What? Why do you think so? Where did you get this from? In the original Latvian version, this song is about how a mother sang a lullaby to her daughter, and in the Russian version we are talking about the artist’s love for an actress. What kind of oppression you are talking about is generally unclear.
Good afternoon. I'm from Russia. What nonsense you write! Where did you read it? Do you know that Latvia, when it was part of the Soviet Union, was one of the most successful republics of the Soviet Union thanks to money from Moscow? I was a teenager in Soviet times and remember well that going to a resort in Jurmala was tantamount to visiting a resort in Panari. In general, in Soviet times the Baltic (Lithuania, Latvia and Estonia) were considered the small West. When we arrived there, it felt like we were somewhere abroad. Even when we were filming films set abroad at that time, film crews went to the Baltics and filmed there. And Baltic actors willingly starred in Soviet films in the roles of foreigners, knowing full well that for them this would first be an outlet on All-Union film screens, and then on International ones. In terms of technology of any kind, textiles and food, everything was also much better there than in Russia itself, because, again, they were excellently supplied with finances by Moscow. There was never a shortage in their stores. I remember well when we had a problem with food for the New Year's table, we went by car to Klaipeda (this is a city in Lithuania) and brought fish, sausages, all sorts of meat delicacies, etc. from there. There was no occupation of the Baltic and other republics by the Soviet Union. On the contrary, Russia infringed on itself in some sense in terms of housing for the sake of the prosperity of the 14 other republics. Go ahead. The author of the music for the song, Raymond Pauls, could not go against the Soviet Union in Soviet times, because he strived with all his might for All-Union glory. He understood perfectly well that if his songs were sounded only in the Latvian language, it would not have any success outside Latvia (at that time the Latvian SSR). And since the Russian language was then heard in each of the 15 union republics and the Soviet pop music was known throughout the USSR, famous Soviet poets began to translate Pauls’ songs into Russian, and the audience’s favorite pop, theater and film artists, including Alla Pugachova, actively began to take them into their repertoire. Further. How could Pauls resist Soviet power then, when he received the highest national awards from it: the title "People's Artist of the USSR", "Lenin Komsomol Prize", when his songs often won All-Union and International song competitions? How could he do anything against it when the All-Union Recording Company Melodiya, located in Moscow, was releasing export versions of his LPs for sale abroad and his songs themselves were translated into other languages of the world and performed by foreign stars, including Tokito Kato? Yes, Pauls, like all the artists from the then Soviet republics, was simply treated kindly by the Soviet authorities. Then, when Gorbachov came to power and the so-called perestroika began in the country and the wind of democracy blew, which, as we later realized, turned out to be pseudo-democracy, many of the politicians and cultural figures, wanting to get into the top list of the new time, began to “disown” en masse. from their past and declare that they were never friends with the Soviet regime. Including Pugachova. Including Pauls, who, having become the Minister of Culture of Latvia, by his own decree closed and dissolved the Russian Operetta Theater in Riga, which was incredibly popular in the Soviet Union and, among other musical performances, staged performances with Pauls’ music. This is the kind of bearish ingratitude he, a Latvian, showed to his Russian colleagues. Then, however, he realized his mistake when, after the collapse of the USSR in Latvia, due to skyrocketing unemployment and inflation, people began to emigrate en masse to Europe, and the few who remained there simply had no time for music. And the royalties for his songs came to him overwhelmingly from Moscow. And now, as we say in Russia, he is simply trying to sit on two chairs, without saying anything bad about either Russia or Ukraine. He looks in which direction the next wind will blow, so that, if anything happens, he will be in demand.
Видеоклипы
私の好きなうたです❤️💔🇦🇱💓🥀💯♥️
プガチョアさん無事でいてほしいですね。
また追伸…
何度聞いても涙が止まらないよぅ😭
この方はパワフルだな〜 また違った100万本のバラ。サビを日本語でも歌うなんて嬉しい😊
素晴らしい歌声。加藤登紀子さんもまもなく80歳になるんですね。いつまでもお元気で。
加藤登紀子様 55周年おめでとうございます🎊これからもまだまだご活躍下さい。応援しています😊✨55曲素晴らしい楽曲を毎日楽しませて頂き、ありがとうございました🎶
Sorry for my Japanese, hope it makes sense...
加藤登紀子さん、ヴィタリーと奈月インタビュー1に答えていただきありがとうございました。短いけど全て面白く、金言に満ちている。とても面白いでした。
歌に国境はありませんね。感動的です‼️
加藤さんTV出演されてて
初めて知りました。
この100万本の歌🎤に
愛と平和が込められている
んですね💗🕊
ほんまにいい歌ですね。登紀子さんの歌唱力も凄いですね。
いつまでも色あせない素敵な曲ですね。
ほんと、素敵過ぎです。加藤さんの品格と個性が大好きです。
好きな歌なので聴けてよかったです！ありがとうございます。
綺麗でした この 方に真似て 若い頃 ヘアスタイル も 化粧 も真似しました 🙏🌹🌹🌹🌹
訳詞がロマンチックでとても素敵です。
本当の国際交流ですね！
テレビで拝見し、歌の由来に感動しています。チャリティー・アルバムを注文させていただきました。平和のために私にできることを考え続けます
What a surprise!!! A treasure!
素晴らしい曲です
日露の心温まる歌の交流…
泣けました😂
おおっ！両巨匠！
ブラボー！
マエストロ！
感動しました。ありがとうございました
🌏愛する歌の力とともに絶対に戦争をしない🌏愛する歌の力とともに絶対に戦争をさせない🌏愛する歌の力とともに絶対に武器を持たない🌏愛する歌の力とともに絶対に環境破壊をしない🌏愛する歌の力とともに絶対に環境破壊をさせない🌏愛する歌の力とともに絶対に環境破壊するものはつくらない🌏自然とともに生きる力が嘘偽りのないほんもののひとり一人の命を救う人命尊重のつながる社会です。🌏地球上で人類が誕生した瞬間から歴史認識とともに学び知り考え、嘘偽りのない自然の力とともに日々の小さな積み重ねからひとり一人の命を救う🌏大変なコロナ禍だからこそ音楽の力とともにほんものの核なき世界を築き上げる。希望の光を いまを生きる。あなたへ🔔🌏人びとの命を奪った戦争がどれだけ犠牲を払うか反省して語る事が世界中の人びとともに共感する支点に立つ人類の未来の人命尊重を守る訴えかけて生きていくウクライナ市民ひとり一人とともにつなぐつながる平和への道を築き上げる人類が本当の意味での自由を勝ち取る。🌈🌹ここに愛する歌の力とともに生きていく生きる平和への人道支援あり🌻🌈
心に残る歌声ありがとうございます。
Alla Pugacheva super star in RUSSIA😉
ドレスもとてもよくおにあいです
🌏困難にぶつかった時こそ遠くを見る。本当の意味での嘘偽りのない自然の力がどんなに勇気づけれるか。どんな苦しみの中にいても生きることは喜びに満ちている。どんな未来が来ようとも、愛情にもとづいた人間の行動こそが問われる。これからはますます愛を大切にする時代とともにみんなの思いと故郷を思うウクライナ市民ひとり一人の思いを合わせて、これから人生をまだまだ長く続いていく自然を破壊しないさせないエネルギーと一緒に、どのように受け継いでいくか…、自然の力とともに人類が試されている時かもしれません。🌻忘れない黙らない弱者と当事者の声とともに生まれ来る子供達の声とともに世界中の人びととともにPEACE🌏🌻🌏🌻🌍🌻
聞けば聞くほど奥深い
Спасибо 🙏🙏🙏💐💐💐
🌈🌹🌍🎶生まれ変わる音楽とともにPEACE🌈🌏🎶世界中の人びととともに生まれ来る子供たちとともに心の通じ合う響き渡る音楽がつなぐつながる平和への道🌈🌍🎶音楽の哲学が心を強くする文化力とともにつなぐつながる平和への道を築き上げる🌈🌏🎶自然の力とともに響き渡る音楽が命の尊さとともに人を愛する心を強くするつなぐつながる平和への道🌈🌍🎶忘れない黙らない生まれ来る子供たちとともに生きていく故郷を思う加藤登紀子さんとともにつなぐつながる全体を知る歌の力が世界を知る力PEACE🌈🌎🎶世界中の生まれ来る子供達とともに母親の思いとともにPEACE🎶🌈🌍🎶いつでもどこでも生まれ来る子供達とともに音楽の力とともに平和を🌈🌏🎶忘れない黙らない歌の力とともにいつでもどこでも自由と平和を🌈🌹🌏🎶🌎🎶🌍🌹🌈
貧しい画家の思いは届かないのはせつないけど。無償の愛。
彼女の人生の輝かしい思い出。人魚姫みたい。
🌏困難にぶつかった時こそ遠くを見る。本当の意味での嘘偽りのない自然の力がどんなに勇気づけれるか。どんな苦しみの中にいても生きることは喜びに満ちている。どんな未来が来ようとも、愛情にもとづいた人間の行動こそが問われる。これからはますます愛を大切にする時代とともにみんなの思いと故郷を思うアフガニスタン市民ひとり一人の思いを合わせて、これから人生をまだまだ長く続いていく自然を破壊しないさせないエネルギーと一緒に、どのように受け継いでいくか……、自然の力とともに人類が試されている時かもしれません🌻忘れない黙らないアフガニスタン市民ひとり一人の自由とともに世界中の人びととともに平和の文化を築き上げる🌏🌻🌏🌻🌍🌻忘れない黙らない中村哲医師の人と人、人と自然の和解を説く、戦よりも食糧自給とともに命の叫びとともにネバーギブアップ立ち上がれ被爆国JAPANととともに中村哲医師が歩んだ道を私たちひとり一人も歩む事が平和の文化を築き上げる🌻忘れない黙らないゴルバチョフさんの平和への思いととともに誰もがそこへ行かぬから、我々がゆく誰もしないから、我々がする志を後世へ🌹忘れない黙らない世界中の人々に愛を捧げる加藤登紀子さんとプガチョアさんとともに戦争のない世界へ🌹🌹🌹🌹🌹🌹🌹🌹
🎶🌍☺🌹☺🌏🎶世界中の人びととともに生まれ来る子供たちとともに心の通じ合う響き渡る音楽の力がつなぐつながる平和への道🌍🎶音楽の哲学が心を強くする文化力とともにつなぐつながる平和への道を築き上げる🌏🎶音楽の力が命の尊さとともに人を愛する心を強くするつなぐつながる平和への道🌍🎶忘れない黙らない生まれ来る子供たちとともに生きていく加藤登紀子さんとともにつなぐつながる全体を知る歌の力が世界を知る力PEACE🎶🌍☺🌹☺🌎世界中の生まれ来る子供達とともに母親の思いとともにPEACE🎶🌈🌹🌍生まれ来る子供達とともにロシアに平和を🌏生まれ来る子供達とともにウクライナに自由を🌍🌹🌈
おトキさんの『コンドルは飛んで行く』が好き。
素晴らしいです！
【百万本のバラ w プガチョア】加藤登紀子 55th Anniversary
ruclips.net/video/WTNjiUq4fbE/видео.html
大国ソ連の支配に翻弄されるラトビアの苦難を体勢に抗うレジスタンスの悲哀の曲だそうですね。
What? Why do you think so? Where did you get this from? In the original Latvian version, this song is about how a mother sang a lullaby to her daughter, and in the Russian version we are talking about the artist’s love for an actress. What kind of oppression you are talking about is generally unclear.
@@user-bi3yj9iz2kこんにちは。ラトビアかロシアの方ですか？私は日本人です。
お答えします。その理由の一つはRUclips にあるで日本で歌われている100万本の薔薇の原曲のラトビア版の歌の日本語で書かれた解説かも知れません。
ラトビア版は母親と子供の歌のようになっていますが、その解説動画では、
母親（ソビエト連邦かロシア）に愛をもらえなかった子供（ラトビア）の哀しみ
…という意味が入っているという解説が、されているから、コメント主の方が話されたように思っている人がいるのではないかと推測します。
そしてもう一つの理由はラトビアのこの曲を作った作曲者の人が、ロシアと対峙し、時には広場で戦車に両手を広げ止めようとしたり自由と平和を守ろうとしていた、news.yahoo.co.jp/articles/374257ec4c233718fddd34463f70ceef3ca3913a
…という話も日本で歌われている加藤登紀子さんという著名な歌手がおっしゃっています。
それらを考えると、ロシアに立ち向かう人の中で歌われたという話があるのかもしれません。
Good afternoon. I'm from Russia. What nonsense you write! Where did you read it? Do you know that Latvia, when it was part of the Soviet Union, was one of the most successful republics of the Soviet Union thanks to money from Moscow? I was a teenager in Soviet times and remember well that going to a resort in Jurmala was tantamount to visiting a resort in Panari. In general, in Soviet times the Baltic (Lithuania, Latvia and Estonia) were considered the small West. When we arrived there, it felt like we were somewhere abroad. Even when we were filming films set abroad at that time, film crews went to the Baltics and filmed there. And Baltic actors willingly starred in Soviet films in the roles of foreigners, knowing full well that for them this would first be an outlet on All-Union film screens, and then on International ones. In terms of technology of any kind, textiles and food, everything was also much better there than in Russia itself, because, again, they were excellently supplied with finances by Moscow. There was never a shortage in their stores. I remember well when we had a problem with food for the New Year's table, we went by car to Klaipeda (this is a city in Lithuania) and brought fish, sausages, all sorts of meat delicacies, etc. from there. There was no occupation of the Baltic and other republics by the Soviet Union. On the contrary, Russia infringed on itself in some sense in terms of housing for the sake of the prosperity of the 14 other republics.
Go ahead. The author of the music for the song, Raymond Pauls, could not go against the Soviet Union in Soviet times, because he strived with all his might for All-Union glory. He understood perfectly well that if his songs were sounded only in the Latvian language, it would not have any success outside Latvia (at that time the Latvian SSR). And since the Russian language was then heard in each of the 15 union republics and the Soviet pop music was known throughout the USSR, famous Soviet poets began to translate Pauls’ songs into Russian, and the audience’s favorite pop, theater and film artists, including Alla Pugachova, actively began to take them into their repertoire. Further. How could Pauls resist Soviet power then, when he received the highest national awards from it: the title "People's Artist of the USSR", "Lenin Komsomol Prize", when his songs often won All-Union and International song competitions? How could he do anything against it when the All-Union Recording Company Melodiya, located in Moscow, was releasing export versions of his LPs for sale abroad and his songs themselves were translated into other languages of the world and performed by foreign stars, including Tokito Kato? Yes, Pauls, like all the artists from the then Soviet republics, was simply treated kindly by the Soviet authorities. Then, when Gorbachov came to power and the so-called perestroika began in the country and the wind of democracy blew, which, as we later realized, turned out to be pseudo-democracy, many of the politicians and cultural figures, wanting to get into the top list of the new time, began to “disown” en masse. from their past and declare that they were never friends with the Soviet regime. Including Pugachova. Including Pauls, who, having become the Minister of Culture of Latvia, by his own decree closed and dissolved the Russian Operetta Theater in Riga, which was incredibly popular in the Soviet Union and, among other musical performances, staged performances with Pauls’ music. This is the kind of bearish ingratitude he, a Latvian, showed to his Russian colleagues. Then, however, he realized his mistake when, after the collapse of the USSR in Latvia, due to skyrocketing unemployment and inflation, people began to emigrate en masse to Europe, and the few who remained there simply had no time for music. And the royalties for his songs came to him overwhelmingly from Moscow. And now, as we say in Russia, he is simply trying to sit on two chairs, without saying anything bad about either Russia or Ukraine. He looks in which direction the next wind will blow, so that, if anything happens, he will be in demand.
久保田早紀さんはカバーだったんですね。
逆。あちらの歌詞のほうが元祖。もっとも歌っていた人が別の人でしたが。
自分は久保田早紀あるいはニーナ版のほうが好き。
ラトビアの曲が原曲（歌詞の内容が全く違う）という話も聞いたんですが、加藤さんはそちらのバージョンに歌っているのでしょうか？
加藤登紀子さんがカバーされているのはアーラ・プガチョワ版です
@@user-io4qg7dx1v そうですよね。一番最初のオリジナルはラトビア版なのでしょうか？ 歌詞や意味合いがかなり違いますよね。加藤さんは作曲者の方が広場で戦車に手を広げて止めようとしたように、ラトビア版の平和や自由に立ち向かった人々を、加藤さんの歌では100万本のバラにイメージさせて歌っているとも言っていました。
@@user-io4qg7dx1v プガチョアさんは旦那さんが政府からスパイ容疑を掛けられて、ロシアで今大変みたいですね。
登紀子さんはテレビ番組でラトビアに行き、100万本のバラを地元の人と歌おうとしたら、ラトビアの人にとってはロシア版の歌なので歌いたくないと言われ、現地の方々と歌えなかった番組があった気がします。ラトビア版ではソ連という母の国から、愛をもらえなかった子供というような歌詞の内容だったり、ロシアとラトリアの関係も事情がありそうですから難しそうですね。
@@user-he5zg8nr6c ラトビア含めポーランドなどの元ソ連構成国は、同化政策で酷い目に遭っているので、拒絶されるのも無理もないですね。
追加でウクライナもですね
この歌大好き。でも、加藤さんは声出ないね。久保田早紀の歌が好き。