@@ThomannSynthesizers I could talk about the immense amount of features, or the incredibly lush tones, but the thing that drew me to this synth the most was when I got to try it at my local GC and realized just how high quality the actual unit it. As soon as I laid my hands on it I just never wanted to leave. It just feels so inviting. Like it really is just an extension of oneself.
I have them both. Totally different beasts. Whilst the Murmux is an instant patch machine with a totally unique tone and Greek Godess character, the PB12 is a swiss army knive that can do so much more. It not only sounds great, it´s built like a tank, beautifully made, has perfect software integration and feels like an instrument, not a only like a synth. Honestly, I´d keep the PB12 as the main synth for everything to build around.
I wonder if Arturia is hand rubbing oil on dem cheeks? Roland hand rubs oil on the Juno's cheeks. The Juno's have really nice cheeks. Some people say Roland uses Diddy oil on dem maple cheeks, that's why you feel so good when you play a Juno. Because of the Diddy oil on dem sweet maple cheeks.
@@caydilemma3309 Bruh, cheeks. Those wood panels on the sides of synths are called cheeks. Go read Roland's page for the new Juno. It clearly states that the cheeks are hand rubbed oil, Maple cheeks. The best in the business. They don't specify what kind of oil they use, that's just what I've heard. Sorry bro, but the cheeks on my synth are important to me. I like maple, mahogany and Russian bog ash the best.
The colors of the video make me feel like I'm watching an episode of Derrick.
Haha thank you 🙏🏻
😂😂
Best modern synth in my opinion. Maybe I can afford one someday…
what's your favorite thing about it?
@@ThomannSynthesizers I could talk about the immense amount of features, or the incredibly lush tones, but the thing that drew me to this synth the most was when I got to try it at my local GC and realized just how high quality the actual unit it. As soon as I laid my hands on it I just never wanted to leave. It just feels so inviting. Like it really is just an extension of oneself.
This synth is truly awesome, you need to do sound only exploration because there’s not enough demos of it out there compared to others ( eg;Muse!)
There are many great sound only demos of pb12. All the moog demos sound the same as everyone is trying to capture that vintage vibe from it.
Jonas, wir mögen dich trotz der Versprecher 💜
😅🫂
This or Dreadbox Murmux??
Functions: Polybrute.
Feelings: Dreadbox Murmux.
I have them both. Totally different beasts. Whilst the Murmux is an instant patch machine with a totally unique tone and Greek Godess character, the PB12 is a swiss army knive that can do so much more. It not only sounds great, it´s built like a tank, beautifully made, has perfect software integration and feels like an instrument, not a only like a synth. Honestly, I´d keep the PB12 as the main synth for everything to build around.
First😎
Och nee warum ist die Folie noch drauf :D
Weils nur eine Leihgabe ist 😅
@@ThomannSynthesizers ah okay 😄
Lots of possibilities but I don't like the sounds in general.And that is important for me.
Because you don't like the Presets? I mean it offers a huge variety and you can create almost everything with it..
I wonder if Arturia is hand rubbing oil on dem cheeks? Roland hand rubs oil on the Juno's cheeks. The Juno's have really nice cheeks. Some people say Roland uses Diddy oil on dem maple cheeks, that's why you feel so good when you play a Juno. Because of the Diddy oil on dem sweet maple cheeks.
Bruh what
@@caydilemma3309 Bruh, cheeks. Those wood panels on the sides of synths are called cheeks. Go read Roland's page for the new Juno. It clearly states that the cheeks are hand rubbed oil, Maple cheeks. The best in the business. They don't specify what kind of oil they use, that's just what I've heard. Sorry bro, but the cheeks on my synth are important to me. I like maple, mahogany and Russian bog ash the best.
Hahahaahahahahahaahahahaha
actually there is not much inside 😉, if u know u know