👋Tango Dancer Not sure how to dance confidently in crowded milonga? Need help adapting the steps you learn in classes to small places? Watch this FREE mini-course from Pablo & Anne and learn the 10 easy steps that will make dancing tango in crowded milongas easy: bit.ly/3JosuQl
just starting Tango and love it. I did not know about the head and this will greatly help improve, as well as equal pressure on both sides......going to try this tonight :)
Thank you very much for these tips guys! I am definitely sure I am doing the mistake about shoulders. This video is so helpful! See you on your next video!
This is FANTASTIC! Thanks so much: I was doing ALL 3 of these WRONG!!! Teachers have been trying to correct me, but this really had it. Just wished you guys lived closer to San Diego!!! :)
Super good explanations. Still learn, even i am dancing science many years. It is my life program.. :-) Thank you. Hope to meet you personally after this difficult times.
Hello! Thank you very much for your clear, educational and demonstrative instructional videos. I follow them continually in order to get new insights. Regarding close embrace, I have a question that I would like to ask to you in order to hear your thought and ideas. Before the first dance step you connect with your partner. This is a time for both of you to take the opportunity to find an optimal embrace that feels comfortable for both of you. Sometimes when I do this process, this nice tight embrace (with a clear contact between our chests similar to a hug) is not achieved but instead the partner leaves some air (some or a few cm) between our chests. Normally the pressure is mostly controlled by the follower as she lean into the leaders chest which is offered in the fist action. ( I also dance as a follower sometimes and my target is a clear and nice hug with no air in between the chests) The air between the chests creates a feeling that we are not connected and it creates uncertainties in the hole dance. Difficulties occur i.e. starts sequence and also in the walk in the dance direction, for example. Do you have any tips on how to solve this type of embrace to achieve a good connection anyhow? My own thought about this is whether it can be solve by increasing the leaders frame pressure from the side towards the partner's center. This means that on the open side you press lightly against the center of the follower and on the closed side you increase the pressure by increasing the pressure of your biceps against the ribs of the follower? What is your opinion on this problem? Kind regards Magnus Olsson
Really great tips. First time I’ve heard some of this. I like the idea of keeping your head in one position during ochos and molinete but my teacher said to turn your head in the direction you’re moving. This was too much moving for me.
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👋Tango Dancer
Not sure how to dance confidently in crowded milonga?
Need help adapting the steps you learn in classes to small places?
Watch this FREE mini-course from Pablo & Anne and learn the 10 easy steps that will make dancing tango in crowded milongas easy: bit.ly/3JosuQl
This video is three years old ... but just started Tango myself so it's new to me. Very useful tips!
Brasil, Mogi das Cruzes, São Paulo parabéns vocês são ótimos.obrigado pelas aulas
8:11
Interesting and very helpful thank you 😎
just starting Tango and love it. I did not know about the head and this will greatly help improve, as well as equal pressure on both sides......going to try this tonight :)
Thank you very much for these tips guys! I am definitely sure I am doing the mistake about shoulders. This video is so helpful! See you on your next video!
Great information. Thanks for sharing.
Bravo! I like the very helpful tips provided in your videos. There is theory in everything and Tango is no different.
This is FANTASTIC! Thanks so much: I was doing ALL 3 of these WRONG!!! Teachers have been trying to correct me, but this really had it. Just wished you guys lived closer to San Diego!!! :)
Excellent tips! Thank you.
You hit the nail in the head! :) Very usefull tips ! My brgds:)
Yes Samsun turkiye
Super good explanations. Still learn, even i am dancing science many years. It is my life program.. :-) Thank you. Hope to meet you personally after this difficult times.
we hope too :)
Avez vous ces vidéos en francais?
Merci
Türki Samsun carsambaliyim ama ukranya kirimdanim
Hello!
Thank you very much for your clear, educational and demonstrative instructional videos. I follow them continually in order to get new insights.
Regarding close embrace, I have a question that I would like to ask to you in order to hear your thought and ideas.
Before the first dance step you connect with your partner. This is a time for both of you to take the opportunity to find an optimal embrace that feels comfortable for both of you. Sometimes when I do this process, this nice tight embrace (with a clear contact between our chests similar to a hug) is not achieved but instead the partner leaves some air (some or a few cm) between our chests.
Normally the pressure is mostly controlled by the follower as she lean into the leaders chest which is offered in the fist action. ( I also dance as a follower sometimes and my target is a clear and nice hug with no air in between the chests)
The air between the chests creates a feeling that we are not connected and it creates uncertainties in the hole dance. Difficulties occur i.e. starts sequence and also in the walk in the dance direction, for example.
Do you have any tips on how to solve this type of embrace to achieve a good connection anyhow?
My own thought about this is whether it can be solve by increasing the leaders frame pressure from the side towards the partner's center. This means that on the open side you press lightly against the center of the follower and on the closed side you increase the pressure by increasing the pressure of your biceps against the ribs of the follower?
What is your opinion on this problem?
Kind regards Magnus Olsson
Very good tips... :)
Really great tips. First time I’ve heard some of this. I like the idea of keeping your head in one position during ochos and molinete but my teacher said to turn your head in the direction you’re moving. This was too much moving for me.
Nubby Rose yes, your head should not move around.
Disist tango erjantin guzeltengo
Hellonebiturki