Beethoven: Sonata No.22 in F major, Op. 54 | Boris Giltburg | Beethoven 32 project

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  • Опубликовано: 28 окт 2024

Комментарии • 23

  • @CH3CH2OCH2CH3net
    @CH3CH2OCH2CH3net Год назад +4

    The more I listen to the Op. 54 sonata, the more it grows on me.
    I really believe the last movement is one of THE best movements Beethoven ever composed.
    You play this piece EXTREMELY well, especially with making something of that rather strange first movement.

  • @BorisGiltburgPiano
    @BorisGiltburgPiano  3 года назад +11

    I. In tempo d'un menuetto - 0:06
    II. Allegretto - Più allegro - 6:12

  • @mabiperalta9217
    @mabiperalta9217 3 года назад +3

    Wonderful Boris! Can hear your greats interpretations makes me very happy! Thanks you very much! Until our next appointment, l'Appassionata!!!

  • @miriamvanhees811
    @miriamvanhees811 3 года назад +5

    A composition with full understeanding.....what he composer try us to tell......I think the composer would have played him itself.....I don't think with such an effect.......Bravo.....Boris.....

  • @AnaPaula-np5rq
    @AnaPaula-np5rq 3 года назад +3

    Wonderful Sonata from beginning to end.♥️♥️♥️♥️💓♥️♥️♥️♥️Bravo 👏🌻

  • @georgel2201
    @georgel2201 3 года назад +3

    A unique sonata with some weird technical challenges in both movements. Your interpretation is really good!

  • @ilantsikman
    @ilantsikman 3 года назад +1

    Bravo!!! What a wonderful performance!👏👏👏

  • @LOS_wolfb
    @LOS_wolfb 3 года назад +2

    I love this weird and willful sonata 🥰

  • @nicolaeanton5760
    @nicolaeanton5760 Месяц назад

    Thanks you're wonderful !😍

  • @shulamitmaneev
    @shulamitmaneev 3 года назад +1

    Wonderful! Thank you so much!

  • @ChristianJoannes
    @ChristianJoannes 3 года назад +2

    Brillant and excellently played ! It is such an underrated sonata. The 2nd movement on its own could well be played as an 'encore' in a live session.

  • @ВсеволодВагнер
    @ВсеволодВагнер 3 года назад +1

    Thank you!!! It's beautiful!

  • @eduardopoblete8839
    @eduardopoblete8839 3 года назад +1

    Eduardo Poblete de Chile, fabuloso, extraordinario, espero con ansias la continuación de las sonatas de Beethoven, eternas gracias querido Boris , Dios te bendiga....un gran abrazo desde Chile....

  • @rinacravero
    @rinacravero 3 года назад +1

    Wonderful!!? Bravoooo!♥️

  • @tomaslaskovsky722
    @tomaslaskovsky722 3 года назад

    Brilliant. Tahnk you, master.

  • @annacastellani8701
    @annacastellani8701 3 года назад

    Grazie caro ragazzo, la tua meravigliosa musica accompagna le mie giornate 💗

  • @nurypalmes8488
    @nurypalmes8488 2 года назад

    Descubriendo a este gran pianista. Técnica limpia y gran sentimiento.

  • @Mini_Min_
    @Mini_Min_ Год назад

    I absolutely love the Beethoven Project! Thank you for bringing your detailed, nuanced and so personal interpretations to us. The only thing I am not enjoying is the anxiety-inducing camera work lol. I wish they would switch it up a bit and have it stable for some of the videos.

  • @aramakonstantin
    @aramakonstantin 3 года назад +2

    Очень !!!

  • @nikolainikolaichev
    @nikolainikolaichev 3 года назад +1

    What a pleasure starting the day to this! When will you release the cds?

    • @davidunger3199
      @davidunger3199 3 года назад +1

      At least in digital form (I listen through Idagio), the first seven volumes are already out (covering all sonatas up 'til No 26).
      I haven't searched to se if the actual records are out yet though... so that I wouldn't know.

    • @BorisGiltburgPiano
      @BorisGiltburgPiano  3 года назад +4

      Thank you!
      Regarding the CDs, David's reply is correct - the first seven volumes are already out in digital form. But we will also have a physical box, currently slated for release in September this year.

  • @militaryandemergencyservic3286
    @militaryandemergencyservic3286 3 года назад

    really lovely, Boris. by the way, . i've decided to learn the Pathetique - surely the greatest piece for the piano ever written... although some would argue he should also have kept that one to just the first 2 movements, instead of perhaps spoiling it with a less than 'unsurpassable' 3rd movement. he gets it right in this gem of a sonata!