With all due respect, "Tah" is incorrect. At most, the tongue should say "Luh" ("Lah" even cuts off air more than "Luh"). Definitely, "Tah" restricts the air flow, as does "Dah" and other such incorrect pronunciations that call for firmer application of the tongue. When greater speed is needed, alternating a gentle "Guh" with "Luh" provides for very fast (but smooth) tongue action. However, for harder attacks to accent, etc, it is force-of-air in conjunction with these tongue techniques that brings it all together. Newer and improperly trained players that do not learn the concepts I'm talking about try to do it too much with with their tongues, instead of realizing the possibilities in tone and control through the whole body of air and support. The tongue should be as relaxed as possible, so that it can be more flexible and less in the way of the player's air flow. For what it is worth, 30 years ago, I was a master Euphonium and scholarship holder at a major music university. I'll leave it at that, except to say that I am passing along one of the biggest corrections made to my playing by a nationally recognized Euphonium professor and performer. Before him, I was given the teaching as demonstrated in your video, and I did not realize for years (until taught differently by the professor) just how limiting it was. It simply required that I strengthen my lung capacity and application, which ultimately provided for things like circular breathing, etc. Please pass along these techniques in your instruction videos. Trust that your viewers will benefit greatly. It proved to be golden instruction for me. :)
This is the best video on RUclips. No question.
This lesson is in the Arbans book of Mr.Bowman and Mr.Allasi
Thank you! Im a nrw baritone player amd this video helps alot!
Sir please play c major scale and 4 wall
Awesome sir. Your lesson is amazing.. I m beginner player of euphonium... But seen ur lesson and techniques... And try it
With all due respect, "Tah" is incorrect. At most, the tongue should say "Luh" ("Lah" even cuts off air more than "Luh"). Definitely, "Tah" restricts the air flow, as does "Dah" and other such incorrect pronunciations that call for firmer application of the tongue. When greater speed is needed, alternating a gentle "Guh" with "Luh" provides for very fast (but smooth) tongue action. However, for harder attacks to accent, etc, it is force-of-air in conjunction with these tongue techniques that brings it all together. Newer and improperly trained players that do not learn the concepts I'm talking about try to do it too much with with their tongues, instead of realizing the possibilities in tone and control through the whole body of air and support. The tongue should be as relaxed as possible, so that it can be more flexible and less in the way of the player's air flow. For what it is worth, 30 years ago, I was a master Euphonium and scholarship holder at a major music university. I'll leave it at that, except to say that I am passing along one of the biggest corrections made to my playing by a nationally recognized Euphonium professor and performer. Before him, I was given the teaching as demonstrated in your video, and I did not realize for years (until taught differently by the professor) just how limiting it was. It simply required that I strengthen my lung capacity and application, which ultimately provided for things like circular breathing, etc.
Please pass along these techniques in your instruction videos. Trust that your viewers will benefit greatly. It proved to be golden instruction for me. :)
Jeff F Man And I Thought My Highschool Essays Where Long
@@aeon1c555You're in like 2nd grade kid if you think that's long lmao
SkiDoodleBoi I Just Said High School Essays
@@aeon1c555 robloxian
Good lessons but has to work on taking in breath well
You're trying to tell Brian bowman how to breathe?
Yeah he can breathe better. His notes are shakes and unsupported