At high output and high frequencies its becoming slew-rate limited, hence the pointed waveform. Probably won't affect real signal where the larger signals are low in frequency. The driver needs more standing current to fix this.
My first amplifier was single ended AD149 when I was a kid in 1970.. The sound was high ended as well! The designer was Finnish Hannu Miettinen 3>. the heat sink was a aluminium plate folded into a box!
Hi John, if you can't fill the sine wave signal on the dso screen with the 1-2-5 vertical divisions you can always press the vertical nob to go to fine step and fit the sine wave nicely. Just thought I share that with you. Keep up the good work!
The 2N3055 you showed at the beginning appears to be a "pull." Notice the indents around the mounting holes that were made by star lockwashers. I tinkered with John Linsley Hood's designs decades ago and got fine results, but had to match the outputs carefully with a curve tracer. If I remember correctly, subbing different driver transistors made a difference in the amount of high frequency distortion. Nice job with all your videos. They take me back to younger days and have sparked a new interest in experimenting again. How times have changed.
Hi John, I'm your loyal fan. I have actually watched many of your videos again and again. Today, I revisited this video 6 years later and got 1 question for you. I noticed tha at 17:36 the input power supply is 18V and 1.2A, however, at 19:24, the oscilloscope was measuring Vpp approximately 18.0V to 18.2V and Vrms 6.10V, is this really possible? I have done a lot of testing on 1969 actually and I could hardly achieve what JLH claimed in this article which is 10W at 27V and 1.2A, where I can only achieve around 8-9W only at higher current of 1.35A. I can only achieve 10W at input power of 35V.
Thanks for watching the channel! Vrms is (1/2*Vpp)/Sqrt2, so Vrms of 18Vpp sine wave is 6.36. I'd expect around 15w into 8 Ohms with a 35v supply with a "normal" amplifier. I'd have to analyze this circuit to see the losses. It's been a while since I played with the thing.
16:28 They should have removed the base and emitter pads from the top side of the board then you could mount the heat sink flush. A few clicks in a CAD package and that wouldn't have been an issue just shows whoever designed that PCB had no attention to detail.
This is , I guess, old JHL 1969 class a amplifer, it could sound great but the parts selection is critical. That cheap 2200uF output coupling cap is degrading the sound for shure.
It is JLH for John Linsley Hood, a welknown amplifier designer from that time. There is a lot of material on the net, and many have build this design. There is even at least one how-to-build video here on RUclips. The original design used 2N3055 transistors.
I think the high frequency distortion is due to insufficient slew rate. The voltage cannot increase fast enough to keep up with the waveform. If you were to decrease the input signal amplitude you would see the distortion decrease or disappear all together. The amplifier can only increase the voltage so fast. You need an amplifier with a higher slew rate.
Hi John, Thank you for what you do on your channel. I bought 2 jlh boards slightly different to yours and they don't have any trimming pots in the design. Have not tried them yet but if I can't set the current does this mean they are no good. Keep up the good work.
@@kalusovsky What's so tricky about it? Just make sure your thermal bias compensation has the correct curve across the operating temp range at frequencies up to neutralization across the range of possible load characteristics. Simple.
Bahhhhhh ahhhh ha ha ha ha haaaaa! I got caught with that same insulator issue when I assembled this amp. My voltage measurements were all but a carbon copy of yours. I scratched my head trying to figure out if I put a wrong resistor in the wrong place. I did what you did but only drew up a partial BS schematic only realize that the damn collectors were floating in space. It's funny because I seen it before you even turned it on and I was lamo! Why would they add those to the kit in the first place? FYI... All you had to do to raise the heat sink away from the pcb was to use the thin cardboard back off of a notepad. That deals with any possible shorting issues with the heat sink to the pcb. I also used heat shrink tubing on the emitter and the base legs to play it safe. I caught the feedback cap fix on your second video and I think I will go back and check the slew rate just to be sure I don't have this issue. I was actually going to use this to rebuild a small bass guitar practice amp. Nice job on your videos! Thanks....
Glad I’m not the only one who hates the blue resistors and use a meter to confirm values. It’s about time for us end users to standup to the manufacturers or standards and get this problem fixed. I much prefer the cream colour or even light blue is somewhat acceptable.
From what I see concerning the polarization of the output stage, it seems that this amplifier, although it is said to be class A, however, it works as class B. What's your opinion?
It has too few components just for the transistors driving and probably has no negative feedback circuit which could add extra stability and wider bandwidth but it lowers down the amplification.And since it is class A amplifier this means mainly power losses and if has hifi quality the output power would be from 2-5 Watts.
Thank for the efforts you put into your channel content! This design was respected back then, can you trace the schematic so we can compare to the original, and maybe simulate in LTspice?
Yep, if the ink scrapes off its likely fake. 3055 are ancient and have been cloned for decades, so they may be 'reliable fakes'. Still never worth using.
The HF problem could be the o/p transistors. Apart from the ft of these not being specified on datasheets (it's probably so bad) some forums suggest that this is an obsolete device that loses gain at higher frequencies. As if that lot isn't enough it's these kinds of transistor that are regularly faked. It's very difficult to buy a genuine to3 transistor these days.
Some thoughts John!! Might be worth using a higher voltage, 24 maybe, not exactly over the top, adjusting the QI as you go. Another interesting thing would be to pop in the original transistors as supplied. The original circuit by Mr Hood was very highly acclaimed in it's day. Makes you wonder what has been done to mess it up. Might be interesting to compare the circuits and bring it up to the original speck. Something to do if you have a few hours free!!
What pulls up the base on the high side transistor? Is it boot strapped? I don't understand the 4 small electrolytic capacitors on the board, between the signal transistors, and the output transistors. You mentioned, that the output capacitor is one of those 220 µF capacitors, but, are other capacitors in parallel, to give more capacitance for output coupling? I would imagine, that the blue one on the far right would be the boot strap, with the other 3 in parallel, to give a total of 660µF of output coupling capacitance. It would make more sense to me, to use that huge axial 2,200µF 35 V capacitor as the output coupler, just to allow lower frequency output band width. I'm sure that the 1µF capacitor on the input is the input coupling capacitor, and I would put that up to at least 10 X that. Increasing the input and output capacitance by 10X, may necessitate increasing the value of the bootstrap capacitor as well, if so equipped. It might be worth it for me to get one of these, just to tinker with it. I'm curious now.🤔
good review John as always. the scope showed the 2nd order harmonics at higher frequencies - interestingly how did it sound when playing music reaching those frequencies?
It looks like an extremely poor example of the JLH design. The original design put out 10 to 30 watts RMS depending on the power supply voltage. The original design can be found online and if the components are sourced through a reputable company like RS components you will end up with a class A amplifier that has distortion of about 0.05% I think the trimmers were original designed to bias the output transistors. The Paul Kemble page gives more information as this is a legendary design. I met John Linsley Hood when he was alive. A brilliant man www.angelfire.com/sd/paulkemble/sound3b.html
Hi John, thats a neat kit. I was wondering if there is some type of oscillation going on at or near 12k? How is the feedback in this amp, a little or a lot? Might want to play around with that and last are your transistors beta's (gain) close? Just a few thoughts. Great video and its fun to debug as well. Take care.
Could the problem be the inductivity of your 2200 mf output capacitor? Try to shunt it with a say, ceramic one and see how that performs at high frequencies. Just a thought ...
I think the shoulder washers were just included with the insulators, not needed for the kit. Curious about the cause of the hf waveform issue, C1?. Also how the original outputs would have compared. ae01.alicdn.com/kf/HTB1DTKpSXXXXXcNaXXXq6xXFXXXH/Simple-Class-A-JLH-1969-Power-Amplifier-Kit-Two-channel-ST2N3055-Amplifier-Board-DIY-Kit.jpg
If you ever get a chance try feeding signal into the feedback capacitor ( remove it from ground ). As is gives 100% DC feedback at this point it should be OK. Modern op-amps should drive this. Remember to invert speaker terminals if being strict. This should by ear alone. It could go either way. This feeds signal direct to the input transistor emitter in common base which is valued by many. If liked the input might be arranged for lower hiss ( values of resistors ). I have to say the JLH is very close to being a bad idea that works. I used BC327-40 337-40 in mine with 2N3055. Looking back that might have been the limit of the 377. I used 8 ohms. I had 0.03% THD even at 20 kHz. I had to use 33 pF base to collector to stabilise it ( 377 ). It almost didn't need it. Could I recomend you find some Dynaco A25 speakers. A better speaker to suit your experiments. They make small differences larger. Hopefully my memory of the circuit is right? The 2K2 feedforward resistor is to get better hf distortion. Being class A it isn't helping the base switch off. My 2N3055 were low cost Indian types. They measured like a more modern device. I paid less than $1 a piece. Mine was built dead bug. The JLH is far more sophisticated than it looks. That means no one understands it. I got 7 watts 8R from mine.
What would be a good cheap class A or A/B amp kit, with a clean 10-20 watts @ 8 ohm, stereo. I'd like to get into this , I built a headphone amp, and kinda got the itch!
Where you probe to get 9v ( half of supply) is it at output? And the current measure around 1.2 amp if the power supply doesn’t have current meter can I put meter in series with the supply and adjust the pot to get that 1.2 amp current right John?
hmm...thoughts on a pair of these; as a high impedance (250ohm and up) stereo headphone amp? I know the heat would be crazy, BUT I have more than a few old heatsinks sittings around...could even actively cool them. What changes would you make? Probably would spend more on the power supplies(gotta keep it true dual mono right?:)) Also thought of running HO 14v car audio batteries....could get expensive quick though. I wouldnt use the the amp all the time, just for those "critical" listening times....know what I mean?
Thanks for the quick reply. I have been looking over the "kits" being offered with the Hood design. Pretty sure that I will be getting at least one "pair". There does seem to be a "mirror" image board offered which would be nice to keep the inputs and outputs on the same side. What caveats should I be looking for running the amp at low current? I did find a kit that is actually being sold sold as a dedicated headphone amp even the same output transistors. www.ebay.com/itm/2pcs-Two-Channel-JLH-1969-A-CLASS-A-Stereo-Amplifier-Board-ST2N3055-MKP-DIY-Kits/171380740698?_trksid=p2485497.m4902.l9144 It does look pretty "sparse" though. It does mention "1.25A" as "output"... Finally on a somewhat different note. I am also considering building a pair of stereo kits like the one that you have in this video for a three-way active speaker design that I am building. Iwill use a smaller A/B amp on the lows(50Hz or so and below, depending on where the speaker actually rolls off after it is built). Do you know of any kits or designs that you would recommend? Something like this would be ideal, but again very open to suggestions. smile.amazon.com/3-Way-Active-Crossover-Kit-Linkwitz-Riley/dp/B01N6FVDL6/ref=sr_1_29?ie=UTF8&qid=1522880689&sr=8-29&keywords=active+crossover+3-way Thanks again for your expertise, advice, and videos....
Sorry for the slow reply. If current gets too low, it will come out of class A operation which could mean more distortion. A Linkwitz-Riley filter is great for active crossovers. I didn't inspect that product. Unfortunately time prevents me from giving detailed answers and inspecting all products.
Question - would anyone care about harmonics starting at 12KHz? The second harmonic would be 24KHz - that would be pushing the limits of most people's hearing. I suspect the source of the problem is the gain is falling at high frequencies so the negative feedback isn't able to "clean up" the amp.
you got the idea wrong. even though the distortion is well beyond hearing capability, the original waveform is not the same anymore. it's about the output compared to the input. ideally, output = input. but since nothing is ideal then output should be as similar as the input
There's two ways of looking at a signal - time domain and frequency domain. You're looking at the time domain and the distortion of the waveform. I'm looking at the frequency domain where those deviations would require hearing beyond what most can hear. If you look at how the ear and in particular the cochlea works, it seems like the ear works in the frequency domain. Since the frequencies needed to reproduce/recognize that distorted waveform are outside of normal hearing, I question if it has any significant impact on the sound quality. Or, it put it another way, if you were to pass that signal though a 20KHz low pass filter, would it still be distorted? I don't think so.
Sweet, last song on the King Crimson album. Just saw Sean Lennon with Les Claypool at a concert play the In the Court song, great rendition, great performance overall, would have preferred epitaph though.
Here's a question, because I don't know the answer :) Is the harmonic distortion due to the shape of the waveform being changed to a more rapid change at it's peak voltage?
From Foyer analysis theory: ANY change in the waveform from a pure sine wave represents a harmonic. Since harmonics are easier to measure, we use that for the "purity" of the amplified signal.
Hello,... Love your videos, maybe that funny high frequency waveform is due to the output capacitor (poor quality)... Could you try somewhere in the future add 470n to a 1uf in parallel with the output cap? This is something I read about quite a few years back. Keep up the good work!
Ray Lewis: I agree. Several theories in comments. Come on John, troubleshoot & repair. Also, I think Matt intended for you to COMPARE the OE transistors and the ones he added to kit.
Shame about the high Hz thd. Thought that class amp might really be great, although not sure if I could hear the diff. Love your vids for long time. Please keep it up, as I learn something new every vid. Thanks!
Hey John, awesome video! I am looking for an IC to use on the power stage of the guitar amplifier I am building. Which one do you recommend to get a high output power and volume? I am planning to use a notebook power supply (19V DC) or a simple 12V adapter. Thanks :D
You cannot get particularly high power from 12V or even a 19V power brick. Even at 24V, you'd be limited to about 30 to 40W of clean power. In some amps you can bridge them to double the output providing you are mindful of speaker impedance. Yeah, I know that distortion won't matter much, but with low voltage transistor amps it's clipping of the sound rather than distortion components like added by valves. The key to high volumes from small amps is the speaker efficiency... never underestimate how many amplifier watts can be "saved" by a speaker with over 90dB/W/1m. Most modern speakers are far lower in efficiency, so you need double, triple or even more power to get the same loudness.
The Bifet op-amps such as the TL071 would provide a higher performance over the 741 standard. Has a high slew rate however that could lead to stabilization problems in some conditions. Use of 2 feedback resistors with one shunted with a bypass capacitor may need to be fitted in this case. This is to be used with additional current boost transistors as the op-amp is not a power amplifier.
@@JohnAudioTech what limited the power to 24 volts Approximately? Isn't the transistors rated for higher voltage? I know little about this, but usually more in equals more out! If not anything but heat!! Maybe I should stick with D class, I'm running off battery, so more effiecent the better, I'd likely never hear the difference anyway! What I'd really like is 5 channels, and a clean 25w rms x 4 with 100w sub channel, its not going to be that loud, about like a good factory car system, so being its for basically a camper, I should just find a car amp! I have 12v and 24v avalible, thanks!!
The minute i saw the al-u-min-i-um bracket i thought it needs to be electrically insulated from the board because it would surely make contact the PCB pad points for the transistors and so short things together!
why dont you get proper test gear , i mean, testing an amp on scope isnt exactly the best way to do it , i think i would get better analyzer with just my sound card , its pro one , still think its better then that scope I think the sound of this particular one comes from the transistors type , should sound a bit crunchier , if that is germanium there , they do sound a bit harsher on a higher note . Still , if you get falling amps from shelves , i have 10+ years of Music production XP and officially educated in Acoustics and electronics , so you can send it to me for further analyzing , i would return the favor with my skill if the price of shipping doesnt exceed the actual component value . I watched a lot of your videos and they all end up on a same not( while being interesting dont get me wrong , that is why i watch it ) , but quite different amps from digital to full analog , with same conclusions , FFT , maybe SNR , some harmonics . IF you like , just saying , good job as always .
Bullshit, the harmonics are no problem. 12khz - so 24khz is the next frequency. Tell me one, who can hear that, also, the peak was not large enough. The amp is absolutely fine. That is, why your first test did also sound good in your opinion. Because it was good. Have fun.
Nice video dude really like your stuff but I see your piles getting big if you want to you can send me the pile high could put it to use maybe I can do some experiments with myself getting contact me if you would like to do that
Hi John, these old Quasi-Complementary-Design Amplifiers are quite often a pain in the ass, especially for higher frequencies. Remember: the positive half of the Output stage runs as current-amplifier with a gain >1. The only way to get a fairly good symmetry in such a design is having a huge amount of negative feedback, but for this you need to have a input stage with a high gain. I think this is not possible with only two Transistors for Input- and Driverstages... About 4 Decades ago i had designed and build such a kind of Power Amplifiers, running on 60Vdc with 4 pcs. of 2N3772 from RCA for each channel in the Output, for driving 2 ohm loads. They deliver about 160 Watts @ 2 ohms and the Distortion was fairly low, even at 20kHz. But the fundamental Design i used was very different from this amp you have shown. I had used a 2-transistor differential-stage in the input, followed by a single transistor voltage amplifier, driving an complementary current amp stage to drive the output transistors. So i had a huge amount of gain and could use the negative input of the differential amp for a effective negative feedback loop. All in all there where 11 transistors in each channel....
At high output and high frequencies its becoming slew-rate limited, hence the pointed waveform. Probably won't affect real signal where the larger signals are low in frequency. The driver needs more standing current to fix this.
My first amplifier was single ended AD149 when I was a kid in 1970.. The sound was high ended as well! The designer was Finnish Hannu Miettinen 3>. the heat sink was a aluminium plate folded into a box!
Hi John, if you can't fill the sine wave signal on the dso screen with the 1-2-5 vertical divisions you can always press the vertical nob to go to fine step and fit the sine wave nicely. Just thought I share that with you. Keep up the good work!
a lot of harmonics are also on lamp amplifiers so it can be beneficial to hearing a "good quality" amp.
For those of us whose eyes are not what they used to be... those $6 component tester kits are a godsend.
Mine is always right beside my breadboard. I don't know how I lived without one.
So you played a King Crimson song from the 1969 album, because the board is called 1969? Or maybe just because King Crimson is awesome.
Might be nice driving the tweeters in bi-wireable speakers, with maybe a class-d (TPA3116?) handling the bass-mid unit.
The 2N3055 you showed at the beginning appears to be a "pull." Notice the indents around the mounting holes that were made by star lockwashers. I tinkered with John Linsley Hood's designs decades ago and got fine results, but had to match the outputs carefully with a curve tracer. If I remember correctly, subbing different driver transistors made a difference in the amount of high frequency distortion. Nice job with all your videos. They take me back to younger days and have sparked a new interest in experimenting again. How times have changed.
Hi John, I'm your loyal fan. I have actually watched many of your videos again and again. Today, I revisited this video 6 years later and got 1 question for you. I noticed tha at 17:36 the input power supply is 18V and 1.2A, however, at 19:24, the oscilloscope was measuring Vpp approximately 18.0V to 18.2V and Vrms 6.10V, is this really possible? I have done a lot of testing on 1969 actually and I could hardly achieve what JLH claimed in this article which is 10W at 27V and 1.2A, where I can only achieve around 8-9W only at higher current of 1.35A. I can only achieve 10W at input power of 35V.
Thanks for watching the channel! Vrms is (1/2*Vpp)/Sqrt2, so Vrms of 18Vpp sine wave is 6.36. I'd expect around 15w into 8 Ohms with a 35v supply with a "normal" amplifier. I'd have to analyze this circuit to see the losses. It's been a while since I played with the thing.
16:28 They should have removed the base and emitter pads from the top side of the board then you could mount the heat sink flush.
A few clicks in a CAD package and that wouldn't have been an issue just shows whoever designed that PCB had no attention to detail.
This is , I guess, old JHL 1969 class a amplifer, it could sound great but the parts selection is critical. That cheap 2200uF output coupling cap is degrading the sound for shure.
More SURE than SHURE I think!! lol
It is JLH for John Linsley Hood, a welknown amplifier designer from that time. There is a lot of material on the net, and many have build this design.
There is even at least one how-to-build video here on RUclips.
The original design used 2N3055 transistors.
Michael Beeny: I see what you did there 👍.
Kendeil caps sound superb. Italian.
I think the high frequency distortion is due to insufficient slew rate. The voltage cannot increase fast enough to keep up with the waveform. If you were to decrease the input signal amplitude you would see the distortion decrease or disappear all together. The amplifier can only increase the voltage so fast. You need an amplifier with a higher slew rate.
This circuit reminds me of a DIY magazine amplifier that I've built around 15 years ago using the infamous 2N3055. It didn't sound correct anyways.
Marc Vogelzang Exactly how I remember it sounded.
Hi John, Thank you for what you do on your channel.
I bought 2 jlh boards slightly different to yours and they don't have any trimming pots in the design.
Have not tried them yet but if I can't set the current does this mean they are no good.
Keep up the good work.
John, I think you should design a class ab amp for education and sell it as a kit to your viewers.
Yes. Biasing circuit for class ab is a very tricky thing. It would be nice to see stable design.
@@kalusovsky What's so tricky about it? Just make sure your thermal bias compensation has the correct curve across the operating temp range at frequencies up to neutralization across the range of possible load characteristics. Simple.
@@InsideOfMyOwnMind Yeah, problem solved. Good thermal contact and current source and sink does a good job to stabilize bias.
Bahhhhhh ahhhh ha ha ha ha haaaaa! I got caught with that same insulator issue when I assembled this amp. My voltage measurements were all but a carbon copy of yours. I scratched my head trying to figure out if I put a wrong resistor in the wrong place. I did what you did but only drew up a partial BS schematic only realize that the damn collectors were floating in space. It's funny because I seen it before you even turned it on and I was lamo! Why would they add those to the kit in the first place? FYI... All you had to do to raise the heat sink away from the pcb was to use the thin cardboard back off of a notepad. That deals with any possible shorting issues with the heat sink to the pcb. I also used heat shrink tubing on the emitter and the base legs to play it safe. I caught the feedback cap fix on your second video and I think I will go back and check the slew rate just to be sure I don't have this issue. I was actually going to use this to rebuild a small bass guitar practice amp. Nice job on your videos! Thanks....
Glad I’m not the only one who hates the blue resistors and use a meter to confirm values.
It’s about time for us end users to standup to the manufacturers or standards and get this problem fixed.
I much prefer the cream colour or even light blue is somewhat acceptable.
From what I see concerning the polarization of the output stage, it seems that this amplifier, although it is said to be class A, however, it works as class B.
What's your opinion?
Looks like those 2n3055s had been fitted before, 9:16 it shows signs of shake-proof washer scratches around the fixing holes?
Lol fake AND pre used.
I think the white spacers goes on bace and emitter to isolate them from accidentally shorting to collector.
Isn't that weird shape of the wave from the music player? I see that triangular wave form in the high frequencies of my soundcard.
No. The music player produces a perfect, low distortion waveform up until about 19KHz. I wouldn't use it to test audio if it were this bad.
It has too few components just for the transistors driving and probably has no negative feedback circuit which could add extra stability and wider bandwidth but it lowers down the amplification.And since it is class A amplifier this means mainly power losses and if has hifi quality the output power would be from 2-5 Watts.
Thank for the efforts you put into your channel content!
This design was respected back then, can you trace the schematic so we can compare to the original, and maybe simulate in LTspice?
sound.whsites.net/jll_hood.htm
The 2n3055's that came with the kit are likely fakes. The ink should not rub off that easily.
Yep, if the ink scrapes off its likely fake. 3055 are ancient and have been cloned for decades, so they may be 'reliable fakes'. Still never worth using.
22:20 Looks like maybe slew-rate limiting? Does it happen at lower volumes?
I was thinking that but should have noted loss of amplitude as the frequency increased.
i think the insulators fit onto the transistors .they will push right into the holes
The HF problem could be the o/p transistors. Apart from the ft of these not being specified on datasheets (it's probably so bad) some forums suggest that this is an obsolete device that loses gain at higher frequencies. As if that lot isn't enough it's these kinds of transistor that are regularly faked. It's very difficult to buy a genuine to3 transistor these days.
you did not remark on the quality of the pc board. It looks like it is very well made.
Some thoughts John!! Might be worth using a higher voltage, 24 maybe, not exactly over the top, adjusting the QI as you go. Another interesting thing would be to pop in the original transistors as supplied. The original circuit by Mr Hood was very highly acclaimed in it's day. Makes you wonder what has been done to mess it up. Might be interesting to compare the circuits and bring it up to the original speck. Something to do if you have a few hours free!!
otputs not matched? possible current starvation towards the top.
What pulls up the base on the high side transistor? Is it boot strapped? I don't understand the 4 small electrolytic capacitors on the board, between the signal transistors, and the output transistors. You mentioned, that the output capacitor is one of those 220 µF capacitors, but, are other capacitors in parallel, to give more capacitance for output coupling? I would imagine, that the blue one on the far right would be the boot strap, with the other 3 in parallel, to give a total of 660µF of output coupling capacitance. It would make more sense to me, to use that huge axial 2,200µF 35 V capacitor as the output coupler, just to allow lower frequency output band width. I'm sure that the 1µF capacitor on the input is the input coupling capacitor, and I would put that up to at least 10 X that. Increasing the input and output capacitance by 10X, may necessitate increasing the value of the bootstrap capacitor as well, if so equipped.
It might be worth it for me to get one of these, just to tinker with it. I'm curious now.🤔
you relize the heat sinks dont bare load right? you support the HS into the case, it doesnt float on the board.
Any schematic for the board please
The mounting of the outputs is to increase cooling of the outputs doesn’t help much
neat little amp kit!!
use MJ15003. Quad use them and Krell use them.
Just guessin'...aren't those white shouldered washers to be used as standoffs/isolators for mounting PCB to a chassis?
Very nice video and the following one (I viewed it before that one) is also very instructive
Thank you John
Have a nice Easter
Antonio from Brussels
good review John as always. the scope showed the 2nd order harmonics at higher frequencies - interestingly how did it sound when playing music reaching those frequencies?
It looks like an extremely poor example of the JLH design. The original design put out 10 to 30 watts RMS depending on the power supply voltage. The original design can be found online and if the components are sourced through a reputable company like RS components you will end up with a class A amplifier that has distortion of about 0.05%
I think the trimmers were original designed to bias the output transistors.
The Paul Kemble page gives more information as this is a legendary design.
I met John Linsley Hood when he was alive. A brilliant man
www.angelfire.com/sd/paulkemble/sound3b.html
Hi John, thats a neat kit. I was wondering if there is some type of oscillation going on at or near 12k? How is the feedback in this amp, a little or a lot? Might want to play around with that and last are your transistors beta's (gain) close? Just a few thoughts. Great video and its fun to debug as well. Take care.
Could the problem be the inductivity of your 2200 mf output capacitor? Try to shunt it with a say, ceramic one and see how that performs at high frequencies. Just a thought ...
Is it a power or pre or integrated?
I think the shoulder washers were just included with the insulators, not needed for the kit. Curious about the cause of the hf waveform issue, C1?. Also how the original outputs would have compared. ae01.alicdn.com/kf/HTB1DTKpSXXXXXcNaXXXq6xXFXXXH/Simple-Class-A-JLH-1969-Power-Amplifier-Kit-Two-channel-ST2N3055-Amplifier-Board-DIY-Kit.jpg
Would those shoulder washers be for the 4 board mounting holes
Peter has it correct. Standoffs/isolators for mounting PCB to a chassis.
i would have just cut the tops of and used the tubes through the heatsink just to make sure it didnt short on the screws :-)
If you ever get a chance try feeding signal into the feedback capacitor ( remove it from ground ). As is gives 100% DC feedback at this point it should be OK. Modern op-amps should drive this. Remember to invert speaker terminals if being strict. This should by ear alone. It could go either way. This feeds signal direct to the input transistor emitter in common base which is valued by many. If liked the input might be arranged for lower hiss ( values of resistors ). I have to say the JLH is very close to being a bad idea that works. I used BC327-40 337-40 in mine with 2N3055. Looking back that might have been the limit of the 377. I used 8 ohms. I had 0.03% THD even at 20 kHz. I had to use 33 pF base to collector to stabilise it ( 377 ). It almost didn't need it. Could I recomend you find some Dynaco A25 speakers. A better speaker to suit your experiments. They make small differences larger. Hopefully my memory of the circuit is right? The 2K2 feedforward resistor is to get better hf distortion. Being class A it isn't helping the base switch off. My 2N3055 were low cost Indian types. They measured like a more modern device. I paid less than $1 a piece. Mine was built dead bug. The JLH is far more sophisticated than it looks. That means no one understands it. I got 7 watts 8R from mine.
Apparantly it is a 1969 design SE, with modern components, very basic, very neutral, about 10W (which I doubt).
They should have made a large hole to put the transistors in backwards, in to the angle, then there would be no issues!
Can we get the pcb gerber file plz
Is there DC offset on the output, or is it using a coupling capacitor to the load?
He said 220 µF output capacitor, which has a tendency to limit head room at lower frequency.
What would be a good cheap class A or A/B amp kit, with a clean 10-20 watts @ 8 ohm, stereo. I'd like to get into this , I built a headphone amp, and kinda got the itch!
This amp seems like it would need quite a bit of preamp to drive it?
Where you probe to get 9v ( half of supply) is it at output?
And the current measure around 1.2 amp if the power supply doesn’t have current meter can I put meter in series with the supply and adjust the pot to get that 1.2 amp current right John?
Yes, at the output, but on the transistor side of the output capacitor. Yes, you can put a current meter in series with the supply.
5:37 it's a "BAT-TREE" What do bat's have to do with this?
Or trees.
hmm...thoughts on a pair of these; as a high impedance (250ohm and up) stereo headphone amp? I know the heat would be crazy, BUT I have more than a few old heatsinks sittings around...could even actively cool them. What changes would you make? Probably would spend more on the power supplies(gotta keep it true dual mono right?:)) Also thought of running HO 14v car audio batteries....could get expensive quick though. I wouldnt use the the amp all the time, just for those "critical" listening times....know what I mean?
With high load impedance, you could turn the current down. You'd have to check the amp performance running on low current to see if it is viable.
Thanks for the quick reply. I have been looking over the "kits" being offered with the Hood design. Pretty sure that I will be getting at least one "pair". There does seem to be a "mirror" image board offered which would be nice to keep the inputs and outputs on the same side.
What caveats should I be looking for running the amp at low current? I did find a kit that is actually being sold sold as a dedicated headphone amp even the same output transistors. www.ebay.com/itm/2pcs-Two-Channel-JLH-1969-A-CLASS-A-Stereo-Amplifier-Board-ST2N3055-MKP-DIY-Kits/171380740698?_trksid=p2485497.m4902.l9144 It does look pretty "sparse" though. It does mention "1.25A" as "output"...
Finally on a somewhat different note. I am also considering building a pair of stereo kits like the one that you have in this video for a three-way active speaker design that I am building. Iwill use a smaller A/B amp on the lows(50Hz or so and below, depending on where the speaker actually rolls off after it is built). Do you know of any kits or designs that you would recommend? Something like this would be ideal, but again very open to suggestions. smile.amazon.com/3-Way-Active-Crossover-Kit-Linkwitz-Riley/dp/B01N6FVDL6/ref=sr_1_29?ie=UTF8&qid=1522880689&sr=8-29&keywords=active+crossover+3-way
Thanks again for your expertise, advice, and videos....
Sorry for the slow reply. If current gets too low, it will come out of class A operation which could mean more distortion. A Linkwitz-Riley filter is great for active crossovers. I didn't inspect that product. Unfortunately time prevents me from giving detailed answers and inspecting all products.
Question - would anyone care about harmonics starting at 12KHz? The second harmonic would be 24KHz - that would be pushing the limits of most people's hearing. I suspect the source of the problem is the gain is falling at high frequencies so the negative feedback isn't able to "clean up" the amp.
it's not about the frequency above hearing capability but accuracy
But the inaccuracy is above the normal range of hearing.
you got the idea wrong. even though the distortion is well beyond hearing capability, the original waveform is not the same anymore. it's about the output compared to the input. ideally, output = input. but since nothing is ideal then output should be as similar as the input
There's two ways of looking at a signal - time domain and frequency domain. You're looking at the time domain and the distortion of the waveform. I'm looking at the frequency domain where those deviations would require hearing beyond what most can hear. If you look at how the ear and in particular the cochlea works, it seems like the ear works in the frequency domain. Since the frequencies needed to reproduce/recognize that distorted waveform are outside of normal hearing, I question if it has any significant impact on the sound quality. Or, it put it another way, if you were to pass that signal though a 20KHz low pass filter, would it still be distorted? I don't think so.
go try it then. if you can't distinguish between 0.1% with 0.01% then good for you. for me, i can. is it significant? for me, it is.
Yap, 2N3773 works much better than 2N3055. Good job on review and magnificent video.
Cheers from Indonesia
Have you checked the zobel network regarding the high oscillations ?
There weren't any oscillations, just distortion. I fixed this problem in a new video coming soon...
Sweet, last song on the King Crimson album. Just saw Sean Lennon with Les Claypool at a concert play the In the Court song, great rendition, great performance overall, would have preferred epitaph though.
Here's a question, because I don't know the answer :) Is the harmonic distortion due to the shape of the waveform being changed to a more rapid change at it's peak voltage?
From Foyer analysis theory: ANY change in the waveform from a pure sine wave represents a harmonic. Since harmonics are easier to measure, we use that for the "purity" of the amplified signal.
Is this kit suitable for using into a DIY Bluetooth loudspeakers.
Thanks for the test
Get tpa3116 board
Can u experiment with mr.Benson's question about mosfets?
Does it need a preamp ? What kind of power supply are u using ?
Hi Mathew. I would like to get one to see if a novice hobby guy like me can put this together. Please get in touch with me. Thanks.
what the hell dude the insulators go under the bracket to separate the board from the bracket...
I know is an old post but still
what is the wattage of the speaker...???
doesn't really matter
@@raccoon874
Gondol mu ngga penting 😂😂😂
Is it possible to use mosfets instead of those transistors?
Good question i want to know too
I don't think so, if you want to use mosfets, look at a class d amplifier.
Images for mosfet class a amplifier
www.google.com/search?q=mosfet+class+a+amplifier&ie=utf-8&oe=utf-8&client=firefox-b-1
Yes. Nelson Pass uses them in his amplifier.
Check out the Aleph amplifiers by Nelson Pass. They are huge in the diy community.
Where did you buy that JohnsAudioTech preamp, that's one sweet box!
I built it: ruclips.net/video/0Os8MxX6-cQ/видео.html
Just kidding! I love my copy of yours!
Hello,... Love your videos, maybe that funny high frequency waveform is due to the output capacitor (poor quality)... Could you try somewhere in the future add 470n to a 1uf in parallel with the output cap? This is something I read about quite a few years back. Keep up the good work!
The moose out front told me stay tuned for part 2 diagnostic and repair.... Just an idea for an interesting vid
Ray Lewis: I agree. Several theories in comments. Come on John, troubleshoot & repair. Also, I think Matt intended for you to COMPARE the OE transistors and the ones he added to kit.
Your tweeter it is Tonsil ?
Nice!! How do you determine the voltage and current settings for the bias?
Peak current the load would need at a given output voltage.
Where can I buy that kit?
Shame about the high Hz thd. Thought that class amp might really be great, although not sure if I could hear the diff. Love your vids for long time. Please keep it up, as I learn something new every vid. Thanks!
Video great, Thank you.
Hey John, awesome video!
I am looking for an IC to use on the power stage of the guitar amplifier I am building. Which one do you recommend to get a high output power and volume? I am planning to use a notebook power supply (19V DC) or a simple 12V adapter.
Thanks :D
You cannot get particularly high power from 12V or even a 19V power brick. Even at 24V, you'd be limited to about 30 to 40W of clean power. In some amps you can bridge them to double the output providing you are mindful of speaker impedance. Yeah, I know that distortion won't matter much, but with low voltage transistor amps it's clipping of the sound rather than distortion components like added by valves.
The key to high volumes from small amps is the speaker efficiency... never underestimate how many amplifier watts can be "saved" by a speaker with over 90dB/W/1m. Most modern speakers are far lower in efficiency, so you need double, triple or even more power to get the same loudness.
The Bifet op-amps such as the TL071 would provide a higher performance over the 741 standard. Has a high slew rate however that could lead to stabilization problems in some conditions. Use of 2 feedback resistors with one shunted with a bypass capacitor may need to be fitted in this case. This is to be used with additional current boost transistors as the op-amp is not a power amplifier.
Is there anyway to get more power from this thing?
Not without more heat. Class A gobbles up a lot of power.
@@JohnAudioTech what limited the power to 24 volts Approximately? Isn't the transistors rated for higher voltage? I know little about this, but usually more in equals more out! If not anything but heat!! Maybe I should stick with D class, I'm running off battery, so more effiecent the better, I'd likely never hear the difference anyway! What I'd really like is 5 channels, and a clean 25w rms x 4 with 100w sub channel, its not going to be that loud, about like a good factory car system, so being its for basically a camper, I should just find a car amp! I have 12v and 24v avalible, thanks!!
Too bad this kit has problems. I think it has potential
Focus you Faaack!!!
-AvE
Very good, super video, very important to me, I want know this, thans you
Completely agree with bigbread!
Actually class A sound quality is very good.
The minute i saw the al-u-min-i-um bracket i thought it needs to be electrically insulated from the board because it would surely make contact the PCB pad points for the transistors and so short things together!
why dont you get proper test gear , i mean, testing an amp on scope isnt exactly the best way to do it , i think i would get better analyzer with just my sound card , its pro one , still think its better then that scope
I think the sound of this particular one comes from the transistors type , should sound a bit crunchier , if that is germanium there , they do sound a bit harsher on a higher note .
Still , if you get falling amps from shelves , i have 10+ years of Music production XP and officially educated in Acoustics and electronics , so you can send it to me for further analyzing , i would return the favor with my skill if the price of shipping doesnt exceed the actual component value .
I watched a lot of your videos and they all end up on a same not( while being interesting dont get me wrong , that is why i watch it ) , but quite different amps from digital to full analog , with same conclusions , FFT , maybe SNR , some harmonics . IF you like , just saying , good job as always .
Board design is about 50 years old....
very good
Thanks for this
I would think that would be like the Color gun drive amps used in color tube sets, using a 1M7 Feedback Resister would give a wide band capability.
what is your best amplifier recommendation?
I have a few more to review and will then will select the best ones I've tested so far.
No way king crimson epitaph 💀
Bullshit, the harmonics are no problem. 12khz - so 24khz is the next frequency. Tell me one, who can hear that, also, the peak was not large enough. The amp is absolutely fine. That is, why your first test did also sound good in your opinion. Because it was good. Have fun.
Saludos que vatije da. Da. Este amppurrificador gracias
Nice video dude really like your stuff but I see your piles getting big if you want to you can send me the pile high could put it to use maybe I can do some experiments with myself getting contact me if you would like to do that
Matt the MVP
do you wanna sell me all those unused chinese amps?
The better circuit designs for this amp use MJ15003 as outputs AND the driver.
O quê vc quer saber ?
21:18 220uF
nice
Bat Tree?? huh lol
Bat tree??
Yup, bat tree. And Transistulator. No wonder google didn't understand the 2n3773 :)
3773 ten traajistar Amplifier boord
Hi John, these old Quasi-Complementary-Design Amplifiers are quite often a pain in the ass, especially for higher frequencies. Remember: the positive half of the Output stage runs as current-amplifier with a gain >1. The only way to get a fairly good symmetry in such a design is having a huge amount of negative feedback, but for this you need to have a input stage with a high gain. I think this is not possible with only two Transistors for Input- and Driverstages... About 4 Decades ago i had designed and build such a kind of Power Amplifiers, running on 60Vdc with 4 pcs. of 2N3772 from RCA for each channel in the Output, for driving 2 ohm loads. They deliver about 160 Watts @ 2 ohms and the Distortion was fairly low, even at 20kHz. But the fundamental Design i used was very different from this amp you have shown. I had used a 2-transistor differential-stage in the input, followed by a single transistor voltage amplifier, driving an complementary current amp stage to drive the output transistors. So i had a huge amount of gain and could use the negative input of the differential amp for a effective negative feedback loop. All in all there where 11 transistors in each channel....
Paul Schuessler This is not a quasi-comp design. It is an emitter follower with a constant-current load.
this is an audiophile amplifier, it's not for slamming or being deaf