Etude No. 3, op 60 by Matteo Carcassi | Guitar Etudes with Gohar Vardanyan
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- Опубликовано: 26 ноя 2017
- For lessons with Gohar visit: www.goharvardanyan.com/
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Welcome to the new Guitar Etudes with Gohar Vardanyan. This series going to cover various etudes by different composers concentrating on different technical elements.
Guitar: 2012 Jean Rompré
Strings: RC Strings Recital
www.stringsbymail.com/royal-c...
Etude 3, Op. 60 by Matteo Carcassi
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Hi Gohar. This study is on of my favorites.
Probably the finest classical guitar tutor on the internet at the moment. So intellectually profound and always entertaining. I've always learned something from your instructional videos. Thank you.
Not an easy piece for us beginners. Your breakdown into layers makes it much more understandable. Thank you for your time and much appreciate your willingness to help others with your abilities and skill.
Thank you Gohar for bringing this to RUclips. It has been a long time since I've played the Etude in A by Carcassi. A few years ago this piece was a big part of my repertoire. Some fine little piece of music. Thank you for bringing it thanks again
One of my very favorite etudes - I look forward to reworking it with your tips. Thank you Gohar!
Great, instruction, this has prompted me to renew some technique work and proper presentation with these subtle dynamics.
Thank you very much Gohar!!!!
Your great instruction made me renew my interest. Worth every minute watching. Thanks so much
Thank you. Such melodic and dynamic variety to explore in this study/repertoire cameo.
Carcassi forever. So beautifully and emotionally executed. One of my favourite studies ever.
Outstanding...Gohar you are a wonderful and practical teacher.
Very nice execution and useful instructions! Well done!
Really enjoy this etude work. Beautifully played
Thank you for your insight and beautiful performance!
Very beautiful performance and helpful tutorial! Thanks
My favourite piece ever! You played it beautifully! 😍
Great lesson Gohar thank you so much I like your use of dynamics I ll try to implement them in my playing
Lucky for us! Good to know. Beautiful.
So delicious execution, thanks for sharing. It will be my next challange.
Cheers from Italy
Thank you teacher, wonderful learning from you.
Thank you Gohar! Aprendo mucho contigo.
What a beautiful interpretation!
You're an wonderfull guitarrist...God Bless you!
Simply loved your grace and playing, No worries about the nails...could notice the difference.... keep inspiring...!
I'm studying this etude at this moment and your lesson with explanation is really useful. It helps me. Thank you very much, Gohar
Thanks a Ton for your help, it was mindblowing...
learning this now. thank you for the lesson. :)
Wonderful explanation, thank you Maestra.
Maravilhoso!!! Linda execução e interpretação 👏👏👏
Thank you again, Gohar. So many wonderful tips . . . not including your index finger.
Kallison haha... good one!
very well done
Beautiful 🤩 🙏
Thank you so much
Grande interpretação usando apoio. Exelente trabalho. Quando estiver disponível vou me escrever.
Excelente gracias
Maravilhosa, que som ecoa de sua alma, que força, estou apaixonado...😍😍😍😍😍😍😍😍😍
Excelente!
Հիասքանչ է Գոհար ջան)))))
I enjoyed that
Спасибо !
Gohar thank you for your excellent advice on dynamics. Its really helpful.
Are you using rest strokes for the melodic line played by the A finger ? Originally I was taught to play it that way. Years later I read where that was discouraged since it prevented the arpeggiated notes on the second string from being sustained'
Vou me escrever no curso. Espero aprender, grande professora de violão clássico
why would anyone give this video a thumbs down? WHY?
hammett3 too much intro probably
Nice tutorial
You play verry nice !!
Thanks for this Gohar. It is a challenging piece for me. My teacher said this was RSCM (UK) Grade 3 at one time. I find that hard to believe. The Sor/Segovia No 5 in B minor (Op 35 no22) is Grade 5 now I believe and it is nowhere near as tricky as this. It is tricky especially the crescendo in the second half of the piece with a very busy left hand. The LH is where the difficulty lies for me and apparently for many other of his students too. Some advice there would have been great.I am lucky that I took to the right hand quite quickly and get good tone. Getting a strong, flexible lh very different. I have been playing just under three yesrs. Thanks for the advice. I have got somewhere with this but it took me months and months.
É uma Deusa!
I've suffered so much for this etude, so many barres
Splendida esecuzione.Fa veramente sognare.Bravissima!!!!!P.S.Vorrei eseguirla come te.
Beautiful ! My nephew is actually learning this piece. I sent him a link to your video. Too bad for the finger nail. You sound good anyway. Cheers.
Beautifully done. I'm just beginning classical guitar and finding it very difficult to keep longer fingernails on my right hand. Previously, needing to keep fingernails very short for acoustical and electric guitar.
hey! how are you doing right now? if you need some tips, try just clipping them "on point" (not that short, not that big), do some slurs, left hand scales, avoid using a pick in general. it may help you develop a good fingering (if you're a true beginner, try playing spanish romance, it's the best for your arpeggios)! 😉☺️
Мне очень нравится, спасибо большое)
great playing
is the guitar double top?
No it is not. A beautiful guitar! Love her sound and tone
Hello. Gohar. I hope you can answer my question. I am a 57-year-old man who loves classical guitar. Do you think that studying Carcassi lessons and others Maestro guitar etudes, I would learn to play such a sublime instrument? I want to play Tarrega, Bach y many other wonderful guitar music authors. I practically study by myself. I appreciate your wise advice regarding my interest in learning to play the classical guitar.
Greetings from Venezuela
If you know what you are aiming to and has the capacity of critiquing yourself, you may be a good classical guitarist. Although I think is necessary to have someone to make you improve.
Amigo en Venezuela actualmente hay maestros de guitarra excelentes, en los Conservatorios como la José Reyna o José Ángel Lamas, también le recomiendo ingresar al instagram del Mtro. Cesar Rico ( uno de los representantes más importantes de la guitarra académica). Espero este comentario le sea de ayuda.
ΟΠΩΣ ΠΑΝΤΑ ΥΠΕΡΟΧΗ!!!
Wonderful tune. I'm curious, how long did it take you learn this tune, from being a complete beginner at guitar?
Depends on the students, anywhere from 6 months to a year and a half.
😍😍😍
Thanks for not rushing through it. Why do others play it so fast? Use to put roommates to sleep with this.
I agree, there is no point to play it any faster than this.
Did you play apoyando with ‘a’finger ? Or tiỉando but louder ?
Tirando louder
Many people play apoyando , but why you choosed play tirando ? I like to play your style . So special
@@mishanguyen7023 Because apoyando mutes the second string and I prefer for it to ring. It sounds smoother that way.
@@GoharVardanyan thank you for really helpfully information ❤️
Hello , how dìd you can play without looking at fretboard ?
After many years of experience, it comes naturally. Muscle memory is an amazing thing.
@@GoharVardanyan thanks a lot
@@GoharVardanyan thanks a lot
🥰
When I learned this Etude 30 years ago, my teacher told me to play the melody with supported stroke. I prefer that until today because it gives the melody an even larger tone than just emphasising it or turning the nail for a softer attack.
One of my favourites from Carcassi's op 60. Thanks a lot. Master Gohar for feeding our souls every Monday. If there is any possibility I would love to make a request, just within Your possibilities of valuable time, personal taste and good will. I'd Really love to learn from You the Fernando Sor Study #6 in D major in Segovia compilation. The real technical name is: Study #17 op 35. Greetings from Chile.
' Master Gohar' ?? If you look very _very_ carefully you'll be able to make out that she is a woman :)
"Master" is not "Mister". I would call Gohar Master, too. She is excellent in teaching.
@@Philrc: An artist, performer, or player of consummate, has a MASTER CATEGORY per se... Anyway, thank You for the instruction. Greetings
@@cristianmanuelfuentesmaure196 I understand what you mean. The word we use is 'maestro' but it's very uncommon to hear it used on young musicians. It tends to be 'earned' with age, often used on composers or great teachers who have proved themselves through many years...
@@TigerChao you'd be wrong.
fantasticoooo !!!!!
And your thumb 👍 you too used freestroke ?
Thumb was mostly rest stroke, but that's irrelevant, you can do either.
@@GoharVardanyan thanks Gohar ❤️
a broken nail? So what about an artificial glue-on nail instead, or is that not a good idea?? :) Thanks for the lesson.
Ping- pong balls work, with "crazy glue".
Gohar preciosa: no te puedo traducir.
No tengo canales.
Soy ingeniero de Electrónica y guitarrista por devoción. Aún del conservatorio de Madrid...
Tenía Instagram. Pero se ha dejado.
Sólo doy recitales. De guitarra española, cuándo puedo. Y reconozco que tocas preciosamente, lo que se puede decir....
No entro por ordenador demasiado.
Sólo conozco el inglés técnico Electrónico..
Gracias... Por tocar tan bien..
Lindo lindo que estudar.
Preciso estudar
Toca muito estudou bastante. Parabéns grande violonista
I love you a little
I always watch RUclips as a textbook.
I'm not sure which is more beautiful - you or this etude?
so etudes are basically chord etudes
Are you persian ?