Yes! The Recorder was an instrument we played in School Orchestras. Usually, it sounded dreadful & took second place to the Flute. But when played as on these magnificent Recordings, it has a Tonal quality equal to any other Instrument
That's the problem of the music education methods used in most places. They focus on fixed applications of diluted musical concepts - you never learn anything, totally in contrast to all other disciplines. The way to change this is to adopt a pedagogical approach like those used in early conservatories in 15th, 16th and 17th centuries, but not too hard because the focus won't be on forging pro musicians, but well formed amateurs.
Thank you for watching our video, and don't forget to like and subscribe! Tracklist: Composer: Antonio Vivaldi Artists: Erik Bosgraaf & Cordevento Recorder Concerto in C Major, RV 444: 00:00:00 I. Allegro non molto 00:04:08 II. Largo 00:06:25 III. Allegro molto Composer: Johann Sebastian Bach Artists: Erik Bosgraaf & Cordevento Concerto in B-Flat Major, BWV 1055: 00:09:32 I. Allegro 00:13:31 II. Larghetto 00:18:28 III. Allegro ma non tanto Composer: Francesco Mancini Artists: Capella Tiberina Concerto VIII in C Minor: 00:22:30 I. Vivace 00:24:14 II. Largo e staccato 00:25:27 III. Fuga - Allegro 00:28:13 IV. Largo 00:29:48 V. Allegro Composer: Georg Phillip Telemann Artists: Erik Bosgraaf & Francesco Corti Recorder Concerto in F Major, TWV 51:1: 00:31:15 I. Affettuoso 00:34:01 II. Allegro 00:37:36 III. Adagio 00:40:01 IV. Menuet I & II Composer: Giovanni Battista Sammartini Artists: Collegium Pro Musica & Stefano Bagliano Concerto in F Major for Recorder and Strings: 00:43:15 I. Allegro 00:47:13 II. Siciliano 00:52:19 III. Allegro Composer: Johann Joachim Quantz Artists: Collegium Pro Musica & Stefano Bagliano Flute Concerto in F Major, QV5:39: 00:56:21 I. Allegretto 01:03:20 II. Arioso ma un poco andante 01:08:22 III. Presto Composer: Georg Phillip Telemann Artists: Erik Bosgraaf & Cordevento Recorder Concerto in C Major, TWV 51:1: 01:13:02 I. Allegretto 01:16:08 II. Allegro 01:19:57 III. Andante 01:23:48 IV. Tempo di menuet Composer: Alessandro Scarlatti Artists: Collegium Pro Musica & Stefano Bagliano Recorder Concerto No. 22 in A Major: 01:28:19 I. Allegro 01:29:18 II. Fuga 01:31:30 III. Adagio 01:32:57 IV. Andante - Allegro Composer: Nicolò Fiorenza Artists: Stefano Bagliano & Collegium Pro Musica Recorder Concerto in G Minor: 01:34:28 I. Moderato 01:37:22 II. Allegro 01:41:20 III. Largo 01:43:42 IV. Allegro Composer: Giovanni Battista Mele Artists: Stefano Bagliano Recorder Concerto in F Major: 01:46:33 I. Andante 01:47:59 II. Allegro 01:50:05 III. Adagio 01:51:53 IV. Allegro Composer: Georg Philipp Telemann Artists: Cordevento, Erik Bosgraaf & Yi-Chang Liang Concerto for 2 Recorders in A Minor, TWV 52:a2: 01:56:03 II. Vistement 01:57:38 III. Largement 01:59:34 IV. Vivement Composer: Antonio Vivaldi Artists: Erik Bosgraaf & Cordevento Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo: 02:01:42 I. Allegro non molto 02:06:42 II. Largo 02:09:25 III. Allegro Composer: Johann Sebastian Bach Artists: Erik Bosgraaf & Cordevento Concerto in D Major, BWV 1053: 02:12:52 I. (Allegro) 02:20:19 II. Siciliano 02:24:16 III. Allegro Composer: Francesco Mancini Artists: Capella Tiberina Concerto V in G Major: 02:30:17 I. Allegro 02:31:57 II. Largo 02:33:11 III. Fuga - Allegro 02:36:04 IV. Larghetto Composer: Nicolò Fiorenza Artists: Stefano Bagliano & Collegium Pro Musica Recorder Concerto in C Minor: 02:37:37 I. Largo amoroso 02:40:40 II. Andante 02:45:25 III. Largo 02:47:33 IV. Allegro Composer: Carl Philipp Emanuel Bach Artists: Collegium Pro Musica & Stefano Bagliano Concerto in D Minor, Wq. 22: 02:51:15 I. Allegro 02:58:44 II. Un poco andante 03:06:58 III. Allegro di molto Composer: Joseph Bodin de Boismortier Artists: Seldom Sene Concerto in A Minor, Op. 15 No. 2: 03:14:33 I. Allegro 03:17:35 II. Largo 03:20:05 III. Allegro Composer: Alessandro Scarlatti Artists: Collegium Pro Musica & Stefano Bagliano Concerto No. 23 in C Major: 03:22:50 I. Adagio 03:24:13 II. Fuga 03:26:57 III. Largo Composer: Antonio Vivaldi Artists: Erik Bosgraaf & Cordevento Concerto in C Major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo: 03:28:18 I. Allegro 03:32:07 II. Largo 03:35:50 III. Allegro molto
@@1968KWT Edward Gregson's Aztec Dances, Garden of the Gods by Gregory Rose, David Bedford's Kemptown Races, George King's Dance suite, Daryl Runswicks Cycles, all recorded by Jill Kemp; there is an enormous literature of modern works, with amazing contributions by Japanese and Korean composers
_Re-enter Players with recorders_ HAMLET. O, the recorders! let me see one. Will you play upon this pipe? GUILDENSTERN. My lord, I cannot. HAMLET. I pray you. GUILDENSTERN. Believe me, I cannot. HAMLET. I do beseech you. GUILDENSTERN. I know no touch of it, my lord. HAMLET. ‘Tis as easy as lying: govern these ventages with your fingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN. But these cannot I command to any utterance of harmony; I have not the skill. HAMLET. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me.
“The recorder is generally thought of as a training instrument for children. But listen to it. In the hands of an expert like Joram Leifgrum, the passion is…..Breathtaking.” - Captain Raymond Holt.
And it also depends on what kind of instrument you play... The instruments used as "training for children" are vastly different to the ones used in this recording, for instance.
@@Vitali_Osandor Not so different at all. Kids used to play in cheap factory resin recorders, professionals play in expensiver resin and wood ones. But the basics are the same - and this applies to other instruments like violin, guitar, flute, clarinet, saxophones etc.
@@kenhimurabr They ARE very different. I play recorder. There are differences in sound, volume of the instrument and technical capacities. Also, kids in school use instruments made for the german fingering, while the more accomplished players use instruments made for the english (baroque) fingering. Sure, there are similarities, but the similarities are much smaller than those between beginner and advanced violins, flutes, guitars, etc.
Lindo trabalho, agradecido. A flauta já era tocada pelos índios do Brasil antes da chegada dos portugueses e era comum desde a Europa até o Japão. Um instrumento singelo, em sua construção, mas lindo, se usado corretamente. Saudações do Brasil 🇧🇷.
The problem with the reputation of the recorder is too many schools get cheap inferior grade instruments that don’t play true. I have thrown away several because they wouldn’t come close to the notes I was trying to play. The cheap one I got from Amazon is far superior to the more expensive one I bought locally. The tone is cleaner and the pitch is true.
I'm French, and I agree ! In my country we forced music teachers to teach how to play recorder because they believed recorder is "easy"... and teachers didn't know how to play "flûte à bec" how we say at my place. In France, for me, it explains why people tend to think they lnow this instrument... when they don't. Sad !
I was doing my work, when my ears were perked from 02:12:52. At first I thought this was a Brandenberg concerto ripoff by an inferior composer. Glad to know it comes from the master himself!
В молодости, слушая классическую музыку, я воспринимала её, как тёплый летний дождь или ливень с грозой за окном ... впереди жизнь и отсутствие жизненного опыта ... а сейчас, данная музыка погружает меня в мою совесть и в воспоминания о людях, как живых, так и ушедших ... это очень болезненно в душе. Возможно, это хорошо, а может и нет.
Просто пришло понимание, что в те времена жили такие же люди, и музыка у них была о том же, что и сейчас (радость, грусть, любовь, тоска, страх), но другим языком.
When I'm listening to Erik Bosgraaf playing the Recorder : I know that I'm hearing Johann Sebastian Bach Himself ... and all His revered contemporaries.
Thank you for sharing this delightful collection of works with us. It's been a pleasant accompaniment to my domestic activities, on fair and rainy days, both.
Yes! The Recorder was an instrument we played in School Orchestras. Usually, it sounded dreadful & took second place to the Flute. But when played as on these magnificent Recordings, it has a Tonal quality equal to any other Instrument
every instrument sounds like ass in a school orchestra
That's the problem of the music education methods used in most places. They focus on fixed applications of diluted musical concepts - you never learn anything, totally in contrast to all other disciplines. The way to change this is to adopt a pedagogical approach like those used in early conservatories in 15th, 16th and 17th centuries, but not too hard because the focus won't be on forging pro musicians, but well formed amateurs.
Thank you for watching our video, and don't forget to like and subscribe!
Tracklist:
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf & Cordevento
Recorder Concerto in C Major, RV 444:
00:00:00 I. Allegro non molto
00:04:08 II. Largo
00:06:25 III. Allegro molto
Composer: Johann Sebastian Bach
Artists: Erik Bosgraaf & Cordevento
Concerto in B-Flat Major, BWV 1055:
00:09:32 I. Allegro
00:13:31 II. Larghetto
00:18:28 III. Allegro ma non tanto
Composer: Francesco Mancini
Artists: Capella Tiberina
Concerto VIII in C Minor:
00:22:30 I. Vivace
00:24:14 II. Largo e staccato
00:25:27 III. Fuga - Allegro
00:28:13 IV. Largo
00:29:48 V. Allegro
Composer: Georg Phillip Telemann
Artists: Erik Bosgraaf & Francesco Corti
Recorder Concerto in F Major, TWV 51:1:
00:31:15 I. Affettuoso
00:34:01 II. Allegro
00:37:36 III. Adagio
00:40:01 IV. Menuet I & II
Composer: Giovanni Battista Sammartini
Artists: Collegium Pro Musica & Stefano Bagliano
Concerto in F Major for Recorder and Strings:
00:43:15 I. Allegro
00:47:13 II. Siciliano
00:52:19 III. Allegro
Composer: Johann Joachim Quantz
Artists: Collegium Pro Musica & Stefano Bagliano
Flute Concerto in F Major, QV5:39:
00:56:21 I. Allegretto
01:03:20 II. Arioso ma un poco andante
01:08:22 III. Presto
Composer: Georg Phillip Telemann
Artists: Erik Bosgraaf & Cordevento
Recorder Concerto in C Major, TWV 51:1:
01:13:02 I. Allegretto
01:16:08 II. Allegro
01:19:57 III. Andante
01:23:48 IV. Tempo di menuet
Composer: Alessandro Scarlatti
Artists: Collegium Pro Musica & Stefano Bagliano
Recorder Concerto No. 22 in A Major:
01:28:19 I. Allegro
01:29:18 II. Fuga
01:31:30 III. Adagio
01:32:57 IV. Andante - Allegro
Composer: Nicolò Fiorenza
Artists: Stefano Bagliano & Collegium Pro Musica
Recorder Concerto in G Minor:
01:34:28 I. Moderato
01:37:22 II. Allegro
01:41:20 III. Largo
01:43:42 IV. Allegro
Composer: Giovanni Battista Mele
Artists: Stefano Bagliano
Recorder Concerto in F Major:
01:46:33 I. Andante
01:47:59 II. Allegro
01:50:05 III. Adagio
01:51:53 IV. Allegro
Composer: Georg Philipp Telemann
Artists: Cordevento, Erik Bosgraaf & Yi-Chang Liang
Concerto for 2 Recorders in A Minor, TWV 52:a2:
01:56:03 II. Vistement
01:57:38 III. Largement
01:59:34 IV. Vivement
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf & Cordevento
Concerto in C Minor, RV 441, for Alto Recorder, Two Violins, Viola, Basso Continuo:
02:01:42 I. Allegro non molto
02:06:42 II. Largo
02:09:25 III. Allegro
Composer: Johann Sebastian Bach
Artists: Erik Bosgraaf & Cordevento
Concerto in D Major, BWV 1053:
02:12:52 I. (Allegro)
02:20:19 II. Siciliano
02:24:16 III. Allegro
Composer: Francesco Mancini
Artists: Capella Tiberina
Concerto V in G Major:
02:30:17 I. Allegro
02:31:57 II. Largo
02:33:11 III. Fuga - Allegro
02:36:04 IV. Larghetto
Composer: Nicolò Fiorenza
Artists: Stefano Bagliano & Collegium Pro Musica
Recorder Concerto in C Minor:
02:37:37 I. Largo amoroso
02:40:40 II. Andante
02:45:25 III. Largo
02:47:33 IV. Allegro
Composer: Carl Philipp Emanuel Bach
Artists: Collegium Pro Musica & Stefano Bagliano
Concerto in D Minor, Wq. 22:
02:51:15 I. Allegro
02:58:44 II. Un poco andante
03:06:58 III. Allegro di molto
Composer: Joseph Bodin de Boismortier
Artists: Seldom Sene
Concerto in A Minor, Op. 15 No. 2:
03:14:33 I. Allegro
03:17:35 II. Largo
03:20:05 III. Allegro
Composer: Alessandro Scarlatti
Artists: Collegium Pro Musica & Stefano Bagliano
Concerto No. 23 in C Major:
03:22:50 I. Adagio
03:24:13 II. Fuga
03:26:57 III. Largo
Composer: Antonio Vivaldi
Artists: Erik Bosgraaf & Cordevento
Concerto in C Major, RV 443, for Sopranino Recorder, Violin, Viola, Basso Continuo:
03:28:18 I. Allegro
03:32:07 II. Largo
03:35:50 III. Allegro molto
Thank you very much
Thank you.
Muchísimas gracias, Mario Gutiérrez Acevedo
Pin this comment 📌
Needs to be pinned please!
I love the recorder. An instrument I think gets a bad rep that it doesn't deserve. If played correctly, the recorder is a beautiful instrument.
If only contemporary composers wrote works for this instrument 🫢
I agree!
On the contrary, a lot of modern and contemporary composers wrote and still wrote for recorders!
@@EmilianoManna Thanks, didn’t know that. Any recommendations? (The only modern work I can remember now is _Gloriana_ (recorders or pipes?))
@@1968KWT Edward Gregson's Aztec Dances, Garden of the Gods by Gregory Rose, David Bedford's Kemptown Races, George King's Dance suite, Daryl Runswicks Cycles, all recorded by Jill Kemp; there is an enormous literature of modern works, with amazing contributions by Japanese and Korean composers
_Re-enter Players with recorders_
HAMLET. O, the recorders! let me see one. Will you play upon
this pipe?
GUILDENSTERN. My lord, I cannot.
HAMLET. I pray you.
GUILDENSTERN. Believe me, I cannot.
HAMLET. I do beseech you.
GUILDENSTERN. I know no touch of it, my lord.
HAMLET. ‘Tis as easy as lying: govern these ventages with
your fingers and thumb, give it breath with your
mouth, and it will discourse most eloquent music. Look you, these are the stops.
GUILDENSTERN. But these cannot I command to any utterance of
harmony; I have not the skill.
HAMLET. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me.
“The recorder is generally thought of as a training instrument for children. But listen to it. In the hands of an expert like Joram Leifgrum, the passion is…..Breathtaking.”
- Captain Raymond Holt.
And it also depends on what kind of instrument you play... The instruments used as "training for children" are vastly different to the ones used in this recording, for instance.
@@Vitali_Osandor Not so different at all. Kids used to play in cheap factory resin recorders, professionals play in expensiver resin and wood ones. But the basics are the same - and this applies to other instruments like violin, guitar, flute, clarinet, saxophones etc.
@@kenhimurabr They ARE very different. I play recorder. There are differences in sound, volume of the instrument and technical capacities. Also, kids in school use instruments made for the german fingering, while the more accomplished players use instruments made for the english (baroque) fingering. Sure, there are similarities, but the similarities are much smaller than those between beginner and advanced violins, flutes, guitars, etc.
Well, this certainly blows my rendition of "Three Blind Mice" out of the water. Bravo!
Lindo trabalho, agradecido. A flauta já era tocada pelos índios do Brasil antes da chegada dos portugueses e era comum desde a Europa até o Japão. Um instrumento singelo, em sua construção, mas lindo, se usado corretamente. Saudações do Brasil 🇧🇷.
Informações de suma importãncia para este contexto!
Desde já, agradeço a você!
Parabéns!
What a great compilation, I love it!
Long live the recorder!!!
Amen!
The album made me dream but if there had been a playlist with more than three hours of music it would have been better. 😊
When you catch yourself lightly head-banging to the recorder 😄
The most beautiful music, thank you for this piece of art! Baroque is so unique
The recorder is the replicant of all music!
Beautiful music!! the sound that emanates from flute ...it's fantastic !!
A very aptly named series as these compositions, performances and recordings are indeed brilliant. Thank you.
merveilleuse musique baroque qui participa à l'apogée de la culture européenne au 18ème siècle ; bravo à tous...
Da. kommt man ins Schwärmen,herrliche Musik,es wird einem warm ums ❤️, 😌!
E vamos ao Baroque Recorder Concertos!
🌻 Thank you! 🌻
Please, Brilliant Classics, produce a CD on this compilation!
The problem with the reputation of the recorder is too many schools get cheap inferior grade instruments that don’t play true. I have thrown away several because they wouldn’t come close to the notes I was trying to play. The cheap one I got from Amazon is far superior to the more expensive one I bought locally. The tone is cleaner and the pitch is true.
Which recorder is this?
I'm French, and I agree ! In my country we forced music teachers to teach how to play recorder because they believed recorder is "easy"... and teachers didn't know how to play "flûte à bec" how we say at my place. In France, for me, it explains why people tend to think they lnow this instrument... when they don't. Sad !
Music of my very early childhood ♥ how this listening is touching and moving to me
That is great music indeed, thank you!
Thank you for listening!
Such perfection a joy to the ear
I was doing my work, when my ears were perked from 02:12:52. At first I thought this was a Brandenberg concerto ripoff by an inferior composer. Glad to know it comes from the master himself!
Herrliches music, heerlijke muziek, deilig musikk,heavenly music, buena musica, belle musique
Fantástico. e tem gente que diz que tocar Flauta doce é fácil!!!
Bellísma música! Gracias!
오늘도 감사드립니다
В молодости, слушая классическую музыку, я воспринимала её, как тёплый летний дождь или ливень с грозой за окном ... впереди жизнь и отсутствие жизненного опыта ... а сейчас, данная музыка погружает меня в мою совесть и в воспоминания о людях, как живых, так и ушедших ... это очень болезненно в душе.
Возможно, это хорошо, а может и нет.
Просто пришло понимание, что в те времена жили такие же люди, и музыка у них была о том же, что и сейчас (радость, грусть, любовь, тоска, страх), но другим языком.
When I'm listening to Erik Bosgraaf playing the Recorder :
I know that I'm hearing Johann Sebastian Bach Himself
... and all His revered contemporaries.
I must admit this compilation is very nice. I cannot stand the recorder, but well-played it can actually make fine music...
beautiful!
バロック・リコーダーありがとう
Thank you for sharing this delightful collection of works with us. It's been a pleasant accompaniment to my domestic activities, on fair and rainy days, both.
Our pleasure!
Yoga recognizes that the way our bodies and minds work has changed very little over the millennia.
к ладони.
Recorder を発明した人はO'recorder.
Whoever invented recorder is record-worthy.
My fabulous Sunday 🎶🤸🤸🎶🍀
lovely
Love this music ❤
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤ 2:13:28
The trills
Just beautiful ❤️❤️❤️
cheapest instrument, but versatile and easy & fun to play
Why the TWV 52:a2: Concerto is missing the first "Gravement" movement?
Saludos desde México
hello, great music - what is the music piece at 2:01:42 called?
maravilloso!
What are the types of recorders that are being played there?
Il primo concerto per Flautino lo porti all'ammissione per il biennio superiore di flauto dolce
👍❗👍 Спасибо
Привет из Киева!
nothing like baroque...
No reference to the interpreters.... witch are very good
18:30 nombre, por favor 😢
What kind of recorder is being played there?
where do I find the performer's names and playlist?
Hi Mark! You can find the playlist and the performer's names in the comment section.
Too many ads. Took it my playlist.
RUclips Revanced.
thanks - have added it again - and no ads!!@@XiELEd4377
As listening companion it would be great a track list to be available.
There is a track list in a comment by Brilliant Classics. It's near the top of the comments.
@@MsLeenite thanks a lot. I have located the track list. Best
@@eduardorosillo8662 😊
Si può sapere chi suona?
what's the point of posting this without titles and authors?
The first post includes all titles, composers, and time stamps.
The pinned comment at the top has a full list with timestamps.
It was posted 8 Days before you posted this question.
Ask, and ye shall shall receive. Seek, and ye shall find. Knock, and the door shall be opened unto you 🎶 ☺
Von wem ist es eingespielt?
¿Cómo se llama la primera obra y quién es el compositor?
The first work is called Recorder Concerto in C Major, RV 444 by Vivaldi
@@BrilliantClassics Jiri Stivin recorder (piccolo)