Music theory is easy to comprehend using the Keyboard in the Key of C MAJOR/Amin KEYS are just PITCH. The circle of 5th HELP some people keep track of MAJOR scale in 12 different keys/pitch..via shifting ONE NOTE at a time. Mixolydian, maj7. In a nutshell you can apply the same concept to other basic MODES within the Major scale..via shifting b7 into Maj7 It's just going to shift those 5 BLACK notes...a different way. aeolydian , maj7 = Harmonic min dorian ,maj7 = melodic min phry maj7 = Harmonic min b2 mix maj7 = IONIAN loc maj7 = ion #6 modes from other scales ( it's still the same concept of rising b7 into Maj7) aeo b2.......aeo #4........aeo b5 dor b2.......dor #4 dor b5 Everything just gets reshuffle using the same ROOT....such as FROM the relative minor aeo has b6.............................dor has maj6 Harmonic min ........................melodic min Harmonic min b2....................melodic min b2 Harmonic min #4....................melodic min #4 Harmonic min b5....................melodic min b5 mix b6, maj7 = Harmonic MAJOR or you can do this ( b3, b6, b7) A NATURAL minor. These notes are also the SECOND ARPEGGIO of the 1, 4, 5 chords b3, b6, b7 natural minor A min D min E min b3, b6 Harmonic min A min D min E7 b3 melodic min A min D7 E7 b6 Harmonic MAJ A Maj D min E7 in a nutshell..The second half of the scale is slowing shifting UP into major intervals or...just shift the BLACK NOTE UP one at the time G# F#, G# Melodic min #4 ( aka Lyd b3) D#, F#, G# if you C#, F#, G#...it'll simply be A MAJOR Mix b6, Maj8 = IONIAN b6 = HARMONIC MAJOR A Maj D min E7 C#, G# or you can push down from C MAJOR towards C min b6 b3 b3, b6 b3, b6, b7 b2, b3 b2, b3, b6 b3, #4 b3, #4, b6 b3, b5 b3, b5, b6 it's just EASIER to modulate to different KEYS..back and forth on the fret. Simply becuase CHORD/scale FINGERING patterns are the SAME. On the keyboard..it's visually harder. All 12 notes and chord degree works...while in C MAJOR. They're call accidental notes/chord. But you can INSERT those chords as ANYTYPE of CHORDs The 5 BLACK KEYS b2.......b3.......b5........b6.......b7 Db.......Eb......Gb........Ab......Bb Just get the BASIC of V into I Then practice PRE DOMINANT Db maj7 G7 into C Eb maj7 G7 into C Gb Maj7 G7 into C Ab Maj7 G7 into C Bb maj7 G7 into C If you learn the Harmonic min or Harmonic MAJOR the 2.....4......b6.......7 chord degree are all possible FULL diminished .......D F Ab B .......B....D......F.........G# They OVERLAP in DIFFERENT KEYS...so it's just EASIER to memorized it as the 2, 4, b6 7....CHORD DEGREE example A min Bb7 into Eb maj7 F min Db Maj7 G7 into C Those same....D, F, Ab, B could be use in Gb MAJOR/Eb min ( Harmonic min or Harmonic MAJOR. or.........................F# min/A MAJOR....( F# Harmonic min or A Harmonic MAJOR) That's your introduction to full diminished. if you use FULL diminished H/W you can stack MAJOR, min, DOMINANT or dim chords every b3 intervals too VAMP it over the V chord..... G7 .........................E7 G7 into C...............E7 into A G7.......Bb............Db........E7 ............Bb............Db................N6 chords. I showed you A lyd b3 for REASONS You can also Vamp the FULL diminished H/W over the I or vi chord A min B7 into E Maj7 ( E Harmonic MAJOR) A min G#7 into C# min /E Maj7......F maj7 G7 into C MAJOR The N6 chords overlap like this too....F whatever is also the N6 of E MAJOR or E min or like this A min C dim/G# into C# min D7 E7 into A minor. ( A melodic min) .....................................C# min D dim E7 into A min.....( A harmonic min) in a nutshell...you could vamp/sub A min Bb dim C7 into F harmonic min A min Bb7 C7 into F melodic min Then F min Db maj7 G7 into C MAJOR...again if you wish. or this A min C dim Eb/D# dim E min F7 G7 into C min Db Maj7 Bb dim E7 into A min. modulated through multiple KEYS and back to A min chord. via vamping full dim from A min chord. if you were use to practice/playing Bb dim E7 into A min......as PREDOMINANT...you'll simply be USED to it or SEE it.
Son unos PORNTINDER.Uno de los mejores conciertos ❤️ Son unos de los mejores conciertos, no puede ir pero de tan solo verlos desde pantalla 9, se que estuvot sorprendente...
The first two notes of this video are from the Stargate SG-1 theme and even though I love your videos, just for that I love them even more!
Thank you very much
Can u do a lesson on how to use the pedal?
on the piano?
Music theory is easy to comprehend using the Keyboard in the Key of C MAJOR/Amin
KEYS are just PITCH. The circle of 5th HELP some people keep track of MAJOR scale
in 12 different keys/pitch..via shifting ONE NOTE at a time.
Mixolydian, maj7.
In a nutshell you can apply the same concept to other basic MODES within the Major
scale..via shifting b7 into Maj7
It's just going to shift those 5 BLACK notes...a different way.
aeolydian , maj7 = Harmonic min
dorian ,maj7 = melodic min
phry maj7 = Harmonic min b2
mix maj7 = IONIAN
loc maj7 = ion #6
modes from other scales ( it's still the same concept of rising b7 into Maj7)
aeo b2.......aeo #4........aeo b5
dor b2.......dor #4 dor b5
Everything just gets reshuffle using the same ROOT....such as FROM the relative minor
aeo has b6.............................dor has maj6
Harmonic min ........................melodic min
Harmonic min b2....................melodic min b2
Harmonic min #4....................melodic min #4
Harmonic min b5....................melodic min b5
mix b6, maj7 = Harmonic MAJOR
or you can do this ( b3, b6, b7) A NATURAL minor.
These notes are also the SECOND ARPEGGIO of the 1, 4, 5 chords
b3, b6, b7 natural minor A min D min E min
b3, b6 Harmonic min A min D min E7
b3 melodic min A min D7 E7
b6 Harmonic MAJ A Maj D min E7
in a nutshell..The second half of the scale is slowing shifting UP into major intervals
or...just shift the BLACK NOTE UP one at the time
G#
F#, G#
Melodic min #4 ( aka Lyd b3)
D#, F#, G#
if you C#, F#, G#...it'll simply be A MAJOR
Mix b6, Maj8 = IONIAN b6 = HARMONIC MAJOR
A Maj D min E7
C#, G#
or you can push down from C MAJOR towards C min
b6
b3
b3, b6
b3, b6, b7
b2, b3
b2, b3, b6
b3, #4
b3, #4, b6
b3, b5
b3, b5, b6
it's just EASIER to modulate to different KEYS..back and forth on the fret.
Simply becuase CHORD/scale FINGERING patterns are the SAME.
On the keyboard..it's visually harder.
All 12 notes and chord degree works...while in C MAJOR.
They're call accidental notes/chord.
But you can INSERT those chords as ANYTYPE of CHORDs
The 5 BLACK KEYS
b2.......b3.......b5........b6.......b7
Db.......Eb......Gb........Ab......Bb
Just get the BASIC of V into I
Then practice PRE DOMINANT
Db maj7 G7 into C
Eb maj7 G7 into C
Gb Maj7 G7 into C
Ab Maj7 G7 into C
Bb maj7 G7 into C
If you learn the Harmonic min or Harmonic MAJOR
the 2.....4......b6.......7 chord degree are all possible FULL diminished
.......D F Ab B
.......B....D......F.........G#
They OVERLAP in DIFFERENT KEYS...so it's just EASIER to memorized
it as the 2, 4, b6 7....CHORD DEGREE
example A min Bb7 into Eb maj7 F min Db Maj7 G7 into C
Those same....D, F, Ab, B
could be use in Gb MAJOR/Eb min ( Harmonic min or Harmonic MAJOR.
or.........................F# min/A MAJOR....( F# Harmonic min or A Harmonic MAJOR)
That's your introduction to full diminished.
if you use FULL diminished H/W
you can stack MAJOR, min, DOMINANT or dim chords every b3 intervals too
VAMP it over the V chord.....
G7 .........................E7
G7 into C...............E7 into A
G7.......Bb............Db........E7
............Bb............Db................N6 chords.
I showed you A lyd b3 for REASONS
You can also Vamp the FULL diminished H/W over the I or vi chord
A min B7 into E Maj7 ( E Harmonic MAJOR)
A min G#7 into C# min /E Maj7......F maj7 G7 into C MAJOR
The N6 chords overlap like this too....F whatever is also the N6 of E MAJOR or E min
or like this
A min C dim/G# into C# min D7 E7 into A minor. ( A melodic min)
.....................................C# min D dim E7 into A min.....( A harmonic min)
in a nutshell...you could vamp/sub
A min Bb dim C7 into F harmonic min
A min Bb7 C7 into F melodic min
Then
F min Db maj7 G7 into C MAJOR...again if you wish.
or this
A min C dim Eb/D# dim E min F7 G7 into C min Db Maj7 Bb dim E7 into A min.
modulated through multiple KEYS and back to A min chord.
via vamping full dim from A min chord.
if you were use to practice/playing
Bb dim E7 into A min......as PREDOMINANT...you'll simply be USED to it or SEE it.
I subscribed just now ✌️
Please display the numbers and names of the formulas. 😊
The thumbnail is kinda off putting. Would be better if it was viewed from a simple top down not the weird angle.
Son unos PORNTINDER.Uno de los mejores conciertos ❤️ Son unos de los mejores conciertos, no puede ir pero de tan solo verlos desde pantalla 9, se que estuvot sorprendente...