Superb rendition with divine bhakthi bhavam. Wonderful alapanai . Authentic mohanam. Thani avardhanam different level. Nandhikeswara kadaksham paripoornam. Thank you very much for such a nice share .
At this time 'Mohanam' reminds me the Mysore VaasudEvaacaarya kriti wherein he beseeches Lord Rama to save him - " Raa Raa Raajeeva Lochana"; Certainly remember this first due to the fact that it was listened recently , sung by a couple of Vocalists! The ragam is 28 HariKaambhoji janya with notes..S R2 G3 P D2 S / S D2 P G3 R2 S that does not contain Madhyamam and Nishādham; All of five notes, the harmonious notes being the Gandhara and the Dhaivata, this penatonic scale has the Panchama as it's significant anchoring note.The Classical beauty of this scale as a raga in itself unfolds when the characteristic gamakas are incorporated. Saint Thyagaraja has reveled in this raga and created several masterpieces including this one-'Mohana rama' and “Nannu Palimpa”. Of course we cannot negate the krities... “En Palli Kondeerayya,” wherein Arunachala Kavi questions Sri Ranganatha as to why he has decided to lie down in Srirangam a famous piece that begins in Mohanam; .Papanasam Sivan's Narayana Divya Namam” and this one here shared,,,,, “Kapali Karunai Nilavu” on Lord Kapaleeswara both in beautiful Thamizh. Certainly listening this papanasam Sivan kriti sung by Late. DKJ is a lifetime experience to know how much the legacy of carnatic music compositions n the rendering doctrines and styles adhering to the methodologies were practiced and further evolved as on date, which will let us know the priceless gift in our hand to be carried over to next generations. Here TV Shankaranarayanan (TVS) is very much aware of this and he is driven or have passion for music and the erstwhile Carnatic musical culture! He presented a lovely rendition of the monumental kriti . I loved his sworakalpana that was so exhaustive with a host of combination with swora notes and prompted the percussion artists to follow suit until beautifully linking to the thala -cycle wanting them to present a good thaniaavarthanam.......salute the mridamgam n Ghatam artists....Lovely recital
TVS Sir has attained Kapalis thiruvadigal! May God bless his eternal soul… we were blessed to hear your music🙏
🙏🙏🙏🙏
Excellent Mohanam. Outstanding alapana.
These sago(r)dharigall sing so simply n beautifully. They really enjoy their singing, which is an important feature.
God bless.May his soul attain sathgadhi.
Superb rendition with divine bhakthi bhavam. Wonderful alapanai . Authentic mohanam. Thani avardhanam different level. Nandhikeswara kadaksham paripoornam. Thank you very much for such a nice share .
excellent voice.
Takes us to sublime heights ,reminding that great Madurai Mani touch🙏
Good pakka vadhyams also
Very very sweet music.
I love his style of music and majestic. Voice and rendering of Swarajs..his music takes me to a different world of enjoyment..
Madhura Mani's Nephew , he is imbibed everything from his Guru
awesome rendering.......................
Akin to great MMIyer,his uncle and guru.Beautiful Mohanam.
Best super singer who may sing mohana raga and can enjoy and deliver then give mohanam for us to enjoy.
No words
v excellent rendtion
Carnatic legend’s gift to rasigas.
மோஹன ராகம்....நம்மை மெய் மறக்க செய்கிறது
Top. Top. Top top
திரு....T.V.சங்கரநாராயணன் அவர்கள் புகழ் ஓங்குக
🙏🏽👍smooth and melodious aalaabanai. I feel that I am floating in mogana raagam
Excellent
Wonderful
TVS is very spot creative musician..i like his music.
பாபநாசம் சிவன் பாடல்கள் தனி சிறப்பு வாய்ந்தவை
Sashtanga.namaskaralu.
T. V. SANKARANARAYANAN..
At this time 'Mohanam' reminds me the Mysore VaasudEvaacaarya kriti wherein he beseeches Lord Rama to save him - " Raa Raa Raajeeva Lochana"; Certainly remember this first due to the fact that it was listened recently , sung by a couple of Vocalists! The ragam is 28 HariKaambhoji janya with notes..S R2 G3 P D2 S / S D2 P G3 R2 S that does not contain Madhyamam and Nishādham; All of five notes, the harmonious notes being the Gandhara and the Dhaivata, this penatonic scale has the Panchama as it's significant anchoring note.The Classical beauty of this scale as a raga in itself unfolds when the characteristic gamakas are incorporated. Saint Thyagaraja has reveled in this raga and created several masterpieces including this one-'Mohana rama' and “Nannu Palimpa”. Of course we cannot negate the krities... “En Palli Kondeerayya,” wherein Arunachala Kavi questions Sri Ranganatha as to why he has decided to lie down in Srirangam a famous piece that begins in Mohanam; .Papanasam Sivan's Narayana Divya Namam” and this one here shared,,,,, “Kapali Karunai Nilavu” on Lord Kapaleeswara both in beautiful Thamizh. Certainly listening this papanasam Sivan kriti sung by Late. DKJ is a lifetime experience to know how much the legacy of carnatic music compositions n the rendering doctrines and styles adhering to the methodologies were practiced and further evolved as on date, which will let us know the priceless gift in our hand to be carried over to next generations.
Here TV Shankaranarayanan (TVS) is very much aware of this and he is driven or have passion for music and the erstwhile Carnatic musical culture! He presented a lovely rendition of the monumental kriti . I loved his sworakalpana that was so exhaustive with a host of combination with swora notes and prompted the percussion artists to follow suit until beautifully linking to the thala -cycle wanting them to present a good thaniaavarthanam.......salute the mridamgam n Ghatam artists....Lovely recital
🙏🙏🙏
அருவி போல் பொங்கி பரவும் நாதப்ரவாகம்
Reminds me of the great Madurai Mani Iyer
No wonder 🤔SRI T.V.Sankaranarayanan is his nephew. 🙏
அருமை 💐🙏🙏
👏👏👏🙏🙏🙏
💐💐👌👍
None can sing like this
L
8 oh ñýàŕàný.
Excellent
No words
No words