If I Could Choose Only One Work By...ZELENKA
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- Опубликовано: 15 окт 2024
- It Would Have To Be...Missa Dei Filii
Because it has all of the qualities that make Zelenka such an unforgettably attractive figure in Baroque music, but it's relatively compact.
The List So Far:
1. Ravel: Ma Mère l’Oye (Mother Goose Ballet)
2. Bruckner: Symphony No. 7
3. Schubert: String Quintet in C major
4. Shostakovich: Symphony No. 4
5. Mahler: Symphony No. 2 “Resurrection”
6. Tchaikovsky: The Nutcracker
7. Debussy: Preludes for Piano (Books 1 & 2)
8: Handel: Saul
9. Mozart: Le Nozze di Figaro
10. Brahms: String Sextet No. 2 in G major
11. Vaughan Williams: Job
12. Bach: Goldberg Variations
13. R. Strauss: Four Last Songs
14. Berlioz: The Damnation of Faust
15. Haydn: “Paris” Symphonies (Nos. 82-87)
16. Wagner: Der Ring des Nibelungen
17. Beethoven: String Quartet No. 14 in C-sharp minor
18. Mendelssohn: Violin Concerto in E minor
19. Chopin: Preludes
20. Verdi: Rigoletto
21. Roussel: Symphony No. 2
22. Copland: Appalachian Spring (complete original ballet)
23. Grieg: Peer Gynt Suites Nos. 1 and 2
24. Bartók: Sonata for Two Pianos and Percussion
25. Prokofiev: Piano Concerto No. 2
26. Rimsky-Korsakov: Opera Suites (Scottish National Orchestra/Järvi) Chandos
27. Schoenberg: Pierrot Lunaire
28. Smetana: Ma Vlást
29. Falla: Nights in the Gardens of Spain
30. Bizet: Carmen
31. Elgar: In the South
32. Sullivan: The Mikado
33. Dvořák: Symphony No. 8; Cello Concerto (Piatigorsky/Munch/Boston Symphony) RCA
34. Liszt: Hungarian Rhapsodies
35. Monteverdi: Orfeo
36. Scarlatti: Sonatas
37. Schumann: Fantasie in C, Op. 17
38. Berg: Wozzeck
39. Hermann: Psycho (film score)
40. Rachmaninoff: Rhapsody on the Theme of Paganini
41. Purcell: Dido and Aeneas
42. Holst: Suites for Military Band
43. Stravinsky: Oedipus Rex
44. Respighi: Three Botticelli Pictures
45. Sibelius: Symphony No. 5; Pohjola’s Daughter (Bernstein, New York Philharmonic) Sony
46. Britten: The Turn of the Screw
47. Borodin: String Quartet No. 2
48. Janácek: The Cunning Little Vixen
49. Korngold: Violin Concerto
50. Tallis: Spem in Alium
51. Nielsen: Symphony No. 5
52. Barber: Knoxville: Summer of 1915
53. Hindemith: Symphony in E-flat
54. Mussorgsky: Boris Godunov
55. Franck: Violin Sonata
56. Rossini: La gazza ladra (The Thieving Magpie)
57. Saint-Saëns: Piano Concerto No. 5 “Egyptian”
58. Weill: The Seven Deadly Sins
59. Pergolesi: Stabat Mater
60. Albeniz: Iberia
61. Bernstein: Mass
62. Schreker: Chamber Symphony
63. Walton: Variations on a Theme by Hindemith
64. Dukas: Piano Sonata
65. Gershwin: Porgy and Bess
66. Tippett: Piano Concerto
67. Poulenc: Songs (ATMA, 5 discs)
68. Szymanowski: Violin Concerto No. 1
69. Gluck: Alceste
70. Vivaldi: L’estro armonico, Op. 3
71. Puccini: La Bohème
72. Hanson: Symphony No. 2 “Romantic”
73. Alkan: 12 Etudes in All the Minor Keys, Op. 39
74. Dutilleux: Métaboles
75. Glinka: Kamarinskaya
76. Crumb: Makrokosmos III (Music for a Summer Evening)
77. Biber: Sonata violino solo representativa
78. Josquin: Missa Ave maris stella
79. Arnold: Symphony No. 5
80. Fauré: Piano Quartets (Trio Wanderer) Harmonia Mundi
81. Hovhaness: Fra Angelico
82. Martinu: Symphony No. 6 “Fantaisies symphoniques”
83. Grainger: Lincolnshire Posy
84. Corelli: 12 Concerti grossi, Op. 6
85. Bellini: Norma
86. Ives: “Concord” Sonata
87. John Williams: Jaws (film score)
88. Honegger: Le Roi David (King David)
89. Kodály: “Peacock” Variations
90. Milhaud: Une Vie Heureuse (10 CD Set, Erato)
91. Scriabin: Piano Sonatas (Hamelin/Hyperion)
92. Casella: Concerto for Orchestra
93. Rautavaara: Cantus Arcticus
94. Chabrier: España
95. Reich: Music for 18 Musicians
96. Waxman: Sunset Boulevard (film score)
97. Rameau: Hippolyte et Aricie
98. Suk: A Summer Tale
99. Delius: A Song of the High Hills
100. Telemann: Tafelmusik
101. Stenhammar: Serenade
102. Orff: Trionfi (Carmina Burana, Catulli Carmina, Trionfo di Afrodite)
103. Bax: Symphony No. 2
104. Turina: Canto a Sevilla
105. Glass: Koyaanisqatsi
I really like this series, Dave. It got me acquainted with a new repertoire. Thank you, Dave!
Excellent choice. I had the chance to sing this work. It was a real treat. Thank you for all these excellent videos.
YES! What a great choice - though I would be loathe to lose anything by this great composer. What I discovered on repeated listenings of the Gloria is that the entire work is unified by a four-note motif, which is sometimes played backward, and sometimes has extra notes inserted into it to chromaticize it. This motif is present throughout the work, often buried, and eventually reappears in its original and most recognizable form toward the end. I really can't think of another multi-movement work of this length that is held together in this concise way until Beethoven's 5th appeared over 60 years later. Zelenka was using standard contrapuntal technique, but the way in which he employs it is practically symphonic. Really impressive.
Very good choice, Dave. Personally, I would have chosen all his 4 last masses as a whole, because they are all wonderful and complementary. In addition, all 4 have been excellently recorded by Frieder Bernius : I warmly recommend those recordings to everyone interested in Zelenka. As a single work, it could be argued that Missa Votiva is even superior to Missa Dei Filii (and much more developed).
No, it couldn't be argued.
I discovered Zelenka through that disc 30 years ago, and the 'Broadway tune' did my head in. It's so obsessive! Such a thrill! I'd play it to friends and watch their jaws drop open. I still can't believe what I'm hearing. GREAT CHOICE!!!
Oh, this is wonderful. Yet, I would still prefer to go for Missa Votiva... That's a piece through which I really learned about Zelenka... And I still have that Zigzag CD and/or the video by Collegium 1704 from the desecrated church in Opava I keep returning to...
A very good choice too, I agree.
I discovered Zelenka thanks to Barry Tuckwell, and so thankful.
He really should've written a "Dismas Oratorio", shouldn't he?