Natasha Bogojevich: Formes Differentes de sonneries de la Rose+Croix

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  • Опубликовано: 26 апр 2020
  • Performers on this track:
    Kosta Popović / piano
    Nataša Bogojević (Natasha Bogojevich) / prepared piano
    Miloš Petrović / harpsichord
    This home-made iMovie is the "memoir story" about my composition Formes Differentes de sonneries de la Rose+Croix for piano, prepared piano and harpsichord with the score, pictures, videos and selection of concert programs . The piece is written in 1986 in Belgrade.
    It had many performances in Europe the 90s (before I immigrated to the United States). Erik Satie’s chords (opening part of the miniature "Air du grand Prieur" from the cycle "Sonneries de la Rose+Croix") contributed in developing a concept to structure this work. Depersonalized, in their altered contest, these chords became the material out of which personal sonorities are freely formed. Then, in a new musical time, "Sonneries de la Rose+Croix" will group “accidentally and imperceptibly” becoming quasi quotations of our urban musical environment.
    Selected performances with photos in this video:
    The Second International Youth Music Forum, Kyiv, Ukraine, 1993.
    The Magnificent Seven concert, Cultural Centre and Kolaratz Hall , Belgrade , 1988.
    Rostrum of Composers, UNESCO Hall, Paris, France, 1989.
    ARRAY festival, Toronto, Canada, 1991.
    Beyond Biography, Muziekcentrum, Utrecht, The Netherlands, 1991. International Music Forum, Kyiv Tchaikovsky State Conservatory, Kyiv, Ukraine, 1993.
    International festival: Evenings of New Music, Bratislava, Slovakia, 1995.
    Awards:
    Josip Slavenski Award, Belgrade, 1987.
    One of the “top ten”, Annual Review of Yugoslav Music, Opatija 1988.
    One of the “top ten”, UNESCO-Rostrum of Composers, Paris 1989 - 1991.
    Third Prize, UNESCO-Rostrum of Composers, Paris 1989.
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