Haydn String Quartet op.76 No. 2 "Quinten" Schnitzler Quartett

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  • Опубликовано: 29 окт 2024
  • Haydn String Quartet op.76 No. 2 d-minor "Fifths"
    Schnitzler Quartett:
    Werner von Schnitzler, 1st violin
    Axel Haase, 2nd violin
    Florian Glocker, viola
    Sebastian Braun, Cello
    uncut, live Performance
    January 9th 2014 Stuttgart

Комментарии • 7

  • @musicever75
    @musicever75 3 года назад +2

    Bravo, Werner!

  • @mashtali1
    @mashtali1 7 лет назад +5

    fucking world... I didn't know Werner von Schnitzler.

    • @tangodaze
      @tangodaze 2 года назад

      Look for his phenomenal youth recordings. It was a find for me too….I wonder where he was all those years between his youth and now..

    • @MegaHoangvy
      @MegaHoangvy Год назад

      Look for him playing Sarasate 10 year ago ! You could see that he was a prodigy !

  • @vivamusic87
    @vivamusic87 6 лет назад +2

    Bravo!!

  • @adriancheale1784
    @adriancheale1784 7 лет назад +5

    Has anybody actually realised what Haydn was saying in that grotesque
    3rd movement? "Witches dance" my ass!!! He was railing against
    authority- the absolutist monarch calls a grotesque tune and everybody
    else has to dance to it. In the middle of it all tentatively springs an
    eastern european folk tune, a brilliant folk tune, with drone and all-
    (Haydn WAS an eastern european FOLK musician!!!) This doesn't last long
    though, and it's back to the grotesquerie of absolutist authority with
    that awful canon. Bear in mind also, that Haydn was a blithe spirit when
    he wrote this and not beholden to the Esterhazys any longer- he wanted
    to say what he felt. As for the "Aesthetics" of 4 movements in
    symphonies/quartets- He was writing for a certain audience- 4 movements?
    1 for the "authority", 2 for the ladies, 3 for the "Gentlemen" (which
    is why he virtually wrote the same minuet 300 times- as the men were
    such dullards- Haydns real "joke"- he was mocking the boring males!!!)
    and the 4th was for himself-true folk music which he wanted to be heard
    in the court- which is why these last movements are invariably folk
    music inspired. If you know anything about eastern european folk music
    you'll realise this. Haydns music was very controlled by authority and
    if he could subvert it, he did. Try finding a bio or book about Haydn
    which says as much... But in reality he was a rebel and was envious of
    Beethoven , especially his 3rd symphony- a VERY rebellious symphony-
    Beethoven dared to say things Haydn could only do subversively as he was
    under dictatorial/absolutist rule- think Shostakovitch DSCH etc. The
    authorities want to make you think he was a "Good" boy!! To really
    appreciate that 3rd movement, listen to the Tokyo Quartet- the Japanese
    are better eastern folkies than this lot!!! That 4th movement is PURE
    folk...

    • @tangodaze
      @tangodaze 2 года назад

      Thank you for this! Enlightening!!