প্রগতিশীল থেকে হঠাৎ প্রতিক্রিয়াশীল হওয়ার গল্প ৷ কিন্তু বিপ্লব যাদের রক্তে তারা এই পরিবর্তনকে সহজে মেনে নেয় না ৷ তারা সারাজীবনই লড়াকু থেকে যায় ৷ এ ফিল্মের আর একটা নাম হতে পারত "গোত্রান্তর" ৷ একটি অসাধারণ ছবি ৷ চিত্রনাট্য ও পরিচালনা চমৎকার ৷
Mone pore gyalo sei sondher kotha... 1986 er 26 th dec... Ami r Ma tv dekhte gechhilam neighbour er bari... Ki osombhob bhalo legechhilo... Down the memory lane... Thanks...
1986 er 26 dec er kotha bole apni amakeo nostalgic kore dilen ...tokhon ami class 2 , r 2 din pore shonibar TV te "hanabari" , amra koyekjon cousins adhir agrohe wait korchilam
শ্রেণী সংগ্রাম! কোনোদিন শেষ হবে না। সংগ্রাম তখনও ছিল আজও আছে। শুধু পটভূমিকার পরিবর্তন! গৃহযুদ্ধ----!!!! বহুবার দেখা ছবি, একই কথা মনে করায়।অনেক শ্রদ্ধা। 🙏🙏🙏🌹🌹🌹
ম্যাডামজী, শ্রেণীসংগ্রাম কাহারে কয় ? ঁসুকুমার রায়ের সেই বিখ্যাত কবিতার লাইন "ছায়ার সাথে যুদ্ধ করে গাত্র হল ব্যাথা " মনে পড়ে যাচ্ছে ! সেই নিজের ছায়ার সাথে সংগ্রামের কথাই বলছেন বোধ হয় ?
Nothing could more significant than to fight with oneself! নিজের তথা সামগ্রীক উন্নয়নের জন্য নিজের সঙ্গে যুদ্ধ করার মতো মহত্বপূর্ণ আর কিছু হতে পারে না।
One of the best movies in Bengali cinema, a real masterpiece. Mesmerizing and haunting at times. The backrground score, Mamata Shankar, Sunil Mukherjee and Gautam Ghosh, they will be in my heart for ever.
It is not that we are a diluted community. Most Bengalis stays outside Bengal now. That's one reason. Another might be Hindi film industry surprisingly have maximum successful Bengalis. I admit that we like more Hindi movies. So those who act in Bengali movies are also Hindi movie fans actually.
Bro, Sourav above has made a very valid point. And it's not true that most Bengalis live outside Bengal or Bengali speaking areas today. Infact, 85% of all bangla speakers in India live within West Bengal. Another 10% live in Tripura (which is majorly a Bangla speaking state) and Assam (where Bangla is recognised as an official language in the three districts of Barak valley). Another 4% or so live in Jharkhand and Andaman & Nicobar Islands (where again Bangla is official language). So, by any yardstick, not more than 1% of total Indian Bengali population lives outside of Bangla speaking areas. Yet, our film market hasn't reached its true potential, especially given its humongous base population. Quality isn't definitely the issue. After all this is the state that has produced the most number of best filmmakers in the nation in the form of Ray, Ghatak, Sen, Sinha, Dasgupta etc. Even today, the likes of Aditya Vikram Sengupta, Atanu Ghosh, Kaushik Ganguly, Srijit Mukherjee, Shiboprasad & Nandita, among others, are making some extremely fine films. Still, in terms of market reach, we remain far behind. And that's simply because, unlike the South, we don't patronize our own cinema. We go gaga over Hindi films, inspite of the fact that for most years of our cinematic history, Bangla cinema has always been ahead when it comes to quality films (and that includes even so- called commercial films) How many Bengalis are aware that between 1931- 85 i.e. for over 50 years (that's half a century btw), around 200 bangla films were remade across the country in various industries - be it Hindi, South, Marathi or Odia. In contrast, Bangla cinema in the same period, only made 1 remake from other fellow Indian film industries. Even later, films like Pratikar, Choto Bou and others, which many of us make fun of quite unfairly, were remade in South and Hindi. But, we never encouraged such makers of original albeit formulaic/commercial films. We only derided them. Consequently, our industry got bereft of such makers and many of our producers had to resort to remaking from down South - a sort of reverse traffic from what was seen in the past. But this is besides the point. Point is we don't support our own artistes, our own industry unlike South. Can anyone imagine a Bangla remake of 3 idiots or Dabangg working? No one can - because guess what almost all of us have already seen those films in the original- and so a remake will invariably fail. But Tamil and Telugu remakes of such films have not only been made, but also turned out to be big successes, which just goes onto show how much they love their own industry, that they don't even see arguably the two biggest Hindi hits of the last 12- 15 years or so. And mind you, this is in the times of globalisation!! In contrast, we surely are a diluted community (as our friend stated above). We run after the hype of Hindi cinema (yes, some of our brothers and sisters have and are still making great contributions in the field of Hindi cinema - but that's not the reason why we follow or patronize Bollywood) in the hope of getting more acceptance from our peers and come across as more pan- indian, which is rather funny. I say funny, because as intelligent beings our focus should be on quality, not hype. Also, the beauty of our nation lies in its diversity. If some people had to lose out on their own identity to come across as more "National", then surely the entire essence of our beautiful country goes for a toss. And that's a tragedy, brother.
I think it is a reflection of the way most people in any society view movies, regardless of industry (Bengali,Hindi,Tamil, Telugu, Kannada,etc.). Masala movies with action+comedy+chocolate boy-girl romance+item song has outperformed thinking person's movies with a realistic story, be it in theatrical box office collection or RUclips views. If you don't believe me then just go check the highest box office collection movies of last 30-40 years. To give you a perfect summary example, Mithun Chakraborty is a 3-time National Award winning actor but he is best known for "Disco Dancer". That is the saddest part. Maratha Mandir will continue showing DDLJ even 26 years after release but a theatre is yet to show Swades or Dil Se or Chak de India in the same continuous matter. Bengali arthouse films are suffering because most people have been conditioned to watching Mithun'da or Bumba'da (later on Jeet and Deb) dance in gardens, hills, lakes, beaches and discos with heroines and fight alone with 15-20 goondas and have no patience or maturity to watch a real-world story with realistic acting. And producers are gradually getting discouraged by box office figures from financing an arthouse film. It's not that our masala film actors are bad actors , in fact if given a realistic everyday role under a capable director they can give a good (even great) performance too, but they are too few and far inbetween. Lack of visibility of these old good movies leads to lack of knowledge about these movies which in turn leads to lack of people searching for these movies. We are lucky that it is now available for free watch on RUclips. Instead of getting busy blaming things out of our control (which is waste of time), I believe the best we can and should do is spread word of mouth and share link between friends and acquaintances about these movies so they are not forgotten.
Eminent filmmaker Buddhadeb Dasgupta breathed his last four hours ago at his Kolkata residence. The auteur was suffering from kidney related issues and geriatric problems. The writer-director was 77. When his wife went to wake him up, she found him unresponsive. B DGupta was a filmmaker who celebrated triumph of human spirit. Born in a Vaidya family on February 11, 1944 in Purulia he stepped into the showbiz with a small documentaries and went on to make full-length feature films.
Last scene ta dekhe bojha gelo na j se football head korte korte Mara gelo na chakri pabar anande khusite head dilo. Baktabya ta ki? Audience jakhan kichhu bujhte na pare takhan e ki seta art film hoi?
Shitol khun hok ba chakri pak tate kichhui ese gelo na, etai bojha gelo. Mone korun Mrinal Sen er 'Ekdin Protidin' Mrinal bolchhen ekti questioner answer e, meye ti sara rat kothay chhilo tate kichhu ese jay na, asol kotha holo se ek rat bari na firle ki ki hote pare.
How a so called educated reporter fails to understand the ill effects of passive smoking? However, a good habit for keeping good health, handwashing given the priority to be high lighted.
Kebol biri r cigarette dhariye j ekta film kora jete pare tar ekta udaharan. Direction er baro abhab. Nayker pranhin bhalobasa ekta educated nayika ki kore admit Kare? Editing er khub abhab. Background music has no sense of drama. However, tried to follow the cinematic idea of satyajit Roy and Rittik ghatak.
@@kasturimitra5375 Kuchh Kuchh Hota Hai ke tanar ki holo? It's a pretty good film true to its commercial rom-com/ melodrama genre. And very successful as well. Middle of the road, parallel film appreciate kora maney mainstream ke chhoto kora noy. Sheta ek rokom narrow minded elitism er ee porichoy. Eijonnyo ee aj Bangla industry'r ei dosha. Dhnukchhe.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
প্রগতিশীল থেকে হঠাৎ প্রতিক্রিয়াশীল হওয়ার গল্প ৷ কিন্তু বিপ্লব যাদের রক্তে তারা এই পরিবর্তনকে সহজে মেনে নেয় না ৷ তারা সারাজীবনই লড়াকু থেকে যায় ৷ এ ফিল্মের আর একটা নাম হতে পারত "গোত্রান্তর" ৷ একটি অসাধারণ ছবি ৷ চিত্রনাট্য ও পরিচালনা চমৎকার ৷
Excellent and a very practical movie. Nothing has changed. Now too same thing is happening. Mamata Shankar and Gautam Ghosh was brilliant.
Mone pore gyalo sei sondher kotha... 1986 er 26 th dec... Ami r Ma tv dekhte gechhilam neighbour er bari... Ki osombhob bhalo legechhilo... Down the memory lane... Thanks...
1986 er 26 dec er kotha bole apni amakeo nostalgic kore dilen ...tokhon ami class 2 , r 2 din pore shonibar TV te "hanabari" , amra koyekjon cousins adhir agrohe wait korchilam
Hya tokhon paray akta kore TV thakto! Biswo cup e shobai aksathe dekhtam
শ্রেণী সংগ্রাম! কোনোদিন শেষ হবে না। সংগ্রাম তখনও ছিল আজও আছে। শুধু পটভূমিকার পরিবর্তন! গৃহযুদ্ধ----!!!!
বহুবার দেখা ছবি, একই কথা মনে করায়।অনেক শ্রদ্ধা। 🙏🙏🙏🌹🌹🌹
ম্যাডামজী, শ্রেণীসংগ্রাম কাহারে কয় ? ঁসুকুমার রায়ের সেই বিখ্যাত কবিতার লাইন "ছায়ার সাথে যুদ্ধ করে গাত্র হল ব্যাথা " মনে পড়ে যাচ্ছে ! সেই নিজের ছায়ার সাথে সংগ্রামের কথাই বলছেন বোধ হয় ?
Kudos to the movie
Nothing could more significant than to fight with oneself!
নিজের তথা সামগ্রীক উন্নয়নের জন্য নিজের সঙ্গে যুদ্ধ করার মতো মহত্বপূর্ণ আর কিছু হতে পারে না।
One of the best movies in Bengali cinema, a real masterpiece. Mesmerizing and haunting at times. The backrground score, Mamata Shankar, Sunil Mukherjee and Gautam Ghosh, they will be in my heart for ever.
অসাধারণ একটা সিনেমা । বুদ্ধদেব দাশগুপ্তের প্রয়াণ আমাদের সবার জন্য বিরাট ক্ষতি। ওম শান্তি।
A film unfolding the explicity of socio economic & political paradigms which is still relevant in today's world but in a different form.
Outstanding......things are so real.
Many thanks for the upload. One of the best from Budhaseb Dasgupta. In last 15 years or so have never witnessed a Bengali film like this one.
✔️ অসাধারন -- এ গৃহযুদ্ধের শেষ কোথায় ❓
A worthy movie.Well justice to his name and fame.May his soul rest in peace.
.
Buddhadeb Dasgupta বাবুর
বাঘবাহাদুর, অন্ধ গলি, আনোয়ার কা আজিব কিসসা, মুক্তি,উড়োজাহাজ, পত্রলেখা, নিম অন্নপূর্না মুভি গুলো আপলোড করার চেষ্টা করুন।
১০.০৬.২০২১ উনি মারা গেলেন।
এক কথায় অসাধারণ
আমাদের ধৈর্য আমাদের শক্তির চেয়েও বেশী কিছু দেয়--- এডমন্ড বার্ক
Title theme ta osadharon
Osadharon
Oshadharon chobi
দিব্যেন্দু পালিত রচিত 'মাছ' শীর্ষক ছোটগল্প থেকে অনুপ্রাণিত হয়ে এই ছবিটি বানানো হয়।
This video is a masterpiece. Thanks to all the artists and director.
❤❤
Darun
Brilliant...why so less views, "bongs' are more interested in hindi films as it seems..such a diluted Community
It is not that we are a diluted community. Most Bengalis stays outside Bengal now. That's one reason. Another might be Hindi film industry surprisingly have maximum successful Bengalis. I admit that we like more Hindi movies. So those who act in Bengali movies are also Hindi movie fans actually.
Bro, Sourav above has made a very valid point. And it's not true that most Bengalis live outside Bengal or Bengali speaking areas today. Infact, 85% of all bangla speakers in India live within West Bengal. Another 10% live in Tripura (which is majorly a Bangla speaking state) and Assam (where Bangla is recognised as an official language in the three districts of Barak valley). Another 4% or so live in Jharkhand and Andaman & Nicobar Islands (where again Bangla is official language). So, by any yardstick, not more than 1% of total Indian Bengali population lives outside of Bangla speaking areas. Yet, our film market hasn't reached its true potential, especially given its humongous base population. Quality isn't definitely the issue. After all this is the state that has produced the most number of best filmmakers in the nation in the form of Ray, Ghatak, Sen, Sinha, Dasgupta etc. Even today, the likes of Aditya Vikram Sengupta, Atanu Ghosh, Kaushik Ganguly, Srijit Mukherjee, Shiboprasad & Nandita, among others, are making some extremely fine films. Still, in terms of market reach, we remain far behind. And that's simply because, unlike the South, we don't patronize our own cinema. We go gaga over Hindi films, inspite of the fact that for most years of our cinematic history, Bangla cinema has always been ahead when it comes to quality films (and that includes even so- called commercial films)
How many Bengalis are aware that between 1931- 85 i.e. for over 50 years (that's half a century btw), around 200 bangla films were remade across the country in various industries - be it Hindi, South, Marathi or Odia. In contrast, Bangla cinema in the same period, only made 1 remake from other fellow Indian film industries. Even later, films like Pratikar, Choto Bou and others, which many of us make fun of quite unfairly, were remade in South and Hindi. But, we never encouraged such makers of original albeit formulaic/commercial films. We only derided them. Consequently, our industry got bereft of such makers and many of our producers had to resort to remaking from down South - a sort of reverse traffic from what was seen in the past. But this is besides the point.
Point is we don't support our own artistes, our own industry unlike South. Can anyone imagine a Bangla remake of 3 idiots or Dabangg working? No one can - because guess what almost all of us have already seen those films in the original- and so a remake will invariably fail. But Tamil and Telugu remakes of such films have not only been made, but also turned out to be big successes, which just goes onto show how much they love their own industry, that they don't even see arguably the two biggest Hindi hits of the last 12- 15 years or so. And mind you, this is in the times of globalisation!!
In contrast, we surely are a diluted community (as our friend stated above). We run after the hype of Hindi cinema (yes, some of our brothers and sisters have and are still making great contributions in the field of Hindi cinema - but that's not the reason why we follow or patronize Bollywood) in the hope of getting more acceptance from our peers and come across as more pan- indian, which is rather funny. I say funny, because as intelligent beings our focus should be on quality, not hype. Also, the beauty of our nation lies in its diversity. If some people had to lose out on their own identity to come across as more "National", then surely the entire essence of our beautiful country goes for a toss. And that's a tragedy, brother.
I think it is a reflection of the way most people in any society view movies, regardless of industry (Bengali,Hindi,Tamil, Telugu, Kannada,etc.). Masala movies with action+comedy+chocolate boy-girl romance+item song has outperformed thinking person's movies with a realistic story, be it in theatrical box office collection or RUclips views. If you don't believe me then just go check the highest box office collection movies of last 30-40 years. To give you a perfect summary example, Mithun Chakraborty is a 3-time National Award winning actor but he is best known for "Disco Dancer". That is the saddest part. Maratha Mandir will continue showing DDLJ even 26 years after release but a theatre is yet to show Swades or Dil Se or Chak de India in the same continuous matter. Bengali arthouse films are suffering because most people have been conditioned to watching Mithun'da or Bumba'da (later on Jeet and Deb) dance in gardens, hills, lakes, beaches and discos with heroines and fight alone with 15-20 goondas and have no patience or maturity to watch a real-world story with realistic acting. And producers are gradually getting discouraged by box office figures from financing an arthouse film. It's not that our masala film actors are bad actors , in fact if given a realistic everyday role under a capable director they can give a good (even great) performance too, but they are too few and far inbetween. Lack of visibility of these old good movies leads to lack of knowledge about these movies which in turn leads to lack of people searching for these movies. We are lucky that it is now available for free watch on RUclips. Instead of getting busy blaming things out of our control (which is waste of time), I believe the best we can and should do is spread word of mouth and share link between friends and acquaintances about these movies so they are not forgotten.
বুদ্ধদেব দাশগুপ্তের জানালা মুভিটা প্লিজ আপলোড করুন।
Eminent filmmaker Buddhadeb Dasgupta
breathed his last four hours ago at his Kolkata residence. The auteur was suffering from kidney related issues and geriatric problems. The writer-director was 77. When his wife went to wake him up, she found him unresponsive.
B DGupta was a filmmaker who celebrated triumph of human spirit. Born in a Vaidya family on February 11, 1944 in Purulia he stepped into the showbiz with a small documentaries and went on to make full-length feature films.
The legendary film-maker who gave us masterpieces like Thahader Katha and Bagh Bahadur left us y'day . May his soul rest in peace.
Mini
দেখার সুযোগ করে দেওয়ার জন্য অসংখ্য ধন্যবাদ ।
Sunil Mukhopadhay asadharan.The most underrated actor. Music ta advut,bisesh kore murderer scene guloy, tai na?
Anjan dautta 🙏🙏🙏🙏🙏🙏🙏
Eta darun cinema
a poem on celluloid. raw and brutal exposing the undercurrents
" Jibon ashole badha pakostholi te " ....RIP Budhha Deb Das Gupta Sir 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Powerful movie !!!
বুদ্ধদেব দাসগুপ্ত দ্বারা পরিচালিত নিম অন্নপূর্ণা (১৯৭৯) চলচ্চিত্র টা দিলে ভালো হয়।
ছবিটা আজও সমান প্রাসঙ্গিক।
Brilliant
👌👌👌👌
গৃহযুদ্ধ আজও চলছে, চলবে??
এই সন্ধ্যায় মন খারাপ
Griha yuddha.
Idea of cuchh.
Abraham Lincoln.
Banki baad me .
Mamta Shankar.
Can you add English subtitles???
Rip🙏🙏🙏🙏🙏🙏
🙏🙏🙏🙏🙏🙏
Please upload the movie *ANTARTAMA (1995)* starting Tapas Pal and Indrani Haldar
Ei chobita aaj o kato prasongik
আট মাসে ৬২,৯৯৪ ভিউজ, ৬৩৯ লাইক, ২৯ আনলাইক৷
Abar kore dekhlum,bhishon similarities ache bartoman obosthar,sei ek jayga,prateebad korlei sire jete hobe😔😔
Last scene ta dekhe bojha gelo na j se football head korte korte Mara gelo na chakri pabar anande khusite head dilo. Baktabya ta ki? Audience jakhan kichhu bujhte na pare takhan e ki seta art film hoi?
Shitol khun hok ba chakri pak tate kichhui ese gelo na, etai bojha gelo.
Mone korun Mrinal Sen er 'Ekdin Protidin' Mrinal bolchhen ekti questioner answer e, meye ti sara rat kothay chhilo tate kichhu ese jay na, asol kotha holo se ek rat bari na firle ki ki hote pare.
Why there is so much of smoking showcased in Bengali cinemas I don't understand after all it is a bad habit
title song ta ki?
How a so called educated reporter fails to understand the
ill effects of passive smoking?
However, a good habit for keeping good health, handwashing given the
priority to be high lighted.
Evn doctors smoke...the movie is not an anti smoking drive...I hope you understand that
Kebol biri r cigarette dhariye j ekta film kora jete pare tar ekta udaharan. Direction er baro abhab. Nayker pranhin bhalobasa ekta educated nayika ki kore admit Kare? Editing er khub abhab. Background music has no sense of drama. However, tried to follow the cinematic idea of satyajit Roy and Rittik ghatak.
Ypu watch kuch kuch hota hain.this movie is not fr you
@@kasturimitra5375 😂. Well said
@@kasturimitra5375
Kuchh Kuchh Hota Hai ke tanar ki holo?
It's a pretty good film true to its commercial rom-com/ melodrama genre. And very successful as well.
Middle of the road, parallel film appreciate kora maney mainstream ke chhoto kora noy. Sheta ek rokom narrow minded elitism er ee porichoy.
Eijonnyo ee aj Bangla industry'r ei dosha. Dhnukchhe.