insane. clicks are useful for studio experiments where no one is playing together like "All and Nothing" (where we just used the demo version for the album) and "Quadripartite Mirror Realm" (which is like 98% a solo track i made on my own, with some brief overdubs from the boys)
@@ColinMarstonOmnisound thanks for the answer. I try both method with live recording and click track studio recording and this vidéo and comments of your give me more reason to continue recording on a total live aspect. You guys nails it.
Fantastic!
Amazing