An afterthought… most performers would have definately not posted a video on this Tuesday, due their workload. You are the exception, and it shows your commitment to the people, like myself, who look forward to these new blogs every week.( no pressure then!) Seriously, you are an amazing person, and this gesture today only amplifies your core values of loyalty to your appreciative subscribers. R.
I want to thank you for always putting in the time to create this great content for us - even when you have an extremely busy schedule. Just know that we are very grateful!
Weil-you have given away some trade secrets! What a difference they make. too.It changes the mundane into the spectacular! Micro dynamics rule the world!🖖
Thankyou very much for making the time to put up this video , and I’m so pleased that you were a re- placement at short notice for the concert. When I have listened to it, I Eliot comment. 🖐 Richard.
I love this video!! You showed us how micro dynamics make such a big difference to the musicality of a performance. Thank you very much for making videos during your busy schedule Danae💖😊
Two queries; At what dynamic level should I start with when crescendoing to forte.( could it be as low as p, or would that be wrong in an overall forte passage? 2) what is the piano concerto with the lovely slow mvt. you were illustrating? Thanks in anticipation. R.
2 года назад+1
It is Mendelssohn‘s piano concerto no. 2. I would say that in order to start a crescendo within a forte passage, going down to a mezzo piano and then quickly expanding the sound should sound nice. :)
An afterthought… most performers would have definately not posted a video on this Tuesday, due their workload. You are the exception, and it shows your commitment to the people, like myself, who look forward to these new blogs every week.( no pressure then!)
Seriously, you are an amazing person, and this gesture today only amplifies your core values of loyalty to your appreciative subscribers.
R.
Thank you so much! :) It is my pleasure :)
How lucky we are to have Danae Dorken on You Tube! Your videos are awesome, and down to earth. Thank You again Danae!
🙏🏻🙏🏻🙏🏻
Agreed!
I want to thank you for always putting in the time to create this great content for us - even when you have an extremely busy schedule. Just know that we are very grateful!
Thank you very much, it is my pleasure! 🙏🏻
Weil-you have given away some trade secrets! What a difference they make. too.It changes the mundane into the spectacular!
Micro dynamics rule the world!🖖
Dynamics is the heart of piano concertos 👏
Absolutely!
Thankyou very much for making the time to put up this video , and I’m so pleased that you were a re- placement at short notice for the concert.
When I have listened to it, I Eliot comment.
🖐
Richard.
This is fascinating. Thanks for sharing your videos. 🤩
Inspiring as ever! Thank you so much for giving these invaluable tips!
I love this video!! You showed us how micro dynamics make such a big difference to the musicality of a performance. Thank you very much for making videos during your busy schedule Danae💖😊
Thank you 🙏🏻
Your enthusiasm is as always so dynamic. This was way above my level but totally absorbing, thank you Danae.
Thank you very much!
Vet appreciated for your kind sharing this matter. It's exactly what I need now to improve my playing on piano. :)
So glad to hear this, thanks for watching!
Very insightful, thank you!
Two queries;
At what dynamic level should I start with when crescendoing to forte.( could it be as low as p, or would that be wrong in an overall forte passage?
2) what is the piano concerto with the lovely slow mvt. you were illustrating?
Thanks in anticipation.
R.
It is Mendelssohn‘s piano concerto no. 2. I would say that in order to start a crescendo within a forte passage, going down to a mezzo piano and then quickly expanding the sound should sound nice. :)
Thanks so much for the info.
Sorry- I should have known that Mendelsohn!😊
👍👍
Hi Danae again.
Would you find the time to listen to my 2nd waltz- it’s on your business e- mail account.
Cheers, R.