Paris Opera Ballet - Pas de Quatre
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- Опубликовано: 24 апр 2018
- Soirées Jeunes Danseurs (2001)
Choreography: Jules Perrot (Restaged by Ghislaine Thesmar)
Music: Cesare Pugni
Dancers (in order of appearance):
Miho Fuji (Lucile Grahn)
Peggy Dursort (Carlotta Grisi)
Myriam Ould-Braham (Fanny Cerrito)
Christine Peltzer (Marie Taglioni)
![[2017 Rising Stars] 파 드 카트르 Pas de Quartre](/img/1.gif)
EXQUISE FRIANDISE....UN GRAND MERCI...
Time goes very fast, now most of them are going to leave the wonderful theater😢 What a sad thing! They are so great❤
The one I like the most is Mlle Cerrito by Myriam Ould-Braham.............Bravo!
Thank you!
00:00
00:28 Andante section
03:39 Allegro Marziale
05:43 Variation de Mlle Grahn
07:36 Variation de Mlle Carlotta Grisi
10:12 Morceau d'ensemble dancé par Mlle Taglioni et Mlle Grahn
12:05 Variation de Mlle Cerito
13:42 Variation de Mlle Taglioni
15:35 Coda
Yuyuuyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy6y7yyoyoyuyoo7ooooo9o9 de
Ottimi i passi sulle punte in eundo di circolarita' da parte del gruppo danzante. IMPRESSIONE sensibile di facilità esecutiva d'acchito e di levita' fluente fatta tensione elanista e motile sorprendente
Ottima enfatizzazione al fine dell' esecutivita'
OLTREMODO BRAVE.BIGHIN GIULIO RENZO
True Parisan flavour
Eccezzionale mantenimento della figuralita' da parte del gruppo danzante unito ad una grande expressio e capacità di riconduzione dei passi all'euritmia melodica. Ottimo il senso del continuum dato alla pièce danzante e la parte che vede il motus currens delle ballerine in un coordinamento motile d'ensemble sorprendente.Oltremodo brave e spettacolari. BIGHIN GIULIO RENZO
Thank you very much. I like this version and also Anton Dolin's.
The best I have watched!!!!!
Watch the BNC of Cuba, the version with The 4 jewelry of Cuba.
Watch the Alicia alonso,nora kaye, melisa hayden and mia slavenska version it was the best
Не менее лучшее в исполнении балерин театра имени Кирова, где танцевали Колпакова , Комова , ЕВСЕЕВА ,МЕЗЕНЦЕВА, . ПОСМОТРИТЕ ЭТУ ВЕРСИЮ, ВОСХИТИТЕЛЬНО😊,
I used to dance to this song back then!! What memories😭
La mejor versión que he visto. ¡Qué delicadeza en sus movimientos y una técnica insuperable!. Muchas gracias.
Necesitas ver la versión del BNC de Cuba, las cuatro joyas .
衣装が素敵で、優雅です⭐
Chapeau, chapeau, merci.
Merci!
Actually this is Dolins version with some minor changes that each rendition has. The original was only performed three or four times and is lost, some say Dolin borrowed from Keith Leister sp
Bravo super dance
I have always wanted to to see the original version. Thank you POB for bringing it to us. One thing, the original stars could not have done turns on pointe, since their shoes were very soft ballet slippers darned to allow them to balance on pointe but not turn, as in the Bournonville preserved ballets. I assume POB decided to modernize on that for modern audiences.
It’s not the original version, it’s Anton Dolin’s (wonderful) choreography for the Ballets Russes de Monte Carlo.
Charming
Me quedo con lá version de Alicia Alonso baseada en la version de Anton Dolin
Il faut qd même un sacré intellect ( ce qui n'est pas mon cas ) pour aimer ça !
Please tell me the name of the dancer.
Can they smile?
12:07
오후9교시요😊엄마딸..미국발레리나
7:39
The modern versions suffer from a lack of brilliancy. When you see the video of the fabulous Alonso, Kaye, Slavenska and Hayden, then you see why everyone else pales in comparison.
Te eqivocas .Seguramente eres de las personas que se quedan ancladas en el pasado . Y la Alonso nunca tuvo la calidad de la que presumian los cubanos . Fue mas propaganda al regimen socialista.
Поясните , пожалуйста , слава " современные версии страдают блеском " . Мне и те и другим версии нравятся, но как это трудно исполнять любую версию знаю по себе .
오후5교시
10:23
Sorry, I do prefer Alicia Alonso version! Check it out!
Son muy buenas bailarinas y estan en estilo, lo que no me convecio es la coreografia, creo que los matices de la personalidad y las caracteristicas de las bailarinas se ha perdido, demasiado, poco espontaneas en ver cada una tratando de imponerse a las otras, recuerden que fue un desfio en la epoca reunirlas a todas ellas en un solo ballet
Dolin stole it from Keith Lester early 40. The choreographybhas always been the same
Это, конечно, прелестно и очень стильно, но глядя на это, всё-таки вспоминаешь слова милейшего Цискаридзе о том, что прима-балерины могут желать друг другу только одного: СМЕРТИ!... Кстати, именно эти солистки были его партнершами в Парижской опере, где он тогда танцевал...
Je me demande comment on peut encore regarder de telles stupidités ?
Pues para ser frances y paisano de las bailarinas. No me explico como puedes expeler ese comentario tan estupido .
@@rogeliorodriguezmartinez334 j don't known if you known the Priests speak Latin among themselves in the Vatican to day , latin and greek have also not been oral language for 2000 years so , if you appreciate this stupidity , express yourself in Latin not in your native language in 2023 .
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