Hi. My experience with playing folkloric music in Brasil and in Cuba is like this: If you visit a Santeria house in Havana they play a certain style. You go further to Matanzas they play totally different. If you put two players from different houses together...for them the other style is just wrong. But it's only a different development in two different areas. Same in Brasil. During my travels and meetings with other players this was the most common way to play Ijexa in Candomble Angola. That's the reason why I teach it like that. For sure there are other ways as well.
@@mikemittersteiner Ijexa is not Candomblé Angola, but Candomblé Angola, Jejé and Ketu all use the rhythm. Ijexa's roots are in West Africa, Nigeria to be precise, from the city of Ilesa, where it was it's own religious cult. It's actually Yoruban. The Santeria rhythm of Yesa is the Afro Cuban derivative. In Brazil Ijexa was in the past also it's own cult or Candomblé Nation, in fact there's still an Ijexa Terreiro on Itaparica, in the bay of all Saints. But now, although there are Ijexa songs for Exu, Ogum, Ossain, Logunede, Oya and Oxala, it's primarily used for Oxum. It's considered her rhythm and so can be and is used a lot for her in all Candomblé Nations.
Thank you for this video ! It’s very organized and structured ! I’m so excited to practice 😍
Great video!
Das klingt sehr sehr gut wirklich cool
schön Michael ! Gruss aus dem alten Holland
sehr fein!!!!
glg
Not Candomble Angola. Who is your teacher?
Hi. My experience with playing folkloric music in Brasil and in Cuba is like this: If you visit a Santeria house in Havana they play a certain style. You go further to Matanzas they play totally different. If you put two players from different houses together...for them the other style is just wrong. But it's only a different development in two different areas. Same in Brasil.
During my travels and meetings with other players this was the most common way to play Ijexa in Candomble Angola. That's the reason why I teach it like that. For sure there are other ways as well.
@@mikemittersteiner Ijexa is not Candomblé Angola, but Candomblé Angola, Jejé and Ketu all use the rhythm. Ijexa's roots are in West Africa, Nigeria to be precise, from the city of Ilesa, where it was it's own religious cult. It's actually Yoruban. The Santeria rhythm of Yesa is the Afro Cuban derivative.
In Brazil Ijexa was in the past also it's own cult or Candomblé Nation, in fact there's still an Ijexa Terreiro on Itaparica, in the bay of all Saints. But now, although there are Ijexa songs for Exu, Ogum, Ossain, Logunede, Oya and Oxala, it's primarily used for Oxum. It's considered her rhythm and so can be and is used a lot for her in all Candomblé Nations.
Hi ! What’s the difference between the tumbadora Rum (the larger) and the atabaque (the larger) ?
ty
Vc é brazuca e precisa de um alemão pra te explicar ou só tá querendo praticar seu inglês?
Daniel Barros tá tudo bem aí cara ?
Hi. Atabaque is the name of the instrument in general. Rum is the largest one of the three.
Greetings
Le at 1:20