VSL Studio Chat with Alexandre Desplat

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  • Опубликовано: 24 июл 2024
  • Many users of Vienna Symphonic Library products enjoy a successful careers as film composers, orchestrators, and conductors. In our Studio Chats interview series, we present extraordinary artists sharing their individual approaches to writing and orchestrating music for film and television. Alexandre Desplat worked on many TV and film projects, including Carnage, Coco Chanel, The Curious Case of Benjamin Button, The Ghost Writer, Harry Potter and the Deathly Hallows, The King's Speech, The Queen, and many more.
    0:00 Introduction
    0:15 How do you manage to work on so many projects a year?
    0:54 Could you please describe your workflow and setup?
    4:01 Did technology change your compositional style?
    5:02 How would you define your style?
    8:02 Do parts of your mock-up stay in the final mix?
    9:24 How do you deal with temp tracks?
    10:51 Do you ever encounter temp tracks from the Classical repertoire?
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    Vienna Symphonic Library is one of the leading developers of orchestral sample libraries and award-winning music production software for all genres. For over 20 years, we've been recording high-quality samples of almost every instrument of the symphonic orchestra in the city of music, Vienna. Driven by our passion, we've built by far the largest sample database ever created by a single company. For our users worldwide, we continue to innovate and develop the most advanced virtual instruments. Our goal is to inspire artists and excite them to turn their musical ideas into reality.
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Комментарии • 28

  • @PeterRoos
    @PeterRoos 9 лет назад +10

    A true genius and a very hard worker, very inspirational.

  • @chriskehoe6581
    @chriskehoe6581 10 лет назад +21

    Alexandre Desplat is my all time favorite film composer. His work is immediately recognizable which is something I think is essential for a contemporary composer to be able to do. Whether intended or not. When you hear it for the first time, you recognize the style, the orchestration, the habits of the individual that are inherent in their personality. It all comes out in their music. No matter what the situation or application is,... you know it's them.
    I love that.

    • @Spaunsam77
      @Spaunsam77 10 лет назад +2

      Well said man! I completely agree with everything you said, he is also my favorite of all time too for that same reason. Looking forward, and I am sure you are too, to see what he does for Godzilla.

    • @chriskehoe6581
      @chriskehoe6581 10 лет назад +2

      Samuel Diaz That's gonna be fun! I hope the film is worthy of the composer.

    •  10 лет назад

      More than John Williams? :) I've found all these interviews just delightful and I just envy them all!!! These guys have dream jobs, but one can say watching Desplat that this is HARD hard work. And fun. And again hard work. LOL (And I'm sure tempted about buying VSL, some marvelous sounds they have...) regards!

    • @Spaunsam77
      @Spaunsam77 10 лет назад +1

      André Fadel Wow u are right! how could i forget John Williams! :-O ok Desplat is my second favorite composer haha and i agree watching this tempts me to invest in more vsl libraries, now if only they werent all soo freaking ridiculously expensive lol!

    • @Spaunsam77
      @Spaunsam77 10 лет назад

      chris k haha I agree!

  • @ViennaSymphonicLibrary
    @ViennaSymphonicLibrary  9 лет назад +12

    We are very pleased to congratulate Oscar winning composer Alexandre Desplat for "The Grand Budapest Hotel" (Best Original Soundtrack 2015)!

    •  9 лет назад

      Vienna Symphonic Library We're proud we share a little bit of the master's technology! Regards! :)

  • @fixederror
    @fixederror 8 лет назад +3

    Great interview from one of the best composers going around. Very much has his own identity and an old school approach. And those words regarding temp music ring true. I think all composers have a love/hate relationship with the temp track!

  • @solaris2340
    @solaris2340 6 лет назад +2

    I am in love with the New Moon score, I never get tired of it lol

  • @TheSteveSteele
    @TheSteveSteele 10 лет назад +3

    Dang. I needed to hear that at the beginning. Every thing he says is so true. Like, the click being a frustration. Drawing tempo is interesting, but feels backwards to me. But the part about living "like a samurai" - I now work long hours too, every day from AM to PM, with little time left for anything or anybody. Was starting to question this lifestyle because I thought I was the only one for some reason! The DIY aesthetic is not for unmotivated people, that's for sure. Crazy. Anyway, carry on. All of these VSL interviews are really good.

  • @RiccardoTristanoTuis
    @RiccardoTristanoTuis 5 лет назад +1

    Amazing composer and amazing interview.

  • @visions4him
    @visions4him 3 года назад +2

    I can listen to him for hours))) Where can I find the full version of the interview? It’s very interesting!!!

  •  10 лет назад +1

    The Viennakey arrived! hooray! Tomorrow I'm going to test it, I hope! :) Just got the standard orchestra bundle. I agree with what you said, chris, but unfortunately I still don't have an orchestra available to record my orchestral pieces. Besides, maybe the final result is better with the use of the software (because the symphonic group of my city isn't THAT qualified...). I'm putting high hopes in MIDI technology. regards

  • @jnc8999
    @jnc8999 9 лет назад +4

    I hope he composes the score to Neill Blomkamp's Alien 5 reply if you agree

  • @ctsr1117
    @ctsr1117 5 лет назад +2

    Is there one with John Williams?

  • @interstellanoob1966
    @interstellanoob1966 8 лет назад +3

    what a cool guy

  • @sogggyyy
    @sogggyyy 6 лет назад

    dam temp track!

  • @entesarsalehabdullah6097
    @entesarsalehabdullah6097 7 лет назад +3

    He is God