Now this is what I like to see; tangible, resourceful use of a compressor, instead of some guy telling me I should get a Waves 11-76 and put it on my drum track because it sounds "bigger" that way. You definitely have the right approach when it comes to mixing and educating people about mixing. Keep at it, love your vids!
Perfect. I watched Warren Huart use this technique on 'Produce Like a Pro' and wondered how I might do it on Reaper. He was using it for reverb tails as well. Drag and drop from the router to the compressor. Awesome. I am loving these videos.
I have used this so freaking many times since I first watched this video!! Great, quick way to fill in those gaps. Playing with it you can make the delay really subtle or in your face. Love this!
Excellent! Thank you for sharing your experience...Many, many thanks for helping me get up and running in Reaper! I have some questions and don't want to clutter the comments. Where would be a good place for you?
Great video as always. I don't understand why it's necessary to use the aux inputs for that detector input rather than the main input, are they not the same?
You can skip creating a new track by adding the delay, leaving the dry level at 0, and putting an audio control signal (1+2) parameter modulation on the wet level at negative setting, so that it would duck when there is a signal coming in... no need for additional tracks and compressors this way
But it you wanted his same effect on another track you could simply drag it to the delay track as well correct? Would save adding two delay effects to two tracks. Two three and more tracks if I am thinking this correctly.
re Myles Jarvis only that delay on other tracks will still be controlled by a signal on one particular track, if their timing differs, the ducking effect for other tracks won't work
You've got two tracks there: The VOX and delay. The delay is on 1/2. The Compressor is on the same track as the delay, and yet that's 3/4. What the hell am I missing here? And how is anyone supposed to know "Main Input L+R" corresponds to 3/4? This shit is confusing. It would be nice to understand a "why" instead of a "how".
Now this is what I like to see; tangible, resourceful use of a compressor, instead of some guy telling me I should get a Waves 11-76 and put it on my drum track because it sounds "bigger" that way. You definitely have the right approach when it comes to mixing and educating people about mixing. Keep at it, love your vids!
Kenny, I don't know what I would do without YOUR videos!! They are ALL fantastic!!!!! Thank you so much!!!! You are the best!!!!
Perfect. I watched Warren Huart use this technique on 'Produce Like a Pro' and wondered how I might do it on Reaper. He was using it for reverb tails as well. Drag and drop from the router to the compressor. Awesome. I am loving these videos.
I have used this so freaking many times since I first watched this video!! Great, quick way to fill in those gaps. Playing with it you can make the delay really subtle or in your face. Love this!
I just used this effect on a snare drum on a ballad and it sounds great!
Great video! I originally saw this a few months ago. This has become one of my favorite tricks for vocal ambiance.
As usual, this is another very useful and very clear tutorial. Greatly appreciated!
This is awesome as always Kenny!!
Interesting, I was more into volume automation of the delay track so far, but this method seems very effective too !
What a great video. Can't wait to try it. Once again you have inspired me.
Just what I needed for my next mix, thanks dude.
Kenny you legend. You keep this up and I might just start cozying up to you
Fantastic effect and tutorial Kenny! Thanks.
Thanks !
Hatsof👌👌👌
This is just awesome!! Thanks Kenny!!!!
Awesome, thanks Kenny.
Your a beast Kenny, thank you.
Incredibly useful tutorial. Ta!
Excellent! Thank you for sharing your experience...Many, many thanks for helping me get up and running in Reaper! I have some questions and don't want to clutter the comments. Where would be a good place for you?
Great video as always.
I don't understand why it's necessary to use the aux inputs for that detector input rather than the main input, are they not the same?
main: 1/2, aux: 3/4
Yet again, I learned something & used it 😎
You are a golden god.
Oh man! I can ALWAYS count on you!
Awesome tip. Thank you!
Yep I learned something :)
Awesome tutorial. Thanks.
You can skip creating a new track by adding the delay, leaving the dry level at 0, and putting an audio control signal (1+2) parameter modulation on the wet level at negative setting, so that it would duck when there is a signal coming in... no need for additional tracks and compressors this way
Correct. The video shows the traditional way which works in every DAW.
But it you wanted his same effect on another track you could simply drag it to the delay track as well correct? Would save adding two delay effects to two tracks.
Two three and more tracks if I am thinking this correctly.
re Myles Jarvis
only that delay on other tracks will still be controlled by a signal on one particular track, if their timing differs, the ducking effect for other tracks won't work
Incredible! I love it! So easy.
gostei da primeira musica como faço para ouvir ela completa
very helpful.
a great big ol thanks....
Thanks kenny! this is super useful!!
Great! This is i am looking for.Thanks a lot!
dude your videos are so good. What is your most recent series on mixing tutorials that is available on Kennymania.com?
ty
Very very gooodd!!
NICE!
Danke!
Kenny, sorry if im stupid. 01:35 : how to grap ? My reaper not like yours i guess. I dont understand. Help me please :(
Thanks
very nice bro, it's go to help me a lot. I never more go to use automation in delay hahahaha
You've got two tracks there: The VOX and delay. The delay is on 1/2. The Compressor is on the same track as the delay, and yet that's 3/4. What the hell am I missing here? And how is anyone supposed to know "Main Input L+R" corresponds to 3/4? This shit is confusing. It would be nice to understand a "why" instead of a "how".
Wtf 1 unlike,,,,button