nun hast du mir den ersten schmerz getan, me he quedado con la última que ha cantado de Schumann, bellísima, bellísima. Qué gran acompañamiento Damrau y Deutsch. Gracias ❤❤❤
This is the best version I've ever seen. Props to Elly Ameling and Edith Wiens and their ilk, but they sound a little too grandma-y for a song about a young girl. Damrau's voice is younger and brighter - much better.
She is wonderful in lieder. In opera her need to emote emotion for every syllable and project into the opera house is a parody familiar to people who loved Natalie Dessay . What is this all about. Terfel also has a similar way of emphasizing every syllable which is an interpretive related problem.It is tedious and very common. These are fine singers who don’t need to do this .
She is wonderful in everything she does! I don't understand your problem. Intonation and emotion are important and that's one of the things I appreciate about her singing. If you don't like it, that's ok, but do NOT say, that what Diana does, is a parody! That is extremely disrespectful!
Bravi !!! 👏👏👏👏👏👏👏👏👏👏👏👏
Love your Stunning Voice!!! Thank you! 💕💕💕
nun hast du mir den ersten schmerz getan, me he quedado con la última que ha cantado de Schumann, bellísima, bellísima. Qué gran acompañamiento Damrau y Deutsch. Gracias ❤❤❤
Thank you for uploading this! I’m using it as reference to study this beautiful Lieder-Cyklus.I’m a lirico-leggera soprano ( training to haha)
Danke!
She was teached by angels how to sing. Helmuth Deutsch is such a great accompaniment...
taught not teached is the correct verb flexion, sorry for my english.
I love your channel! Diana is just wonderful! Thank you for uploading Frauenliebe und Leben!
Exquisite
This is dress perfect and voice amazing.
Yes definitely.
Molto bello...
💐
Insuperable
Passer de bonnes fêtes de Noël et fin d'année
16:02😍
This is the best version I've ever seen. Props to Elly Ameling and Edith Wiens and their ilk, but they sound a little too grandma-y for a song about a young girl. Damrau's voice is younger and brighter - much better.
こんな感じで言い寄られたら恐ろしくて逃げ出してしまう
She is wonderful in lieder. In opera her need to emote emotion for every syllable and project into the opera house is a parody familiar to people who loved Natalie Dessay . What is this all about.
Terfel also has a similar way of emphasizing every syllable which is an interpretive related problem.It is tedious and very common. These are fine singers who don’t need to do this .
She is wonderful in everything she does! I don't understand your problem. Intonation and emotion are important and that's one of the things I appreciate about her singing. If you don't like it, that's ok, but do NOT say, that what Diana does, is a parody! That is extremely disrespectful!
Find a woman who loves you like the main character in these songs.
The premier example of a lyric soprano excelling in lieder and in opera trying to profile herself an a coloratura to ill effect.
She is a coloratura soprano.