I retired and played boring scales every morning. Now I can actually play a song that sounds quite good (first section anyway). Thanks for this actual understanding of music!
Take it easy with those scales, man. Do them twice a week instead. It’s easy to fall into a pattern and not progress/get bored/limit yourself from doing FUN stuff. Keep learning songs like Misty and playing 3rds and 7s. Learn to play the melodies. Memorize them. Listen to the masters’ recordings of them 🙌🏼
I appreciate your beginners videos so much much much Aimee, and now i found this playlist i am learning them all. Currently trying to play misty for school (singing and playing the chords). It is difficult because i am so used to singing and playing mélodies instead of chords. A huge challenge to actually use my Brain instead of my feelings as a radar. Thank you so much for your work and clear personality! You really motivate me to finally start with my dream instrument 🎹 just like my mother!
Where to Start, 2nd Step, and Ella's Dice Game (I love this one) are the absolute best foundation videos for wanna be jazz piano players. Always grow in understanding
I'm a guitar player and have been searching for jazz piano tutorials for about 2 weeks now. I'm so, so happy to have found your channel. You're really doing something amazing with it and I can't thank you enough. Your teaching, playing and singing are amazing. Thank you again!!
Great job. I met you halfway and transcribed only the left hand, and knowing the melody by heart, filled in the melody and remaining 3rd/7th with the right hand.
I feel the same way. You know, books and teachers love to overcomplicate. But I like Aimee's barebones approach, because once I get that, I feel I will naturally step up to more complicated things.
IM SO THANKFUL TO HAVE FOUND YOUR CHANNEL THANKS TO JAKE LIZZIO...THANK YOU FOR GIVING YOUR TIME,YOUR TALENT AND SPIRIT. MY SOUL NEEDED THIS. IVE BEEN WANTING TO LEARN JAZZ FOR YEARS. AND IM SO THANKFUL FOR YOU. BECAUSE YOU MAKE SO SIMPLE BUT BUT PACKED WITH SO MUCH THEORY! A GREAT FOUNDATION. FOR SUCH AN ADVANCED GENRE.
I started a couple of weeks ago with thirds and sevenths.. After a while I thought it would be a nice idea to add the fifth and the ninth. I started practicing that. After After I week or so i figured out that I could start the whole pattern either on the third, the fifth (most difficult for me), the seventh or the ninth. So I am practicing that at the the moment, going through all the keys, hands separated. I am amazed how fast I improve!
Great. I just spent days on the ii V I exercise then memorized Misty. Now this vid has put it together. A big thank you! PS I tried the tritone on the ii V I and it sounds great and easy since the V is not a jump from the ii.
This helps me so much...I also started taking jazz piano lessons a few weeks ago and this is what he started me on.. so the timing of this new video was perfect for me. Thanks Aimee!
Though I love production (made part of my living as an arranger / producer) It's amazing how refreshingly pure minimalism can sound. Beautiful stuff the way you are doing it here.
Wow Aimee I have been playing this song for a year but your take is so helpful. I especially like the descending 3rds and 7ths between the A section and the repeat; I've played this a few ways but never with any real structure. (G7-C7-F9-Bb13)
The simplest simple versions of appearance are often the most moving. The silent between voicings or notes is so important to my eyes, to my ears, to my soul.
Thanks so much Aimee. Have spent my extra time during these last several months of the pandemic dedicated to learning jazz piano and focused specifically on using this approach to learn Misty-love your approach of taking the care and time to understand (and even almost being able to sing) every note we play, and have been able to use this as a solid foundation to start expanding to improvising & rootless voicings, etc. Thank you for your teaching!
Ms. Nolte Thank you so much I'm starting to understand and I'm also working on Yesterday ,,When I was young by Mr. Charles Aznavour which is filled with 2,5,1 chords!!
This is so so helpful I have been practicing my 2-5-1s and have been wondering how to implement them.. this really opened the door for me. Thanks Aimee
This was an especially great video. I particularly like the ending where you played the A section, speaking over the embellishments. Thanks so much! I do wonder, whereas I improvise over something like Autumn Leaves, on my second run through, do you do that with Misty? It seems to have too many changes and is dominated by melody. If you do improv on this, I'd love to see you play the whole thing, embellishments and all, with improvisation on a second run through the changes. I'm sure we'd ALL love it!! Thanks Aimee!
You are investing in the future which you won't regret. It will enrich your life for sure. But at the same time do not neglect the urgent matters. Good luck!
Amy, I've watched your channel off and on. I don't understand why you're not the top of the charts and in Las Vegas on stage. You are a superb musician. I do want to point out you could improve your presentations by wearing a mic. It gets awfully echoy when you're talking and a little more intimate micing would improve that. Sometimes I wish you would just play and sing. I know nothing about the technical aspects of piano but am fascinated when you teach us. But I love jazz. And you. Thanks.
In the beginning of the video you told us to do: roots with left hand, 3rds and 7ths with bottom part of right hand and melody with upper part of right hand. But in your demonstration you did something else: roots with LH, melody with RH, 37s in the middle, split between LH and RH.
Aimee - Love this lesson. I'll come back to it again and again as I learn. (P.S.: Love your new camera. However, like just about all digital cameras, you need to use manual focus. The focus just seems to drift otherwise on just about all cameras.)
I've decided to do without the worksheet, but as a classical guy, I still need a little something on paper. So, I have taken a lead sheet and added something like Baroque style figured bass notation alongside the chord symbols to indicate the relative positions of the 3rd and 7th. I still have to remember what the 3rd and 7th of a given chord are, but that seems to be something jazz players take for granted.
I was told a long time ago to play a standard starting 1-3-7 on the court song of the chord tones and this particular song I have been playing forever with altered chords but this is really hard for some reason. Another song Till there was you I learned in this keyboard and the changes are really close.
What is the original key for misty? Does anyone have the sheet music for this because I found one online which is in the key of F major...Also, I didn't quite catch what you did at 10:29 when you mentioned that there is one exceptional chord when you don't have to follow that rule. Which notes did you end up playing?
Great video! And a great practicing exercise. Question please: how would you handle a sequence of repeating chords? (No voice leading to help alleviate the repetitive chording). Thanks!
I have no problems getting the 2 5 1 progression down. my issue is now seeing the voice leading to the next note. I have the 4th edition real book so i look at the chords on top of the staff and wonder what is the correct voicing to use after playing the one that sounds closest on the recording. I haven't added melody in at his point. I'm just thinking about chords
Beginner question: is there some guidance as to when it makes sense to strike G or A (or D) keys with fingers deep well in between black keys where there is little space (maybe somewhat less for men) as you do around 4-5 minutes with the G?
Usually if there’s something you think I ought to have a lesson about, I do have one. :-) Use that search bar and look at my playlists. Thanks for your subscription!
Thanks for this great video. What would be the next step, before going to voicings completely in the left hand, so you have your right free for melody? just add 1 note, or...? Do you have a list of easy jazz standards best suited for this 3 7 alternating voicings? Many Thanks!
It’s a tricky one. When you think of the notes that occur in D7 and the ones that are in common to F7, you have ACEb(potentially) and D and maybe even F (#9 in D7) so it’s very closely related. Then the F7 ends up being a nice vehicle to start to put our ears back in the realm of Ebma again…hope that helps!
Check out my very old video about Real Books. It’s usually best to use your ears as much as possible…but there is a time and place for reading/using charts.
Hi Aimee, how do you suggest learning to think in chords, I have to build them every time. So, if I'm thinking of a different inversion/voicing, I have to start at the root and think my way through the notes. I'd love to know a faster way to see the chords on the keys. (Ex working through your "1st step" if I stop on the way through the pattern, I don't know which chord I'm playing, just that it fit the pattern of movement that I was doing.) am I hopeless? 🎹❤️ 🧡 💛 💚🎹
Good lesson, but can you play the B section continuously just like you did with the first part so one can be able to see clearly the notes for the melody ?
Hi Aimee, I've recently downloaded this piece and just started on it today (I'm only beginner piano), Can you please confirm bar 23 should be Cb? Or is this deliberate? Many thanks for all your good work and pedagogy.
Stupid question: So, when I see a major chord, I play the major 7th? The only time I'd play a flatted seventh in a major chord is when the chord is labeled as a dominant seventh (with the triangle)? And minor chords always use the flatted seventh? I've been playing piano for over 25 years and I feel like a complete idiot with this stuff, haha...
It depends on what your goal is right now. Are you planning to play and sing? Are you planning to play solo piano? Are you planning to play in a band? Watch my video called a guide to my jazz piano videos. Or it’s called something like that. I think that will help you decide.
Hi Aimee....Excellent video, I'm learning a lot from watching. I have a question, maybe you can answer. I'm a guitar player, and I dabble with piano. When I play a 9th chord on guitar, sounds great! Say a C9 - C, E, Bb, D (1st, 3rd, b7, 9th) How do jazz players handle that on keyboard to get a great sound chord?
Way to go! My playlist on how to Accompany is next. You may be able to skip the first couple of videos (unless you need a refresher about walking bass lines)
@@AimeeNolte haha sorry i meant i finished your accompany yourself playlist already through a few simple songs...wondering how to progress from here. thanks so much for replying!
No. It’s very common to play the fifth in minor chords, but not as common in major and dominant ones. But it’s OK to play the fifth on those chords. I’d like to teach people not to so that they get out of the habit though.
For any chords, I think she mentioned Dminor11 and Ebmajor13, but there was also a 7 included in both of the chords she played. So, am I supposed to always include a 7 in any chord?
Ria Arora if you're extending past the 7 then yes you typically include the 7 in the voicing. If it doesn't specify major or minor it implies a flat 7 which typically functions as a dominant chord I.e. C13 or C9. If it specifies major then your 7 is natural as according the major scale. . Minor implies a flat 3 and flat 7. You can identify dominant chords pretty easily because there is a lot of tension in it because of the tritone, also known as the devils interval, between the natural 3 and flat 7. Minor chords are obviously more somber because of the flat three, and major 7s are very sweet and have the most natural beautiful sound. Learn to identify them all by ear! Once you learn those you can start checking out suspended chords and chords that omit the three completely adding a little more dissonance and a stronger pull to the next chord!
I know! I asked her too! She's soooo good! We have to be like Kung Fu monk wannabes, and just camp outside her door for months and months until she pities us!!! haha!
+Adam Francis they can be included as you move forward in your knowledge. At first however, it's good to strip them away and replace them with the 13th. It expand your hearing and also sounds a little more colorful. Later on, you can add them back as you see fit...and no need to remove them from the minor chords.
Ok thanks :) So once I have the 3 note voicings down add the 13th to major, minor and dom? And leave 5th in the minors? Would you recommend adding it with the left hand or right hand? Appreciate the help!
Dude, you're watching a jazz video, you actually ARE deep and sensitive. And you probably don't manage to really impress girls much, 1st because deep and sensitive people aren't good at that, and 2nd because girls couldn't care less about jazz anyway. 😂 Just kidding bro, I'm probably just talking about myself here.
Bachs d-Moll Toccata in 10 Minuten lernen! ... hab ich mal als Videoserie publiziert. Allerdings am 1. April. 😎 Und zwar aus innerem Ärger über so viele Rattenfängervideos, die genau so etwas versprechen. ruclips.net/video/oe7tyjj87vo/видео.html
Hello Aimee, Love your tutorials! The way you teach is great but... I am a self taught piano player. I started out as a drummer first but wanted to write songs so I switched to piano years ago. I am not very good at singing but play I few different instruments. My ear is OK but I learn best by watching. Do you have any suggestions to improve my ear?? I can hear most songs out but nothing real complex like Jazz or classical. I also can read music but I really don't like too! Anyway, Sorry for the long comments! By the way... You are a very beautiful woman!!
I retired and played boring scales every morning. Now I can actually play a song that sounds quite good (first section anyway). Thanks for this actual understanding of music!
Take it easy with those scales, man. Do them twice a week instead. It’s easy to fall into a pattern and not progress/get bored/limit yourself from doing FUN stuff. Keep learning songs like Misty and playing 3rds and 7s. Learn to play the melodies. Memorize them. Listen to the masters’ recordings of them 🙌🏼
Nice tutorial and still listening! Mom passed away 4/9 and Misty was her favorite!
God Bless! RIchard!
there's something beautiful about the stripped down root, 3rd, 7th + melody
I appreciate your beginners videos so much much much Aimee, and now i found this playlist i am learning them all. Currently trying to play misty for school (singing and playing the chords). It is difficult because i am so used to singing and playing mélodies instead of chords. A huge challenge to actually use my Brain instead of my feelings as a radar. Thank you so much for your work and clear personality! You really motivate me to finally start with my dream instrument 🎹 just like my mother!
Where to Start, 2nd Step, and Ella's Dice Game (I love this one) are the absolute best foundation videos for wanna be jazz piano players. Always grow in understanding
I'm a guitar player and have been searching for jazz piano tutorials for about 2 weeks now. I'm so, so happy to have found your channel. You're really doing something amazing with it and I can't thank you enough. Your teaching, playing and singing are amazing. Thank you again!!
Great job. I met you halfway and transcribed only the left hand, and knowing the melody by heart, filled in the melody and remaining 3rd/7th with the right hand.
Jazz = Roots + 3rds & 7ths (+ Color) + Melody
Why did no one tell me this sooner? It's so simple!
+thescowlingschnauzer 🙌🏼🙌🏼
I feel the same way. You know, books and teachers love to overcomplicate. But I like Aimee's barebones approach, because once I get that, I feel I will naturally step up to more complicated things.
IM SO THANKFUL TO HAVE FOUND YOUR CHANNEL THANKS TO JAKE LIZZIO...THANK YOU FOR GIVING YOUR TIME,YOUR TALENT AND SPIRIT. MY SOUL NEEDED THIS. IVE BEEN WANTING TO LEARN JAZZ FOR YEARS. AND IM SO THANKFUL FOR YOU. BECAUSE YOU MAKE SO SIMPLE BUT BUT PACKED WITH SO MUCH THEORY! A GREAT FOUNDATION. FOR SUCH AN ADVANCED GENRE.
This song was my first love on piano. Gonna go back and perfect it. Thanks
more of these is an opener the way we ear I love this 😊😊😊❤❤
Thanks so much for this - I am having breakthroughs in my piano playing thanks to you.... you actually explain things and demonstrate them. Brilliant.
what I love about this is it really gives you a nice foundation to add in more complex concepts. great lesson!
I like so much your way to teach and to feel the music - love from Paris !
I started a couple of weeks ago with thirds and sevenths.. After a while I thought it would be a nice idea to add the fifth and the ninth. I started practicing that. After After I week or so i figured out that I could start the whole pattern either on the third, the fifth (most difficult for me), the seventh or the ninth. So I am practicing that at the the moment, going through all the keys, hands separated.
I am amazed how fast I improve!
Honestly, I bet most families would be amazed at the interpretation. How mature sounding, ya know? And, pretty!
Great. I just spent days on the ii V I exercise then memorized Misty. Now this vid has put it together. A big thank you!
PS I tried the tritone on the ii V I and it sounds great and easy since the V is not a jump from the ii.
This helps me so much...I also started taking jazz piano lessons a few weeks ago and this is what he started me on.. so the timing of this new video was perfect for me. Thanks Aimee!
Though I love production (made part of my living as an arranger / producer) It's amazing how refreshingly pure minimalism can sound. Beautiful stuff the way you are doing it here.
Wow Aimee I have been playing this song for a year but your take is so helpful. I especially like the descending 3rds and 7ths between the A section and the repeat; I've played this a few ways but never with any real structure. (G7-C7-F9-Bb13)
The simplest simple versions of appearance are often the most moving.
The silent between voicings or notes is so important to my eyes, to my ears, to my soul.
I love your video's. They are so easy to follow and you've actually encouraged me to start playing piano again!
Eres un Apóstol del Jazz gracias desde Cochabamba Bolivia
So inspiring. Thank you for all the great tutorials~
Thanks so much Aimee. Have spent my extra time during these last several months of the pandemic dedicated to learning jazz piano and focused specifically on using this approach to learn Misty-love your approach of taking the care and time to understand (and even almost being able to sing) every note we play, and have been able to use this as a solid foundation to start expanding to improvising & rootless voicings, etc. Thank you for your teaching!
This is fantastic!!
great video. i was just confusing about how to add "fun" into the basic structure. but now i think i have got some clue from the video. Thanks.
Sounds beautiful to me!
Aimee, thank you so much for this excellent video. I'm looking forward to the next one!
Ms. Nolte Thank you so much I'm starting to understand and I'm also working on Yesterday ,,When I was young by Mr. Charles Aznavour which is filled with 2,5,1 chords!!
These videos are so great! Thank you, Aimee!
great video Amy! I´m really learning a lot with your vids! greetings from Argentina!
This is so so helpful I have been practicing my 2-5-1s and have been wondering how to implement them.. this really opened the door for me. Thanks Aimee
play autumn leaves in a bunch of keys
This is a great video. A 3rd step would be awesome!
Such clear explanations. Thanks for keeping us out of crazy universe :-). Love it!
This was an especially great video. I particularly like the ending where you played the A section, speaking over the embellishments. Thanks so much! I do wonder, whereas I improvise over something like Autumn Leaves, on my second run through, do you do that with Misty? It seems to have too many changes and is dominated by melody. If you do improv on this, I'd love to see you play the whole thing, embellishments and all, with improvisation on a second run through the changes. I'm sure we'd ALL love it!! Thanks Aimee!
What the hell am I doing here? I have a test tomorrow. I don't even have a piano!
Don't give him ideas.
You are investing in the future which you won't regret. It will enrich your life for sure. But at the same time do not neglect the urgent matters. Good luck!
How did you do on the test? :D
great series Aimee. Thank you!
thanks for your tips, from now on i am sure that i need a piano. i'll get it and let you know. merci encore.
"It's not incredibly beautiful, but it is incredibly basic" love it haha, the fundamentals are basic, but incredible!
I love your voice, your "tudu-duing" is beautiful
+Chubakka Chubaketa and I love yours, Chewie ❤️
Moltes gràcies! Thanks!😊
Amy, I've watched your channel off and on. I don't understand why you're not the top of the charts and in Las Vegas on stage. You are a superb musician.
I do want to point out you could improve your presentations by wearing a mic. It gets awfully echoy when you're talking and a little more intimate micing would improve that.
Sometimes I wish you would just play and sing. I know nothing about the technical aspects of piano but am fascinated when you teach us. But I love jazz. And you. Thanks.
In the beginning of the video you told us to do: roots with left hand, 3rds and 7ths with bottom part of right hand and melody with upper part of right hand. But in your demonstration you did something else: roots with LH, melody with RH, 37s in the middle, split between LH and RH.
This is confusing me too. I don't really know what the fingering is supposed to be and can't feel it under my hands.
Que hermoso
Gracias por estimulantes..trataré
Gracias por tu paciencia y amor al jazz y transmitir
More reasons to ❤️ Aimee
Wish u sing more often, u have a lovely voice...
Aimee - Love this lesson. I'll come back to it again and again as I learn. (P.S.: Love your new camera. However, like just about all digital cameras, you need to use manual focus. The focus just seems to drift otherwise on just about all cameras.)
I've decided to do without the worksheet, but as a classical guy, I still need a little something on paper. So, I have taken a lead sheet and added something like Baroque style figured bass notation alongside the chord symbols to indicate the relative positions of the 3rd and 7th. I still have to remember what the 3rd and 7th of a given chord are, but that seems to be something jazz players take for granted.
I was told a long time ago to play a standard starting 1-3-7 on the court song of the chord tones and this particular song I have been playing forever with altered chords but this is really hard for some reason. Another song Till there was you I learned in this keyboard and the changes are really close.
What is the original key for misty? Does anyone have the sheet music for this because I found one online which is in the key of F major...Also, I didn't quite catch what you did at 10:29 when you mentioned that there is one exceptional chord when you don't have to follow that rule. Which notes did you end up playing?
Hello Aimee, could you do a video on voice leading improvisation please ? Thanks !
Your eyes are too good to be true. Love it.
Amazig class and everrything!
Great video! And a great practicing exercise.
Question please: how would you handle a sequence of repeating chords? (No voice leading to help alleviate the repetitive chording). Thanks!
Thank you!
Melody on the top!!
Can we just do Root 3rd and 7th on the left as she’ll voicing and just sing the melody before playing with the right hand?
How can 5 people not like this?
I have no problems getting the 2 5 1 progression down. my issue is now seeing the voice leading to the next note. I have the 4th edition real book so i look at the chords on top of the staff and wonder what is the correct voicing to use after playing the one that sounds closest on the recording. I haven't added melody in at his point. I'm just thinking about chords
A nice chord at end of bridge is Bb13!
Beginner question: is there some guidance as to when it makes sense to strike G or A (or D) keys with fingers deep well in between black keys where there is little space (maybe somewhat less for men) as you do around 4-5 minutes with the G?
You only need to do that when it’s the middle note and you have your fingers spread pretty wide on either side of it
@@AimeeNolte thank you so much, this is helpful and is intuitively sensible.
Well that was fast. Very nice!
Usually if there’s something you think I ought to have a lesson about, I do have one. :-) Use that search bar and look at my playlists. Thanks for your subscription!
Thanks for this great video. What would be the next step, before going to voicings completely in the left hand, so you have your right free for melody? just add 1 note, or...? Do you have a list of easy jazz standards best suited for this 3 7 alternating voicings? Many Thanks!
Try my Bluesette tutorial
Hi Aimee, will there be a step 3? :-)
+Matthew Wilde "jazz piano comping with open and closed voicings" is probably the next video for you. :)
Aimee, can you (or anybody else here) explain why in the B section, the Amin D7 2 5 works leading to F7?
It’s a tricky one. When you think of the notes that occur in D7 and the ones that are in common to F7, you have ACEb(potentially) and D and maybe even F (#9 in D7) so it’s very closely related. Then the F7 ends up being a nice vehicle to start to put our ears back in the realm of Ebma again…hope that helps!
Hey Aimee, at this point do you think we should be transcribing by ear or lookin at lead sheet?
Check out my very old video about Real Books. It’s usually best to use your ears as much as possible…but there is a time and place for reading/using charts.
Hi Aimee, how do you suggest learning to think in chords, I have to build them every time. So, if I'm thinking of a different inversion/voicing, I have to start at the root and think my way through the notes. I'd love to know a faster way to see the chords on the keys. (Ex working through your "1st step" if I stop on the way through the pattern, I don't know which chord I'm playing, just that it fit the pattern of movement that I was doing.) am I hopeless?
🎹❤️ 🧡 💛 💚🎹
Maybe watch my video with Ella (my daughter) and make a game for yourself like she did
Good lesson, but can you play the B section continuously just like you did with the first part so one can be able to see clearly the notes for the melody ?
+boikhutso ponatshego maybe just get the worksheet
Do you recommend jazz hannon or something like that?
Hi Aimee, I've recently downloaded this piece and just started on it today (I'm only beginner piano), Can you please confirm bar 23 should be Cb? Or is this deliberate? Many thanks for all your good work and pedagogy.
Oh yes that is correct! Good call! Thank you.
Aimee great site! I tried to download the 3rds & 7ths worksheets but a warning comes up that says webpage is not safe; any thoughts?
What kind of friends and family does Aimee have? 20:00
my friends and family can't count to G
Stupid question: So, when I see a major chord, I play the major 7th? The only time I'd play a flatted seventh in a major chord is when the chord is labeled as a dominant seventh (with the triangle)? And minor chords always use the flatted seventh? I've been playing piano for over 25 years and I feel like a complete idiot with this stuff, haha...
Watch my video about how to build and notate chords. You need a little more clarification. :)
Hello ! Is there 20% off PDF’s too this week-end ? Thanks.
Hi Aimee, thank you!
What comes after this?
What’s the next step?
It depends on what your goal is right now. Are you planning to play and sing? Are you planning to play solo piano? Are you planning to play in a band? Watch my video called a guide to my jazz piano videos. Or it’s called something like that. I think that will help you decide.
@@weiotful try my Arranging For Solo Piano playlist. Start at the top!
Hi Aimee....Excellent video, I'm learning a lot from watching. I have a question, maybe you can answer. I'm a guitar player, and I dabble with piano. When I play a 9th chord on guitar, sounds great! Say a C9 - C, E, Bb, D (1st, 3rd, b7, 9th) How do jazz players handle that on keyboard to get a great sound chord?
+fcizin drop the C on octave?
She'a awesome.
What would you recommend as the next step after this video?
My whole playlist on “how to accompany yourself” - even if you’re not a singer🙌🏼
@@AimeeNolte gold mine...thanks so much sensei
@@AimeeNolte Aimee I've finished this for a few songs...what's next!!!
Way to go! My playlist on how to Accompany is next. You may be able to skip the first couple of videos (unless you need a refresher about walking bass lines)
@@AimeeNolte haha sorry i meant i finished your accompany yourself playlist already through a few simple songs...wondering how to progress from here. thanks so much for replying!
Amen
🔥🔥🔥🔥
Hi I sent money to buy your PDF file and have no received it yet over a week. What’s up???
The PDF is emailed to the account you have that is associated with PayPal. Maybe it went to junk?
Is the 5th always left out in jazz standards?
No. It’s very common to play the fifth in minor chords, but not as common in major and dominant ones. But it’s OK to play the fifth on those chords. I’d like to teach people not to so that they get out of the habit though.
@@AimeeNolte understood thanks for the quick response
so if there's a chord like dm11 is it just always assumed that there's also a 7 in the chord?
Major and minor chords?!?
For any chords, I think she mentioned Dminor11 and Ebmajor13, but there was also a 7 included in both of the chords she played. So, am I supposed to always include a 7 in any chord?
Ria Arora if you're extending past the 7 then yes you typically include the 7 in the voicing. If it doesn't specify major or minor it implies a flat 7 which typically functions as a dominant chord I.e. C13 or C9. If it specifies major then your 7 is natural as according the major scale. . Minor implies a flat 3 and flat 7. You can identify dominant chords pretty easily because there is a lot of tension in it because of the tritone, also known as the devils interval, between the natural 3 and flat 7. Minor chords are obviously more somber because of the flat three, and major 7s are very sweet and have the most natural beautiful sound. Learn to identify them all by ear! Once you learn those you can start checking out suspended chords and chords that omit the three completely adding a little more dissonance and a stronger pull to the next chord!
the legends on vídeo its so great And didatic
D’où you teach online Aimee? I want to learn with you so badly.
I know! I asked her too! She's soooo good! We have to be like Kung Fu monk wannabes, and just camp outside her door for months and months until she pities us!!! haha!
gtberg please eyes here Aimée
Hey Aimee, why are 5ths not included?
+Adam Francis they can be included as you move forward in your knowledge. At first however, it's good to strip them away and replace them with the 13th. It expand your hearing and also sounds a little more colorful. Later on, you can add them back as you see fit...and no need to remove them from the minor chords.
Ok thanks :)
So once I have the 3 note voicings down add the 13th to major, minor and dom? And leave 5th in the minors?
Would you recommend adding it with the left hand or right hand?
Appreciate the help!
yup. using this just to impress girls/ make them think im deep and sensitive. million thanks.
lmao bruv
I Always use Come Sunday, y'know. Just because of the name. Lol, just play Piano Man.
Dude, you're watching a jazz video, you actually ARE deep and sensitive. And you probably don't manage to really impress girls much, 1st because deep and sensitive people aren't good at that, and 2nd because girls couldn't care less about jazz anyway. 😂 Just kidding bro, I'm probably just talking about myself here.
Nice
Aww man, that Freddie Hubbard version was hard for me to keep up with . The Johnny Mathis version is super straight forward though.
I meant in this key
Bachs d-Moll Toccata in 10 Minuten lernen! ... hab ich mal als Videoserie publiziert. Allerdings am 1. April. 😎
Und zwar aus innerem Ärger über so viele Rattenfängervideos, die genau so etwas versprechen.
ruclips.net/video/oe7tyjj87vo/видео.html
Madam will u teach me by online
.
I kinda want to visit Crazy Universe... =]
Hello Aimee, Love your tutorials! The way you teach is great but... I am a self taught piano player. I started out as a drummer first but wanted to write songs so I switched to piano years ago. I am not very good at singing but play I few different instruments. My ear is OK but I learn best by watching. Do you have any suggestions to improve my ear?? I can hear most songs out but nothing real complex like Jazz or classical. I also can read music but I really don't like too! Anyway, Sorry for the long comments! By the way... You are a very beautiful woman!!
+chris piccolo check out my videos about ear training. Thanks for your nice feedback!
Your voice seems mic'd a bit better here. Is this my imagination? Or perhaps the wine?
+Chris Gonzales new equipment! Good ears. :)
getting complex
Tasty!
Boy are your eyes blue.... anyway on with he lesson