Introduction to Modernist Poetry (c.1890 - 1950)
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- Опубликовано: 6 авг 2024
- The modernist period, spanning from 1890 to 1950, is a period of radical, society change-one might even say a period of cultural trauma. The voices of modernist poems seem to ask: how can poetry keep together the fragments of a fragmented world? How can poetry connect us to other people who live their separate lives in the shared world of war, financial destitution, political turmoil, and human atrocities?
In this lecture, I want to give you a survey of some of the major themes and formal characteristics to reading modernist poetry.
Introduction: 0:00-3:40
W.B. Yeats and Intimations of Modernism 3:40-9:42
Wilfred Owen and WWI Poetry 9:42-26:07
T.S. Eliot and The Waste Land 26:07-38:35
W.H. Auden and The Shield of Achilles 38:35-49:03
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As always, another tremendous lecture
So interesting that modernist poetry can seem pretentious to someone who came to poetry through earlier styles. My students have the opposite response. The modernists make intuitive sense to them and it's often the heavily allusive Enlightenment poets, or the darkly brooding Romantic poets that strike them as pretentious. In either case, some emotional labor is required, I think, to overcome (likely previously unexamined) personal biases and preferences to get at the genuinely good stuff each of these movements has to offer.
i remember having some trouble to get into modernist poetry back in the faculty. You explain it really well
More modernist please
Much appreciated from college of languages , Kufa University
Thanks It is my honor to watch your video and explanation
Hi Adam, if you get a chance and have yet to hear it, there’s a rendition in song of “The Stolen Child” by The Waterboys from 2006. I think it’s a beautiful homage to Yeats, so I wanted to share this with you and everyone in the comments... Cheers 💖!
This is a brilliant summation. Thank you.
Wow, you just blew my mind.
I sat in sweetness watching the confusion of the 20th century. Emptiness and hunger for meaning. Bewildering and beautiful.
Thank you.
Another top class session.
Thank you Adam
Regarding the pronunciation of “dulce “, someone of Wilfred Owen’s time would probably have used the old English pronunciation, with a soft “c”. The pronunciation of Latin, as taught in schools, was changed in the early twentieth century. There is a useful article in Wikipedia.
Ha, interesting. I know that in classical Latin there was no soft "c," and it was always pronounced /k/, but yes perhaps in Owen's time it was as you say.
Another great lecture! Hope you make more on modernist poetry
Excited to be a new patron! Poetry is very important to me, and I appreciate your videos very much!!
Thanks so much! I look forward to meeting with you soon, hopefully in the reading groups we have starting next week!
This is amazing!
A fascinating video. I'm quite new to poetry and have just discovered your channel. Looking forward to going through previous videos.
Glad to have you along, Chris. Let me know if you have any questions!
Outstanding
Nice! I've been trying and failing to get into Hart Crane.
no mention of the Cantos. hmmm.
I knew this day would come
A real pity that you omitted the most culturally influential modernist out of this discussion, Dylan Thomas. No other poet from the modernist pantheon has had as much influence in shaping the popular culture of the next few generations as Dylan and his poetry still outsells the other modernists. Here is a discussion about Dylan's place in modernist poetry, his reputation in America and a tour of his birthplace in Swansea, Wales: ruclips.net/video/_ON-Zia-jm4/видео.html
(No. These things did not happen. This is even more strange.)