I remember as if it were yesterday feeling deeply excited at 15 or 16 years old when I read in the magazine “Stereo Review” (a classic publication of the time specialized more in music devices and their technology but with a decent section of musical criticism) that King Crimson, one of my favorite bands of all time, with a new incarnation of personnel but including Robert Fripp and Bill Bruford, was about to release a new album after a long break. The anticipation and anxiety accompanied me for weeks and I regularly went to the “Hip 70” store (the only place in Mexico City where one could find imported progressive rock records at that time) to see if the album was already available. Nothing prepared me enough for the mastery, particularly in its instrumental virtuosity, innate to the now classic album “Discipline”, a title that Fripp even considered using for the new incarnation until he realized that ñ, integrated by himself and Bruford with Adrian Belew and Tony Levin, it did indeed sound somewhat like King Crimson. From that great work of the 1981 album comes this authentic instrumental diamond entitled “The Sheltering Sky”. One listens to it and immediately accesses its perfect notes and, without realizing it, is particularly immersed in the atmospheric aspect of the piece. At times the listener will perceive himself looking at a deep orange sky in an African sunset observing the movement of the clouds…or something similar (this sensation might be very personal but that is how I perceive it). Bruford's percussion, Levin's bass and Fripp and Belew's guitars in perfect harmony, accompanied by the revolutionary sounds of the "Roland GR-300 guitar synthesizer", an instrument that seems to merge the sounds of an electric guitar with those of a synthesizer, maintain a truly perfect harmonious “discipline”. A piece as minimalist and experimental as it is atmospheric and innovative to the max. An example of unusual creativity that is increasingly less present in contemporary music.
I love the live version from The Noise Live at Frejus video 1982. One of the most rocking songs I've ever heard. I listen to it over and over again. King Crimson is so amazing that you hear something different every time.
Ceci est le brillant reflet d'une époque, c'est un astéroïde puissant qui revient jeter son dévolu sur l'art sonore. Une onde prodigieuse chargée de paradoxes d'où s'échappent l'obscurantisme la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. L'architecture musicale de KC est un court tunnel qui mène à la lumière 💥
I put this line up almost at level of line up that did USA Live, I did by this versions releases on cassette when released.. Life was simpler back then.
Thank you for uploading this. Good job! The acoustics are excellent. I was losing all faith with the sound of some people's bitrate and this sound is like honey'd potion poured RIGHT. UNDER. YOUR TONGUE. Bliss
It’s a shame i’m 16 years old,i never had the opportunity to see them in a concert. The only time they came to my country (brazil) I didn’t know KC and I was very young, a single chance to see them is all i need
I'm 42 years old and this is the first time I've ever listened to this band!!! What the fuck was i doing for the first 42?!!!! Incredible, unique, eclectic and psychedelic music.
@@kingcrimson nah you need a super close-up of Robert doing a contorted face and massive text that says "YOU WON'T BELIEVE WHAT THIS SKY SHELTERED!", and if there's room throw in a photo of Toyah in something skimpy, that'll get ya clicks.
I suppose I’d never really considered whether guitar synthesizers were a key to achieving the tones and textures of this piece … it’s one of my favorites, and I’ve mostly chased after its sounds (in my own quite amateurish pieces) ideally by manipulating my unpotted neck and bridge humbuckers with the tone and volume controls on a mahogany guitar (usually an SG, when I could find/afford one) and adding a little spring reverb *if needed* (it usually is not, I’m not a reverb fan) but otherwise just adding a few guitar pedals here and there, an octave pedal, drive, fuzz … and in less-than-ideal circumstances, just using whatever’s available - a Mustang through a home stereo/hi-fi amp!! - but still chasing after those tones. In hindsight, I guess some of my pedals were digital, and an octave pedal certainly counts as synthesis. I dunno, I guess I’d never considered whether “The Sheltering Sky” resulted from heavy synthesizer input, so my mind’s a little blown.
King Crimson was the Beginning and it will be the End. In between runs a very long Mix-Tape with a lot of Music from all Sides and all Regions, for years. But the two Poles, they are KC and RF.
well, thia shows how perfect BB's additions are. although live - sigh - he leaves half the notes of his beat out so he can walk around and hold the slit drum with other hand.
I remember as if it were yesterday feeling deeply excited at 15 or 16 years old when I read in the magazine “Stereo Review” (a classic publication of the time specialized more in music devices and their technology but with a decent section of musical criticism) that King Crimson, one of my favorite bands of all time, with a new incarnation of personnel but including Robert Fripp and Bill Bruford, was about to release a new album after a long break.
The anticipation and anxiety accompanied me for weeks and I regularly went to the “Hip 70” store (the only place in Mexico City where one could find imported progressive rock records at that time) to see if the album was already available. Nothing prepared me enough for the mastery, particularly in its instrumental virtuosity, innate to the now classic album “Discipline”, a title that Fripp even considered using for the new incarnation until he realized that ñ, integrated by himself and Bruford with Adrian Belew and Tony Levin, it did indeed sound somewhat like King Crimson.
From that great work of the 1981 album comes this authentic instrumental diamond entitled “The Sheltering Sky”. One listens to it and immediately accesses its perfect notes and, without realizing it, is particularly immersed in the atmospheric aspect of the piece. At times the listener will perceive himself looking at a deep orange sky in an African sunset observing the movement of the clouds…or something similar (this sensation might be very personal but that is how I perceive it).
Bruford's percussion, Levin's bass and Fripp and Belew's guitars in perfect harmony, accompanied by the revolutionary sounds of the "Roland GR-300 guitar synthesizer", an instrument that seems to merge the sounds of an electric guitar with those of a synthesizer, maintain a truly perfect harmonious “discipline”.
A piece as minimalist and experimental as it is atmospheric and innovative to the max. An example of unusual creativity that is increasingly less present in contemporary music.
Ahhh... Bill Bruford's playing the Rest Note much like he did on "Trio" back in 74
I love the live version from The Noise Live at Frejus video 1982. One of the most rocking songs I've ever heard. I listen to it over and over again. King Crimson is so amazing that you hear something different every time.
Live @ Frefus 1982 is one of the best show in France in 80' for shure!! ;)
Im glad, because King Crimson is still alive!
Long live the King!
Thats the style I like!
Wonderful music and stormy monday here in Detroit ☁🌨🌨🌩🌩🌨🌨☁
Hoping Beat play this during the upcoming tour!
Would love to see Carey on the wood drum
One of my most favorite songs EVER.
This piece takes a special place in my heart 💫
Can't wait to see Beat in October!
Trio perfeito
Mestres
Fripp,Belew,Levin
❤❤❤❤❤❤❤
Bruford ❤❤❤❤
❤❤❤❤❤❤❤
Pure Fire 🔥❤🔥
The music of dreams!
Beautiful piece! Love for this band
Excellent track - so moody!
Without the percussion, it sounds more like a Robert Fripp Soundscape than King Crimson.
Still today, now this is facinating, amazing, shocking, I can flly throuh universe... just shut my eyes and listen to sheltering sky❤
Brutally awesome, thank you ❤
Aguante king crimson amigo !
Love from Argentina bro
Ceci est le brillant reflet d'une époque, c'est un astéroïde puissant qui revient jeter son dévolu sur l'art sonore. Une onde prodigieuse chargée de paradoxes d'où s'échappent l'obscurantisme la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. L'architecture musicale de KC est un court tunnel qui mène à la lumière 💥
Such stupendous guitar tones. No keyboards needed.
RIP Erik Fredriksen, he would have loved that you are back together
I put this line up almost at level of line up that did USA Live, I did by this versions releases on cassette when released.. Life was simpler back then.
ONE OF THE BEST, NO DOUBT, PERFECTION
Muchas veces oigo este tema tomando la línea de percusión de Bruford como solista. Es impresionante.
Thank you for uploading this. Good job! The acoustics are excellent. I was losing all faith with the sound of some people's bitrate and this sound is like honey'd potion poured RIGHT. UNDER. YOUR TONGUE. Bliss
It’s a shame i’m 16 years old,i never had the opportunity to see them in a concert. The only time they came to my country (brazil) I didn’t know KC and I was very young, a single chance to see them is all i need
I'm 42 years old and this is the first time I've ever listened to this band!!! What the fuck was i doing for the first 42?!!!! Incredible, unique, eclectic and psychedelic music.
It's just good that you found them. Some go their whole lives without hearing a single note.
My dearest friend was in Palliative care. This walked him through his final days
Great track.
Seen fripp play some tunes BigChill festival Herefordshire 2005 the best tripping music in the planet
Great thanks💕
On middle of class but this reachs to make better my day
Percussionless version
whoever did the thumbnail had no idea what to do, so they took a screenshot of the video and made that the thumbnail
Dear @Local_PepsiOfficial, that's correct, did you like the song though? Best Stormy.
@@kingcrimson hahaha, great song, don't mind the thumbnail or comments
@@kingcrimson yeah, absolutely great song
Holy shit It's@@kingcrimsonthemselves replying to a comment
That doesn't happen often
@@kingcrimson nah you need a super close-up of Robert doing a contorted face and massive text that says "YOU WON'T BELIEVE WHAT THIS SKY SHELTERED!", and if there's room throw in a photo of Toyah in something skimpy, that'll get ya clicks.
I suppose I’d never really considered whether guitar synthesizers were a key to achieving the tones and textures of this piece … it’s one of my favorites, and I’ve mostly chased after its sounds (in my own quite amateurish pieces) ideally by manipulating my unpotted neck and bridge humbuckers with the tone and volume controls on a mahogany guitar (usually an SG, when I could find/afford one) and adding a little spring reverb *if needed* (it usually is not, I’m not a reverb fan) but otherwise just adding a few guitar pedals here and there, an octave pedal, drive, fuzz … and in less-than-ideal circumstances, just using whatever’s available - a Mustang through a home stereo/hi-fi amp!! - but still chasing after those tones. In hindsight, I guess some of my pedals were digital, and an octave pedal certainly counts as synthesis. I dunno, I guess I’d never considered whether “The Sheltering Sky” resulted from heavy synthesizer input, so my mind’s a little blown.
This is sooooooo good. But I miss the percussion ❤
Very nice
why is it so short
Dear @pucciraskolnikov7266, the full version is on the DGMLive site, this is just a taster. Best Stormy
King Crimson is King
Is that Kerry King?
Interesting sonic display
King Crimson was the Beginning and it will be the End.
In between runs a very long Mix-Tape with a lot of Music from all Sides and all Regions, for years.
But the two Poles, they are KC and RF.
:)
Remember the KC arena tour..;/
🖤🔥
Alasbuenas Otia Creo que este chico Vale....y.. APASALOBIEN TÔS
Without Bruford, the music is diminished.
well...as BB is my fav member of KC and this is my favorite KC tune, I am neutralized lol. I so I will absorb.
well, thia shows how perfect BB's additions are. although live - sigh - he leaves half the notes of his beat out so he can walk around and hold the slit drum with other hand.
☢🕶🌡
Play Cleveland at Music Hall before they tear it down for a parking structure
put ITCOTCK back on Deezer
Better album version
we re making out of italian mafia with this one
🗣🔥🔥🔥‼️
That’s a reference to the cartoon show i believe
two very fun fellows
@@pucciraskolnikov7266 doppio is funniest man alive ngl
@@-goodwinyou cant just mention juju under every kc upload, there's itcock for that
@@pucciraskolnikov7266 sorry, cant go another way
Some people like Oasis better than these guys?
Who else knew this incredible band through Jojo's Bizarre Adventures?
Это не книг кримсон