I already knew this subject but I'm always looking for tools and lessons for students to use. I've probably seen upwards of 25 videos explaining she'll voicings and this is the best, to the point, no nonsense video on the subject I've seen.
First time I have caught your vids. You teach so clearly, everyone will get it. Top marks , and everyone should subscribe to support . (Good teaching is gold!)
I want to take the time to say a million thanks for this 📖 📕 , it means alot to me. You would fine people doing this kindness. Thank you again. Continue to do works. You're the best.
This was a great lesson! I already chords on bass this way. I never thought about it on a 6 string for some reason. I’m excited to watch the extensions vid.
When do we have to play shell chords with the root on the 5th or 6th string and when do we use inversed shell chords. Is there any rule ? I play 1 / 3 / 7 shells when I play alone without bass. But it is confusing because if the sound of a 5 /3 / 7 chord is sufficient to itself, why do we need the root at all in the chord? Perhaps those questions are too obvious but if you guys have anwers different from *buy my book", I would be really grateful.
One reason in this case is the 5th of scale and chord can be found on 5th string right next to root on 6th string.. He is throwing out the 5th and just keeping R, 3, 7 for this chord.
The lower you play intervals, the more muddy they may sound due to the relationship between waveforms and pitches, so if you have a relatively tight interval like a 3rd all the way on the bottom two strings it could sound really muddy especially if you're playing with a bass player or in a situation with a lot of low end.
Major 7 and Major 9 are interchangeable. So if you see a Major 7 written you can almost always play a Major 9 instead or vice versa. Major 9 is the the exact same chord but with one extra note added in. Thanks! -Chad
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I already knew this subject but I'm always looking for tools and lessons for students to use. I've probably seen upwards of 25 videos explaining she'll voicings and this is the best, to the point, no nonsense video on the subject I've seen.
First time I have caught your vids. You teach so clearly, everyone will get it. Top marks , and everyone should subscribe to support . (Good teaching is gold!)
I want to take the time to say a million thanks for this 📖 📕 , it means alot to me.
You would fine people doing this kindness.
Thank you again.
Continue to do works.
You're the best.
This was a great lesson! I already chords on bass this way. I never thought about it on a 6 string for some reason. I’m excited to watch the extensions vid.
amazing as always
Been studying these lessons since lesson 1 and going strong. thanks alot!
Awesome and you’re welcome! -Chad
When do we have to play shell chords with the root on the 5th or 6th string and when do we use inversed shell chords. Is there any rule ? I play 1 / 3 / 7 shells when I play alone without bass. But it is confusing because if the sound of a
5 /3 / 7 chord is sufficient to itself, why do we need the root at all in the chord?
Perhaps those questions are too obvious but if you guys have anwers different from *buy my book", I would be really grateful.
Can we not play R-3-7 with the root being on the the 6th string, 3 on 5th and 7 on 4th, instead of playing R-X-7-3?
This confuses me too
Playing too many notes on bass strings (the low E and A strings) makes a muddy sound. That’s why there is a string skipped in these voicings.
Yes, but it really is all about you finding the sound and style YOU like.. try different ones see what you want to play..
@@sethchrisman1645 +1 on what Chris said! It's possible if you're playing without a bass player but gets a little risky
Why not? I tried it and it sounds fine to me. I just use the fifth string shell voicings fingering applied to the sixth string as the root.
Why do we skip the 5th string when starting on the 6th string?
One reason in this case is the 5th of scale and chord can be found on 5th string right next to root on 6th string.. He is throwing out the 5th and just keeping R, 3, 7 for this chord.
The lower you play intervals, the more muddy they may sound due to the relationship between waveforms and pitches, so if you have a relatively tight interval like a 3rd all the way on the bottom two strings it could sound really muddy especially if you're playing with a bass player or in a situation with a lot of low end.
What’s the difference between major7 and major 9 chords? What are their uses? Doea major 9 chords have different keys signatures?
Major 7 and Major 9 are interchangeable. So if you see a Major 7 written you can almost always play a Major 9 instead or vice versa. Major 9 is the the exact same chord but with one extra note added in. Thanks! -Chad
kerpow - great lesson!!!!
+Neil Edwards :) Thanks! -Chad
How is the b5 not an "essential" part of the Minor 7 b5 chord?
Some of those big band cats often only play the 3 and the 7 and emphasize the percussive nature of the guitar, purposely keeping the action high...