Dieterich Buxtehude: More Palatino, BuxWV 247

Dieterich Buxtehude (1637-1707):
More Palatino, BuxWV 247
Wolfgang Kostujak am Cembalo im Kammermusiksaal der Folkwang Universität der Künste, Essen nach Hans Ruckers (1599/1612-21) von Dietrich Hein (Oldenburg 2021), Ausschnitt aus dem Programm des Einweihungskonzertes am 31. Januar 2022

[@annafalcone6530]

Ottima esecuzione.Splendido strumento.

[@samw5767]

Excellent playing, and choices of registration! Love the sound of this instrument!

[@wolfgangkostujak793]

Thank you very much indeed. It was a pleasure for me, too!

[@ignaciofernandez5876]

Precioa obra; el instrumento emte un sonido perfecto, el intérpreta es genial se ve que domina el instrumento, posee un sentido musical indiscutible, se percibe al verle y escuchar su interpretación. Fantástico.

[@Bach6032]

Nicely done...very enjoyable!

[@stephanieboschFlute]

😯Wunderbar Wolfgang👌😃Klingt so schön🙏

[@1967born]

Somiglia molto a "Poi che noi rimena" di Buonamente: c'è qualche relazione? Sono la stessa canzone? Grazie

[@wolfgangkostujak793]

That's right...
Thanks for pointing this out! Victor Coelho drew attention to the relationship between the two melodies as early as 1996 in his publication "The Manuscript Sources of Seventeenth-Century Italian Lute Music", but unfortunately I don't know the exact relationship....

[@Achsje]

This melody was apparently popular all over Europe, also known as 'Almande Gratie', 'La Nonette' (not to be confused with 'Almande Nonette'), 'Branle de Saint Nicolas', and ''En me revenant'. I believe I read somewhere that its earliest appearance is as the air de cour 'En m'en revenant de Saint Nicolas'.