thank You! I recently was able to finally rent one and was very impressed by it, buying one has proved to be a chlallege though as it is in limited supply
Very nice short video, I have one on order and I can’t wait to get my hands on it. I also live in Sunny Sunny Australia so 10 months of the year it will be fantastic for this lens. I have watched loads of videos about cameras and lens and you did this one very well. Thank you. 👍😀
Thanks Joseph. For living in Oz, I think you’ll be very happy with this - particularly if you do video as well. Appreciate you stopping by here for a look. Spent 6 months your way years ago. Will never forget it.
Most interesting. Thanks Henrik. I have considered this lens as an option for when I am guiding in a boat and can't heft around a big 500 or 600...but since I work on the coast I am pretty hesitant about the narrow apertures for photos. But, as you say, it certainly has more appeal for video.
You know, I'm right on the fence for this lens. I can see many instances where it'd be fantastic for video. For still, a bit less appealing but still darn tempting.
Living in a deeply wooded area, I've been very happy with the RF 800 with it's constant f/11 on both the R5 and R6. I've shot everything from humming birds to black bears and no complaits for me. I'm on the B&H waiting list for the RF200-800. . I'm old and learned photography shooting Kodachrome 25. I shot many a high school night football game shooting TriX 400 and a fixed apreture 400mm lens on a Canon T90.
That is good to hear. Considering what you wrote, I’m sure you’ll like the 200-800. It’s a versatile lens but obviously there is no single tool for every situation. Once you’ve put the lens through its paces, it would be great to hear your feedback on it.
Anyone who "grew up" shooting film will know how to shoot this lens without a problem. We cut our eye teeth on 5.6 telephotos and 100 or 200 speed Kodachrome or Fuji chrome film. Occasionally we might have bitten the bullet and bought a roll or two of 400, heaven forbid! Somehow, we managed to get some pretty good images on slides! F9 is only 1 and 1/3 stops slower than 5.6, and today almost any camera on the market can easily take low noise images (especially with the assistance of programs like Topaz, On1 and other fine noise reduction softwares), at 3200, 5000 and some even higher! That's at least 3 stops improvement over the old films we used to shoot! Not to mention the excellent image stabilization in today's cameras! I think digital photography has spoiled us. Sure, you are not going to shoot fast action at dawn, but this lens will still provide the user with some incredible opportunities.
Thanks Henrik, nice to see a review in weather similar to here in the UK and certainly food for thought. I will say that I've had some fairly decent results in overcast conditions using the RF600mm f11 on an R6 but then again I'm a very amateur hobbyist who's easily pleased! Look forward to checking out more of your videos.
Appreciate it Jack. Nice to get some feedback on the 600 f11. I tend to photograph things that move and often in low light - so fast lenses come in handy. Having said that, I can absolutely see circumstances where slower lenses work just fine. There are always trade offs I suppose.
Hi neighbour,that was a good review.I'd love to give it a try but i'd have to rent it or something like that first,I can't afford buying just to try.I'm using a Sigma 150-600mm and days like today ,I was shooting at f9 most of the day (using a 1.4x III).I found you because I was looking reviews for this lens,I subed so I can watch more from you....cheers from Burnaby!
@@love4wildlife It did a great job with the 90D,then I made the mistake of trying a mirrorless ,sold the 90D and bought a R10 (budget descision) ,the R10 is alot more fun than the 90D.It's great in low light but now I feel like the Sigma isn't exactly able to keep up with how fast the R10 is.I still get really good shots,more keepers than the 90D ,I just bought a 1.4X III T/C from a friend and it does unexpectedly works with both but I'm sure the RF200-800,being that it's meant to work on RF mounts would be much better than one that wasn't meant for mirrorless cameras.
Great hones you. Great.and honest video. Just waiting for mine. I live in NY and Colorado so lots of sun. Especially in the desert. Thanks. I'm subscribing.
Always the best content, Henrik. Based on the shots and video you’ve shared, you’re gear opinions are always welcomed. Thanks! Don’t laugh, but which Arcteryx jacket is that?
Your review is spot on. For enthusiasts, the 200-800 is probably the only choice no matter where you live to get up to 800mm with reasonable image quality. Bad luck it completely fails in lowish light situations, but what would be the alternative? I just love it and when it's cloudy I turn to turtles, snails, chameleons or landscape photography. Plus and knowing I'll never be able nor willing to shell out 15-20k for a prime lens, the availability of an absolutely crazy zoom range is fantastic.
“….but what would be the alternative”. This is a good point. And as you said, there really isn’t one. As long as the buyer is aware of the limitations, I think the lens definitely has a place in many people’s camera bag. It is reasonably priced, relatively light, a decent size for travel/carry and it is incredibly versatile.
How does it "completely fail" in low light? Twenty years ago I was shooting in low light with 400 speed Ektachrome and a 5.6 telephoto. Still have the slides to prove it! F9 is 1 and 1/3 stops slower, and I have a camera that is easily capable of shooting at 3200, 5000 or 6400 ISO with pretty low noise, and what little there is can easily be removed in post with any of a dozen excellent programs! Not to mention, I have up to three or four stops of image stabilization! No, I'm not going to be shooting a lot of fast action at dawn, but not everything I shoot is fast action. I have an f4 600 for when I need it, but this lens can be carried a lot of places I may not want to lug the bigger lens!
@@alansach8437 You provide the answers yourself - you take a fast prime or don't shoot action in low light or throw AI at it. :-) When its aperture is sufficient it's a phantastic lens.
I took my copy (on an R6II) out to Magnuson Park in Seattle on a drizzly morning a few days after Christmas. Not my lifetime best shots, no, but still at least as good as I can get from the RF 100-500 under similar lighting. An 89mm entrance pupil is slightly smaller than the Nikon/Sony's 95mm, but it's close enough that the extra 200mm easily carries the day. For comparable reach, your only better options are going to be the discontinued EF 500/4 (125mm) or one of the Great Whites (150mm).
I think it really comes down to personal preferences. Seattle gets much of the same weather as we do here. On a day like the one you described, there is no way I could get useable, for example, short eared owls in flight. But not everyone shoots short eared owls in flight. For static or slow moving shots, the lens would likely be fine - particularly with cameras capable of good output at higher ISO. So my comment on this isn’t intended to be a right vs wrong but merely as a FYI as to what the limitations of the lens might be. Appreciate your thoughts. I’d be curious to know how you use the lens (photo, video, both) and what, if any, other limitations you’ve come across. I’m tempted to get one for video use.
@@love4wildlife Yep, owls in flight would be a no-go in PNW Grey Season. Eagles, gulls, or herons on an overcast mid-day should be doable. One of my favorite shots ever was a bald eagle raiding the heron rookery on an overcast spring day at the Chittenden locks, and I got that with the 800/11 on an RP. I might be able to swing $3k for a refurbished 500/4 (extending to 700/5.6 or 1000/8), but short of used-car prices I'm not sure what lens could capture short-eared owls in flight without really cranking the ISO.
Ahhh, good stuff. I use a 600 f4 often with a 1.4x during winter. Took some serious savings to get. For flight shots, it still has to be cranked up as you mentioned but it does get you opportunities that other lenses won’t. I suppose that’s the trade off. A friend uses the 400 2.8 which, although shorter focal length, he uses with great success. Of course, not cheap either. @@drmathochist06
What camera are you using it with. Great photos. I am also on the island and love it here. How do you think it would do on the water in summer time. Will be on a boat taking pics of whales most of the season and was considering this lens but worry about haze off the water Thoughts. And if not this lens any recommendations for a longer lens on a boat. Have the 100-500 with 1.4 tele. But we always want more Thanks for the video
Hi Penny. I used it with a R5. Lens should do ok in the summer on the water assuming you’ll have decent light. With a rocking boat and moving subjects, you naturally need to maintain a higher shutter speed. The good news is that most recent cameras can tolerate higher ISO and there are some good noise reduction programs available for post processing.
Hello Henrik, great content !! In your opinion , which is better , canon R7 wit 100-500 or canon r6 mk2 with 200-800 for bird photography ? thank you !
The R7 has a diffraction limit of about f/6.3 and the R6 f/11 and the R5 f/9 . I would not use the new 200-800 on an R7 and expect sharp results at the long end. With the 100-500 on an R7 you are getting an crop equivalent of 800mm and you are just outside the limit of visible diffraction effects so it should not be too much an issue. The 100-500 has dual motors to focus quickly, but has more trouble on crop sensors in low light. The R6 II is going to be better in lower light in terms of ISO performance and autofocus capability and has a better diffraction limit. If you want the best images in lower light, get the full frame and the lower aperture lenses. I have the R5 and R3, and use the 100-500mm. I sold my R7 as I was just not happy with the end results. Just not worth the hassle in low light. Sometimes reach is not worth the decrease in image quality and enjoyment of photography. The have the 1.4x teleconverter, but do not use it on the 100-500mm, only on my recently reacquired 600mm prime for pretty much the same reason.
Isn't there a ring to adjust the smoothness of the zoom? And I always don't get it, why mention that a zoom lens is getting longer while zooming. Thats for most lenses, except the old EF 70-200 and I think only one wideangle lens (EF16-35 f/4). The majority of the lenses does extend. And the difference you can see, if you compare RF 70-200 and the EF 70-200. The RFs are much shorter due to external zoom... and I like that a lot. Propably you can design such a lens also to not extend, and then it would be always ... what 50cm long? And I think the weather sealing has rubber on this zoom mechanism too. But you shot very remarkable pics here, thank you.
I too like that an external zoom lens collapses to a shorter length than would be possible with an internal zoom. Of course there are tradeoffs, one of which is less secure weather and dust sealing, but reasonable precautions can make up for that, and it's not like there is no sealing.
Yes, as you correctly mentioned, there is a ring to adjust the smoothness. Even with that adjusted all the way, it is not a smooth zoom. However, that doesn’t necessarily matter much on the photo side. For video however, it does. Having said that, it’s certainly not a deal breaker. The zoom length will also matter for tripod use (balancing). Weather sealing is likely pretty good but not at the L series level. For its price point, this is a great and incredibly versatile lens. Appreciate your thoughtful input.
I am shooting flying birds @ 1/2500 of a second in good light....not noon time light, but the light I would normally want to shoot birds in, good morning or evening light, right up until the sun dips. I am using the R7. ISO runs from 1250 to 2500, with a few 3200s tossed in right at the end. Those are not unreasonable. The images have been sharp, and the noise moderate, easily mitigated in post. Printed, no one has been able to tell the difference between images shot with this lens and those shot under the same circumstances with my 500 f4 and 1.4 teleconverter. Obviously, on a dark, dreary day, or before or after the sun has risen or set, I would opt for the latter. But I can tell you, I'm shooting the 200-800 a lot! I love the ability to quickly zoom out when needed. People who poo poo this lens are living in the past. Every new generation of camera and software handles noise better and better. On cameras like the R3 or R6, you don't even think about noise until 3200. The lens weighs about the same as my ef 100-400 with a 1.4 and converter attached. Easily hand holdable. I don't shoot a lot of video, but in the few snippets I've shot, they were sharp, colors perfect, focusing smooth and unobtrusive.
I'm glad to hear you're having great results with it. I will likely add one to my permanent inventory. The flexibility for video is outstanding. For photography, it will not be a 12 month/year lens here where I live. Winters are often dark and I love shooting in inclement weather. Every lens has its limitations and, as you know, there is no one lens for all uses at all times. I've yet to come across anyone 'poo poo'ing' the lens as you said - but even if I do, I'll keep in mind that we all have different needs and wants. Appreciate you taking the time to share your thoughts and experience with the lens, Alan.
It’s hard to say without knowing more information. But generally if you shoot predominantly in a sunny and bright area and/or you do video, I’d go with the 200-800.
Henrick I've seen many reviews on this lens I'm still not convinced that it's a very good one , why can't Canon make a good long zoom range lens like Nikon and Sony .
That didnt make sense. The Canon RF 200-800 is a 4x zoom. The Sony 200-600 is only a 3x zoom. What are you talking about ? Nikon dont make anything comparable either.
If you're considering it, why not rent it for a few days to see how you like it? While it won't be for everyone, I can certainly see circumstances where it'd fit the bill just fine. I might just buy it for video,. Given how I shoot stills (often in low light), I would not buy it for that solely.
It's nice to see you getting the views and subscribers that you've deserved for a while. Good on you!
A bit surprising. 😊 But thank you.
thank You! I recently was able to finally rent one and was very impressed by it, buying one has proved to be a chlallege though as it is in limited supply
It is a good lens for sure. Supply is indeed tough but it’s worth the wait. Hope you get your hands on one soon.
Very nice short video, I have one on order and I can’t wait to get my hands on it.
I also live in Sunny Sunny Australia so 10 months of the year it will be fantastic for this lens.
I have watched loads of videos about cameras and lens and you did this one very well.
Thank you. 👍😀
Thanks Joseph. For living in Oz, I think you’ll be very happy with this - particularly if you do video as well. Appreciate you stopping by here for a look. Spent 6 months your way years ago. Will never forget it.
Most interesting. Thanks Henrik. I have considered this lens as an option for when I am guiding in a boat and can't heft around a big 500 or 600...but since I work on the coast I am pretty hesitant about the narrow apertures for photos. But, as you say, it certainly has more appeal for video.
You know, I'm right on the fence for this lens. I can see many instances where it'd be fantastic for video. For still, a bit less appealing but still darn tempting.
@@love4wildlife If I could rent one to test it out, I would, but neither Canon or Vistek have them yet.
Living in a deeply wooded area, I've been very happy with the RF 800 with it's constant f/11 on both the R5 and R6. I've shot everything from humming birds to black bears and no complaits for me. I'm on the B&H waiting list for the RF200-800. .
I'm old and learned photography shooting Kodachrome 25. I shot many a high school night football game shooting TriX 400 and a fixed apreture 400mm lens on a Canon T90.
That is good to hear. Considering what you wrote, I’m sure you’ll like the 200-800. It’s a versatile lens but obviously there is no single tool for every situation. Once you’ve put the lens through its paces, it would be great to hear your feedback on it.
Anyone who "grew up" shooting film will know how to shoot this lens without a problem. We cut our eye teeth on 5.6 telephotos and 100 or 200 speed Kodachrome or Fuji chrome film. Occasionally we might have bitten the bullet and bought a roll or two of 400, heaven forbid! Somehow, we managed to get some pretty good images on slides! F9 is only 1 and 1/3 stops slower than 5.6, and today almost any camera on the market can easily take low noise images (especially with the assistance of programs like Topaz, On1 and other fine noise reduction softwares), at 3200, 5000 and some even higher! That's at least 3 stops improvement over the old films we used to shoot! Not to mention the excellent image stabilization in today's cameras! I think digital photography has spoiled us. Sure, you are not going to shoot fast action at dawn, but this lens will still provide the user with some incredible opportunities.
Did you get your 200-800?
Beautiful fotos and very interesting presentation.
Thank you kindly.
Thanks Henrik, nice to see a review in weather similar to here in the UK and certainly food for thought. I will say that I've had some fairly decent results in overcast conditions using the RF600mm f11 on an R6 but then again I'm a very amateur hobbyist who's easily pleased! Look forward to checking out more of your videos.
Appreciate it Jack. Nice to get some feedback on the 600 f11. I tend to photograph things that move and often in low light - so fast lenses come in handy. Having said that, I can absolutely see circumstances where slower lenses work just fine. There are always trade offs I suppose.
Great unbiased review
Appreciate that, thank you.
Nice Video I am very happy with mine love how sharp it is. It is amazing for Video. Love the 800 reach on this Canon 200-800
You also make for an excellent director, producer and editor. Thank you. 😊
Thanx for your video ... information and examples.
Thanks for watching. 😊
Hi Buddy, HNY, I just came across this amazing knowledgeable video. thanks so much for the insight.
Hey pal. Thanks. Got your other message and have replied. 🙂
Hi neighbour,that was a good review.I'd love to give it a try but i'd have to rent it or something like that first,I can't afford buying just to try.I'm using a Sigma 150-600mm and days like today ,I was shooting at f9 most of the day (using a 1.4x III).I found you because I was looking reviews for this lens,I subed so I can watch more from you....cheers from Burnaby!
Hey all the way from North Van. Thanks for stopping by. How do you like the Sigma?
@@love4wildlife It did a great job with the 90D,then I made the mistake of trying a mirrorless ,sold the 90D and bought a R10 (budget descision) ,the R10 is alot more fun than the 90D.It's great in low light but now I feel like the Sigma isn't exactly able to keep up with how fast the R10 is.I still get really good shots,more keepers than the 90D ,I just bought a 1.4X III T/C from a friend and it does unexpectedly works with both but I'm sure the RF200-800,being that it's meant to work on RF mounts would be much better than one that wasn't meant for mirrorless cameras.
I would agree with all of that. Switched to full frame cameras with the 5D Mark III and have never looked back.@@CJC051
Great hones you. Great.and honest video. Just waiting for mine. I live in NY and Colorado so lots of sun. Especially in the desert. Thanks. I'm subscribing.
Definitely a very versatile lens. I’m sure you’ll get lots of use out of it.
Always the best content, Henrik. Based on the shots and video you’ve shared, you’re gear opinions are always welcomed. Thanks!
Don’t laugh, but which Arcteryx jacket is that?
Much appreciated, thank you. 😊. Jacket is the Beta AR.
Great video!
Thanks!
Your review is spot on. For enthusiasts, the 200-800 is probably the only choice no matter where you live to get up to 800mm with reasonable image quality. Bad luck it completely fails in lowish light situations, but what would be the alternative? I just love it and when it's cloudy I turn to turtles, snails, chameleons or landscape photography. Plus and knowing I'll never be able nor willing to shell out 15-20k for a prime lens, the availability of an absolutely crazy zoom range is fantastic.
“….but what would be the alternative”. This is a good point. And as you said, there really isn’t one. As long as the buyer is aware of the limitations, I think the lens definitely has a place in many people’s camera bag. It is reasonably priced, relatively light, a decent size for travel/carry and it is incredibly versatile.
How does it "completely fail" in low light? Twenty years ago I was shooting in low light with 400 speed Ektachrome and a 5.6 telephoto. Still have the slides to prove it! F9 is 1 and 1/3 stops slower, and I have a camera that is easily capable of shooting at 3200, 5000 or 6400 ISO with pretty low noise, and what little there is can easily be removed in post with any of a dozen excellent programs! Not to mention, I have up to three or four stops of image stabilization! No, I'm not going to be shooting a lot of fast action at dawn, but not everything I shoot is fast action. I have an f4 600 for when I need it, but this lens can be carried a lot of places I may not want to lug the bigger lens!
@@alansach8437 You provide the answers yourself - you take a fast prime or don't shoot action in low light or throw AI at it. :-) When its aperture is sufficient it's a phantastic lens.
I took my copy (on an R6II) out to Magnuson Park in Seattle on a drizzly morning a few days after Christmas. Not my lifetime best shots, no, but still at least as good as I can get from the RF 100-500 under similar lighting.
An 89mm entrance pupil is slightly smaller than the Nikon/Sony's 95mm, but it's close enough that the extra 200mm easily carries the day. For comparable reach, your only better options are going to be the discontinued EF 500/4 (125mm) or one of the Great Whites (150mm).
I think it really comes down to personal preferences. Seattle gets much of the same weather as we do here. On a day like the one you described, there is no way I could get useable, for example, short eared owls in flight. But not everyone shoots short eared owls in flight. For static or slow moving shots, the lens would likely be fine - particularly with cameras capable of good output at higher ISO. So my comment on this isn’t intended to be a right vs wrong but merely as a FYI as to what the limitations of the lens might be. Appreciate your thoughts. I’d be curious to know how you use the lens (photo, video, both) and what, if any, other limitations you’ve come across. I’m tempted to get one for video use.
@@love4wildlife Yep, owls in flight would be a no-go in PNW Grey Season. Eagles, gulls, or herons on an overcast mid-day should be doable. One of my favorite shots ever was a bald eagle raiding the heron rookery on an overcast spring day at the Chittenden locks, and I got that with the 800/11 on an RP.
I might be able to swing $3k for a refurbished 500/4 (extending to 700/5.6 or 1000/8), but short of used-car prices I'm not sure what lens could capture short-eared owls in flight without really cranking the ISO.
Ahhh, good stuff. I use a 600 f4 often with a 1.4x during winter. Took some serious savings to get. For flight shots, it still has to be cranked up as you mentioned but it does get you opportunities that other lenses won’t. I suppose that’s the trade off. A friend uses the 400 2.8 which, although shorter focal length, he uses with great success. Of course, not cheap either. @@drmathochist06
Fabulous lens, just buy it and use it.
Haha. Yes. Been looking for one.
What camera are you using it with. Great photos. I am also on the island and love it here. How do you think it would do on the water in summer time. Will be on a boat taking pics of whales most of the season and was considering this lens but worry about haze off the water Thoughts. And if not this lens any recommendations for a longer lens on a boat. Have the 100-500 with 1.4 tele. But we always want more Thanks for the video
Hi Penny. I used it with a R5. Lens should do ok in the summer on the water assuming you’ll have decent light. With a rocking boat and moving subjects, you naturally need to maintain a higher shutter speed. The good news is that most recent cameras can tolerate higher ISO and there are some good noise reduction programs available for post processing.
thanks.... the 200-800 have nice video specs 🙂
It sure does.
Hello Henrik, great content !! In your opinion , which is better , canon R7 wit 100-500 or canon r6 mk2 with 200-800 for bird photography ? thank you !
It’s a good question. I went full frame years ago and have never looked back. So my bias would be towards the R6 II with the 200-800.
The R7 has a diffraction limit of about f/6.3 and the R6 f/11 and the R5 f/9 . I would not use the new 200-800 on an R7 and expect sharp results at the long end. With the 100-500 on an R7 you are getting an crop equivalent of 800mm and you are just outside the limit of visible diffraction effects so it should not be too much an issue. The 100-500 has dual motors to focus quickly, but has more trouble on crop sensors in low light. The R6 II is going to be better in lower light in terms of ISO performance and autofocus capability and has a better diffraction limit. If you want the best images in lower light, get the full frame and the lower aperture lenses. I have the R5 and R3, and use the 100-500mm. I sold my R7 as I was just not happy with the end results. Just not worth the hassle in low light. Sometimes reach is not worth the decrease in image quality and enjoyment of photography. The have the 1.4x teleconverter, but do not use it on the 100-500mm, only on my recently reacquired 600mm prime for pretty much the same reason.
Isn't there a ring to adjust the smoothness of the zoom?
And I always don't get it, why mention that a zoom lens is getting longer while zooming. Thats for most lenses, except the old EF 70-200 and I think only one wideangle lens (EF16-35 f/4). The majority of the lenses does extend. And the difference you can see, if you compare RF 70-200 and the EF 70-200. The RFs are much shorter due to external zoom... and I like that a lot. Propably you can design such a lens also to not extend, and then it would be always ... what 50cm long? And I think the weather sealing has rubber on this zoom mechanism too.
But you shot very remarkable pics here, thank you.
I too like that an external zoom lens collapses to a shorter length than would be possible with an internal zoom. Of course there are tradeoffs, one of which is less secure weather and dust sealing, but reasonable precautions can make up for that, and it's not like there is no sealing.
Yes, as you correctly mentioned, there is a ring to adjust the smoothness. Even with that adjusted all the way, it is not a smooth zoom. However, that doesn’t necessarily matter much on the photo side. For video however, it does. Having said that, it’s certainly not a deal breaker. The zoom length will also matter for tripod use (balancing). Weather sealing is likely pretty good but not at the L series level. For its price point, this is a great and incredibly versatile lens. Appreciate your thoughtful input.
I am shooting flying birds @ 1/2500 of a second in good light....not noon time light, but the light I would normally want to shoot birds in, good morning or evening light, right up until the sun dips. I am using the R7. ISO runs from 1250 to 2500, with a few 3200s tossed in right at the end. Those are not unreasonable. The images have been sharp, and the noise moderate, easily mitigated in post. Printed, no one has been able to tell the difference between images shot with this lens and those shot under the same circumstances with my 500 f4 and 1.4 teleconverter. Obviously, on a dark, dreary day, or before or after the sun has risen or set, I would opt for the latter. But I can tell you, I'm shooting the 200-800 a lot! I love the ability to quickly zoom out when needed. People who poo poo this lens are living in the past. Every new generation of camera and software handles noise better and better. On cameras like the R3 or R6, you don't even think about noise until 3200. The lens weighs about the same as my ef 100-400 with a 1.4 and converter attached. Easily hand holdable. I don't shoot a lot of video, but in the few snippets I've shot, they were sharp, colors perfect, focusing smooth and unobtrusive.
I'm glad to hear you're having great results with it. I will likely add one to my permanent inventory. The flexibility for video is outstanding. For photography, it will not be a 12 month/year lens here where I live. Winters are often dark and I love shooting in inclement weather. Every lens has its limitations and, as you know, there is no one lens for all uses at all times. I've yet to come across anyone 'poo poo'ing' the lens as you said - but even if I do, I'll keep in mind that we all have different needs and wants. Appreciate you taking the time to share your thoughts and experience with the lens, Alan.
Hi , is the canon EF 100. -500 mm or this lens better for my canon r 10, I currently own a canon EF 600 mm f11
Great video
It’s hard to say without knowing more information. But generally if you shoot predominantly in a sunny and bright area and/or you do video, I’d go with the 200-800.
Buy it? How did you even get one? They are back ordered for months everywhere.
A good friend of mine was one of the first to receive it and he was kind enough to lend it to me.
Henrick I've seen many reviews on this lens I'm still not convinced that it's a very good one , why can't Canon make a good long zoom range lens like Nikon and Sony .
That didnt make sense. The Canon RF 200-800 is a 4x zoom. The Sony 200-600 is only a 3x zoom. What are you talking about ? Nikon dont make anything comparable either.
If you're considering it, why not rent it for a few days to see how you like it? While it won't be for everyone, I can certainly see circumstances where it'd fit the bill just fine. I might just buy it for video,. Given how I shoot stills (often in low light), I would not buy it for that solely.
Olle Nilsson dad?????
Haha. No. Not related that I know of.