Lol as a CBT and day one Wuthering Waves player, this has to be the most delusional take I've read regarding both games, it's like saying that "zelda clone" game has better combat mechanics than WuWa. Both games have its own pros and cons, but the fact that WuWa is lacking in terms of music is true, and most people in the fandom agreed, even Kuro's previous game (Punishing Gray Raven) has better music than WuWa. It's not like the OSTs are bad per se, it's just not memorable. The only good ones I can remember are the main menu login screen theme, Lampylumen Myriad boss theme, Inferno Rider boss theme, and some of the OSTs from the new area (Mt.Firmament / Hongzhen), the rest? Nah not really.. That "zelda clone" music production value is just on another level bruh. Also, the only part where it feels like "Zelda BOTW clone" in that game is just in the first region/nation of the game, second region not so much, and it's completely different when the story reach the third nation. Yes, I'm a Zelda player too
Unfortunately, the entire soundtrack of WuWa, which I've heard, seems to me too simple and extremely BGM-oriented, even the boss fights. I'm not a fan of electronic music to begin with, but from a game with plot based on sound, I would like to expect something more interesting. I hope the quality of the music will improve along with the success of the game.
that's what I thought so too. Pgr's sound track sets the patch's pacing and theme. It tells the story and emotion of what will happen with music alone. Here in Wuwa, they dumped music for bosses and i feel no story behind it. You can feel the difference of in-house music producers compared to Vanguard Studios. A solution to this I think is to have a VSS music per patch to set the tone and pacing just like PGR, and then fill the other segments of the game with their house blend music.
@@mercyJz I think the issue with that line of thinking is that the games' structures are too different to be able to compare them. You like PGR's soundtrack because it ties into the story and the theme of the patch really well, but that only really works because each chapter in PGR is its own self contained story. I wouldn't expect the patch updates in WuWa to contain nearly the same amount of story content per patch, so they'd have to limit it to specifically story climaxes or bosses to make something similar work. As a tester in both CBTs though, I thought the boss atmospheres were pretty decently fitting with the OSTs they provided, if not a little too intense at times. It kind of felt like the music of each boss kind of mirrored their behaviors rather than telling a full story, just supplementing the little bit of character each boss showed in its attack styles and stuff. While a little bit generic with some OSTs, it did fit in pretty well.
I think you should listen to some of Genshin soundtrack, some track, the composer is quite creative, they were able to mix traditional instruments with modern electronic music, it just incredible.
that's what I thought so too. Pgr's sound track sets the patch's pacing and theme. It tells the story and emotion of what will happen with music alone. Here in Wuwa, they dumped music for bosses and i feel no story behind it. You can feel the difference of in-house music producers compared to Vanguard Studios. A solution to this I think is to have a VSS music per patch to set the tone and pacing just like PGR, and then fill the other segments of the game with their house blend music.
![New Tower Of Adversity 2.0 / Carcharo - Danjin Solo - Jiyan / Full 30 Crests [Wuthering Waves]](/img/1.gif)
Sounds like a DOOM type sound. Rip and tear till it's done 🗣️🔥
yeeess
omg i thought the same when i heard it for the first time.
this one hits so hard my god
This guy need to be included in the hologram boss, I don't mind dying a thousand time if this song play in the background.
Yeah he would be easly the hardest boss
Sometimes he's slow and them INSTANT in normal mode imagine as a hologram boss
@@Kross_VikI would actually want him to be the most difficult boss and be 100 times more agressive, just because I think it would very very funny
I came from the future to say that he will be a hologram in version 1.3 ☠️
My brother in christ, they added him as a hologram boss, he won't stop spamming the meteors☠
@@Angln09THE FLOOR IS LAVA
The moment the game turns Rover into The Only One They Fear Is You.
WuWa haters will look at literally the coolest thing ever and be like "this really sucks actually"
Don't forget Hoyoverse D-riders
kuro went all out with this boss
AHH my Favorite Boss OST, they need more like this :D
Istg WuWa has to be the best if not one of the bests open world gacha game for 2024
this needs to be on spotify ASAP
my favorite Boss theme song and My fav boss raid of all time
Can't believe we can have this a mount
This is one of the best boss music in WuWa, if not the Best!
La verdad me recuerda al Ost De Doom y eso me gusta 🥵🥵
god dang, this goes hard
We're becoming Eternal with this one! 😈😈😈
new favorite ost
Mí boss favorito ❤😂
こいつのBGMだけ鳴潮の中でも異質レベルに厳ついよねw
世界観がこいつだけデビルメイクライ
POV: You didn't fork over the goddamn candle.
so why dongt hit the boos?
Because we are here to enjoy the BGM
Esta bueno pero siento que le falta algo, quizas voces o algun coro
This boss is my new Gabriel (from PGR) in WuWa. I hate him with passion
This is the real monster bgm! Dont like zelda's clone its bgm sound like funeral music!😅
Same! I wish more of the BGM are like this.
Lol as a CBT and day one Wuthering Waves player, this has to be the most delusional take I've read regarding both games, it's like saying that "zelda clone" game has better combat mechanics than WuWa.
Both games have its own pros and cons, but the fact that WuWa is lacking in terms of music is true, and most people in the fandom agreed, even Kuro's previous game (Punishing Gray Raven) has better music than WuWa.
It's not like the OSTs are bad per se, it's just not memorable. The only good ones I can remember are the main menu login screen theme, Lampylumen Myriad boss theme, Inferno Rider boss theme, and some of the OSTs from the new area (Mt.Firmament / Hongzhen), the rest? Nah not really..
That "zelda clone" music production value is just on another level bruh.
Also, the only part where it feels like "Zelda BOTW clone" in that game is just in the first region/nation of the game, second region not so much, and it's completely different when the story reach the third nation.
Yes, I'm a Zelda player too
Id like to say this is my favorite one, but yeah... sadly ost is not this game forte
Unfortunately, the entire soundtrack of WuWa, which I've heard, seems to me too simple and extremely BGM-oriented, even the boss fights. I'm not a fan of electronic music to begin with, but from a game with plot based on sound, I would like to expect something more interesting. I hope the quality of the music will improve along with the success of the game.
that's what I thought so too. Pgr's sound track sets the patch's pacing and theme. It tells the story and emotion of what will happen with music alone. Here in Wuwa, they dumped music for bosses and i feel no story behind it. You can feel the difference of in-house music producers compared to Vanguard Studios. A solution to this I think is to have a VSS music per patch to set the tone and pacing just like PGR, and then fill the other segments of the game with their house blend music.
@@mercyJz I think the issue with that line of thinking is that the games' structures are too different to be able to compare them. You like PGR's soundtrack because it ties into the story and the theme of the patch really well, but that only really works because each chapter in PGR is its own self contained story. I wouldn't expect the patch updates in WuWa to contain nearly the same amount of story content per patch, so they'd have to limit it to specifically story climaxes or bosses to make something similar work.
As a tester in both CBTs though, I thought the boss atmospheres were pretty decently fitting with the OSTs they provided, if not a little too intense at times. It kind of felt like the music of each boss kind of mirrored their behaviors rather than telling a full story, just supplementing the little bit of character each boss showed in its attack styles and stuff. While a little bit generic with some OSTs, it did fit in pretty well.
Nunca faltan estos randoms
🫥
really? i think boss music are pretty good, especially crownless, dreamless and this one
I think you should listen to some of Genshin soundtrack, some track, the composer is quite creative, they were able to mix traditional instruments with modern electronic music, it just incredible.
Mavuika leak
lol, genshit could never🤣
is it just me or it feels underwhelming with the feels or vibe with the selection of this game ost, i guess i'm just used to pgr bangers
that's what I thought so too. Pgr's sound track sets the patch's pacing and theme. It tells the story and emotion of what will happen with music alone. Here in Wuwa, they dumped music for bosses and i feel no story behind it. You can feel the difference of in-house music producers compared to Vanguard Studios. A solution to this I think is to have a VSS music per patch to set the tone and pacing just like PGR, and then fill the other segments of the game with their house blend music.
@@mercyJz glad to have someone thinking the same thought as me