What's New? 🎹 Using classical technique to play jazz

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  • Опубликовано: 29 ноя 2024

Комментарии • 25

  • @paulwhetstone0473
    @paulwhetstone0473 2 года назад +3

    Nice reharms of the reharm on a tune I have heard but never played.

  • @georgefirk5531
    @georgefirk5531 2 года назад +3

    This is a beautiful tune….and the words to it are also beautiful….When I play it the words of the song are in my playing…..love what you are doing Tony.

  • @igorlukac2621
    @igorlukac2621 2 года назад +2

    Tony the Great teacher.He conveys extraordinary emotion and vast knowledge.Thank you

  • @timducote5713
    @timducote5713 Год назад

    Hi Tony, I. just discovered your website. You are a remarkable teacher! Thanks for your time and effort.

  • @bermchasin
    @bermchasin 9 месяцев назад

    such a great tune. I used ellas version in my latest skateboard video, and have been playing it a lot more on piano. I like that little reharm to the AbM7

  • @Fabsurf101
    @Fabsurf101 2 года назад +2

    Diana Shaw and Linda Ronstadt both made this tune so haunting so I delighted you parsed the tune and help us to how to play this tune.

    • @philbarone4603
      @philbarone4603 Год назад

      Haunting? Check out Billie singing it too.

  • @tell-dtruth5470
    @tell-dtruth5470 2 года назад +1

    Love the concept of voicing a chord. May I say a clean sounding chord compare to a much more muddle up sound when too man notes in a chord. Should it be safe to say almost any interesting chord could suffix with 5 notes in a open chord manner?

    • @TonyWinston
      @TonyWinston  2 года назад

      Yes. The current trend is to really thick chords, sometimes too thick. Especially on an electric piano - Rhodes sound the smaller chords work better

  • @bobbygadourymusic5476
    @bobbygadourymusic5476 2 года назад

    Voicing! Yeah, Tony!

  • @humblemai2211
    @humblemai2211 2 года назад +1

    I wish I could play jazz and blues like you....thanks

  • @JoeLinux2000
    @JoeLinux2000 2 года назад

    Weighting the notes takes quite a bit of time to settle in properly. It seems to happen naturally over time as you play the tune over and over again. You have to listen to your own playing. Actually if you play the tune with no more than 3 notes in any chord at a time, it will help you figure out the most important notes in any given chord. I'm not talking about simple plain triads, but altered chords played with just three notes.

  • @CatioChic3catsJazz
    @CatioChic3catsJazz 2 года назад +1

    Thank you Tony!!

  • @oliviaedralin1436
    @oliviaedralin1436 2 года назад

    Another good one Tony!! Happy Thanksgiving to you. I’m ‘thankful’ I found you to tech me 🙏👏
    I’ve learned so much fro you !

    • @TonyWinston
      @TonyWinston  2 года назад

      Thanks Olivia, Happy Thanksgiving to you. Thanks for your support and inspiration!!

  • @curiouscurious6558
    @curiouscurious6558 2 года назад

    Great Video Tony! As you said I haven't thought much about volume of notes (except top note occasionally) But, in the very few Bill Evans transcriptions Ive seen, he seems to hit the top and bottom notes(pinkies) alone than fill in the middle LH and RH an 8th not after, some times all together and some times does really nice syncopations L and R. thank you again

  • @chrisbusby4395
    @chrisbusby4395 Год назад

    thanks Tony

  • @markandrew7232
    @markandrew7232 2 года назад +2

    Nice tip - I need to stop thumping the keys😅

  • @TheRealSandleford
    @TheRealSandleford 2 года назад

    ah did not know the name of tune but familiar. I guess the clifford brown version is most familiar to me. I have Wynton Kelly trio smokin at the halfnote on playlist too. I looked it up and I liked Dexter Gordons version. My father did time with him I guess.

  • @humblemai2211
    @humblemai2211 2 года назад

    You are great

  • @humblemai2211
    @humblemai2211 Год назад

    In the mood of Glenn miller please