1. 1:19 play everyday 2. 1:24 stop biting 3. 1:51 softer reeds 4. 2:04 let the air do the work 5. 2:15 listen to great saxophone players 6. 2:24 practice longtones 7. 2:33 be patient, think long term 8. 2:40 upgrade mouthpiece
Hi Jay - since I retired from work I have been playing long tones every day - playing a (different) scale over the full length of the horn (so i get round the cycle of fifths ) listening to each note for at least a whole note or two or four (quarter note = 60bpm), and checking tuning / intonation against a drone.. Last week my band director walked past me and said my tone is really sweet and full of character . So - to everyone out there - Jay's message about long tones works. It just takes patience, persistence, dedication day in day out.
For me, as a professional, i always enjoy your tips and advices. And what i like the most is your ideea that you have to practice no matter if you are a begginer or a professional. Tnx for the video!
Thanks for this Jay. The putting the time in is really important, and what you said is so true. 10 years ago I sounded terrible, and I was in college! But I practiced every day, had my ass kicked by the right people, and I sound a lot better. These days I mostly play to keep in shape, or learn music for new gigs, but pulling the horn out of the case and playing and being honest of where you stand with it is key.
Thanks Jay! I’m a rare student who is starting off on bari and have been enjoying being a member of yours since August. I’m pleased with my overall progress but this was a great reminder to stay consistent and focus on the incremental improvements
@@peterstewart9983 I started playing it seated but forced myself to stand to be more stage ready in the future. I bought a shoulder harness that better distributes the weight. An ordinary neck strap didn’t cut it for me. That would be my recommendation!
Im an older player and I chased the sound for many years until I found my sound about 15 years ago. I went to a sax shop that had many used quality tenor sax mouthpieces. I spent hours going through mouthpieces. I found the mouthpiece of my dreams, a Lamberson. I had never heard of that manufacturer, but now I'm very aware of him. I spent many years along with three years in the Army band system with the wrong mouthpiece for me. Jay is right, don't be afraid of using a softer reed. Some mouthpieces are designed for a softer reed. "Let the air do the work".
Nice! I’m a tone geek too and Here’s some of my favs: 1) turn out 2) push in 3) The “hinge long tone routine” 4) Joe Temperly’s long tone routine 5) Long tones with filter pedals and micing from the tone holes to isolate the fundamental blending and maximizing it through the dynamic range 6) Long tones blending the sound of the bell with sound of tone holes (play into a wall or put the neck on backwards to hear that the two tones are different (This is a UofMiami thing) 7) scales on mpc or mpc and neck and while fingering and playing on mpc slowly put the mpc onto the sax; keep it free-blowing by voicing to compensate for the added resistance (brass player exercise)
@@cadence649 Hi “turning out” refers to rolling out the lower lip like Dexter Gordon does. It will feel weird at first but it’s a totally different way of playing than most people learn and the lip dampens different parts of the reed playing that way. “Pushing in” means playing in tune but from a few millimeters pushed in at the cork. For me the horn resonates more and takes more air when I play lower in the sound and tune accordingly.
I find your videos VERY helpful. It's worth it to get an inexpensive microphone (used SM58) and stand, an inexpensive mixer and headphones. Then listen to yourself on everything you play,at least once a week, articulation, long tones etc.. The sound in front I discovered is very different from sound behind. It's easier to correct on the fly instead of after a recording. I found softer reeds also helpful, putting away my pride. Also, longer vamp reeds (like Rigotti) for longer chamber mpcs, shorter vamp (like van Doren) for shorter chambers made a huge difference for me and took me considerable study to discover.
Great video as usual Jay. I wasted years that I could've been studying because of noise issues. About two years ago, I built a practice room which was not quiet enough, then I built a sound proof "shed" in my garage where I can practice any time of the day or night. Just one more note, golf is as frustrating as saxophone believe me. 🤣
@@unclemick-synths You might be right Old Uncle Mick. Golf is cruel. I seem to be making progress with my sax, but after any amount of golf progress, you always come crashing back to earth in the blink of an eye. Although I am a decent beer league hockey player. (that's why I use the double lip technique cuz all my front teeth are different lengths)
Sidnei ramalho. Im from India. I just read your post though I practice in woods I hav craze of playing the sax at any part of day or night, can you help me with all the inform to build a practice soundproof room of mine.what material u used etc
I love it. " Practice every day"... Thanks alot dude. Great video,.. highlighting the reality of life. You get out of it,.. what you put into it, and if you want something, you have to put in the work. Passion, and determination breed results., in anything you pursue. I'm an old man, and I can attest to this truth. Like it or not,. it's still the truth.
Ironically, only an hour before watching your video my husband and I saw a guy sitting in his car by the side of the road playing his sax. Proves you can practice anywhere if you really want to. No excuses!!
Thanks for these explanations. I can already see that practicing every day and stop bitting by thinking a word while playing changed a lot my sound. It's only begining but this is a first step for me. Thanks for your advice 👍
Been playing blues harmonica for 15 years. 2 weeks ago I decided to try out saxophone. Pick up a cheap alto saxophon like the one you demo on your RUclips. Watching your videos for instruction. Fingers crossed.
I’ve been playing for 6 months. One of the things I discovered to help me get the sound right is I had my sax check up. Got it use but was in new like shape. Found out a I had a few keys that needed an adjustment and the octave key needed adjustment. But improvement on sound right there. Second I explored a lot into different reeds. Recently discovered a brand called rigotti jazz reeds. It end up being a expensive investment. Becus rigotti uses a weird numbering system. I end up living the rigotti jazz strong size three Reed and love how it respond. I had to try out two different size in medium strength and strong strength to find Wht works best with my mouthpiece. I end up loving better then the other brands. Then I tried different mouthpieces. Was learning on a meyer 6 mouthpiece. But just recently switch to Jody jazz dark series hard ruber size 5 and end up playing super well.
Every comment is Golden Jay.... Your passion an knowledge shines through.... After 35 years of playing (doing lots of things wrong) I wish I'd followed much if this video suggestions. Recently enrolled in your Pentatonic Foundations Course. More enjoyment and fun ahead... Please do more of these type videos.... They add another dimension. Cheers Jimu
One place I love to practice is my car. Because when your in the car, you can really hear your sound because the sound waves bounce off the walls in the small space. Playing in the car can allow you to really focus on your sound.
I play trombone but I listen to great players and teachers of other instruments. Years ago I said to my mentor that I was tired of not getting ahead quick enough. His answer has stuck with me for decades. He told me that failures are merely the steps you take to success. After that I never got anywhere near as frustrated because I knew I was another day closer to where I wanted to be.
Thanks, Jay, I'm going to watch this video every time I need a motivational boost while I'm practicing every day for the next ten years, ha ha. Seriously, this really helped. Thank you.
ALL GREAT advice.. unfortunately there are many stubborn instant gratification “I need a shortcut!” types that can’t accept the reality of it. You have to love the music and immerse yourself. Thanks Jay for laying it all out there and reminding us “in the journey” types what’s important to keep us on track..👍 To🎷. 🥂👨🏻 My advice is “Don’t give up, have faith, and enjoy the process.”
Hi Jay, I don't understand why anyone learning the saxophone would complain about practising - for me its the absolute best time. I simply cannot wait to get home and start. Surely anyone who complains has made the wrong decision.
This is really a great video!! Wonderful place, with your sweet and beautiful dog-buddy, so happy running free.. So nice!! And also all this good typs, like #3 (use softer reeds), specially to sounding warmer, fuller, soft and subtle. Congrats for this nice video!
Thank you for this video it was very helpful. To anyone just starting in their journey as a new player or a player returning to their horn I highly recommend buying a course or two. I was returning to my horn after many years. I played in High School and a couple years after that. All reading music of course, even in jazz band. I always wanted to improvise but never got anywhere, regardless of what Abersold play along I bought and attempted to learn from. Jay's Pentatonic Foundation course literally changed my saxophone life! I had a great sound and could read music. What I did not have was any fun. After the course I played along to his backing tracks at the end of every practice session, just using the pentatonic scale. That was my gateway drug! Soon after I bought myself a "jazz" MP and bought some softer reeds. Playing long tones with a tuner (and drone) everyday changed the way I approached the horn. Eventually you feel the sound come from you and not the horn because you are not trying to hard. Anyways, once I built up confidence I was able to join my church group and even hop on stage and improvise solos. If you like rock, blues, or pop you will be amazed at how much FUN you can have just with the pentatonic and blues scale and it will motivate you to expand on your abilities and eventually follow changes (I am not there yet).
Thanks Man, seriously helpful.👍🎶🎷 I have two sax teachers...it helps having their different personalities, playing styles and musical perspectives. Both tutors are jazz freaks!🎶🎶🎷
Hey Jay, great video and ALWAYS relevant. As a relative improv beginner (5years at it now) I would just add one thought, regarding the slow learning curve: Enjoy playing where you're at. So what if you're not Sonny Rollins! There are beautiful sounds at every level. Thanks too, for your fantastic videos and courses. You are a fabulous ambassador for the Sax. Cheers!
Man I’m from a small town not really anyone here that plays saxophone so I was left with no one to really talk to or ask questions, but between you and McGill I have been able to learn and find things out that would have taken years to learn on my own. Thank you for you’re content!
Hello, I am a person living in Korea. I've been learning saxophone for over a year. I've been practicing every day, so now I can hear some sounds. I think it will be a great performance until 10 years later
This is a great video :) I really enjoyed the change of scenery actually and wanted to say that the camera you have looks amazing. The lighting (even though it's natural) was really great haha. I've been watching you for the past 4 years, since I started saxophone when I was 12 and wanted to say that your channel has really helped me with motivation and learning the saxophone. I am the only saxophone player in my high school that knows all my scales and regularly practice long tones and I owe that to you. My sound is really good and improving, and just next week I'm having my first solo sax performance at my school (playing Just the Two of Us by Grover Washington) and I am so excited. I don't think I would have had the motivation to get through those first 6 months of playing if it weren't for this channel, and I know I would have been severely behind where I am today. Thank you :) also very cute dog
Truth! Finally opened my mind to the Church of Long Tones, and it made a huge difference in my low notes. And biting...isn't that us trying to substitute for embouchures that are not fully developed strength wise (and later, just a bad habit)? Definitely something to get conscious of, along with my compulsive automatic vibrato that I need to eliminate. You covered SO MUCH essential stuff in this vid. People need to expand their concentration spans and really absorb every word of this. Thanks!
I am sort of biased, as a retired small animal veterinarian but your Shelty stole the show. They were some of the finest dogs to work on. I wish I had 1% of their energy. Great advice on sound production btw!
I had a cheap saxophone from a second hand store for around the first year of playing saxophone. Recently i tried playing on an intermediate model that was in much better condition and it made a world of difference, and i could feel an immediate upgrade with my sound quality and tuning, etc. Having a good saxophone compared to a crappy one definitely makes a difference.
Great content. I started playing saxophone in the 90s, before internet. No tutorials available, no RUclips, no teachers around where I lived in Norway. I purchased the saxophones, and started playing with Jamey Aebersold play-alongs. Years later it turns out I instinctively did things correctly. Holding the instrument, fixating the reed, cleaning the instrument, and most importantly, embouchure. I used a double lip embouchure, never even knee there was a formal term for it back then. Turns out it's the exact embouchure that Stan Getz used😊 And without trying too hard, I sounded similar to Stan. Wasn't trying to copy even...
So true. This last winter, I was really down in the dumps, and didn't touch my sax for 4 months. Huge mistake. Now I'm catching up. I was surprised at how quickly one can lose technique and remember how to play certain songs. I do have a hard time staying relaxed while playing, both mouth and hands. Especially with a quick paced piece like "In the Mood". Thx for the tips.
Thanks for all that helpful advise Jay! Especially about going to a softer reed. This one teacher (don't go to him anymore) also one of these teachers that says you have to have music in front of you when you playing scales) I memorize my scales without having the music in front of me.) anyways this teacher kept telling me, you need a harder reed and talked me into getting a 3 1/2 reed, and I had such a hard time getting any decent sound out of my Saxophone, I ended up engraving deep teeth marks in my mouthpiece like a rat trying to chew it's way out something. I finally went back to a 2 1/2 reed and what a nice diffenance! Of course I still have ways to go on my playing and my tone, but it's alot easier to get a tone out and less frustrating when I'm playing the Saxophone now. Thank you Jay!!
I started my journey 4 days ago! got disconnected with my phone at Burning Man! went to Verizon to hear the quote of phone. Decided to get a sax instead and have still been amazed every time I open the box to see that Golden brass Alto Sax! Im so excited to improve
Great points, especially number 3 bc it's such an (overlooked) easy fix. I asked my first teacher why he played a 2 reed once and he just said, "I don't like to work." lol. A couple other things that really helped my tone starting out was: 1) try to be as aware of everything that can and does move in your throat/airway/embouchure 2) constantly be vigilante in seeking out and relieving tension 3) Regardless of everything else: if it didn't sound good, you didn't play it right
I'm in love with your blue merle Sheltie. What a cutie! I had two Shelties that were awesome and I named them Jazz & Bebop. Thanks for including him/her? in the video running outside. It made a huge smile cross my face today. I really enjoy your channel for all the great tips.
I immediately tried a softer reed after watching this video. My sound opened up. I don't have a lot of pressure because I double on Bassoon. Thanks for the tip.
Hi, Jay...maybe you've already done something like this, but it would be super helpful, for gear buying, to see a video where all those verbal descriptions of tone are exemplified with clips. Like, what do "bright" vs "dark" sound like? What is "focussed" vs less so, more vs less "body", more vs less "edge" etc. Especially if you can find comparisons that isolate the one factor, e.g. two players with identical brightness but different amounts of "body". Manufacturers' websites will describe, say, five different mouthpieces with these different terms and every one sounds like it must be amazing, but which one actually matches the sound you're after?
Another very interesting video that will concern a lot of saxophonists like me. Lots of valuable advice, which we sometimes forget over time 👌👍. Very happy to also note that we live in the same geographical area. Maybe one of these days in the Brague Valley 🚶♂with our dogs 🦮😄
I live in Canada, the colder part, it’s still winter here.. wishing I had a car, or a booth, so I could learn to play better experimentive jazz, which I hated when I was a baby gal. Thank you for your advice. I started playing 3 days ago. I’m starting to feel comfortable like the sax is a part of my body. Also I found sitting in the roots of jazz and understanding how the first Jazz Friend started jazz on the instruments and zero classical theory. (From my own play style) to tell a story, sometimes even your own life. It’s the feeling.
I’m almost embarrassed to ask you this, but I love the saxophone so much I play the keyboard well however, it has always been my passion to play the alto saxophone and I just want to know in your opinion I am 56 years old. Would it be too late for me to learn how to play it? I mean if I follow the steps and gave time to it every single day, would it be too hard for me to learn at this age, you can be honest I like honesty thank you and thank you for your thoughts and you’re teaching all of us about the saxophone
I'm 76. Never touched a sax until three weeks ago. I'm doing it. It's frustrating, but I'm progressing. You are only too old to do anything when your dead.., or when you quit on yourself . If you're still here,.. you can still do it. 56 is what you want it to be, it's not old, unless you wish it to be. Don't miss out on the adventure, and the satisfaction as you improve. Your keyboard knowledge will be a major asset, you can apply the same discipline. Do it, it will make you happy. I can already play some of those high notes, and a few songs. I play by ear. I figure out the notes to songs, and write them down, and memorize where the keys for the notes. It's fun when the songs come out right.
I’m in decade six! Started playing in August and I’m doing well. If you can breathe and wiggle your fingers you can learn. It’s a healthy activity and will help you mentally too. You can do it!
excellent advice. Record yourself in Audacity or similar, and look at the trace. If the waveform is not balanced about the midpoint the you are biting/applying too much pressure, and Yes I was 😁
Hi Jay.. how did I miss this one when it came out? This is invaluable information. Absolute gold here. Now… how do I skip all this “years of practice” stuff and be good by say, next week? …. J/k Seriously great points here. I wish someone had told me this (and I would have believed them) when I was young! Alas, I am taking it step by step at this late age. Your courses are great… And I always enjoy your videos! Thanks for sharing your expertise!
Been playing for about 7 years now, and Ima be honest, I've never really used your videos to teach me anything, but they were great reminders time and time again. I've picked up on learning the guitar for about 2 years now, and I still enjoy the beautiful sounds of a saxophone the most. I want to make a request for a video, something that I've never thought about until a few days ago, I tune my guitar in many different keys, and I've listened to Warren Hill's saxophone performances. He has his own very unique sound and different sound than other saxophone players, there's something I noticed though about how he plays, it's a bit more different than many other saxophone players generally play their saxophone. I'd like to request a video on if you can tune a saxophone in different keys, (for instance, tuning in in d or d sharp) or if you can maybe make different sounds based on the amount of pressure you hold the keys on the saxophone. I hope you see this and will appreciate it very much if you can fulfill my request.
Thank you! You always doing a great job. What about Funky music? All is about Jazz but I didn’t found anything related to learn funk music, any suggestion?
I upgraded my mouthpiece from a Yamaha 4C to a Berg Larssen (8 tip equivalent). As a former bass trombonist, I was wondering if I'd outgrown my alto sax. As it turned out, I'd only outgrown my mouthpiece. The change made a huge difference, not only in tonality but I found I had what I know consider to be "my" sound. All I want to do is play sax and I will play anywhere, even if I have to go sit in the car to do it!
Very good advice. I think that #8 can be of some importance to intermediate players. I was happy with stock mouthpieces for the first 5 or 6 years of playing sax and clarinet as an adult. But eventually I wanted to experiment with different pieces of equipment. After upgrading to professional horns, I bought better mouthpieces, some new, some second hand. I think that it did help in improving tone.
And it doesn't have to be expensive to change up. I wanted to try out a medium 7 with my alto but didn't want to risk a lot of money so I bought a returned Rico for $20 from Amazon just to see. Turns out it has a concave baffle and they aren't to everyone's taste but it really suits my sax and my choice of reeds so I love it.
I have bought both a Meyer 5 and an Otto Link Tone Edge 5 used. Both needed some cleaning (tap water, room temp/NOT hot, diluted vinegar soak, soft tooth brush), and I love them both. If you buy used make sure you see actual pics, and look hard for chips or nicks. One mouthpiece was under $50, the other was about $90. I live somewhere without good sax shops, so used made the most sense.
hi jay, i just learn a saxophone 3 day, day 1 i even cant make a sound, day 2 i can a little bit, day 3 i can make a sound and try a longtones, and now i see you video and make me more motivating to learn. thank you jay
Aha! That's amazing 🤣 I've practiced in all kinds of ridiculous places, so it's amazing to know I'm not the only one who's practiced in the woods! Quick question for anyone: I'm not a singer, and my throat doesn't seem to have much vocal range. Is this going to limit my ability to play altissimo notes and harmonics? I've tried reaching harmonics and I've adjusted my set up which helped me reach upper and lower notes more comfortably, but I feel I'm going at it handicapped. Maybe I should try singing to work the muscles?
I’ve wanted to play a sax since the early 90s, finally got one for my 50th birthday, love this channel, as ever slowly slowly catches the monkey study and patience, I truly sound awful at the moment 😂
Thanks Jay I found that I’m not biting initially then towards the end I’m biting, so I’m working on it. What type of mouthpiece would I upgrade to if I needed to? YTS 62. For getting good at finger work and tone is your core essential a good place to start? Thanks
I've been playing for about 20 years (it would be 40 but I took 20 years off in the middle) I don't know why, but until you said biting with altissimo, I didn't realize I was doing that and it might be why I still can't do it. I do know that I start biting after playing for about 4 1/2 hours or when my reed is dying. BTW I'd also be interested on what altissimo fingerings you use on bari.
I've found the best way to get a beautiful saxophone sound begins all in the embouchure. I found this to be true when I play the Bb trumpet and flugelhorn, too. 🎷🎺🎶
I know I’m a little late to this but I had the opportunity to have a few in depth conversations with the great Walter Blanding. He said to do long tones everyday through the entire range of the horn to get a better sound. He also said to do them quietly, to control the sound. Long tones are terrible to play but man do they help
Hi Jay! I've been playing my alto sax for a year and a half now for concert and marching band and I'm beginning to transition into jazz band. I've auditioned for a solo one time with notes high above the staff, and I was told I play them well but I'm out of tune. This is usually told to me any time I'm playing a song with notes that go above the staff. How can I be able to play high notes in tune? Does it involve fixing embrochure or air quality?
Love it. I’m on the woodwind doubler spectrum (I call it a spectrum because there is something about our brains that are wired differently to *want* to learn the piccolo), and I have a dog that can’t stand it. My solution? The garage. Too cold? I installed a heater. It’s a little crazy to some, but it keeps the chops going.
This video is great, but if you see this, I have a question. Im really into jazz, but I want to be able to play classical as well. I understand listening to classical sax will be important, but I dont know who to listen to or the other steps? What are some good classical saxophonists and good introduction to classical?
Dude, I really enjoy your videos and I appreciate your time and effort into making them. I’m curious if you can get an interview with the Great Lenny Pickett of “Tower of Power” and “Saturday Night Live”. He is the absolute master of altissimo. I’m interested in hearing his thoughts on playing above the 1st altissimo octave. He has the highest range of All of us Sax-off-onists. Please try to get an interview with him. I promise you there are a lot of us who are interested in watching an interview with him. Best Wishes.
Jay, I've been playing for about 3 yrs now, I live above a cafe and someone heard me playing and put a note through my door asking if I'd like to jam with their band. Nothing live just some people jamming. Would it help or hinder were I to go and play with them cos I dont think I'm good enough? Any advice would be welcome.
Do it. Playing with others in any context will be the best learning experience especially if they are better than you and you fail miserably. It can be scary but it will speed up your development significantly.
Hi Jay I love watching your videos I have learned a lot. Just needed some advice I have been using product called Formby's a deep cleansing Buildup Remover for years to clean just the pads on my saxophone. Seems I can't get it now can you recommend a substitute or what product do you think is best for cleaning pads. Thank you Gregg
I played saxophone for 7 years graduated highschool but stopped playing, didnt get my license for a couple years after kept telling myself couldnt play where i lived and couldnt go anywhere since no car. Here i am another 7 years since i stopped just bought some new reeds (vandoren 3 because thats what i used to play). Going to order some softer reeds might get a new mouthpiece (still have the mouthpiece that came with my saxophone). Hoping to get back in and enjoy once again
Wonderful video Jay. A question: I somehow feel that doing too many different things is inhibiting me from becoming good at one thing. Would you agree? I sing, i play alto tenor soprano saxophone, I play piano, guitar, drums and more. I have very limited time, and lately I've only wanted to play saxophone when I have some spare time. But I don't want to give up on the other things. It's a dilemma. Anyway, do you think I should concentrate on only one thing?
Focus on 1 thing helps us get better at it yes. But playing lots of different instruments makes you a better all around musician. It’s the generalist vs specialist argument. What I find works is to spend periods of time focusing mainly on one particular skill. Then switch to another for a while.
Im 65 started playing on Sax two years ago and I can tell Im crazy of playing from day to day.....and so sorry it's too late but I don't loose my heart
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
I'm 72 and purchased a beautiful Jean Paul alto sax. Playing three months and very satisfied with my progress... Thanx to you my friend!!!
How you doing now
@@Jackc1217He gave up after he found the octave key
@@danobrien4890wtf bro
@@danobrien4890lol
@@danobrien4890 🤣
1. 1:19 play everyday
2. 1:24 stop biting
3. 1:51 softer reeds
4. 2:04 let the air do the work
5. 2:15 listen to great saxophone players
6. 2:24 practice longtones
7. 2:33 be patient, think long term
8. 2:40 upgrade mouthpiece
9. Turn RUclips sax videos off and go practice.
@@bobmichelletheory will only take you so far
Hi Jay - since I retired from work I have been playing long tones every day - playing a (different) scale over the full length of the horn (so i get round the cycle of fifths ) listening to each note for at least a whole note or two or four (quarter note = 60bpm), and checking tuning / intonation against a drone.. Last week my band director walked past me and said my tone is really sweet and full of character . So - to everyone out there - Jay's message about long tones works. It just takes patience, persistence, dedication day in day out.
Nice, keep it up.
Whats this drone tuner you speak of??
As a player, teacher and perpetual student of the saxophone I think this advice is absolutely the best advice out there. All credit to you Jay 😎🎷👏👏👏
Thanks, much appreciated.
“Let the air do the work” is the most important tip from this video IMO.
It really applies to all wind instruments.
Yeah, there was a lot of good advice on learning jazz sax in this video, also applicable to learning other winds. Not just air support.
For me, as a professional, i always enjoy your tips and advices. And what i like the most is your ideea that you have to practice no matter if you are a begginer or a professional. Tnx for the video!
I just upgraded my mouthpiece as a junior from the student one to a selmer concept and I absolutely notice the difference. It’s great.
Thanks for this Jay. The putting the time in is really important, and what you said is so true. 10 years ago I sounded terrible, and I was in college! But I practiced every day, had my ass kicked by the right people, and I sound a lot better. These days I mostly play to keep in shape, or learn music for new gigs, but pulling the horn out of the case and playing and being honest of where you stand with it is key.
Thanks Jay! I’m a rare student who is starting off on bari and have been enjoying being a member of yours since August. I’m pleased with my overall progress but this was a great reminder to stay consistent and focus on the incremental improvements
Starting on a bari also. I always loved the sound and never considered any other sax. Plugging along and practicing 7 days per week.
@@1.nf674 Right?! Check out James Carter; he frequently breaks out the baritone and bass saxophones on his records and gives them great center stage
Thanks Johnathan. I caught a little bit of James Carter tearing up on a P. Mauriat bari. I like his sound!
I am studying the bari also. Which playing position do you find the best? I find the bari a bit heavy, and even when seated it is a handful!
@@peterstewart9983 I started playing it seated but forced myself to stand to be more stage ready in the future. I bought a shoulder harness that better distributes the weight. An ordinary neck strap didn’t cut it for me. That would be my recommendation!
Im an older player and I chased the sound for many years until I found my sound about 15 years ago. I went to a sax shop that had many used quality tenor sax mouthpieces. I spent hours going through mouthpieces. I found the mouthpiece of my dreams, a Lamberson. I had never heard of that manufacturer, but now I'm very aware of him. I spent many years along with three years in the Army band system with the wrong mouthpiece for me. Jay is right, don't be afraid of using a softer reed. Some mouthpieces are designed for a softer reed. "Let the air do the work".
Nice! I’m a tone geek too and Here’s some of my favs:
1) turn out 2) push in 3) The “hinge long tone routine” 4) Joe Temperly’s long tone routine 5) Long tones with filter pedals and micing from the tone holes to isolate the fundamental blending and maximizing it through the dynamic range 6) Long tones blending the sound of the bell with sound of tone holes (play into a wall or put the neck on backwards to hear that the two tones are different (This is a UofMiami thing) 7) scales on mpc or mpc and neck and while fingering and playing on mpc slowly put the mpc onto the sax; keep it free-blowing by voicing to compensate for the added resistance (brass player exercise)
can you explain the 1 and 2 more
@@cadence649 Hi “turning out” refers to rolling out the lower lip like Dexter Gordon does. It will feel weird at first but it’s a totally different way of playing than most people learn and the lip dampens different parts of the reed playing that way. “Pushing in” means playing in tune but from a few millimeters pushed in at the cork. For me the horn resonates more and takes more air when I play lower in the sound and tune accordingly.
I find your videos VERY helpful. It's worth it to get an inexpensive microphone (used SM58) and stand, an inexpensive mixer and headphones. Then listen to yourself on everything you play,at least once a week, articulation, long tones etc.. The sound in front I discovered is very different from sound behind. It's easier to correct on the fly instead of after a recording. I found softer reeds also helpful, putting away my pride. Also, longer vamp reeds (like Rigotti) for longer chamber mpcs, shorter vamp (like van Doren) for shorter chambers made a huge difference for me and took me considerable study to discover.
Great video as usual Jay. I wasted years that I could've been studying because of noise issues. About two years ago, I built a practice room which was not quiet enough, then I built a sound proof "shed" in my garage where I can practice any time of the day or night. Just one more note, golf is as frustrating as saxophone believe me. 🤣
I never thought about the golf/sax connection, but....... Wow, you nailed it.
I was about to say sax is easier than golf but I've never been successful at any sport that involves whacking round objects with sticks!
@@unclemick-synths You might be right Old Uncle Mick. Golf is cruel. I seem to be making progress with my sax, but after any amount of golf progress, you always come crashing back to earth in the blink of an eye. Although I am a decent beer league hockey player. (that's why I use the double lip technique cuz all my front teeth are different lengths)
Sidnei ramalho. Im from India. I just read your post though I practice in woods I hav craze of playing the sax at any part of day or night, can you help me with all the inform to build a practice soundproof room of mine.what material u used etc
I love it. " Practice every day"... Thanks alot dude. Great video,.. highlighting the reality of life. You get out of it,.. what you put into it, and if you want something, you have to put in the work. Passion, and determination breed results., in anything you pursue. I'm an old man, and I can attest to this truth. Like it or not,. it's still the truth.
Jay, bravo, and well done. I enjoyed this very helpful video. It hit home with me, on every point that you made.
Ironically, only an hour before watching your video my husband and I saw a guy sitting in his car by the side of the road playing his sax. Proves you can practice anywhere if you really want to. No excuses!!
My excuse is having school 😢😢
I already watched this video and I am watching it again because its just a nice reminder. Thanks.
I just got my first new saxophone today and you have helped me to get one thank you so much. I like your videos a lot too.
Thanks for these explanations. I can already see that practicing every day and stop bitting by thinking a word while playing changed a lot my sound. It's only begining but this is a first step for me. Thanks for your advice 👍
Been playing blues harmonica for 15 years. 2 weeks ago I decided to try out saxophone. Pick up a cheap alto saxophon like the one you demo on your RUclips. Watching your videos for instruction. Fingers crossed.
I’ve been playing for 6 months. One of the things I discovered to help me get the sound right is I had my sax check up. Got it use but was in new like shape. Found out a I had a few keys that needed an adjustment and the octave key needed adjustment. But improvement on sound right there. Second I explored a lot into different reeds. Recently discovered a brand called rigotti jazz reeds. It end up being a expensive investment. Becus rigotti uses a weird numbering system. I end up living the rigotti jazz strong size three Reed and love how it respond. I had to try out two different size in medium strength and strong strength to find Wht works best with my mouthpiece. I end up loving better then the other brands. Then I tried different mouthpieces. Was learning on a meyer 6 mouthpiece. But just recently switch to Jody jazz dark series hard ruber size 5 and end up playing super well.
Every comment is Golden Jay.... Your passion an knowledge shines through.... After 35 years of playing (doing lots of things wrong) I wish I'd followed much if this video suggestions. Recently enrolled in your Pentatonic Foundations Course. More enjoyment and fun ahead... Please do more of these type videos.... They add another dimension. Cheers Jimu
Great to hear thanks
Yeah play everydays Sax, the best vidéo this year is a good advice and stratégies to play.
One place I love to practice is my car. Because when your in the car, you can really hear your sound because the sound waves bounce off the walls in the small space. Playing in the car can allow you to really focus on your sound.
I play trombone but I listen to great players and teachers of other instruments. Years ago I said to my mentor that I was tired of not getting ahead quick enough. His answer has stuck with me for decades. He told me that failures are merely the steps you take to success. After that I never got anywhere near as frustrated because I knew I was another day closer to where I wanted to be.
Thanks, Jay, I'm going to watch this video every time I need a motivational boost while I'm practicing every day for the next ten years, ha ha. Seriously, this really helped. Thank you.
Jays videos taught me how to play and I will continue to accept any wisdom he gives us, thanks Jay!
I really like your info and teaching . Thanks so much.
ALL GREAT advice.. unfortunately there are many stubborn instant gratification “I need a shortcut!” types that can’t accept the reality of it. You have to love the music and immerse yourself. Thanks Jay for laying it all
out there and reminding us
“in the journey” types what’s important to keep us on track..👍
To🎷. 🥂👨🏻
My advice is “Don’t give up, have faith, and enjoy the process.”
Thank you. On behalf of the Sax community thank you! ❤
Thank you Jay for answering my question! This was a very motivating video to keep practicing and fine tuning my sound.
Hi Jay, I don't understand why anyone learning the saxophone would complain about practising - for me its the absolute best time. I simply cannot wait to get home and start. Surely anyone who complains has made the wrong decision.
This is really a great video!!
Wonderful place, with your sweet and beautiful dog-buddy, so happy running free.. So nice!!
And also all this good typs, like #3 (use softer reeds), specially to sounding warmer, fuller, soft and subtle. Congrats for this nice video!
Thank you very much!
Whoa. “…it’s more a question of commitment, not convenience.” THAT. RIGHT. THERE.
Love that - great stuff, Jay!
Thank you for the nice walk in the woods and the great tips.
Thank you for this video it was very helpful. To anyone just starting in their journey as a new player or a player returning to their horn I highly recommend buying a course or two. I was returning to my horn after many years. I played in High School and a couple years after that. All reading music of course, even in jazz band. I always wanted to improvise but never got anywhere, regardless of what Abersold play along I bought and attempted to learn from. Jay's Pentatonic Foundation course literally changed my saxophone life! I had a great sound and could read music. What I did not have was any fun. After the course I played along to his backing tracks at the end of every practice session, just using the pentatonic scale. That was my gateway drug! Soon after I bought myself a "jazz" MP and bought some softer reeds. Playing long tones with a tuner (and drone) everyday changed the way I approached the horn. Eventually you feel the sound come from you and not the horn because you are not trying to hard. Anyways, once I built up confidence I was able to join my church group and even hop on stage and improvise solos. If you like rock, blues, or pop you will be amazed at how much FUN you can have just with the pentatonic and blues scale and it will motivate you to expand on your abilities and eventually follow changes (I am not there yet).
Thanks Nathan much appreciated.
Thanks Man, seriously helpful.👍🎶🎷 I have two sax teachers...it helps having their different personalities, playing styles and musical perspectives. Both tutors are jazz freaks!🎶🎶🎷
Hey Jay, great video and ALWAYS relevant. As a relative improv beginner (5years at it now) I would just add one thought, regarding the slow learning curve: Enjoy playing where you're at. So what if you're not Sonny Rollins! There are beautiful sounds at every level. Thanks too, for your fantastic videos and courses. You are a fabulous ambassador for the Sax. Cheers!
Thank you!
Man I’m from a small town not really anyone here that plays saxophone so I was left with no one to really talk to or ask questions, but between you and McGill I have been able to learn and find things out that would have taken years to learn on my own. Thank you for you’re content!
Hello, I am a person living in Korea. I've been learning saxophone for over a year. I've been practicing every day, so now I can hear some sounds. I think it will be a great performance until 10 years later
This is a great video :) I really enjoyed the change of scenery actually and wanted to say that the camera you have looks amazing. The lighting (even though it's natural) was really great haha.
I've been watching you for the past 4 years, since I started saxophone when I was 12 and wanted to say that your channel has really helped me with motivation and learning the saxophone. I am the only saxophone player in my high school that knows all my scales and regularly practice long tones and I owe that to you. My sound is really good and improving, and just next week I'm having my first solo sax performance at my school (playing Just the Two of Us by Grover Washington) and I am so excited. I don't think I would have had the motivation to get through those first 6 months of playing if it weren't for this channel, and I know I would have been severely behind where I am today. Thank you :) also very cute dog
Great to hear. You deserve all the credit for doing the work. Keep it up and have a great show.
Hi, hoping you can download the video of your first solo performance it would be great to watch how you play...thanks..
download the video , please and congratulations !
Good stuff. Don't stop! I'm 62, playing since 15
Truth! Finally opened my mind to the Church of Long Tones, and it made a huge difference in my low notes. And biting...isn't that us trying to substitute for embouchures that are not fully developed strength wise (and later, just a bad habit)? Definitely something to get conscious of, along with my compulsive automatic vibrato that I need to eliminate. You covered SO MUCH essential stuff in this vid. People need to expand their concentration spans and really absorb every word of this. Thanks!
I played sax and golf for many years. Both are frustrating, golf probably more so.
Just getting back into both after a very long break. Great tips. 👍
Thanks Jay, this is surely one of your best videos to date!
I am sort of biased, as a retired small animal veterinarian but your Shelty stole the show. They were some of the finest dogs to work on. I wish I had 1% of their energy. Great advice on sound production btw!
Yep! Hard, daily work and one day a week off to let the muscles restore. And Stan Getz was my influence.
I had a cheap saxophone from a second hand store for around the first year of playing saxophone. Recently i tried playing on an intermediate model that was in much better condition and it made a world of difference, and i could feel an immediate upgrade with my sound quality and tuning, etc. Having a good saxophone compared to a crappy one definitely makes a difference.
Great content. I started playing saxophone in the 90s, before internet. No tutorials available, no RUclips, no teachers around where I lived in Norway. I purchased the saxophones, and started playing with Jamey Aebersold play-alongs. Years later it turns out I instinctively did things correctly. Holding the instrument, fixating the reed, cleaning the instrument, and most importantly, embouchure. I used a double lip embouchure, never even knee there was a formal term for it back then. Turns out it's the exact embouchure that Stan Getz used😊 And without trying too hard, I sounded similar to Stan. Wasn't trying to copy even...
And without trying too hard, I sounded similar to stan...yeah, sure pal😮😮😊😅
So true. This last winter, I was really down in the dumps, and didn't touch my sax for 4 months. Huge mistake. Now I'm catching up. I was surprised at how quickly one can lose technique and remember how to play certain songs. I do have a hard time staying relaxed while playing, both mouth and hands. Especially with a quick paced piece like "In the Mood". Thx for the tips.
Man, you always knows what I am looking for, and also you are very acertive advicing.
Thanks for all that helpful advise Jay! Especially about going to a softer reed. This one teacher (don't go to him anymore) also one of these teachers that says you have to have music in front of you when you playing scales) I memorize my scales without having the music in front of me.) anyways this teacher kept telling me, you need a harder reed and talked me into getting a 3 1/2 reed, and I had such a hard time getting any decent sound out of my Saxophone, I ended up engraving deep teeth marks in my mouthpiece like a rat trying to chew it's way out something. I finally went back to a 2 1/2 reed and what a nice diffenance! Of course I still have ways to go on my playing and my tone, but it's alot easier to get a tone out and less frustrating when I'm playing the Saxophone now. Thank you Jay!!
Glad to hear it helped you.
I started my journey 4 days ago! got disconnected with my phone at Burning Man! went to Verizon to hear the quote of phone. Decided to get a sax instead and have still been amazed every time I open the box to see that Golden brass Alto Sax! Im so excited to improve
Good tips! Thanks for answering our questions! Nice woodsy area and a nice collie!
this deserves a ton of likes !
Great points, especially number 3 bc it's such an (overlooked) easy fix. I asked my first teacher why he played a 2 reed once and he just said, "I don't like to work." lol.
A couple other things that really helped my tone starting out was:
1) try to be as aware of everything that can and does move in your throat/airway/embouchure
2) constantly be vigilante in seeking out and relieving tension
3) Regardless of everything else: if it didn't sound good, you didn't play it right
I'm into your inspiration for the upcoming youth, I've a Henri six, been playing with you, thanks
Beautiful advice sir.
I loved this video out of in nature, actually more enjoyable to watch
Amazing words, thoughts and insignes. Gracias
I'm in love with your blue merle Sheltie. What a cutie! I had two Shelties that were awesome and I named them Jazz & Bebop. Thanks for including him/her? in the video running outside. It made a huge smile cross my face today. I really enjoy your channel for all the great tips.
Her name is Sky
@@bettersax Great name!
I immediately tried a softer reed after watching this video. My sound opened up. I don't have a lot of pressure because I double on Bassoon. Thanks for the tip.
Excellent!
Thank you very much Jay for these useful tips!
Hi, Jay...maybe you've already done something like this, but it would be super helpful, for gear buying, to see a video where all those verbal descriptions of tone are exemplified with clips. Like, what do "bright" vs "dark" sound like? What is "focussed" vs less so, more vs less "body", more vs less "edge" etc. Especially if you can find comparisons that isolate the one factor, e.g. two players with identical brightness but different amounts of "body". Manufacturers' websites will describe, say, five different mouthpieces with these different terms and every one sounds like it must be amazing, but which one actually matches the sound you're after?
Another very interesting video that will concern a lot of saxophonists like me. Lots of valuable advice, which we sometimes forget over time 👌👍.
Very happy to also note that we live in the same geographical area.
Maybe one of these days in the Brague Valley 🚶♂with our dogs 🦮😄
Im a saxophone player that have been playing for a year or two and this will help so much because it has been super frustrating
I live in Canada, the colder part, it’s still winter here.. wishing I had a car, or a booth, so I could learn to play better experimentive jazz, which I hated when I was a baby gal.
Thank you for your advice.
I started playing 3 days ago.
I’m starting to feel comfortable like the sax is a part of my body.
Also I found sitting in the roots of jazz and understanding how the first Jazz Friend started jazz on the instruments and zero classical theory.
(From my own play style) to tell a story, sometimes even your own life.
It’s the feeling.
I’m almost embarrassed to ask you this, but I love the saxophone so much I play the keyboard well however, it has always been my passion to play the alto saxophone and I just want to know in your opinion I am 56 years old. Would it be too late for me to learn how to play it? I mean if I follow the steps and gave time to it every single day, would it be too hard for me to learn at this age, you can be honest I like honesty thank you and thank you for your thoughts and you’re teaching all of us about the saxophone
It is not too late. The late Joey DeFrancesco picked up the sax and was playing really well to have only been playing less than 5 years
Definitely not too late. Go for it.
I'm 76. Never touched a sax until three weeks ago. I'm doing it. It's frustrating, but I'm progressing. You are only too old to do anything when your dead.., or when you quit on yourself . If you're still here,.. you can still do it. 56 is what you want it to be, it's not old, unless you wish it to be. Don't miss out on the adventure, and the satisfaction as you improve. Your keyboard knowledge will be a major asset, you can apply the same discipline. Do it, it will make you happy. I can already play some of those high notes, and a few songs. I play by ear. I figure out the notes to songs, and write them down, and memorize where the keys for the notes. It's fun when the songs come out right.
I’m in decade six! Started playing in August and I’m doing well. If you can breathe and wiggle your fingers you can learn. It’s a healthy activity and will help you mentally too. You can do it!
@@ronmay5589 Congrats Ron! Your way is correct!!
excellent advice. Record yourself in Audacity or similar, and look at the trace. If the waveform is not balanced about the midpoint the you are biting/applying too much pressure, and Yes I was 😁
Hi Jay.. how did I miss this one when it came out? This is invaluable information. Absolute gold here. Now… how do I skip all this “years of practice” stuff and be good by say, next week? …. J/k Seriously great points here. I wish someone had told me this (and I would have believed them) when I was young! Alas, I am taking it step by step at this late age. Your courses are great… And I always enjoy your videos! Thanks for sharing your expertise!
Great advice I love all your videos definitely subscribe he knows his saxophones very knowledgeable
Been playing for about 7 years now, and Ima be honest, I've never really used your videos to teach me anything, but they were great reminders time and time again. I've picked up on learning the guitar for about 2 years now, and I still enjoy the beautiful sounds of a saxophone the most. I want to make a request for a video, something that I've never thought about until a few days ago, I tune my guitar in many different keys, and I've listened to Warren Hill's saxophone performances. He has his own very unique sound and different sound than other saxophone players, there's something I noticed though about how he plays, it's a bit more different than many other saxophone players generally play their saxophone. I'd like to request a video on if you can tune a saxophone in different keys, (for instance, tuning in in d or d sharp) or if you can maybe make different sounds based on the amount of pressure you hold the keys on the saxophone. I hope you see this and will appreciate it very much if you can fulfill my request.
Thank you! You always doing a great job. What about Funky music? All is about Jazz but I didn’t found anything related to learn funk music, any suggestion?
These suggestions apply to all styles of music.
I upgraded my mouthpiece from a Yamaha 4C to a Berg Larssen (8 tip equivalent). As a former bass trombonist, I was wondering if I'd outgrown my alto sax. As it turned out, I'd only outgrown my mouthpiece. The change made a huge difference, not only in tonality but I found I had what I know consider to be "my" sound. All I want to do is play sax and I will play anywhere, even if I have to go sit in the car to do it!
Very good advice. I think that #8 can be of some importance to intermediate players. I was happy with stock mouthpieces for the first 5 or 6 years of playing sax and clarinet as an adult. But eventually I wanted to experiment with different pieces of equipment. After upgrading to professional horns, I bought better mouthpieces, some new, some second hand. I think that it did help in improving tone.
And it doesn't have to be expensive to change up. I wanted to try out a medium 7 with my alto but didn't want to risk a lot of money so I bought a returned Rico for $20 from Amazon just to see. Turns out it has a concave baffle and they aren't to everyone's taste but it really suits my sax and my choice of reeds so I love it.
I have bought both a Meyer 5 and an Otto Link Tone Edge 5 used. Both needed some cleaning (tap water, room temp/NOT hot, diluted vinegar soak, soft tooth brush), and I love them both. If you buy used make sure you see actual pics, and look hard for chips or nicks. One mouthpiece was under $50, the other was about $90. I live somewhere without good sax shops, so used made the most sense.
this is really good, to the point and simple. i wish I had this 20 years ago!
uah! nice dog and little child too! 🐻👍👍👍💥🎷💥👍👍👍🐻
I love you video's, these help me alot!!
hi jay, i just learn a saxophone 3 day, day 1 i even cant make a sound, day 2 i can a little bit, day 3 i can make a sound and try a longtones, and now i see you video and make me more motivating to learn. thank you jay
You can do it!
Thank you so much, Jay. You’re great.
Aha! That's amazing 🤣 I've practiced in all kinds of ridiculous places, so it's amazing to know I'm not the only one who's practiced in the woods!
Quick question for anyone: I'm not a singer, and my throat doesn't seem to have much vocal range. Is this going to limit my ability to play altissimo notes and harmonics? I've tried reaching harmonics and I've adjusted my set up which helped me reach upper and lower notes more comfortably, but I feel I'm going at it handicapped. Maybe I should try singing to work the muscles?
Excellent advice Jay.
Glad you think so!
I’ve wanted to play a sax since the early 90s, finally got one for my 50th birthday, love this channel, as ever slowly slowly catches the monkey study and patience, I truly sound awful at the moment 😂
Enjoy the journey and the progress you will make.
Thanks Jay I found that I’m not biting initially then towards the end I’m biting, so I’m working on it. What type of mouthpiece would I upgrade to if I needed to? YTS 62. For getting good at finger work and tone is your core essential a good place to start? Thanks
I've been playing for about 20 years (it would be 40 but I took 20 years off in the middle) I don't know why, but until you said biting with altissimo, I didn't realize I was doing that and it might be why I still can't do it. I do know that I start biting after playing for about 4 1/2 hours or when my reed is dying. BTW I'd also be interested on what altissimo fingerings you use on bari.
Same altissimo fingerings as alto on Bari more or less.
Hi Jay really helpful video, thanks...love your dog!
Great video and thanks for answering my questions.
No problem
I've found the best way to get a beautiful saxophone sound begins all in the embouchure. I found this to be true when I play the Bb trumpet and flugelhorn, too. 🎷🎺🎶
All true! Thanks
I know I’m a little late to this but I had the opportunity to have a few in depth conversations with the great Walter Blanding. He said to do long tones everyday through the entire range of the horn to get a better sound. He also said to do them quietly, to control the sound. Long tones are terrible to play but man do they help
Hi Jay! I've been playing my alto sax for a year and a half now for concert and marching band and I'm beginning to transition into jazz band. I've auditioned for a solo one time with notes high above the staff, and I was told I play them well but I'm out of tune. This is usually told to me any time I'm playing a song with notes that go above the staff. How can I be able to play high notes in tune? Does it involve fixing embrochure or air quality?
Love it. I’m on the woodwind doubler spectrum (I call it a spectrum because there is something about our brains that are wired differently to *want* to learn the piccolo), and I have a dog that can’t stand it. My solution? The garage. Too cold? I installed a heater. It’s a little crazy to some, but it keeps the chops going.
I think that downgrading to a smaller read number is what helped my sound improve the most
This video is great, but if you see this, I have a question. Im really into jazz, but I want to be able to play classical as well. I understand listening to classical sax will be important, but I dont know who to listen to or the other steps? What are some good classical saxophonists and good introduction to classical?
Dude, I really enjoy your videos and I appreciate your time and effort into making them. I’m curious if you can get an interview with the Great Lenny Pickett of “Tower of Power” and “Saturday Night Live”. He is the absolute master of altissimo. I’m interested in hearing his thoughts on playing above the 1st altissimo octave. He has the highest range of All of us
Sax-off-onists. Please try to get an interview with him. I promise you there are a lot of us who are interested in watching an interview with him. Best Wishes.
Would love to.
Jay, I've been playing for about 3 yrs now, I live above a cafe and someone heard me playing and put a note through my door asking if I'd like to jam with their band. Nothing live just some people jamming. Would it help or hinder were I to go and play with them cos I dont think I'm good enough? Any advice would be welcome.
Do it. Playing with others in any context will be the best learning experience especially if they are better than you and you fail miserably. It can be scary but it will speed up your development significantly.
Hi Jay I love watching your videos I have learned a lot. Just needed some advice I have been using product called Formby's a deep cleansing Buildup Remover for years to clean just the pads on my saxophone. Seems I can't get it now can you recommend a substitute or what product do you think is best for cleaning pads. Thank you Gregg
I played saxophone for 7 years graduated highschool but stopped playing, didnt get my license for a couple years after kept telling myself couldnt play where i lived and couldnt go anywhere since no car. Here i am another 7 years since i stopped just bought some new reeds (vandoren 3 because thats what i used to play). Going to order some softer reeds might get a new mouthpiece (still have the mouthpiece that came with my saxophone). Hoping to get back in and enjoy once again
Wonderful video Jay. A question: I somehow feel that doing too many different things is inhibiting me from becoming good at one thing. Would you agree? I sing, i play alto tenor soprano saxophone, I play piano, guitar, drums and more. I have very limited time, and lately I've only wanted to play saxophone when I have some spare time. But I don't want to give up on the other things. It's a dilemma. Anyway, do you think I should concentrate on only one thing?
Focus on 1 thing helps us get better at it yes. But playing lots of different instruments makes you a better all around musician. It’s the generalist vs specialist argument. What I find works is to spend periods of time focusing mainly on one particular skill. Then switch to another for a while.
@@bettersax I think that makes perfect sense. Thank you for your reply Jay, I appreciate it👍
Im 65 started playing on Sax two years ago and I can tell Im crazy of playing from day to day.....and so sorry it's too late but I don't loose my heart
3:57 there's a guy near me who practices at a dead end near the motorway - the traffic won't complain but some honk and wave to him!