How to make Aalaap of any raag I যেকোনো রাগের আলাপ কিভাবে বানাতে হয়❓easy techniques with examples

How to make Aalaap of any raag I যেকোনো রাগের আলাপ কিভাবে বানাতে হয়❓easy techniques with examples
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The Alap (/æˈlɑːp/; Hindustani: [aːˈlaːp]) is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised (within the raga) and unaccompanied (except for the tanpura drone), and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode (the pattern of ascending and perhaps different descending scale) to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation.
Instead of wholly free improvisation, many musicians perform alap schematically, for example by way of vistar, where the notes of the raga are introduced one at a time, so that phrases never travel further than one note above or below what has been covered before. In such cases, the first reach into a new octave can be a powerful event.
In instrumental music, when a steady pulse is introduced into the alap, it is called jor; when the tempo has been greatly increased, or when the rhythmic element overtakes the melodic, it is called jhala (dhrupad: nomtom). The jor and jhala can be seen as separate sections of the performance, or as parts of the alap; in the same way, jhala can be seen as a part of jor.
Several musicologists have proposed much more complicated classifications and descriptions of alap. In the same way as traditional four-part compositions have a sthai, antara, sanchar and abhog, some treat alap with a four-part scheme using the same names. Bengali researcher Bimalakanto Raychoudhuri in his Bharatiya Sangeetkosh suggests classification both by length (aochar being the shortest, followed by bandhan, kayed and vistar) and by performance style (according to the four ancient vanis or singing styles - Gohar, Nauhar, Dagar and Khandar), and proceeds to list thirteen stages:
Madhya laya
Drut
Jhala
Thok
Lari/Ladi
Larguthav
Larlapet
Paran
Sath
Dhuya
Matha
Paramatha
Even though Raychoudhuri admits the 13th stage is wholly extinct, as we see we are in jhala already at the fourth stage; the sthai-to-abhog movement is all part of the first stage (vilambit). Stages six and up are for instrumentalists only. Other authorities have forwarded other classifications. For example, when alap is sung with lyrics or at least syllables, as in dhrupad, it is called sakshar as opposed to anakshar.
How many types of alap are there in music?
The Alaap in this Lecture is Being explained through 3 types-1 Swar 2 Akaar 3 Bol alaap. The Alaap is being linked with Various forms of Music .
What is a alap in Indian music?
alapa, (Sanskrit: “conversation”) in the art musics of South Asia, improvised melody structures that reveal the musical characteristics of a raga. Variant forms of the word-alap in northern Indian music and alapana in Karnatak music (where the term ragam improvisation is also used)-are often found.
ALAP - slow and free unmetred rhythm with no recognisable beat or pulse. JHOR - speeds up and becomes more rhythmic. JHALA - further increase in tempo and greater sense of metre. GAT - very fast tempo with complex rhythms.
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