As someone who is saving up and thinking of buying one this New year, you are doing God's work with your real-life showcases. Helps me in my purchase decision. Thanks a ton!
Looks good! I also have the same camera. I have most all of the Sigma lenses for apsc. I used to own the 18-105 but I sold it awhile back with my old a6600. Lately I have been wanting to purchase the 18-105 again. How well do you think it pairs up with the a6700?
@@jordanquinn2769 hey Jordan, I ask myself this question daily. I prefer the Sigma, 1.4 at night looks so beautiful. But, I’ve been filming documentary content today and the 18-105 is also so damn beautiful when zoomed in with the bokeh and lights in the background and such sharp focus on the subject. So I can’t pick between the two but they work perfectly for me at the moment. However, I think I’m going to get myself another sigma 1.4. They are some of the the most beautiful lenses I have ever filmed with and in the last anything like it was manual focus or super expensive prime lenses for an Arri Amira which we use. To have them for a few hundred pounds on a £1500 Sony camera and gimbal is insane.
@@parvizmir-ali3814 can’t remember the codec off top of my head, 422 10bit S, mid range H264. All SLOG3 unless marked as S-Cinetone (Covent garden scene).
As someone who is saving up and thinking of buying one this New year, you are doing God's work with your real-life showcases.
Helps me in my purchase decision. Thanks a ton!
Haha, thanks. It’s all a great setup and good luck.
wow, i love this energy :D
Thanks 🎉😊
Love the video. Did you use a gimbal? If yes which brand or model. Thank you.
Thanks. Yes, totally… Ronin RS4 for anything I don’t say handheld on.
Looks good! I also have the same camera. I have most all of the Sigma lenses for apsc. I used to own the 18-105 but I sold it awhile back with my old a6600. Lately I have been wanting to purchase the 18-105 again. How well do you think it pairs up with the a6700?
@@jordanquinn2769 hey Jordan, I ask myself this question daily. I prefer the Sigma, 1.4 at night looks so beautiful. But, I’ve been filming documentary content today and the 18-105 is also so damn beautiful when zoomed in with the bokeh and lights in the background and such sharp focus on the subject. So I can’t pick between the two but they work perfectly for me at the moment. However, I think I’m going to get myself another sigma 1.4. They are some of the the most beautiful lenses I have ever filmed with and in the last anything like it was manual focus or super expensive prime lenses for an Arri Amira which we use. To have them for a few hundred pounds on a £1500 Sony camera and gimbal is insane.
In which codec/ Profile did you film this ? Hlg, Slog….?
@@parvizmir-ali3814 can’t remember the codec off top of my head, 422 10bit S, mid range H264. All SLOG3 unless marked as S-Cinetone (Covent garden scene).