Oil Painting Portrait Tutorial, Start to Finish With Teaching, Not Just Showing
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- Опубликовано: 24 авг 2024
- Follow along as western fine artist Steve Atkinson teaches you how he painted his latest gallery painting "Tough Enough to Wear Pink". Steve gives you step by step guidance and shares his thoughts on technique. Take your painting to the next level with clear steps and some little known tricks. You can do this, and Steve will show you how.
I'm pleased and honored to announce that this painting, "Tough Enough to Wear Pink" has been given the Portrature Award of Excellence at 2019's Oil Painters of America's National Exhibition. Thanks so much to Kenn Backhaus, the awards judge!
Did I hear you say in one of your videos that you seal your drawing with Liquin? If so how long should I leave it to dry to do that?
@@suestone5476 Hi Sue, I put a very thin coat of a Liquin and Gamsol mixture (85/15) onto my drawing and let it dry overnight. It dries quickly and is ready to go when it's dry to the touch.
I love your paintings and your style. We live down in Southern Arizona and I was curious if you ever hold workshops / classes. I would love to attend. Thank you so much Shelly Cristiani
@@shellycristiani5339 Hi Shelly, I'm sorry for the late answer, I somehow missed your question and I apologize. I teach an annual plein air drawing class through the Phippen Museum here in Prescott, AZ. But have been busy creating a plein air painting workshop that I will be starting to teach in the near future. I'll make an announcement here on my channel when it's ready. Thanks for your interest! Paint on!!
Oh my word, he is absolutely gorgeous! LOL.... I'm so thankful I found your Channel love your paintings love the color of his face , love the colors you used ..thank you, for letting us come along, really enjoyable. Keep them coming !!!!!❤
Thanks @fayee8986 He was a challenge, but then, ain't they all in one way or another... grin. I appreciate you watching and taking the time to comment!
That pink under-painting was just genius. It really worked to your advantage. Congrats on being selected for the exhibition. Much deserved!
I wish I could find more videos like that ! Thank you
So many art tutorials on RUclips are truly ugly, unprofessional and has nothing to do with art
Awww, thank you. That makes the effort I put into these videos worthwhile to hear how helpful they are. Paint on!!
The eyes painted in..........omg!! It’s ALIVE!! You’re a magician!! Beautiful. Thanks for sharing
Your skill and your talent and your ability to so detailed explain what you are doing and your heart and willingness to so share with us. You are gifted and you gift us who have the privilege to watch and hear you.
Fabulous piece ! Just Subscribed! Great to watch an artist with so much talent. I am binging on all your content. Cheers 🇨🇦
Welcome Jan, I hope you find lots to learn! Thanks for the sub 😃
Thanks Steve,I am an illustrator and always love to see someone who has mastered Oils. I find your insights are spot on and your sense of humour makes your videos refreshing. Thanks for sharing your talent.
Best art education I’ve ever had! Can’t thank you enough, wish I could afford your work. Love the scumbling . Love the close ups. I hope my work has its own appeal some day.
Thanks for that Robert! Keep at it and you can't help but improve. Getting there is just a matter of "brush mileage". Paint on!!
I am so impressed with your videos. You are a gifted teacher! You explain the detail of what you are doing, while encouraging the student. "if you do this, you'll be just fine..." which minimizes the tension and gives the student a sense of control. It is really quite liberating AND informative. Your work is beautiful and your sense of history and biography is so interesting.. It's a pleasure to watch!
Thank you sooo much Emily, that kind of comment just makes it all worthwhile! =0) and thank you for taking the time out of your day to watch... Paint on!!
I'm 75 n jus starting I like ur work makes me jealous almost keep it up ....u r very good..
Very nice!! I dream to see Arizona one day, magic shaman land!
This is awesome master piece painting 👏
Aw, thank you Zafar 🤚
That is cool!
Thoroughly enjoyed this Steve. Once again, its so great to have a pro of your caliber sharing on RUclips. The pink underpainting was sensational. I love Liquin by the way. Its been awhile since breaking out my oils but Liquin is such a nice medium to work with. I adopted a technique from another illustrator where the underpainting was done in watercolor on watercolor board then sealed with several coats of clear coat then using Liquin transparently glazed with oils. Super fun! Keep the vids coming. Looking forward to the drawing portion of this one.
Hiya Steve! Thanks for your great feedback. I'm loving your latest video, but haven't finished it yet and so haven't commented... but I will! I'm so used to working from a drawing that it amazes me to watch you work from a blank page and just start painting and let the paint carry you along. Kudos and extremely well done!! I used to work quite a bit on Canson hot press illustration board when I was airbrushing my illustrations, and I loved it. And I would use the coldpress for drawing and pastels. But the watercolor paper glued on board looks like it's so much fun to work on. As far as the drawing portion of this painting goes, I have it all on video, of course, but my iMovie lags so bad and takes so long to do one of these that I had to delay releasing it. But, I'm working on it!!!
Hey thanks! Spontaneous painting is a fun exercise. I've been doing it for years. Helps loosen me up and great fun when I can't think of what to paint. Quick too. Its not something I would do with portraits or paintings that take more planning but loose landscapes work pretty well. I understand about the editing. Can be quite a chore sometimes. Computers are on their own schedule. LOL!
I like it thanks
great tutorial. thanks for posting and keep em coming
Thank you Luis, I appreciate that... and I sure will!
I watched and enjoyed the video, Utrecht were my first watercolors. They were always so nice and helpful. Back to the videos enjoyed the colors in this one, his eyes and everything else were great. I almost felt like he was ready to say something. Also enjoyed the slight looseness to the finish of the painting. Hope you continue to have time to share your knowledge with us. Thank you
Thanks for that Essie. I'm so glad that you enjoyed it, and I will keep posting videos since I'm enjoying the entire process, from coming up with the ideas, through the filming and editing! And it makes me happy to know that I can help people become better artists by passing along what I've learned along the way... Cheers!
Congratulations on this painting being selected as you mentioned on Instagram. Those chip brushes come in handy for so many projects. Well I am here I better watch the video again.
Hi Essie, it's always great to hear from you. Thank you for following on IG too. I agree with you, chip brushes are one of the best kept secrets in painting!
Draw Paint Repeat 👍🏻
This is amazing. Just love the subtle value shifts.
Thanks Lauri, I appreciate that!
Brilliant
Awesome painting. I love your subject matter. I enjoyed watching your process. Looking forward to seeing more. Liked and subscribed.
Hi Kenneth, thanks for watching and for the kind comment... I appreciate you subscribing and will keep uploading content that I hope will help you in your future art. Paint on!
I have heard many portrait painters say that they always start with the eyes - since the eyes are always the main focal point of the subject. Then they would work out from there, always making sure that the eyes remained the center of interest. Here, we have a pink bandanna (the main feature of the piece) that tends to compete with the eyes. It's a tricky situation. But I think Steve does a beautiful job in balancing the two! Still, I feel that the eyes are the true focal point because their expression sets the mood and tone of the whole painting. But I wonder why Steve didn't concentrate more on the eyes from the get go. Maybe it's his vast experience that gives him confidence not to worry about it until he's putting in the finishing touches. I think that's were less experienced painters might really screw up.
Love this! I appreciate your relaxed, honest style, Steve. I have been afraid of color when comes to painting or even pencils. I love to work with it in my photography though. Now I am working on myself, to introduce the two. Thank you so much for sharing your gorgeous work with us out here! :-)
Thanks Carla, I've checked out your photography and I think it's great! (of course, I'm a little biased when it comes to western subject matter. =) Stick with your painting and it'll come to you, I promise. It's just like a muscle, it starts out weak, but grows stronger in time, as long as you keep exercising it, lol.
@@SteveAtkinsonFineArt Well your work is so inspiring!! I will keep learning for sure. Thank you for visiting my photography collection. Much appreciated! :-)
Amazing wow this came out perfect.
SO stoked I found your channel! Love what you do!
I would love you to do more portrait in oil i love to see them and i would love to learn more about how to aproach portraiture
Thank you love your chanel
Thanks Pascale 21, I will definitely be doing more of these in the future.
Great video. Very helpful. Thank you for sharing.
Glad it helped Todd, thanks for watching and for taking the time to comment. It's very appreciated!
I could not have notice the nice looking frame you have in the video. Can you please tell me or link the website you got the frame at ?
I don't remember what this particular frame is called, but I buy all of my frames here: www.montgomeryframes.com/ I believe these are the best handmade frames being made for just about any genre you paint in and can be completely customized to your preferred ornamentation, color and finish. Every one is made by hand and are in many of the finest museums and galleries throughout the United States.
amazing work my friend. learned a lottttttt :)
Steve, I love your videos! You actually "teach" and not just let us watch you paint. I hear you refer to, but cannot find, a video in which you talk about how you transfer such detailed drawings to your canvas and how you seal it. Also, I have a terrible time finding brushes I like, especially those smaller brushes used for detail. What do you suggest?
Hi Barbara, I've been getting so many questions about getting my detailed drawing onto my canvas that I've started doing a video showing the entire process. It will be out in about 2 weeks, so look for it. I'm on my phone now and I'm not great at typing on this danged contraption, ha! Let me get to my studio computer and I'll reply to your question with a detailed how to. Thank you for watching! As far as the small brushes go, I use Buck Scholastic Wonder White synthetic brushes, both round and flat. Smallest size is "0" in the rounds. Size "12" down to a size "6" for the flats. It just depends on the size of the painting and the detail needed. Hope that helps, ttyl!
@@SteveAtkinsonFineArt Yes. EVERYTHING helps! Thank you so much for taking the time. Without getting into a sad, long story I have been paying off my husband's medical debt for over a decade and have another five years to go. Needless to say, no extra play money to take lessons. There are so many talented artists on RUclips but really good teachers who explain what they're doing without leaving out essential information that they assume you already know are not that easy to find. Thank you so much for "giving back". I have one more question...you say if you use Liquin it is usually dry enough to paint the next day. How dry does it have to be? Dry to the touch? If it is mostly dry but if you press on a few thicker areas of paint and it lightly comes off on your finger can you still paint or does it need to be completely dry?
@@barbarawainscott6136 it has to be dry enough to touch without lifting paint. I would try to avoid painting over thicker areas that are still soft when you press it. I try to save those areas to the end, since you make corrections along the way and they may not line up with thicker passages (one of my pet peeves on gallery paintings. It should look like it just rolled off your brush and you didn't do a lot of work to get it there). God bless, Steve!
@@SteveAtkinsonFineArt Thanks so much!
Draw Paint Repeat
Hi Steve. Did you mean Blick rather than “Buck”? Can’t find Buck Wonder White anywhere.
Excellent! Thank you.
Thank you Dr10Jeeps! Much appreciated.
Most excellent!
Hi Bruce, I somehow missed your comment until just now... thank you for your encouragement. Paint on!
did you ever do the video where you show how you mix your colors with liquin and mixing techniques?
Nice painting and video!
Thanks Peter, I'm glad you liked it. It was a blast to do.
What I'm confused about is if you do all the darks and lights first then, with the lights, doesn't that rob you of the chance to make it appear that your lights are sitting on top of your midtones?
Great work sir Drowing canvas is hard working nd colour
but ur superb work
plz next video shear thx
Thanks for watching Ramesh and happy painting!
@@SteveAtkinsonFineArt thanks sir
Best art work
Thank you so much Jay! Glad you dropped in and commented. Paint on!
I love the trick of sealing your drawing. That solves a lot of problems. I used to uae liquin but switched to walnut oil. I can't remember why at the moment. Have you tried walnut oil?
Love your work!
Mary Kay Parker Hi Mary Kay! I have painted with walnut oil and there are a couple of reasons to use it instead of liquin. First, it's non toxic. I believe it's sometimes used for salads and cooking, but don't quote me on that. Second, it dries slooooowly. So it gives you more open time to work your paints... strictly a personal preference. Both work, it's just what you prefer. I know that Morgan Weistling uses walnut oil, so you can't get much higher recommendation than that. Cheers!
Thank you Steve;
I have another question. I think you seal your drawing with clear gesso? I think that is what I remember. Anyway. I just happened to find a huge roll of oil primed linen at a really good price at an estate sale. Could clear gesso be painted on oil primed linen? That would be acrylic over oil. Maybe there is another way to seal the drawing on oil primed linen. What would you suggest.
Hi Mary Kay, if you use acrylic primed linen or canvas you could use clear gesso. But if it's oil primed linen, then you can't use gesso. So, remember, you can paint oil over acrylic, but not acrylic over oil. Oil paint dries too slowly and acrylic much faster, so any acrylic painted over oil would crack and peel. I actually use a thinned liquin coat (80% liquin / 20% gamsol) to seal my drawing in this video. As soon as I get it edited, I will upload the drawing and sealing process I used on this painting. Paint on!
Steve - When you were painting the background you went from red, to a grey to a purple and then added green all in one setting - when I try this I get a mixed color of mud - what is the secret behind putting colors on top of other colors without it getting all mixed on the canvas? It's like you have the ability to change colors at any time. Is my paint to thick? I would love to see a video on how you actually create your pallet and how much medium you are adding to the brush - the thickness of the paint so that it flows consistently etc...
Mike, that's a great question and one of the big reasons I have been avoiding painting with oils. The few times I tried, I got a big mess of mud!
Wow!great painting!
Absolute beginner here!just one question.
How to do you get the sketch of the man on the canvas?do you you draw on the canvas itself?
Thanks
Adarsh lakshman
Great video, Steve, and awesome portrait. I also tend to end up with darker paintings (though it probably suits my style a bit more to leave them that way, lol). I feel like it gives you the ability to really push the contrast where you want. Quick question, do you usually paint with daylight or studio light?
Hi Andrew, it sure works with your style as I love everything I've seen you do. As far as the lighting goes. I have large windows on the east, south and west that I control with room darkening shades that open from the bottom up or top down. But my main lighting is two side by side ceiling mounted LED lights that are modeled after the old flourescent long tubes (if that makes any sense). Each light has 4 light strips in it for a total of 8 bulbs. The color temp is 5000K and gives me the controlled light I need, and enables me to paint long after daylight is done, which is such a blessing. They are on dimmers, but I don't ever use the dimmers. How about you, are you team daylight or studio light?
Thanks for the info! I'm a bit of a night owl so I don't have a lot of daylight to paint in. I just have an assortment of lamps and lights hanging around the room. I really need to sort that situation out. Is 5000K a temp to shoot for? (Sorry for all the questions!)
Never can ask too many questions! In my research, 4000K-5000K is the range for the ideal temperature to paint under. Many galleries have lighting that's maybe a little warmer 3500K-4000K, so it's not a problem if your paintings are warmed up a little when they show them. Here's a link to something similar to what I have (though, these are 4000K and perfectly good color to paint under), I hope it helps. I have two of these kinds of lights installed parallel to my easel, side by side.... Feel free to email me at atk1961@aol.com if I can help you more. I can give you my phone if you'd rather talk, just email me first so I know it's you. www.homedepot.com/p/Commercial-Electric-4-ft-White-LED-High-Output-Wrap-58-Watt-5200-Lumens-4000K-Bright-White-54677141/207050927?MERCH=REC-_-PIPHorizontal1_rr-_-206032014-_-207050927-_-N
I love your work and I want to get some info about you, did you study painting academically or by your own ? and where did you study ? and how long have you been painting? Finally, sorry for any language mistakes, I am not a native English.
Hi Magdy, your English is very good, or the translator that you use is good. I've been an artist for more than 35 years now. I went to university for art and became an illustrator, also known here as a commercial artist. I've been a full-time fine artist for more than 10 years now. I am represented by two galleries here in the United States and have recently started teaching drawing at a local museum. I want to give back to anyone who's interested in becoming a better artist and have decided that RUclips is the place to do that. Thank you for your interest and for contacting me! Happy painting!!
@@SteveAtkinsonFineArt Hi Stive, thanks a lot for replying my questions, and it wasn't a translator by the way. I used to paint a couple of decades ago when I was in high school but I studied commerce in the university instead of fine arts and stopped, now I have the eager to draw and paint again. That's why I wanted to know how did you achieve this degree of mastery . Thank you once again and best wishes for your career.
@@Magdy_Edward Best of luck to you in your new endeavor. And remember, you can't fail unless you give up, lol!!!
Hi, how long to you have to wait after sealing with liquin
Until it's dry, which means overnight at most, less if you can take it outside and put it in the sun to dry, sometimes it only takes a couple of hours then since it's a very thin coat.
@@SteveAtkinsonFineArt thank you so much.. I teach art to "at risk youth"..and we just need lock in or set the pencil outline on the canvis.. Before we paint it..
No time to wait ..must keep moving on with the lesson..
Thanks
@@REALPAINTERGUY You're welcome. If you want to lock the drawing down and have it dry quicker, you can try using a thin coat of clear gesso made by Liquitex. Make sure it's the clear and not the white or colored gesso though! LOL!
Awesome I notice that so far of the video that i have seen you don't do any glazing.
Hi Mike, I don't hardly ever glaze, unless I find that I really missed the boat on the saturation of something. Otherwise it's all straight painting
Nice brush there at the beginning. Hairy stick technology hasn't advanced much in the past 2300 years, has it?
Hey John! Nope, you're right about that, lol. And the funny thing is... the cheaper they are, the more I tend to like 'em. ;) Thanks for watching and for your support!
Same. I have a long handled bbq brush I got at a thrift store that I'm itching to try out. Great painting, btw. I like the portrait in landscape element, or is it landscape in portrait? Wonderful.
Hahaha, I'll look for you to post that one, for sure. Thanks, I appreciate the compliment!
The frame doesn't go with the painting