Hey, a real nice video guys once again....i don't think you missed anything really....well you could have maybe mentioned grips @ 09:15 ....also what was that big diffusion panel, and what make was that that Ted was holding up!???
What I enjoyed the most is that the camera was the last piece of equipment. I see too many people worried about gear. I got rid of a lot of gear years ago and now I am shooting a lot more. Excited to see where the future takes me as a Producer. (:
To be fair the point about diffusion on light panels was to eliminate multiple shadows but since they're backlights and we don't even see the shadows they're casting it doesn't really matter here
A 5 in 1 reflector was literally the first piece of kit I bought and I still use it for most shoots. Super handy and versatile, and really really cheap.
DSLR Video Shooter is legitimately the most consistent filmmaking channel. Every video is informative and amazing. But I feel like he’s so underrated. I’m so happy to see him here!
@@CINEMAVISIONCZ the ronin s really impressed people with my footage so i dont regret it tho, gonna save up for a aputure 120d mk2 now. I just know its worth it
What I actually have? 4 lenses: Couple Sigmas the 18-35 and a 11-18 a Canon pancake 50mm and a Tokina 18-50. Not the most expensive but 🤷🏾♂️ Camera: GH5S Because I'm more Video than Photo... Tripods: Gorilla and a Manfrotto. I'm good for a while Gimbal: Ronin S and I do make good use of it... Sound Recorder: Zoom H6 Mics: I have a few different ones. SENNHEISER G4 I think it is (Lav) clean, Blue Yeti Pro when I'm doing V/O I also have mics for music. Aston Stealth and Origin... They forgot headphones... I have 2 AKG 240MK2 (Flat) and Audiotechnica M50X (boosted mids and brighter sound) Field monitor: I have a secondary screen I never use 😭🙈 Atomos Shogun. Polarisers: I have a few Hoyas I believe the brand is and some free tinted ones I got with my camera. I do need to focus more on these... Light: Zero lol I use the sun/iso settings and good WBn 😂😂😂 When I get money I want some lights for real until then I may get some reflectors or whatever they're called to bounce natural light... How much of this do you actually need? I shot an entire film with pretty much Tripod, Gimbal, Audio Recorder, Lav mic, Lenses and it looks pretty damn great. I also did it alone... Work with what you have and if you have a little put a lot of creativity into it. If you have a lot don't be lazy lol
12:00 I like how they talk about sound recording and stuff but they forgot to mention the REVERB treatment for the spot and the spot has a loott of reverb
Could you do a video going into more depth about buying vintage lenses? What to watch out for, how to know what vintage lenses will work on what cameras, what adapters you might need?
love the way you tell people what they don't like to hear! like:"If your work isn't that good it's not because you can't afford a 140K $ set up, but it's because of you so, so invest on creativity instead of a gimbal" :)
Killin’ it..... Love the direction you’re going in, Ted - Caleb is awesome, and the funniest part is I’m gearing up for my first big lightning and c-stand purchase!
C'mon, Ted! You must not watch enough of Caleb's channel if you're surprised he's still out there recommending the GH5. 😉 His channel steered me in that direction when I decided to get back on the production horse after working my way up into management at a corporate media company and hating it enough to walk out and get back to doing my own thing again. I haven't regretted it AT ALL.
Audio is my jam, it’s what I went to school for. Flat eq mics are better for professional work. But audio is hella subjective, not really objective. You can record a shoot with a ribbon mic if it’s the sound you’re looking for.
I went to school for audio engineering. From what I've seen, people who say aim the shotgun mic at the mouth are the people who usually advocate for a bassey mic. It's best to aim the mic at their solar plexus. That way you pick up the mids and high projecting from their mouth and get the low end (bass) from their high chest area.
The highs and mids are coming out of the mouth, if you aim for the plexus, you’ll have less highs and mids because you’re out of the microphone’s directivity, creating a muffled sound. So if you want a bassy/shitty sound aim for the chest, but your comment is wrong mate
Hi Indy, could you schedule an interview with a cinema / video operator specializing in aerobatic aircraft in the future? They are in trouble because they are very high speeds (250 knots), have very sudden movements, are often far away and very powerful telephoto lenses must be used. I would like to know which video head they use and the techniques they use. Many Thanks
A Colour Checker will definitely help you get great exposure and colours! I had the passport but it was insanely stiff and I knew I would break it. Not sure if it was just mine or not, but I also returned it for the larger version. The small is just too small.
When it comes to 'warm' sound, that isnt the same as adding bass. In fact what it is - is even order harmonic distortion. Which is essentially soft clipping audio. Which is essentially either tube amplifier stuff, or expensive stuff. I think it is simply important to listen to stuff on microphones through headphones and speakers to get an idea what it sounds like. For instance if you use a shotgun mic with a dead cat setup, to me it sounds like a bad room recording, even when it is recording outside. The dead cat thing is for canceling wind noise, which is important, but you get this awful phone booth sound out of it. Use a Rycote Cyclone and it sounds much better. The point is there is as much to know about sound as about any other technical aspect of film making. And it is the first thing people judge quality by.
@@mariopqrst i live in indonesia, and this secondhand lens are from some people who like to collect thing since long ago. now theres tons of online marketplace and they sell those unused lens, that's why it can be pretty cheap.
I'd argue that you only need all of this stuff if you have a good amount of money to spend. In reality, you can start off with a much smaller amount of stuff - Camera (w/lens), tripod with fluid head, and decent mic. If you have leftover money, get an outboard sound recorder (zoom h1 is $100). You can get all of this for less than $1000.
If you're waiting on getting gear to shoot film - you're not a real filmmaker. The most important camera is the one you have in your hands. I've been filming for over 8 years, and have seen tremendous short films shot with nothing more than an iPhone and Filmic Pro. Claude Lelouch just shot an entire feature on an iPhone using the FIlmic Pro app, and it was just at Cannes. Having said that, I have invested in quality gear over time. Id also say that learning everything you can about editing and color grading / correction is as important as what you're using to film.
#ARRI and #PANAVISION are the exclusive camera, G&E, AKS equipment packages for DreamFactory Studios. We love the Arriflex 435 Xtreme, Alexa, Panaflex Platinum, DXL.
I hate people who say you need no gear, instead they should say and emphasize something like this. Use your budget for lighting and use whatever camera you ALREADY have available, don't use the money for the camera use it for lights. This is great for new or indie filmmakers because cameras constantly change and upgrade and you will be tempted to buy the next best thing. Lights on the other hand are just that, they don't change much and last you at least 5 years if you take care of them. TLDR; DONT by camera gear buy lighting gear first!
Cool video and colab! For Lenses I would look into anything in M42 mount made by Carl Zeiss but popularised by Pentax and Pentacon. They are generally cheaper in price, highly adaptable, some are stepless aperture and many are and high quality designs... like the Meyer Optik Görlitz line of lenses. For light I use 4000K LED, 1600 Lumen work lights... they are 20W, but they work for me (I use 6 of them). Again grate video!
You guys are fun, natural and efficient, I liked your video until the end and yes, I will subscribe right after I wrote my comment hehe😂😉 i have one question is it worth to buy the BMPCC4K over the Sony a7III? I’m wondering as I just saw one video... cheers and thanks for the great content
15:40 damn it. Now I'm obsessively trying to figure out which pizza place you went to in Chicago to figure out if you went to a good one or a crappy one.
So I think with the fact that people are looking at more affordable lighting options and the fact of your recommendation for the Richardson has prompted sellers to destroy that $50 dollar price you’re mentioned and have gone so far as to sell just 1 for prices as high as 1400! Do you have any other suggestions that you can just respond back with so greedy masses can’t have a hold on this?
"...and it's really affordable for a sound device, this around $600-$650." Kinda of made me laugh a bit. Like in other words I won't be buying it. Yes, I get it good audio equipment can be expensive. Everyone has their version of expensive. :)
He means the brand ‘Sound Devices’. Their mixers and recorders usually cost 3 grand. The mix pre 3 is a bargain in the context of pro audio. It seems expensive when you’re coming from consumer audio kit. Worth investing if you want reliability and quality to stand out for your clients. You can miss a dodgy shot or cut but you can’t look away from poor sound.
I totally agree. I use a zoom H2N, it is a very good recorder to start. Also standard light stands + PAR56 or 64 cans are really dirt cheap and work very well. They are so simple and cheap, you can even buy them used, without much risk. You may need a CTB filter to match color temperature to other types of lights. My 2 cents....
@@TheAnimistOfficial not sure on the fd lenses since I personally do not use them (nikon guy). I know some of the russian ones like the mir 1b/v have tripled over the last 2 years. I would not be surprised at all if they did though. Supply & demand is fr. Especially vintage lenses, with these videos constantly promoting them
![Cody Johnson - I'm Gonna Love You (with Carrie Underwood) [Official Music Video]](http://i.ytimg.com/vi/yy9PuYMU29g/mqdefault.jpg)
What did we miss? #nogimbalnogimbalnogimbalnogimbalplease
Hey, a real nice video guys once again....i don't think you missed anything really....well you could have maybe mentioned grips @ 09:15 ....also what was that big diffusion panel, and what make was that that Ted was holding up!???
Love.
The one thing you missed is display calibration device. It's the best 150 bucks you can spend.
Maybe a On field Monitor? that helps a lot.. The camera screen on a sunny day could be a pain in the butt!
The flight.
Most fun I’ve had in a while!!! Thank you for having me Ted!!!
Hey you here 😄 love the podcast you did with Ted. Also love the show/Podcast on C47 channel 😎 Im Dutchvideoshooter 😃
Hey Caleb. Love your content. Thanks for all you put out! Quick question: What is the cage/handle that you were using on the GH5?
great point on the gimbals, glad to see you on here sir :)
Omg cool
Love DSLR channel. Great collab. Would all these recommendations translate well for my cooking channel?
What I enjoyed the most is that the camera was the last piece of equipment. I see too many people worried about gear. I got rid of a lot of gear years ago and now I am shooting a lot more. Excited to see where the future takes me as a Producer. (:
Not on the list But you also need a skeleton inside of your body
debatable
Great point. This is often overlooked in the videography world.
Can we get a link to buy that?
not if you're 1 inch tall and 4 foot wide
@@alancruz8356 ill add an affiliate link... dont forget to use my coupon code at check out lolol
I just spent $5,000 watching this video
First thing I clicked on was $359...-__-
you also saved $10k :-)
I have a 1000 budget
@@knoxwrite you guys are getting a bucket?
Nice.
07:47 "Light panels should ALWAYS be used with diffusion" says the guy literally sitting in front of two giant light panels with NO DIFFUSION 😂😂😂
I shot an entire feature film using the Aputure LS1c light panel with no diffusion. You really can't tell. If you can, then throw on diffusion.
To be fair the point about diffusion on light panels was to eliminate multiple shadows but since they're backlights and we don't even see the shadows they're casting it doesn't really matter here
A 5 in 1 reflector was literally the first piece of kit I bought and I still use it for most shoots. Super handy and versatile, and really really cheap.
Spot on, all of it!
DSLR Video Shooter is legitimately the most consistent filmmaking channel. Every video is informative and amazing. But I feel like he’s so underrated. I’m so happy to see him here!
@@nobbystyles4807 well in nobby
It's amazing what you're doing with the channel!
much appreciated! let us know what else you'd like to see
Thank you for the content and showing us love. We appreciate the works you show us 💛 you can learn so much in today’s world
2:40 before the video got to #1 on the list.
"Man, you dont need that gimbal"
me: *nervously looks at my Ronin SC*
"Looks at ronin s with tilta nucleus nano while dont even having lighting"
@@user-dh5fp4gw1b nah, I just bought the pro kit
@@CINEMAVISIONCZ well i bought what i just described and i dont regret it? But i should have bought a really good light first
@@user-dh5fp4gw1b yep, lights are very important and boring. Gimbals are not important but really cool.
@@CINEMAVISIONCZ the ronin s really impressed people with my footage so i dont regret it tho, gonna save up for a aputure 120d mk2 now. I just know its worth it
ND filter. I think that’s the only really important one you missed. Once you add a lot of light you need to get the shutter angle/speed right.
What I actually have?
4 lenses: Couple Sigmas the 18-35 and a 11-18 a Canon pancake 50mm and a Tokina 18-50. Not the most expensive but 🤷🏾♂️
Camera: GH5S Because I'm more Video than Photo...
Tripods: Gorilla and a Manfrotto. I'm good for a while
Gimbal: Ronin S and I do make good use of it...
Sound Recorder: Zoom H6
Mics: I have a few different ones. SENNHEISER G4 I think it is (Lav) clean, Blue Yeti Pro when I'm doing V/O I also have mics for music. Aston Stealth and Origin...
They forgot headphones... I have 2 AKG 240MK2 (Flat) and Audiotechnica M50X (boosted mids and brighter sound)
Field monitor: I have a secondary screen I never use 😭🙈 Atomos Shogun.
Polarisers: I have a few Hoyas I believe the brand is and some free tinted ones I got with my camera. I do need to focus more on these...
Light: Zero lol I use the sun/iso settings and good WBn 😂😂😂
When I get money I want some lights for real until then I may get some reflectors or whatever they're called to bounce natural light...
How much of this do you actually need? I shot an entire film with pretty much Tripod, Gimbal, Audio Recorder, Lav mic, Lenses and it looks pretty damn great. I also did it alone...
Work with what you have and if you have a little put a lot of creativity into it. If you have a lot don't be lazy lol
Great advice for filmmakers. Gear can get very expensive, so knowing what to spend the money on will save people some waste for sure! Thanks!
I’m feelin that GH5 wood grip 👌🏽
What wood grip is that one?
I’m looking like a madman for it. Any luck yet?
Solid!
Omg there are so many youtubers on the video btw D4rious I subbed yo you
12:00 I like how they talk about sound recording and stuff but they forgot to mention the REVERB treatment for the spot and the spot has a loott of reverb
Could you do a video going into more depth about buying vintage lenses? What to watch out for, how to know what vintage lenses will work on what cameras, what adapters you might need?
Nice to see Caleb out of his studio 🤣. Thanks for taking him out 😂
wait he doesnt live in a cave? xP lol jk but yeah!
Aaah what a wonderful collaboration! So glad this channel is back 😊
I enjoy the fact that all of these tips still apply to photography
Mixer is affordable at about $600-650. Well, your budget is higher than mine....by far.
Glad you had Caleb on! Love his videos.
5000 grand later...
5 million then?
Thank you! I've got projects I'm passionate about making but my technical knowledge is limited. This video will definitely help get me on track!
Fooshigi did you ever make them?
I love Caleb! He should be the 1st sub for anyone new to the video creation game!
love the way you tell people what they don't like to hear!
like:"If your work isn't that good it's not because you can't afford a 140K $ set up, but it's because of you so, so invest on creativity instead of a gimbal"
:)
Killin’ it..... Love the direction you’re going in, Ted - Caleb is awesome, and the funniest part is I’m gearing up for my first big lightning and c-stand purchase!
Love Caleb's channel. Also: 5 in 1 reflector and at least 1 spare battery
C'mon, Ted! You must not watch enough of Caleb's channel if you're surprised he's still out there recommending the GH5. 😉 His channel steered me in that direction when I decided to get back on the production horse after working my way up into management at a corporate media company and hating it enough to walk out and get back to doing my own thing again. I haven't regretted it AT ALL.
Audio is my jam, it’s what I went to school for. Flat eq mics are better for professional work. But audio is hella subjective, not really objective. You can record a shoot with a ribbon mic if it’s the sound you’re looking for.
I went to school for audio engineering. From what I've seen, people who say aim the shotgun mic at the mouth are the people who usually advocate for a bassey mic. It's best to aim the mic at their solar plexus. That way you pick up the mids and high projecting from their mouth and get the low end (bass) from their high chest area.
The highs and mids are coming out of the mouth, if you aim for the plexus, you’ll have less highs and mids because you’re out of the microphone’s directivity, creating a muffled sound.
So if you want a bassy/shitty sound aim for the chest, but your comment is wrong mate
I'd love to have known these tips when I first started my filmmaking journey!
Ted! Really loving what you are doing with the IndyMogul Channel! Good Stuff!
Hi Indy, could you schedule an interview with a cinema / video operator specializing in aerobatic aircraft in the future? They are in trouble because they are very high speeds (250 knots), have very sudden movements, are often far away and very powerful telephoto lenses must be used. I would like to know which video head they use and the techniques they use. Many Thanks
Who the heck is selling a mole richardson 1k for $50?! I can't find one of those for less than $300!
they are just click-baiting...
The new Indy mogul is stupid good quality, I’m loving it!
Lol I find myself watching this video every time I make a purchase haha. Great guide!
Yeah one more small thing
MILLIONS
A Colour Checker will definitely help you get great exposure and colours!
I had the passport but it was insanely stiff and I knew I would break it. Not sure if it was just mine or not, but I also returned it for the larger version.
The small is just too small.
Vibration pucks/pads. I always have 3 in my kit bag.
I have a friend of mine who works/worked for Magnanimous back in the day. Jason Woodward. Small world
Magnanimous is amazing! they're honestly an incredible group of people. Can't wait to be back in Chicago
You forgot to mention good recording media and backup workflow.
A variable ND is on my list. A big one with adapter rings so you only need one.
When it comes to 'warm' sound, that isnt the same as adding bass. In fact what it is - is even order harmonic distortion. Which is essentially soft clipping audio. Which is essentially either tube amplifier stuff, or expensive stuff. I think it is simply important to listen to stuff on microphones through headphones and speakers to get an idea what it sounds like. For instance if you use a shotgun mic with a dead cat setup, to me it sounds like a bad room recording, even when it is recording outside. The dead cat thing is for canceling wind noise, which is important, but you get this awful phone booth sound out of it. Use a Rycote Cyclone and it sounds much better. The point is there is as much to know about sound as about any other technical aspect of film making. And it is the first thing people judge quality by.
Wonderfully informative. Literally learned more in this video about gear than my 4 years of film university.
Caleb is amazing! Great vid!
My face right now 😱😱😱!!! I'm so geeked to see Caleb on here lol.
4:41 vintage lens are pretty cheap in my country, here's what i got
25mm f1.4 $20
35mm f1.7 $30
50mm f1.4 $20
50mm f2.9 $40
135mm f2.8 $40
200mm f4 $60
200mm f2.8 $90
Where did you find those prices?
@@mariopqrst i live in indonesia, and this secondhand lens are from some people who like to collect thing since long ago.
now theres tons of online marketplace and they sell those unused lens, that's why it can be pretty cheap.
i bought online at some shopping app called "bukalapak"
sadly they have country limitations in shipping
Man, I'm impress you're lucky
I'm really agreed with everything, But how will you shoot moving shots??
there's nothing on the list for that...neither gimbal nor glidecam....
Video series of each component you named/listed for beginners would be great....
C-stand alternative that fits in a backpack = Promaster LS-CT + Matthews Telescopic Baby Stand Extension
I'd argue that you only need all of this stuff if you have a good amount of money to spend. In reality, you can start off with a much smaller amount of stuff - Camera (w/lens), tripod with fluid head, and decent mic. If you have leftover money, get an outboard sound recorder (zoom h1 is $100). You can get all of this for less than $1000.
Such an engaging personality! Million dollar smile!
Caleb Pike is my favorite!
Caleb is the man.
What’s the brown handle called? On the camera
Such a great host to such a great channel
NOOOO WAY WHAT!!! Devin Supertramp next, wow you guys are killin it.. Looking forward to that.
And this was a great episode too, really informative.
If you're waiting on getting gear to shoot film - you're not a real filmmaker. The most important camera is the one you have in your hands. I've been filming for over 8 years, and have seen tremendous short films shot with nothing more than an iPhone and Filmic Pro. Claude Lelouch just shot an entire feature on an iPhone using the FIlmic Pro app, and it was just at Cannes.
Having said that, I have invested in quality gear over time. Id also say that learning everything you can about editing and color grading / correction is as important as what you're using to film.
Very nice video! Thanks for the tips!
Many U.S. homes use 15 amp circuits. Check the service panel!
Sound and lighting are the best, most long-lasting investments.
Great tips. Just purchased that x-rite color checker.
7:38 - what diffuser is that?!?! that's perfect
#ARRI and #PANAVISION are the exclusive camera, G&E, AKS equipment packages for DreamFactory Studios. We love the Arriflex 435 Xtreme, Alexa, Panaflex Platinum, DXL.
very good promotional video
Very helpful and fun video :) Thanks for the tips.
I use Azden shotgun mics, bought two used off eBay. Decent, will check out the recommended one on your video.
I hate people who say you need no gear, instead they should say and emphasize something like this. Use your budget for lighting and use whatever camera you ALREADY have available, don't use the money for the camera use it for lights. This is great for new or indie filmmakers because cameras constantly change and upgrade and you will be tempted to buy the next best thing. Lights on the other hand are just that, they don't change much and last you at least 5 years if you take care of them.
TLDR; DONT by camera gear buy lighting gear first!
Cool video and colab!
For Lenses I would look into anything in M42 mount made by Carl Zeiss but popularised by Pentax and Pentacon. They are generally cheaper in price, highly adaptable, some are stepless aperture and many are and high quality designs... like the Meyer Optik Görlitz line of lenses.
For light I use 4000K LED, 1600 Lumen work lights... they are 20W, but they work for me (I use 6 of them).
Again grate video!
Whats with the World Wide "Hands" phenomena .... Fly those Hands!! GEEEZ!
Instead of buying that color checker, can't you use the phone with a color palette image instead?
No.
You guys are fun, natural and efficient, I liked your video until the end and yes, I will subscribe right after I wrote my comment hehe😂😉 i have one question is it worth to buy the BMPCC4K over the Sony a7III? I’m wondering as I just saw one video... cheers and thanks for the great content
This is the video I wish I had watched a couple years ago when I was just getting started.
Amazing job you two have been doing but I'd like to see any video where you or Caleb show the video quality of Lumix G7, please let me know. 🙏🙏🙏
Thanks for the tips! Love Caleb!
Incredibly helpful, thank you so much!!
You said the keyword. “Spending on trends” . I do my research as a photographer
15:40 damn it. Now I'm obsessively trying to figure out which pizza place you went to in Chicago to figure out if you went to a good one or a crappy one.
So I think with the fact that people are looking at more affordable lighting options and the fact of your recommendation for the Richardson has prompted sellers to destroy that $50 dollar price you’re mentioned and have gone so far as to sell just 1 for prices as high as 1400! Do you have any other suggestions that you can just respond back with so greedy masses can’t have a hold on this?
The screen effect is really noticeable you guys should make it a little bit lower some parts I didn't know what was going on a good job tho.
Computer/editing software?
Love my MKE 600 - a great mic too
"...and it's really affordable for a sound device, this around $600-$650." Kinda of made me laugh a bit. Like in other words I won't be buying it. Yes, I get it good audio equipment can be expensive. Everyone has their version of expensive. :)
Thomas Gurchiek ahha I was looking for this comment!!! When he said that I was expecting $50-$100 NOT FREAKIN $600!!! I’m still not over that lol
He means the brand ‘Sound Devices’. Their mixers and recorders usually cost 3 grand. The mix pre 3 is a bargain in the context of pro audio. It seems expensive when you’re coming from consumer audio kit. Worth investing if you want reliability and quality to stand out for your clients. You can miss a dodgy shot or cut but you can’t look away from poor sound.
I totally agree. I use a zoom H2N, it is a very good recorder to start. Also standard light stands + PAR56 or 64 cans are really dirt cheap and work very well. They are so simple and cheap, you can even buy them used, without much risk. You may need a CTB filter to match color temperature to other types of lights. My 2 cents....
I think coffee should be on this list. But that's just me.
man, your face seems like it's locked in infinite positivity. it's the kind of thing you both hate and love at the same time, hehe.
Good informational video. Gonna make a short film this summer 🥵🔥 I’m scared
A good camera with a boring lighting or a good lighting with a boring camera, thanks man
I would love to have one of those colour checker :P
Zoom F6 is better value than Sound Devices. Also a couple of good wireless Lav mics are essential IMHO.
Are there affordable options for colour checkers?
🍿🍿The color chart 🍿🍿🍿a very good suggestion appreciate that 👍✨🎬👏👏👏👏👏👏👏
S6 tripod looks nice
Great show.
shhh shhh, stop raising the price of vintage lenses xD that being said though. Vintage lenses are amazing for a non sterile look
Thomas Ong fr, wasn’t there a hike on Canon FD prices within the past year or two from popular resurgence alone?
@@TheAnimistOfficial not sure on the fd lenses since I personally do not use them (nikon guy). I know some of the russian ones like the mir 1b/v have tripled over the last 2 years. I would not be surprised at all if they did though. Supply & demand is fr. Especially vintage lenses, with these videos constantly promoting them
These new videos are awesome! But hey for real... Where can I get a Mole-Richardson 1k for 50 bucks?
You should write the name of the DOP next to "Camera" on the slate (clapperboard), not the actual camera model...
Sometimes it's nice for the editor to know what was shot on which camera for shot matching and basic color corrections.