I am amazed that you always use the same hat haha :D nothing wrong with it! i just have some different closed ones, but i feel its more common in darker genres. do you layer the snare at some point or just keep a sloid 909 one? And could you do a video on layering in preset creation? I want to no eg: when do you decide that you need another oscillator layer, and how do you decide what you use for it, also how do you make them go along great.
Nice to see you again with a tutorial!, Great Tutorial!. I like to work the same way what I make different is that all groups and send effects are inside an ALL group. I find this way more versatile to make changes of volume or automate something in this ALL track and the send effects are also affected by the changes on this ALL Group track.
correct me if I'm wrong, the ALL track is like a master track and basically you'll be adding automations and effects to it instead of the master one in order to keep the later clean right?
Hi! Nice video and clearly shown how you start a track. Imo thought this would make music producing have a formula and that crashes with creativity and originality. Starting everytime with this gives you a starting point that is already defined and stears your music in a certain direction that has been done and heard before millions of times already. But hey if you enjoy making "perfect" psytrance like a factory this is the way.
Well yes and no, it really depeneds on what you're trying to do. The goal is keeping it effecient so if you're looking at finishing tracks because let's face it, if you don't finish tracks you won't get the necessary experience, then having this "formula" would help you in that task. Also, if you're trying to finish an EP of 4 tracks let's say, this "formula" will make it sound more uniform. However, when it comes to creativity and originality, I do agree with you, this methode would make it more uniformed and kinda mechanical but I feel that there's wayy too many places for creativity and originality that having this quick 32bars loop wouldn't have such an impact (unless you repeate the same process over and over) you know what I mean? because you can apply the same technique on anything, I mean if you're doing progressive, your melodic drop would be this 32bars loop, same goes for drum and bass, I mean the whole point if knowing where the track is going to so you can always get back to the project and remember what was the idea behind it.
hey :) Thanks for the cool video! I have a question, do you have the leads in random mode and if so, do you always repeat the same random cycle, i.e. every 16 bars, or is it always completely random? I hope the question is understandable. best regards
well, at a certain point the leads will be bounced to audio and I'll eventually use the bits I like and discard the rest. As for the leads themselves, they're designed to play in a certain range (specially the cutoff) where rarely they'll hit "unwanted frequencies", I mean of course they're random but the modulation range is limited so the filter don't go all over the place maximising the "useful bits"
Thank you 🙏
your video quallity has improved so much! kontent top notch like allways - keep it up
Superdope video 🔥🔥 I was looking for some guidance on this kind of arrangement ✨ thanks a lot 🙏 keep em videos coming
Thx man one of my favorite videos so far pretty sure this will help me 🫶
Love your groovy style! 🔥 Thank you for the tutorial! Do you have one video about making the lead patterns?
I am amazed that you always use the same hat haha :D nothing wrong with it! i just have some different closed ones, but i feel its more common in darker genres.
do you layer the snare at some point or just keep a sloid 909 one?
And could you do a video on layering in preset creation? I want to no eg: when do you decide that you need another oscillator layer, and how do you decide what you use for it, also how do you make them go along great.
This is absolutely sick brooo :)
Very nice, thanks.
great stuff brother, greetings from India!
Nice to see you again with a tutorial!, Great Tutorial!. I like to work the same way what I make different is that all groups and send effects are inside an ALL group. I find this way more versatile to make changes of volume or automate something in this ALL track and the send effects are also affected by the changes on this ALL Group track.
correct me if I'm wrong, the ALL track is like a master track and basically you'll be adding automations and effects to it instead of the master one in order to keep the later clean right?
@@olliepsy yes
very great content brother 👏🏻🙏🏻
excellent, thank you :)
Hi! Nice video and clearly shown how you start a track. Imo thought this would make music producing have a formula and that crashes with creativity and originality. Starting everytime with this gives you a starting point that is already defined and stears your music in a certain direction that has been done and heard before millions of times already. But hey if you enjoy making "perfect" psytrance like a factory this is the way.
Well yes and no, it really depeneds on what you're trying to do.
The goal is keeping it effecient so if you're looking at finishing tracks because let's face it, if you don't finish tracks you won't get the necessary experience, then having this "formula" would help you in that task.
Also, if you're trying to finish an EP of 4 tracks let's say, this "formula" will make it sound more uniform.
However, when it comes to creativity and originality, I do agree with you, this methode would make it more uniformed and kinda mechanical but I feel that there's wayy too many places for creativity and originality that having this quick 32bars loop wouldn't have such an impact (unless you repeate the same process over and over) you know what I mean? because you can apply the same technique on anything, I mean if you're doing progressive, your melodic drop would be this 32bars loop, same goes for drum and bass, I mean the whole point if knowing where the track is going to so you can always get back to the project and remember what was the idea behind it.
Can’t wait 😮
Bro the leads are amazing bro, the 3rd lead. Could you make a tutorial maybe please.
If you don’t start a track you don’t have to finish it 🤯
How I never thought of it 😱😱😱
:D true dat
yeahhh thanks pallll
Happy you like it bro
full supporrtttttttttttttt my croissantttt 🥐🥐🥐🥐🥐🥐🥐🥐🥐🥐🥐
Croissant Gang ftw
hey :) Thanks for the cool video! I have a question, do you have the leads in random mode and if so, do you always repeat the same random cycle, i.e. every 16 bars, or is it always completely random? I hope the question is understandable. best regards
So I don't mean the midi notes but specifically the filter drive or has it been carefully thought out what they are playing? :)
well, at a certain point the leads will be bounced to audio and I'll eventually use the bits I like and discard the rest.
As for the leads themselves, they're designed to play in a certain range (specially the cutoff) where rarely they'll hit "unwanted frequencies", I mean of course they're random but the modulation range is limited so the filter don't go all over the place maximising the "useful bits"
🫡
hi there ✌
is the loonybubbles patch in your one of your packs?
Yes, Serum Psyche Vol2 🤞🙌
Do you use guitar pedals for reverbs on your sends?
Yes, Digitech Polara and EHX Oceans12
@@olliepsy hehe you still have'em ??
@Audiorial Yeah, specially the Polara, I can't live without it... the Halo algorithm
@@olliepsy I knew it was in good and safe hands :) can't wait we catch up bro
so you start all of your tracks with a 15 bar loop`? mhh🤔
lol