Of course, you're right! Same with the first beat Ab chord of number 5. I was preoccupied with explaining non-harmonic tones and forgot to include inversion for those.
Hi Scott, thanks for this! I have a question. What's the difference between accented, unaccented, weak & strong? Some sources say (in 4/4 time) that beats 1 and 3 are strong (accented) and that beats 2 and 4 are weak (unaccented). Other sources say that (in 4/4 time) that 1,2,3,4 are accented, not necessarily saying they are "strong" and the beats in between (8th/16th) are unaccented, not necessarily calling them "weak." Is there a difference in terminology when talking about rhythm and melody?
I think it all depends on TEMPO of the passage. In moderate to slow passages, most would consider the beginnings of beats accented and in between beats unaccented. Only when the tempo is pretty fast would beats 1 & 3 be heard as strong and 2 & 4 weak. Unfortunately, there's some subjectivity here. Music is as much an art as it is a science!
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This is literally my Homework. I didn't copy and paste. I swear.
Thank you!!! I’ve been gone from school for a while and this helps a lot 😇💗
No problem 😊
Watching this before my test, thank you
How'd you do on the test?
If one were to strip away all non harmonic tones in any piece of western music would it still remain identifiable?
I finally understand!! Thank you sir!
Wonderful!
For number 3, wasn't that D supposed to be a first inversion tonic?
Of course, you're right! Same with the first beat Ab chord of number 5. I was preoccupied with explaining non-harmonic tones and forgot to include inversion for those.
12 what shall we do
M
Very interesting. Thank you Sir.
Awesome!!🔑🔑🔑🔑🎇🎇🎇🎇☺☺☺
Hi Scott, thanks for this! I have a question. What's the difference between accented, unaccented, weak & strong? Some sources say (in 4/4 time) that beats 1 and 3 are strong (accented) and that beats 2 and 4 are weak (unaccented). Other sources say that (in 4/4 time) that 1,2,3,4 are accented, not necessarily saying they are "strong" and the beats in between (8th/16th) are unaccented, not necessarily calling them "weak." Is there a difference in terminology when talking about rhythm and melody?
I think it all depends on TEMPO of the passage. In moderate to slow passages, most would consider the beginnings of beats accented and in between beats unaccented. Only when the tempo is pretty fast would beats 1 & 3 be heard as strong and 2 & 4 weak. Unfortunately, there's some subjectivity here. Music is as much an art as it is a science!
@@ScottWatsonMusic Thanks Scott, I guess if it sounds good, it's good.
Hey dr.watson
It's pierre