Just bought the NTG and previously purchased the DJI Wireless system setup. I"m definitely gonna try this set up with The DJI wireless mics when I boom the NTG . Thank you for this tutorial. I didn't even realize that was a possibility. Great Job.
This is by far my favorite way to film interviews. Since I travel A LOT for my projects this "system" is a game changer especially since the Wireless GO 2 records the audio from the NTG in a WAV file regardless of the transmission connectivity. Good luck with the DJI set up and let me know how it turns out.
I also use this setup for run-and-gun filming, and it works really well. The only problems I've faced have been from both handling and wind noise (even with a Rode Dead Cat attached), so I now have it mounted in a small sized Rycote Supershield. It works really well outside on windy days, and the lyre mount has eliminated the handling noise. Not cheap at an additional £/$300, but it's an incredibly light, compact and versatile setup.
Great video! Quick question: When I use method with my Panasonic G85, the audio is only recorded to the left channel. I know I can fix this in post, but am I missing something obvious?
Check to see if your WirelessGo mics are in stereo (which I’m guessing they are in stereo) or mono. If the mic is in mono then either the cable or the audio port on the camera is bad. Hope this helps.
There is a slot on the bottom of the VideoMic NTG that is the same size as the clip on the WirelessGo 2 transmitters. You simply slide the clip of the transmitter into the slot on the back side of the VideoMic NTG; that is how it is shown in the thumbnail for this video. Hope this helps.
@@42Pros what I also really appreciate in your creativity is how you attach the RødeNTG shock mount to the Røde RM5 Stand Mount. If I was to try this out on a boom pole would you say that you feel confident that the RødeNTG would stay on that RM5 mount securely enough to use as a boom
🔥🔥🔥 video bro. Very informative and detailed. This really answered all my questions and showed me exactly how to execute this wireless setup. Even the details you highlighted about the audio on the the mics and the camera helped me a lot.
I've just ordered the NTG to pair with my Wireless Go Pro. I'm a little confused about one part. You used the back of the mic to make your initial audio adjustments to where you wanted it. But when you hooked the receiver to the camera, you changed the db level to make your audio louder in camera. Doesn't that defeat the purpose of adjusting it on the back of the mic or am I missing something? I know there have been changes (Wireless Pro for one) since this video came out. What about the other settings for the NTG mic. How exactly do they work? Thank you.
The adjustment dial on the back of the NTG is to set the INPUT GAIN (or signal strength) for the Wireless Go II's transmitter/mic. If you have that too hot (too loud) then the audio will get brittle and distort. The db adjustment on the receiver was to set the internal audio of the camera so that I can get as close to perfect in-camera that I possibly can to speed up my work in post. When you get your mic, take the time to set it up like I demonstrated and simulate an interview (record a short clips of you talking). Then, use the NTG's "volume dial" and set it higher to the point where the Wireless Pro's receiver displays the signal bar peaking well into the red (over driving the input) and record another interview clip and then play back the 2 recordings and listen to the difference in the audio. It will make MUCH MORE sense. This technique is called setting your 'gain structure' in live performance sound production (front of house, concerts and such). It helps with getting the best signal-to-noise ratios that make for really clean audio.
Do you use the safety channel on the wireless go for one interviewee? It’s an extra level of backup in my experience so I’d like to know if you’ve used it before
Hi, I've been eyeing the Videomic NTG since announcement and specifically for a setup like this. I want to use this for recording film dialogue and the one feature that intrigues me is the safety channel. My question is how does having a safety channel on the mic itself affect the safety channel on the Rode Wireless Go II? If you turn the safety channel on the NTG on but leave the Wireless Go's off does it work? and vice versa? I'm just confused as to how those two features interact and what kind of file that results in when it comes time for post production. Thank you for your time.
Thanks for sharing. Can you tell me if you use the foam cover on the mic for interviews / boom overhead videos? Or when should I use the foam? Thanks alot
I usually do not use it for indoor interviews when it is boomed. I do use the foam cover and a dead cat style wind muff when I use it as an on-camera mic. Hope this helps.
I don’t know personally but from what I can tell it should work. DSLR Video Shooter just uploaded a video about that mic and his reviews are great. I would check it out if you have time.
Hi! Do you boost your audio volume in post? Because when I recorded audio with simillar setup (ntg + go - it wasn't plugged into the camera, wireless go was used as recorder) audio sounded a bit silent compared to your audio. I had gain on the mic set to 11. I had plugged headphones into reciever and distance between micophone and actor was about 70 cm.
I’m going to assume that the NTG’s gain was set to 11 since you didn’t plug the receiver into a camera. With that said, the volume of the receiver (that you listen to with your headphones) that you hear will be based on the receiver’s output volume (that usually goes to your camera) which is the “volume” on the receiver. This volume setting will hardly ever match the input volume of the recorded audio. In order to record good audio to the TX internally, you will have to rely on the gain input meter/signal bar (green/yellow/red bar) that is viewable on the RX. With that said, just about 100% of the time I’ll use a noise removal plugin/effect, a compressor and some volume adjustments at a minimum to help with the volume of the talent that is speaking. I have another video regarding this set up that has a screen shot of some of my audio effects that I use in FCP X. Hope this helps.
@@42Pros yes, but I claim that the audio is a bit silent based on listening to the final recording on pc. In compatison to the audio from the intro of your video for example, my audio is simply not that loud.
i have done this exact same setup only with the deity d3 pro and the Comica cmv-vm20 and both mics get terrible interference. Like a bad buzz, do you ever get this with the NTG seeing its essentially the same mic as the others? thank you
I have not had any issues with interference with this setup. Here is a link to a video that has zero processing to the in camera audio. As you’ll here throughout the video that it’s a very clean setup. ruclips.net/video/Qz_5-EdRN2E/видео.html
Did you ever find a solution? I was testing an old Rode shotgun mic and same thing with the interference. Not sure if its the connector plating or shielding.
The RM5 mic clip (which is what the VideoMic NTG is mounted to) is a standard 5/8" thread that can mount onto a variety of poles and mic stands, which is what I used. It also has a 3/8" to 5/8" adapter for mounting purposes. The RM5 is not actually designed for this type of use but it was something that I had to do in a pinch and I haven't changed the set up since. Works well though. As far as a true boom pole it really depends on what your budget is. What I use is a standard weighted mic stand with the RM5. Hope this helps.
@@TalksInTransit10 yes you can use this wireless shotgun mic setup and the 2nd wireless mic as a backup/lapel mic simultaneously. Just remember to have the receiver set to ‘stereo’ so that the 2 wireless mics will be separated (left and right channels).
Not sure - I think you need a mic that doesn’t require phantom power (has its own battery). Not sure if you can power up a mic off the lav battery alone. It’s designed to tap into your much larger camera battery
If you are just starting out this would be a great option to have BUT if you want to grow your production level to the highest quality then you would need to get a good recorder with 32bit float recording. Definitely check out Curtis Judd’s channel for quality recorders for filming. Hope this helps.
@@42Pros one last question. Do you put onboard recording on “backup” or “always”? Or do you keep it off? And do you turn on the safety channel since it’s merged?
Hi.. I have a question. Im using the Rode Go 2, with a Rode NTG-2, and connected to a AMS-24. Im using this to cut out the need for a cord, and making it easy to move around. The problem is I have to boost everything to get sound. Even when boosted to the highest settings the sound is low, and I still have lots of static. Any suggestions on what i should do, or why this doesn't work? When I just plug up a XLR everything works fine, or if I just unplug the shotgun mic the Rode Go works fine, but for some reason it doesn't work well together.
Is there also a difference between the quality when using the ntg videomic connected with the go vs connected the ntg videomic with a long cabel directly to the camera?
I read they have a firmware update where they have the more budget $100 shotgun that can do the same thing? Do you know anything about that by chance? I also have an audio Technica shotgun. It's an XLR but I can get an adapter. Do you think it would work with that?
Yes, and the Rode VideoMic Go II can be used like the NTG was used in this video. Regarding the XLR shotgun mic, if it does not have an internal power source then it would need phantom power and this set up would not work; to be honest I haven’t heard of any adapters for an XLR mic that allows for this type of wireless transmission. Hope this helps.
That's 2 totally different types of mics, XLR vs 3.5mm. If your camera (or audio recorder) has XLR audio inputs then the NTG mics are optimal. If you use a mirrorless/dslr type camera with a 3.5mm audio port then the VideoMic NTG would best suited for those cameras. Hope this helps out.
Any tips what transmitter and wireless headphone/earbud combo to use when you’re trying to hear your voice like a normal podcast when shooting? I have been having latency issues and it’s so hard to find something that works without half-a-second lag. Is this impossible? Because I don’t want to look like a weirdo with wired headphones
Depends on your camera. Some cameras have different audio monitoring settings, and one of which is to “monitor live” or as it is happening, like a podcast. Without knowing your set up, it’s hard to troubleshoot the issue. I hope this helps.
It depends on the project. If it’s a personal project then I probably would use mono only, if it’s a paid project, I have used both transmitters in stereo (which provides 4 audio files if needed; 2 recorders/transmitters and the left/right in camera mix. The mono version for my personal videos still has 2 different audio files even in mono, the recorder/transmitter and the in camera. I used mono in this tutorial because it’s easier for the viewers to see the signal bar on the receiver.
The VideoMic Pro should work the same as the VideoMic NTG but you would need to test out the gain (volume) settings with both of those to find a good starting point. Be sure to keep the input gain (volume) going to the WirelessGo at a level that doesn’t peak to easily (keep the signal bar near the green/yellow line) so that you get the best audio quality. Hope this helps.
I don't think so BUT I would definitely reach out to Rode's customer service for more information. That mic was designed to record VO/vocals and musicians without having the need of an interface; XLR and usb connectivity. If you can, reply again with what you find out from Rode.
@@42Pros I contacted them, and this was their reply: "Hey there, it's not possible to connect the two because the NT1 5th Generation requires P48 phantom power, where as the Wireless PRO can only supply plug-in power." Do you think we can develop a workaround? 😊
Yes but you will need to get the Rode SC7 adapter cable for the receiver (not the transmitter) to use with your computer. I have used this set up as well and it sounds great. Be sure to use Bluetooth headphones or ear buds so that there will not be an echo. Hope this helps.
It's a standard weighted microphone stand that I have had for years. I think it was roughly $70 about 10 years ago. Sorry that I can't help out with a specific model number but you can do the same thing with an unweighted stand if you use a sand bag to hold it down while fully extended. The Rode RM5 is what the VideoMic NTG is mounted to; the cold shoe mount slides in the slot of the mic clip.
It’s actually a bottom weighted mic stand that you can get at a music store, B&H or Amazon. The NTG mic is mounted onto a Rode mic holder that has the 3/8 and 1/4” adapter to mount onto the stand. Hope this helps out.
If you have the adapter cable for the lighting port then -18db should be a good medium setting on he WirelessGo. The phone has decent auto settings for volume.
Just bought the NTG and previously purchased the DJI Wireless system setup. I"m definitely gonna try this set up with The DJI wireless mics when I boom the NTG . Thank you for this tutorial. I didn't even realize that was a possibility. Great Job.
This is by far my favorite way to film interviews. Since I travel A LOT for my projects this "system" is a game changer especially since the Wireless GO 2 records the audio from the NTG in a WAV file regardless of the transmission connectivity. Good luck with the DJI set up and let me know how it turns out.
Have you tried the dji yet? That's exactly what I'm about to try to set up
@@SpencerPrepper I have not but I have heard that it is a very similar setup process and results.
@@42Pros I just tested it and it worked fine. Maybe a slight bit more background noise compared to just the ntg plugged into the camera but barely
I also use this setup for run-and-gun filming, and it works really well. The only problems I've faced have been from both handling and wind noise (even with a Rode Dead Cat attached), so I now have it mounted in a small sized Rycote Supershield. It works really well outside on windy days, and the lyre mount has eliminated the handling noise. Not cheap at an additional £/$300, but it's an incredibly light, compact and versatile setup.
Great video! Quick question: When I use method with my Panasonic G85, the audio is only recorded to the left channel. I know I can fix this in post, but am I missing something obvious?
Check to see if your WirelessGo mics are in stereo (which I’m guessing they are in stereo) or mono. If the mic is in mono then either the cable or the audio port on the camera is bad. Hope this helps.
Sweet bro! I just got a GO 2 setup for our channel as well! Haven’t used it yet but can’t wait! Thx for the Video
Thanks for sharing this great video, how you hook rode go 2 with ntg, not the cable stuff, but how it is physically attached? Thanks
There is a slot on the bottom of the VideoMic NTG that is the same size as the clip on the WirelessGo 2 transmitters. You simply slide the clip of the transmitter into the slot on the back side of the VideoMic NTG; that is how it is shown in the thumbnail for this video. Hope this helps.
@@42Pros thank you, I appreciate your quick response.
@@42Pros what I also really appreciate in your creativity is how you attach the RødeNTG shock mount to the Røde RM5 Stand Mount. If I was to try this out on a boom pole would you say that you feel confident that the RødeNTG would stay on that RM5 mount securely enough to use as a boom
@@michaelmarianek4434 yes I would be confident because I have used it that way for 3 different interview shoots.
🔥🔥🔥 video bro. Very informative and detailed. This really answered all my questions and showed me exactly how to execute this wireless setup. Even the details you highlighted about the audio on the the mics and the camera helped me a lot.
Thanks for watching. I’m glad it was helpful.
I've just ordered the NTG to pair with my Wireless Go Pro. I'm a little confused about one part. You used the back of the mic to make your initial audio adjustments to where you wanted it. But when you hooked the receiver to the camera, you changed the db level to make your audio louder in camera. Doesn't that defeat the purpose of adjusting it on the back of the mic or am I missing something? I know there have been changes (Wireless Pro for one) since this video came out. What about the other settings for the NTG mic. How exactly do they work? Thank you.
The adjustment dial on the back of the NTG is to set the INPUT GAIN (or signal strength) for the Wireless Go II's transmitter/mic. If you have that too hot (too loud) then the audio will get brittle and distort. The db adjustment on the receiver was to set the internal audio of the camera so that I can get as close to perfect in-camera that I possibly can to speed up my work in post. When you get your mic, take the time to set it up like I demonstrated and simulate an interview (record a short clips of you talking). Then, use the NTG's "volume dial" and set it higher to the point where the Wireless Pro's receiver displays the signal bar peaking well into the red (over driving the input) and record another interview clip and then play back the 2 recordings and listen to the difference in the audio. It will make MUCH MORE sense. This technique is called setting your 'gain structure' in live performance sound production (front of house, concerts and such). It helps with getting the best signal-to-noise ratios that make for really clean audio.
Do you use the safety channel on the wireless go for one interviewee? It’s an extra level of backup in my experience so I’d like to know if you’ve used it before
Hi, I've been eyeing the Videomic NTG since announcement and specifically for a setup like this. I want to use this for recording film dialogue and the one feature that intrigues me is the safety channel.
My question is how does having a safety channel on the mic itself affect the safety channel on the Rode Wireless Go II?
If you turn the safety channel on the NTG on but leave the Wireless Go's off does it work? and vice versa?
I'm just confused as to how those two features interact and what kind of file that results in when it comes time for post production.
Thank you for your time.
Exactly what I was looking for. Thanks!
Glad it was helpful.
I wonder if this would work with a AT 897? I have your set up but thought maybe a back up. Thanks for the great video
Thanks for sharing. Can you tell me if you use the foam cover on the mic for interviews / boom overhead videos? Or when should I use the foam? Thanks alot
I usually do not use it for indoor interviews when it is boomed. I do use the foam cover and a dead cat style wind muff when I use it as an on-camera mic. Hope this helps.
@@42Pros thanks
Thanks for sharing this life hack! Any chance do you know if this can work the same with the new VideoMic Go II?
I don’t know personally but from what I can tell it should work. DSLR Video Shooter just uploaded a video about that mic and his reviews are great. I would check it out if you have time.
This was extremely helpful! Thank you!
I’m glad it helped out. Good luck with filming your interviews.
Hi! Do you boost your audio volume in post? Because when I recorded audio with simillar setup (ntg + go - it wasn't plugged into the camera, wireless go was used as recorder) audio sounded a bit silent compared to your audio. I had gain on the mic set to 11. I had plugged headphones into reciever and distance between micophone and actor was about 70 cm.
I’m going to assume that the NTG’s gain was set to 11 since you didn’t plug the receiver into a camera. With that said, the volume of the receiver (that you listen to with your headphones) that you hear will be based on the receiver’s output volume (that usually goes to your camera) which is the “volume” on the receiver. This volume setting will hardly ever match the input volume of the recorded audio. In order to record good audio to the TX internally, you will have to rely on the gain input meter/signal bar (green/yellow/red bar) that is viewable on the RX.
With that said, just about 100% of the time I’ll use a noise removal plugin/effect, a compressor and some volume adjustments at a minimum to help with the volume of the talent that is speaking. I have another video regarding this set up that has a screen shot of some of my audio effects that I use in FCP X. Hope this helps.
@@42Pros yes, but I claim that the audio is a bit silent based on listening to the final recording on pc. In compatison to the audio from the intro of your video for example, my audio is simply not that loud.
can i know the set up for the boom shot gun mic?, like the pole, etc (planning to use it on short film.) Thanks!
Have you tried connecting the Go to the NTG with USB-C? I'm curious if that affects the audio quality in any way. Thanks for the tutorial Matt!
I have not but I will see if I can add that into an upcoming video where I’ll talk about 5 channels of audio using some Sony cameras/gear.
Awesome video, thanks you so much
i have done this exact same setup only with the deity d3 pro and the Comica cmv-vm20 and both mics get terrible interference. Like a bad buzz, do you ever get this with the NTG seeing its essentially the same mic as the others? thank you
I have not had any issues with interference with this setup. Here is a link to a video that has zero processing to the in camera audio. As you’ll here throughout the video that it’s a very clean setup.
ruclips.net/video/Qz_5-EdRN2E/видео.html
Did you ever find a solution? I was testing an old Rode shotgun mic and same thing with the interference. Not sure if its the connector plating or shielding.
thank you, can I use sennheiser mke 600 with rode wireless pro and iphone 15 pro, and what i need to pair them to get high quality audio?
@@A7mad. no that set up does not work. The MKE 600 needs phantom power which the wireless pro can not provide.
@@42Pros I think mke 600 can work with battery
Awesome video!
Dope video
Is there a link to the boom pole that fits the connection with the setup? What's the best pole to rig the setup?
The RM5 mic clip (which is what the VideoMic NTG is mounted to) is a standard 5/8" thread that can mount onto a variety of poles and mic stands, which is what I used. It also has a 3/8" to 5/8" adapter for mounting purposes. The RM5 is not actually designed for this type of use but it was something that I had to do in a pinch and I haven't changed the set up since. Works well though. As far as a true boom pole it really depends on what your budget is. What I use is a standard weighted mic stand with the RM5. Hope this helps.
great video, thank you.
Can you running two wireless mics and have one with the shotgun mic and one using normally with a wireless clip?
@@TalksInTransit10 yes you can use this wireless shotgun mic setup and the 2nd wireless mic as a backup/lapel mic simultaneously. Just remember to have the receiver set to ‘stereo’ so that the 2 wireless mics will be separated (left and right channels).
Can you do this setup with a Rode VideoMicro Go 2 as opposed to the NTG.
Thank you 🦋
Will the same system work with Video Mic Go ii and Wireless Me?
@@MyGigChronicles it should but I have not personally tried that set up. I would reach out to Rode about that to confirm.
Omg just ordered 2 of these
I wonder if I could connect my ride wireless go ii to my rode pro plus 🧐
It should work well together. Just be careful with the output level of the Pro+. It may over drive it input of the wireless go and distort the audio.
Not sure - I think you need a mic that doesn’t require phantom power (has its own battery). Not sure if you can power up a mic off the lav battery alone. It’s designed to tap into your much larger camera battery
you recommend this setup on camara or in a audio recorder ? i wanna do shortfilms
If you are just starting out this would be a great option to have BUT if you want to grow your production level to the highest quality then you would need to get a good recorder with 32bit float recording. Definitely check out Curtis Judd’s channel for quality recorders for filming. Hope this helps.
does it compatible with DJI wireless mic too?
It should be compatible with any system that has the 3.5mm connectivity.
It worked 😊 thank you! 💁🏻♂️
@@Davidisbusy I have an ntg and gonna buy the dji wireless system , great to know this works too !
@@Tonellacamdid the setup work with the DJI wireless mic and the Rode VideoMic NTG? Do you have any advice thanks
@@Dollrescue I ended up using my ntg with a ride wireless go 2 , I know that works and works well , I don’t know about the dji
Is it best for me to keep it in merged mode or split mode if I’m just using it on my iPhone? I’m using your same setup
To keep things simple I would run it in mono.
@@42Pros so merges correct? Thanks.
Yes mono will merge the audio into one channel/source.
@@42Pros thanks bro!
@@42Pros one last question. Do you put onboard recording on “backup” or “always”? Or do you keep it off? And do you turn on the safety channel since it’s merged?
I tested Rode Wiressless GO II + Rode Videomic Go, but the combination didn't work. Rode Wireless Go II doesn't support Rode Videomic Go, does it ?
What would use to connect the Rode NTG shotgun mic to the wireless Go 2? I'd like to use it as an interview mic.
I would suggest watching the video again starting from 1:30 mark.😉
Hi.. I have a question. Im using the Rode Go 2, with a Rode NTG-2, and connected to a AMS-24. Im using this to cut out the need for a cord, and making it easy to move around. The problem is I have to boost everything to get sound. Even when boosted to the highest settings the sound is low, and I still have lots of static. Any suggestions on what i should do, or why this doesn't work? When I just plug up a XLR everything works fine, or if I just unplug the shotgun mic the Rode Go works fine, but for some reason it doesn't work well together.
@@shidwidley ok thanks, I'll definitely give that a shot and see what I come up with.
Dang. That's smart!
Is there also a difference between the quality when using the ntg videomic connected with the go vs connected the ntg videomic with a long cabel directly to the camera?
There might be a subtle difference but I haven’t tested that. That would take away from the wireless convenience so I haven’t considered it.
I read they have a firmware update where they have the more budget $100 shotgun that can do the same thing? Do you know anything about that by chance? I also have an audio Technica shotgun. It's an XLR but I can get an adapter. Do you think it would work with that?
Yes, and the Rode VideoMic Go II can be used like the NTG was used in this video. Regarding the XLR shotgun mic, if it does not have an internal power source then it would need phantom power and this set up would not work; to be honest I haven’t heard of any adapters for an XLR mic that allows for this type of wireless transmission. Hope this helps.
@@42Pros the AT has its own AA phantom power! Can't wait to try it. Thank you!
I’m your opinion. What’s the difference between the NTG2 version vs this one?
That's 2 totally different types of mics, XLR vs 3.5mm. If your camera (or audio recorder) has XLR audio inputs then the NTG mics are optimal. If you use a mirrorless/dslr type camera with a 3.5mm audio port then the VideoMic NTG would best suited for those cameras. Hope this helps out.
@@42Pros Preciate it! Great review
Any tips what transmitter and wireless headphone/earbud combo to use when you’re trying to hear your voice like a normal podcast when shooting? I have been having latency issues and it’s so hard to find something that works without half-a-second lag. Is this impossible? Because I don’t want to look like a weirdo with wired headphones
Depends on your camera. Some cameras have different audio monitoring settings, and one of which is to “monitor live” or as it is happening, like a podcast. Without knowing your set up, it’s hard to troubleshoot the issue. I hope this helps.
Do you only record on mono and not stereo if you're recording an interview video?
It depends on the project. If it’s a personal project then I probably would use mono only, if it’s a paid project, I have used both transmitters in stereo (which provides 4 audio files if needed; 2 recorders/transmitters and the left/right in camera mix. The mono version for my personal videos still has 2 different audio files even in mono, the recorder/transmitter and the in camera.
I used mono in this tutorial because it’s easier for the viewers to see the signal bar on the receiver.
Would my rode pro mic work well with rode go together?
The VideoMic Pro should work the same as the VideoMic NTG but you would need to test out the gain (volume) settings with both of those to find a good starting point. Be sure to keep the input gain (volume) going to the WirelessGo at a level that doesn’t peak to easily (keep the signal bar near the green/yellow line) so that you get the best audio quality. Hope this helps.
Did you try it ? I’m wanting to do it
Is the video mic NTG directional?
Yes, it’s a shotgun mic.
@@42Pros I don’t see any buttons for that though…
No buttons needed for a shotgun mic to be directional…. This video might help:
ruclips.net/video/c4Pu72J5BRE/видео.html
Hi. Do you think we can connect the new Rode Wireless Pro to the NT1 5th Generation as well?
I don't think so BUT I would definitely reach out to Rode's customer service for more information. That mic was designed to record VO/vocals and musicians without having the need of an interface; XLR and usb connectivity. If you can, reply again with what you find out from Rode.
@@42Pros I contacted them, and this was their reply:
"Hey there, it's not possible to connect the two because the NT1 5th Generation requires P48 phantom power, where as the Wireless PRO can only supply plug-in power."
Do you think we can develop a workaround? 😊
Hi, i wish to set up like this but can i connect the trasmitter with laptop instead of camera ? So that i can choose this microphone audio from Zoom.
Yes but you will need to get the Rode SC7 adapter cable for the receiver (not the transmitter) to use with your computer. I have used this set up as well and it sounds great. Be sure to use Bluetooth headphones or ear buds so that there will not be an echo. Hope this helps.
@@42Pros ok thanks a lot! I'll try this setup for my next live 😄
What is the boom pole you're using?
It's a standard weighted microphone stand that I have had for years. I think it was roughly $70 about 10 years ago. Sorry that I can't help out with a specific model number but you can do the same thing with an unweighted stand if you use a sand bag to hold it down while fully extended. The Rode RM5 is what the VideoMic NTG is mounted to; the cold shoe mount slides in the slot of the mic clip.
what is the arm that you screwed the mic to?
That is a standard microphone stand.
Where did u get the boom pole
It’s actually a bottom weighted mic stand that you can get at a music store, B&H or Amazon. The NTG mic is mounted onto a Rode mic holder that has the 3/8 and 1/4” adapter to mount onto the stand. Hope this helps out.
What’s the best settings for iPhone 12?
If you have the adapter cable for the lighting port then -18db should be a good medium setting on he WirelessGo. The phone has decent auto settings for volume.
@@42Pros thanks a lot.
thank u
How is the behind the camera sound/voice capture
I would direct you to Curtis Judd on the full review:
ruclips.net/video/c4Pu72J5BRE/видео.html
sweet =)
Intro music is coming in loud. No one else mentioned it so it must be my Mac.
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