Götz Pahl: It is not surprising that it is seldom heard, is it? I tried to find something impressive which would save it from oblivion, but it is trite and inconsequential - a bit of fun, of course, but forgettable. However, as you say, very fine playing from the soloist.
You are right! This composition may never enter into the exalted halls of Euterpe. But it allows us the pleasure to get to know the extraordinary tonal nuances of the oboe. It is like seeing an Arabian stallion prancing in a setting that becomes irrelevant because of the majesty of the creature. Or kittens playing on the kitchen floor, chasing a ball of wool, oblivious of the world around them. The soloist becomes one with his instrument.
1:20, 1:38, 2:17, 3:06, 4:42, 5:27, 5:28 to 5:48 in advance with the orchestra, 5:57, 6:14, 6:22-24, 6:43 (hole), 6:48 (improvising?), 9:49-50, 9:51 not clear, 10:07-08 (aborted note), 10:30 (missed C#), from 10:38 to 10:44 (TOTAL DISASTER), 11:17 (hole), 11:25 (dirty passage), 11:23 (flat A), 11:29 and 11:33 (very flat C#), 11:37 and 11:41 (hiccups?), 11:48 (other note), 11:51 to 11:58 (saved from orchestra's forte), 11:27 (very wrong note, not Pasculli), 13:41 (anticipated resolution), 13:53-54 (unclear passage), from 14:01 in light advance with the orchestra, 14:08 - 14:11 (dirty passage), 14:15 to the end of piece (in total advance with the orchestra and TOTAL DISASTER ).
Божественно ❤
Beautiful piece and performance. Marvelous work!
Sensitive Interpretation of a seldom heard work. Great virtuosity of Phillipe Tondre. An exhilerating way to end the year. Happy New Year !!!
Götz Pahl: It is not surprising that it is seldom heard, is it? I tried to find something impressive which would save it from oblivion, but it is trite and inconsequential - a bit of fun, of course, but forgettable. However, as you say, very fine playing from the soloist.
You are right! This composition may never enter into the exalted halls of Euterpe. But it allows us the pleasure to get to know the extraordinary tonal nuances of the oboe. It is like seeing an Arabian stallion prancing in a setting that becomes irrelevant because of the majesty of the creature. Or kittens playing on the kitchen floor, chasing a ball of wool, oblivious of the world around them. The soloist becomes one with his instrument.
Que preciosidad! Increíble 😍👏🏻
Really amazing!!
Trotz Stuttgarter Feinstaub hat er einen grossen Atem. Phänomenal!
Hermoso concierto y gran maestría del solista.
Gorgeous playing! I would love to know, just out of curiosity, what make of oboe he is using.
Marigaux M2, and what seems to me like a mopane headjoint
Bravo!!!
Bravissimo Philippe!
Il y a t-il quelque chose plus belle que la musique sur cette terre??
😍👏👍
😍
Wer hat dieses Herausgegeben für Orchester gemacht? Ich hab gedacht, dass Pasculli dieses Konzert für nur Oboe und Klavier schrieb.
🤯🤯🤯🤯🤯🤯
1:20, 1:38, 2:17, 3:06, 4:42, 5:27, 5:28 to 5:48 in advance with the orchestra, 5:57, 6:14, 6:22-24, 6:43 (hole), 6:48 (improvising?), 9:49-50, 9:51 not clear, 10:07-08 (aborted note), 10:30 (missed C#), from 10:38 to 10:44 (TOTAL DISASTER), 11:17 (hole), 11:25 (dirty passage), 11:23 (flat A), 11:29 and 11:33 (very flat C#), 11:37 and 11:41 (hiccups?), 11:48 (other note), 11:51 to 11:58 (saved from orchestra's forte), 11:27 (very wrong note, not Pasculli), 13:41 (anticipated resolution), 13:53-54 (unclear passage), from 14:01 in light advance with the orchestra, 14:08 - 14:11 (dirty passage), 14:15 to the end of piece (in total advance with the orchestra and TOTAL DISASTER ).
Excuse me who do you think you are to judge him so impolitely? Why don’t you just play an absolutely precise version?
🙌🏽💦
Wow, Frida Kahlo ai violini!
Ahahahah,ci assomiglia!
your first note is flat sir
The orchestra is sharp...All the time
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