What a shame we don't have more recordings of this golden tenor! His voice has sunshine in it, and his high notes are free and open--no straining or constricting.
Grande Galiano o avuto l onore di conoscere tuo figlio Sergio anche lui bellissima voce molti anni fa Marinoni mi diede dei nasrri tuoi e dischi di tuo padre un bacio da porto san Giorgio
I first heard of Masini in 1952 when at age 15, I purchased my first opera La forza del Destino and was and continue to be impressed by this underrated singer and this recording remains my favorite of that opera. He does fine in this lyric aria from La Boheme.
Non conoscevo questo (a mio parere) grandissimo tenore dotato anche di una eccellente dizione al punto che solo il grande Pippo Di Stefano poteva accostarsi. Purtroppo le televisioni pensano a trasmettere ogni sorta di cavolate e mai programmi di cultura lirica per farci conoscere i grandi artisti del passato purtroppo dimenticati.
Ma se dopo cinque anni di studio in canto lirico in conservatorio di tenori simili non ne ho mai sentito parlare ,grazie ad un commento di un utente.ho.scoperto questi.magnifici tenori del passato.
Thank you so much for the posting which allowed me to discover this magnificent voice. He doesn't suffer by comparison with anyone, even if (childishly) I have always taken Björling as my absolute reference for this aria. There is something really unique in Masini's singing. I would call it pathos for want of a more accurate word.
Masini is a true spinto voice. Genuine spinto real viril tenor. Far from lyric but he has that tremendous upper register because he does not push the middle or low voice. In fact he lightens his voice.
When he appeared in Covent Garden in the Thirties he had received rave reviews in Italy, but he was probably the most disappointing Tenor ever to make a debut, totally out of tune, Gigli was also in that season and they both sang Chenier, Masini was constantly being prompted and even there were people in the wings trying to help, Bellezza gave up in the 2nd Act and said in Italian Galliano what is wrong, he just shrugged his shoulders walked off and totally was lost, it was Gigli who came back stage and helped him, he finished the Opera but he was not in any form at all, sad, a wonderful voice, but no temperament and nerves of glass, Gigli finished his performances that Season, he did come back in 1938 six years later and was a success in Tosca, but ruined that success, by giving the Fascist Salute at the end of the performance, how sad he had the voice but the brain was somewhere else.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
Bellissima voce da vero tenore naturale
Straordinario tenore!!!
What a shame we don't have more recordings of this golden tenor! His voice has sunshine in it, and his high notes are free and open--no straining or constricting.
A chi lo dice ,certa gente dovrebbe vivere per sempre !
😂❤Славься в веках,выдающийся певец земли Италии ,Гальяно Мазини. .❤😊
Fuoriclasse assoluto!!!
Grande Galiano o avuto l onore di conoscere tuo figlio Sergio anche lui bellissima voce molti anni fa Marinoni mi diede dei nasrri tuoi e dischi di tuo padre un bacio da porto san Giorgio
I first heard of Masini in 1952 when at age 15, I purchased my first opera La forza del Destino and was and continue to be impressed by this underrated singer and this recording remains my favorite of that opera. He does fine in this lyric aria from La Boheme.
SHICOFF1 I wish I could find and hear it.
Non conoscevo questo (a mio parere) grandissimo tenore dotato anche di una eccellente dizione al punto che solo il grande Pippo Di Stefano poteva accostarsi. Purtroppo le televisioni pensano a trasmettere ogni sorta di cavolate e mai programmi di cultura lirica per farci conoscere i grandi artisti del passato purtroppo dimenticati.
divino .
❤️
Questo si chi he un grande cantante , che leone. Quale canta cosi oggi ? Nessuno. Per me un piacere immenso di avere potuto udire quest'incizione.
Un vero Livornese ed un grande Artista che fu stimato anche da Beniamino Gigli. Bisognerebbe ricordarlo più spesso.
Ma se dopo cinque anni di studio in canto lirico in conservatorio di tenori simili non ne ho mai sentito parlare ,grazie ad un commento di un utente.ho.scoperto questi.magnifici tenori del passato.
EXCELENTE !!!!!!!!!!!!!!!!!!
Un grande!!! Meravigliosa voce
Excepcional! 👏👏👏👏
Grandísimo! Sublime!
He knew how to SING!!
EXCELENTE TENOR
Amazing
Thank you so much for the posting which allowed me to discover this magnificent voice. He doesn't suffer by comparison with anyone, even if (childishly) I have always taken Björling as my absolute reference for this aria. There is something really unique in Masini's singing. I would call it pathos for want of a more accurate word.
Bravo! Thank you very much for sharing. 🌺
sublime ♥
Great tenor 💓
Thank you.
Grande MASINI!!!!!! al suo tempo doveva vedersela con GIGLI, PERTILE, MERLI, FLETA, VOLPI e tanti altri, se la cavava molto bene..
Seems like Schipa !
These are DIFFERENT VOICES
Schipa era un tenore leggero.
The timbre has a similar quality to it. Masini’s has a more virile quality though
Masini is a true spinto voice. Genuine spinto real viril tenor. Far from lyric but he has that tremendous upper register because he does not push the middle or low voice. In fact he lightens his voice.
@@beachfanatic2010 you really should in this aria
When he appeared in Covent Garden in the Thirties he had received rave reviews in Italy, but he was probably the most disappointing Tenor ever to make a debut, totally out of tune, Gigli was also in that season and they both sang Chenier, Masini was constantly being prompted and even there were people in the wings trying to help, Bellezza gave up in the 2nd Act and said in Italian Galliano what is wrong, he just shrugged his shoulders walked off and totally was lost, it was Gigli who came back stage and helped him, he finished the Opera but he was not in any form at all, sad, a wonderful voice, but no temperament and nerves of glass, Gigli finished his performances that Season, he did come back in 1938 six years later and was a success in Tosca, but ruined that success, by giving the Fascist Salute at the end of the performance, how sad he had the voice but the brain was somewhere else.