Great performance! Always enjoy and respect the inclusion of the Basso Continuo!! Can definitely hear hints of this in the opening movement of Mozart's Symphony No. 38!!
Es increible la dimension de tranquilidad que consigo llevan estas melodias sutiles, ¿como lo lograra? ¿que pasa por su mente cuando piensa y concibe la idea de sutileza?
The purpose of Leopold Mozart's trip to London in 1764 was to present his gifted children at court and private concerts and to "reap" the financial benefit. L. Mozart: "During the coming months I will have to make every effort to conquer the aristocracy and this will require a lot of galloping and hard work." But if I achieve the goal I set for myself, I will catch a fine fish or rather a good catch of guineas". To increase his earnings, he used the guest appearances of the famous castrato Manzoli - in Handel's operas: "Ezio", "Berenice"; Johann Bach's "Adriano in Syria " - so Leopold's children performed after private castrato concerts in the houses of aristocrats and merchants. There, Amadeus also heard Arne's "Artaxerxes" and wrote his first opera aria based on that pattern: "Conservati fedele" (1765).....
That piece is "Symphony No. 25 in G major MH 334". Mozart only added a slow introduction to the first movement of that symphony. However, this symphony (Symphony No. 26) was an important influence to Mozart's 39th Symphony which is in the same key of E flat major.
@@beethovenlovedmozart Why? Lepold and Amadeus Mozart "followed" (they were known for collecting notes of famous composers) what Italian, German, Czech, French, English composers were "composing" - Italian, German, Czech, French, English composers did not follow what A.Mozart was doing . For his contemporaries, A.Mozart was a "fixer" of the "notes" of famous composers - he "copied" and "varied" their musical ideas. Mozart took musical ideas from many (Hermann Friedrich Raupach, Johann Gottfried Eckard, Johann Schobert, Leontzi Honauer .... without these ideas there is no Mozart - the stars of Paris (Chevalier de Saint-Georges, Gluck, Gretry, Gosek, Sakini), the stars of London (Johann Bach, Thomas Arne, Thomas Linley), Mannheim (Stamic, Anton Fils), Dresden (Schuster), Stockholm (Joseph Martin Kraus), Prague (Misliveček, Mattress), Vienna (Giuseppe Scarlatti, Dittersdorf, Salieri, Leopold Kozeluch, Paul Wranicki, Vanhal, Michael Haydn, Josef Haydn, ...) Italian (Samartini, Leo, Traetta, Paisiello, Anfossi, Gacaniga, Pichini, Andrea Luchesi ...)
Absolutely amazing. I would be really sad and depressed without classical music in my life 🎶🎧🎵❤️
Michael Haydn always lifts my spirits!
Hermosa y poco conocida sinfonía de Haydn .Siempre excelentes versiones del maestro Warchal(RIP) y de la orquesta de cámara eslovaca
very cool.....thank you!
Great performance! Always enjoy and respect the inclusion of the Basso Continuo!! Can definitely hear hints of this in the opening movement of Mozart's Symphony No. 38!!
Of his 39th rather.
Es increible la dimension de tranquilidad que consigo llevan estas melodias sutiles, ¿como lo lograra? ¿que pasa por su mente cuando piensa y concibe la idea de sutileza?
The purpose of Leopold Mozart's trip to London in 1764 was to present his gifted children at court and private concerts and to "reap" the financial benefit. L. Mozart: "During the coming months I will have to make every effort to conquer the aristocracy and this will require a lot of galloping and hard work." But if I achieve the goal I set for myself, I will catch a fine fish or rather a good catch of guineas". To increase his earnings, he used the guest appearances of the famous castrato Manzoli - in Handel's operas: "Ezio", "Berenice"; Johann Bach's "Adriano in Syria " - so Leopold's children performed after private castrato concerts in the houses of aristocrats and merchants. There, Amadeus also heard Arne's "Artaxerxes" and wrote his first opera aria based on that pattern: "Conservati fedele" (1765).....
Charles Rosen talks about this symphony in his 'Sonata Forms', interesting!
nice violins. sounds a bit like Vivaldi or Paganini
+Neueregel Thank you for kind comment !
Is this the piece that was thought to be Mozart's?
That piece is "Symphony No. 25 in G major MH 334". Mozart only added a slow introduction to the first movement of that symphony. However, this symphony (Symphony No. 26) was an important influence to Mozart's 39th Symphony which is in the same key of E flat major.
@@MrDSCH-ib2mx have no idea why mozart would use thus piece as an influence
@@beethovenlovedmozart Why? Lepold and Amadeus Mozart "followed" (they were known for collecting notes of famous composers) what Italian, German, Czech, French, English composers were "composing" - Italian, German, Czech, French, English composers did not follow what A.Mozart was doing . For his contemporaries, A.Mozart was a "fixer" of the "notes" of famous composers - he "copied" and "varied" their musical ideas. Mozart took musical ideas from many (Hermann Friedrich Raupach, Johann Gottfried Eckard, Johann Schobert, Leontzi Honauer .... without these ideas there is no Mozart - the stars of Paris (Chevalier de Saint-Georges, Gluck, Gretry, Gosek, Sakini), the stars of London (Johann Bach, Thomas Arne, Thomas Linley), Mannheim (Stamic, Anton Fils), Dresden (Schuster), Stockholm (Joseph Martin Kraus), Prague (Misliveček, Mattress), Vienna (Giuseppe Scarlatti, Dittersdorf, Salieri, Leopold Kozeluch, Paul Wranicki, Vanhal, Michael Haydn, Josef Haydn, ...) Italian (Samartini, Leo, Traetta, Paisiello, Anfossi, Gacaniga, Pichini, Andrea Luchesi ...)
Wow. Mozart totally copied the Menuetto Allegretto of his 39th Symphony from the first movement of this.