The most EPIC trombone cadenza
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- Опубликовано: 28 сен 2024
- Performed by the one and only Christian Lindberg as the finale to the Rimsky-Korsakov Concerto. Listened to the multiphonics about a billion times and still not sure if it's right. Those lip trills to the high F though... what an absolute virtuoso.
Full video recording here:
• Trombone Concerto in B...
Back with another play along video next week, hopefully.. if my baby decides to sleep at all this week!
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Hey folks. Apologies, I rushed this one a little and made a few mistakes. Clearly my ears need a clean out, thanks to those who pointed these out. I made this channel to challenge myself and improve my skills so thanks for keeping me honest!
Halfway through I had a feeling that some of what Lindberg plays resembles the cadenzia from Korsakov trombone Concerto, but I was like "naaah" I just project, because that is the cadenzia I listened and played the most. Then, at the very end I realised that the whole thing was Lindberg's own cadenzia for the same Korsakov piece.
Good memory! Also, I love how he quotes different melodic phrases from all three movements in the one cadenza.
I'm glad it was 8vb. I hate working up or down the stave to name the note, let alone play it.Gorgeous performance. Thank you for posting.
Holy moly, subharmonics!
Pretty sure thats just multiphonics
@@jakobfinholtsolevag6644 to my ear the format is a resultant tone of two higher frequencies?
all I can say is wow
Amazing player. Thanks also for the transcription! As for the multiphonics, might I suggest that the trombone part (not Lindberg's humming) is simpler than what is scored? It sounds to me as though the trombone is more or less alternating between a low held E-flat to an F, changing every bar until the G-flat fermata before the time signature change. I don't believe he goes up an octave in the first bar of the multiphonics when playing the E-flats either. The resulting harmonics of the two hummed notes, both the 10th (G) and the 12th (B-flat), give the impression that the lower note has changed too -- the sound of the 12th (compound 5th) is so much less complex than the 10th, which I think tricks the listener/transcriber into thinking the voicing of the chord must be 'lighter' in some way. I, however, hear the low E-flat remaining under both the G and B-flat. Also, I think the penultimate note is a low Pedal C, a fifth higher than the scored F - the arpeggio before it implies an F7 and although it would be logical for it to descend to the root of the chord, I think Lindberg instead pedals the C (F7's dominant) prior to resolving upwardly to the B-flat when the orchestra rejoins. Let me know what you think - I'm always interested in hearing how other peoples' ears hear music differently! Thanks again.
Thanks for a really great breakdown. It's so hard because as you say, the notes you hear are not necessarily being played. I think your reasoning is spot on, I changed my mind so many times, I even got out my trombone to try a few options. At least the sung part was easy.
This is so cool! I also do multiphonics on the theme from the second movement in my own version of this cadenza!
Lmk if im crazy but I hear the penultimate note as a B natural
ive been to one of his performances. the sound he makes is totally unmatched, but the energy he brings to his performances i think is what makes him such a good performer
,,,,insane
i have actually made this kind of sound on the saxophone, its very strange but works well in land of 1000 dances
(the one at measure 22)
Holy crab!
beautiful Kyle!!
I am fairly certain I saw Lindberg perform this in Orlando back in the 80s.
That would have been incredible!
Épica no es la palabra pero mola un huevo
Thanks for your work and sharing it. It's amazing trombone playing. From a musical point of view I don't like it to be honest. And it does not fit into this concerto. Rimsky Korsakoff's own cadenza is just fine.
Brillian technique, but what he plays doesnt *exactly* match the music. In more than one place.
that's the transcriber's fault, not lindberg
I like this cadenza overall (he always writes good ones) but IMHO the multiphonics just sound like hot garbage in this context. One of the very few truly tasteless things I've ever seen him do. Perhaps the only one.
I wonder what judges would do if you played this for an audition where you can pick what you want😭
If you played it right you’d get a really good fuckin score
m.11 those are all major 7th jumps, not octaves - so that first one should be B3 up to Bb4, then Bb3 to A4, etc
Of course - should've have stuck with my first instinct! Thanks for pointing this out, unfortunately did this one in a bit of a rush and made a few mistakes.
Would love to have easy jazz phrases or scales for trombone exercises from your channel. I'm itching to be a patron or maybe a coffee but I'm broke as of now. Soon. Soon.
not only is he great, but also fun to work with =D
Would love to meet him one day!
Hey i have a quick question. Whats a good trombone brand or moddel that you would reccomend for a college audition? My private lesson teacher just threw it out there that i might need a new one by the time I try to audition for college. I havent really talked about it much I just wanted to get some reccomendations to research a little! I love your content it keeps me playing consistently. Keep up the great work!
Bach 42BO
There are many other Bach modes, so if you find something you like, go with that, but the Bach 42 series is great.
*models
@@benwalsh2825 thank you so much! I’ll most definitely check that out.
Hard to say, so many options. I got a medium bore horn because I wanted to able to play jazz, pop, commercial stuff with a bit of classical so for that I love my Yamaha YSL640. But if doing mainly classical/orchestral stuff then Bach or Shires is a great choice. You could wait until college and see what they recommend, good luck with the audition!
@@KyleRaftery Thank you so much! I just didn't know what to "upgrade" to since I've been playing on a holton trombone for almost 6 years. Ive been using my trombone for everything weither it be classical, or pep band stuff. Good to know the difference in bore size!
OMG❤❤
The confused possibility hypothetically nest because slip tellingly film round a abject saudi arabia. loutish, periodic price
m. 11 lots wrong notes
Yep. Sorry about that, did this one in a hurry and now my mistakes are for all to see for eternity..
Very cool, quiet a lot of wrong notes but good idea to aplode this
Wow the singing part was just fascinating
Is he playing a contrabass?
That’s really cool
Tame compared to the cadenza on "Fourth floor walk-up" by Bill Watrous
This is one reason I love doing RUclips, I'm quite new to the trombone and still discovering so much. Thanks for bringing it to my attention, incredible playing, now to transcribe...
Will wearing braces affect my playing?
It affected mine a lot. Lost half my range when I got braces. You'll get used to playing with them the more u practice tho
@@FirstnameLastname-et3wd thank you for your advice
Yep, it will. But it can help, it can really help you to not play with too much pressure. Good luck.