Maps and Arts Day 1

Cartography has long been recognised as art and science. This conference explores how art affects cartography’s process, products, and personnel. Ranging over all types of map, all areas of the world, and all time periods, the conference considers the relationship between art and cartography.
This is from day one of the conference that ran on 25-6 September 2023.
0:00:00- 0:01:03 Mary Pearson
Hiraeth: maps of memory
0:01:03-0:02:18 Flounder Lee
Postcolonial photographic mapping practices
0:02:18-0:03:18 Laura Macaluso
The Panther and the Bulldog move on the New Haven Green
0:03:18-0:04:18 Loraine Rutt
Porcelain maps
0:04:18-0:25:17 Saba Qizilbash
Mapping historical erasure: the deposed Princes of Mysore & their forgotten journeys to England
0:25:17-0:30:50 Richard Ovenden
Welcome & Introduction
0:30:50-0:44:20 Caroline Anjali Ritchie
Picturing the World: William Blake and 18th-century global image
0:44:20-0:55:17 Karen Rann
Drawing with Altitude: how hill-sketchers introduced contouring to the Ordnance Survey
0:55:17-1:06:52 Man Zheng
Etched in stone: Artistry and knowledge transformation in the Late Ming transcultural cartographic encounter
1:06:52-1:18:53 Shibboleth Shechter
Developing and exploring critical thinking with maps: towards a critical cartosemiotic pedagogy
1:18:53-1:36:34 Q&A
1:36:34-1:54:58 Coffee break
1:54:58-2:06:42 Flynn Allott
John Aubrey’s Prospect maps: Sketch, memory, and faculty psychology
2:06:42-2:21:49 Ian Spangler
Aesthetics, cartography, and property in the “NAREB map”
2:21:49-2:33:58 Lauren Anderson
An aesthetic of Science: British Imperial cartography of the Caribbean, c. 1700-1775
2:33:58-2:45:08 Jack Swab
Cartography against visual presentation: Dialectics of map design & persuasion during World War II
2:45:08-3:04:15 Q&A

[@CharlenePierre710]

Thank you !