Very excited to learn about Louis Bellson’s book, which I’ve just bought on Kindle. I think it will rescue me from a problem I didn’t know I had (until you pointed it out). Turns out that yes, I do tend to improvise in a few fixed rhythms. Pulling new rhythmic figures out and forcing myself to utilise them is going to be my 5 minute work-out for the foreseeable. Thanks again!
@@LearnGuitarWithJimmyBrewerOne thing I’ve really struggled with in musical composition is coming up with riffs and melodic ideas. I’m finding that constraining myself to a randomly chosen set rhythmic pattern from this book is making the process much easier. Thanks again! 👍
Glad I looked in to catch up. Another excellent lesson, practical, so very useful, and I've already got that fabulous rhythm book, time to start using it, heh heh. Lovely tone and playing as well, and the lighting works, it softens the room, nice. Nice picks. A gentle request for a tips/strategy lesson on developing and improving picking with a plectrum and hybrid picking. Is it something you've worked on or is it natural, it's clean and accurate. Thanks again for the great lesson.
Looking forward to digging into this later - I have this book, but haven't used it much. Thanks for the inspo - more book recs & album recs are always welcome! Cheers dude.
@@LearnGuitarWithJimmyBrewer When you're soloing here, are you seeing the triad shapes (and the 'moves' you can do on each one), or are you seeing the bigger scale shapes? or are these 'learned licks' that are already under your fingers?
I think it’s probably a combination of all of that, and then when you develop a connection to the fretboard you reach a point where you’re basically just ‘singing’ through the instrument (if that makes sense and doesn’t sound too pretentious 😂). Like, it’s playing on instinct I guess, which has been reinforced by all of the triad and fretboard knowledge work. I think 😂
Lovely job, thanks for another lesson.
Very excited to learn about Louis Bellson’s book, which I’ve just bought on Kindle. I think it will rescue me from a problem I didn’t know I had (until you pointed it out). Turns out that yes, I do tend to improvise in a few fixed rhythms. Pulling new rhythmic figures out and forcing myself to utilise them is going to be my 5 minute work-out for the foreseeable. Thanks again!
Nice!! It’s a fantastic sight reading resource, but this is another use that helped me with phrasing etc. let me know how you get on 🎸🎸
@@LearnGuitarWithJimmyBrewerOne thing I’ve really struggled with in musical composition is coming up with riffs and melodic ideas. I’m finding that constraining myself to a randomly chosen set rhythmic pattern from this book is making the process much easier. Thanks again! 👍
Really happy that you like the picks Jimmy and thanks a lot for the shoutout! Thanks for this great lesson too.
Thanks again, they’re super cool 🎸
Great ideas! Thanks for the video. Btw, apart from the awesome information, I really enjoyed the improve too.
Glad I looked in to catch up. Another excellent lesson, practical, so very useful, and I've already got that fabulous rhythm book, time to start using it, heh heh. Lovely tone and playing as well, and the lighting works, it softens the room, nice. Nice picks. A gentle request for a tips/strategy lesson on developing and improving picking with a plectrum and hybrid picking. Is it something you've worked on or is it natural, it's clean and accurate. Thanks again for the great lesson.
Coco-Pix 🏝
Sweet Purple Rain T
Thanks! 💜🎸
Looking forward to digging into this later - I have this book, but haven't used it much. Thanks for the inspo - more book recs & album recs are always welcome! Cheers dude.
It’s a great book for sight reading, but this is another use I found useful for practising phrasing 🎸🎸
@@LearnGuitarWithJimmyBrewer When you're soloing here, are you seeing the triad shapes (and the 'moves' you can do on each one), or are you seeing the bigger scale shapes? or are these 'learned licks' that are already under your fingers?
I think it’s probably a combination of all of that, and then when you develop a connection to the fretboard you reach a point where you’re basically just ‘singing’ through the instrument (if that makes sense and doesn’t sound too pretentious 😂). Like, it’s playing on instinct I guess, which has been reinforced by all of the triad and fretboard knowledge work. I think 😂