Thank you. This helped me a lot. I found it well explained. This pushed me to examine the theory and your analysis in detail and I think that I might have made some progress. Very much appreciated.
Thanks Richie, this style of lesson is really helpful. I always learn so much when you break down your lessons with this level of detail. I've studied both volumes of your BGIS course and these videos really help with the application of that knowledge. Cheers.
It's either major 6 or minor 6 chords, he doesn't consider them min7 chords. So Cm would be Eb6. The Ebm7 would be Gb6. Some of the resulting harmonizations don't seem to sound good so that's probably why they were changed. eg the b7 Db over Ebm7 would normally be part of the Gb 6th chord not a diminished chord.The C over Ebm7 would take a dim chord not be considered an Ebm6
Great feel.
Nice arrangement and explanation of how it was derived. Thanks!
Thanks Eric, glad it was helpful!
Thanks for sharing Barry, a very comprehensive analysis. As always, your lessons are greatly appreciated.
That's good to hear, thanks Greg!
Always fine from you sir! Blessed Holiday and Thank you once again! 🇱🇷🙏🥰😎😺🎹🎸🎼
Thanks, same to you!
@@RichieZellon Always Love the magic of Barry too! , How cool for you to share for us application to BeBop Jazz Guitar 🎸
Thank you. This helped me a lot. I found it well explained. This pushed me to examine the theory and your analysis in detail and I think that I might have made some progress. Very much appreciated.
Glad it was helpful!
Thanks Richie, this style of lesson is really helpful. I always learn so much when you break down your lessons with this level of detail. I've studied both volumes of your BGIS course and these videos really help with the application of that knowledge. Cheers.
Thanks for the feedback Homer, glad to hear it is helpful!
Wow this is an awesome compilation, You never did the volume two!
Very interesting, Mr. Zellon! Thanks and happy Easter (in case you celebrate it, of course 🙂)!
Thanks Antonio!
Excelente !!!!Teacher
Gracias Roman!
It's either major 6 or minor 6 chords, he doesn't consider them min7 chords. So Cm would be Eb6. The Ebm7 would be Gb6. Some of the resulting harmonizations don't seem to sound good so that's probably why they were changed. eg the b7 Db over Ebm7 would normally be part of the Gb 6th chord not a diminished chord.The C over Ebm7 would take a dim chord not be considered an Ebm6
Richie, the Blue Bossa page on your site links Billie's Bounce download.
Oops..will check that
@@RichieZellon Got the correct download, thanks Richie. I enjoyed the arrangement, and yes, more chord melody lessons in this style would be nice.