Color sepia by Máximo Diego Pujol，Shanshan Chen guitar 普霍尔《深褐色》，陈姗姗吉他独奏

Dated 2005 Color Sepia is a piece that could well rival Un Dia de Noviembre in the encore hierarchy. As its name suggests there is more than a hint of nostalgia that perfumes the music. It's in D minor, Spinal Tap fans will know that Nigel Tufnel describes this as «the saddest of all the keys..it makes people weep instantly«. «Simple lines, intertwining etc.« again from Tufnel but quite accurate for Color Sepia. What could be mawkish turns out to be a simple four-bar call-and-answer phrase that segues deliciously into E major returning to D minor but with some subtle Piazzolla-flavoured figures ending with the original theme.
Some have talked disparagingly regarding the influence of Piazzolla in Maximo Diego Pujol's work but as time goes on much of the negativity is irrelevant carping that just detracts from what is lovely music. I was hooked on this piece straight away and predict that it will become a firm favourite.
Exemplary publishing standards as usual from Les Productions d'Oz.
Tim Panting (Classical Guitar Magazine)
《墨鱼色》创作于2005年，是一首与布劳威尔《十一月的一天》相媲美的作品。正如曲名所暗示的那样，有一种怀旧之情让音乐散发出芳香。在D小调中，脊髓抽搐的粉丝们会知道，奈杰尔·图夫内尔将其描述为“在所有调中最为悲伤”，它能让人们立即哭泣。“简单的线条、织体等。”可能是一个简单的四小节和应答的短句，愉快地继续进入E大调、返回D小调，但带有一些隐藏的皮亚佐拉以原始主题结尾的华丽乐句。
有些人模棱两可地谈到了皮亚佐拉对普霍尔创作的影响，但随着时间的推移，许多负面因素都消失了，仅仅是对美好音乐的贬低是无关紧要的。人们被这首作品吸引住了，预计将有越来越多的人弹奏。