Please note that every off camera flash photograph in this video was taken with a shutter speed of 1/1250 - some of settings in the video say 1/200, which they were not. Sorry for any confusion!
OMG you just made this so easy to understand. I have been taking landscapes for a while now and would like to get into portrait as well. I heard about off camera flash and was wondering how to do it. This was so helpful thank you very much!
Excellent step by step instructions. Very well explained and demonstrated. I wish there was enough time during the actual event to do this, and that too, without an assistant. Everything is usually rush rush rush.
Thank you very much! I do agree, these things are always harder when the pressure is on and we have time restrictions. However, I promise that with practice, shots like these can be achieved very very quickly
I have only just discovered you through research in to Magmod. This is by far the most useful, understandable, and enjoyable explanation of OCF I have ever watched. I did get confused with the shutter speed but you addressed this in comments. I have never purchased anything of the back of RUclips channels but I will be definitely buying magmod for portability! Lovely photos of Darcie's wedding by the way. I have met and worked with Darcie in the past a true pro model. Thanks
What a video. I’ve been watching these types for months, and you have just nailed all the steps and key decisions in a concisely and clear manner. Great teacher, gorgeous model, with an outstanding team. Kudos, thanks much. Keep them coming! JE
Hi Neil thanks for another awesome video, I am currently struggling with OCF and your explanation is easy to understand, Thank you. Mark from Australia
Hi Neil, I'm new to your site and like what you showed in this vid. I do appreciate getting the background light exposure right, rather than ambient light as the darker feels adds mood. When it comes to OCF via a gridded softbox your approach delivers nicely. I use Godox flash too, but feel if you had an AD200 unit you would have more power to work with for a similar bulk. High speed sync does allow you to use higher shutter speeds which in turn are needed to reduce ambient light impact. But, HSS is a real drain on flash power. It may be worth considering something like a 3 stop ND allowing you to use flash without high speed sync (HSS). Separately, Godox do decent (good value) soft boxes that will fit straight onto a 'bare bulb's configured AD200. Or, if preferred, you can switch to a round head to fit other mods. Nowadays I quite like a PixaPro PakFlat 70 softbox in Bowens mount. More expensive but super fast to rig/collapse. Still easy to use with an AD200 via a Bowens bracket adapter. Anyway lots and lots of options, mostly all great value in the Godox ecosystem. If you have an assistant or want less mass on the end of a quick stick then AD200 (and larger 400 or 600 heads) can have batteries and capacitors split away from head and connected via lead. Anyway lots of options that can be useful to anyone using flash on location.
Hi Neil, love all your videos but especially this one. Great explanation. One question, what white balance do you use please. I can’t get my head round how you keep the colour of the lights and also the colour temp of flash in the subject. Hope that makes sense, I’m new to all this
I am new to portraits I mainly shoot landscapes. So needless to say this is out of my wheelhouse but after running across this video I bought some flash equipment. Do you have recommended settings like flash sync speeds and setting the camera up to take photos like this. Maybe you already have a video? Thanks and I have watched alot of your videos alot of great info for sure 👍
Neil Love this video and how you break it down, my question is if you shoot the same subject matter but don’t have your assistant holding high you’re magbox could you still get the same results if magbox is on a light stand with no assistant?
Thank you! Yes, you can use a lightstand instead of an assistant, however just be aware that unless you use a 'c stand' you are unlikely to be able to get the softbox at the same angle as I use in this video - so the direction of light will be slightly different
What is the distance from subject to flash approximately? And also can you make a video on how to expose/ light for backdrop when shooting model on backdrops
You can see that in the video? It is very close. That is a good subject but goes in to studio photography, which is something which I do not do very much of. My suggestion would be to practice and work out what works best for you
Hi @NeilRedfern congratulation for Your vidéo very cool! I have one question for you😊 I see that the model have a great skin tone a bit yellow colo which it a great because the lights on the background are yellowish two so it seems that she is lit a bit with them, so my question is do you use a CTO gel on the flash? (Cause you still have a bit of day light on her from the windows) and if you do use a cto gel I presume that sh will be more blueish tone. What white balance have you set on your camera ?( cause you a bit of mix light speed light and natural light) thank you in advance for your response and great job I love your videos very useful 👍😀cheers
Thank you very much! No, I rarely do use gels - I probably should - but I like to shoot in manual WB and just make sure that I am happy with the skin tones. I can correct the rest in post. So, no, I rarely use correction gels, but that isn't to say you shouldn't, just that I am a bit lazy 😂
@@NeilRedfern thank you for answering me! :-) I don’t think you are lazy 😂 Gels maybe good in some situations ( I rarely use them myself to light people) but in your photoshoot maybe it´s better to change the WB to have great skin tone (that´s the most important subject t in the photo) by the way could you tell me in your photoshoot you have light with 3200k in the background (more or less) and 5600k with the strobe and daylight, do you mix the kelvins (5600+3200)/2 that give 4400k) so do you use 4400k on camera and then adjust in post, so you have great Gold skin tone that mix well with the lights on the background?
hi Neil, great video... but I have a question... around min 4:17 you set the camera for the ambient light.... min 4:17 shows a picture F1.8, 1/200, ISO100...this pic looks good exposed... the room os bright... then you increase the time to 1/1250 and say that is the exposure you want... later at min 9:49 you show a picture with a darken room, model is well exposed with setting F1.8, 1/200, ISO100.... what I wonder is that the room is darken... more darken than at min 4:17 with the same setting..., why? many thanks, brgds Patrik
Why did you have to use sync if you was shooting at 1/200 of sec and the sync speed of that camera is at 250 you got New subscriber. I would like to to hear your answer
A ND filter would do a good job in this situation so they are a good option. Personally I don't use them because, as a wedding photographer, I am used to working very fast in limited time, but there is certainly nothing wrong with using one :)
I would be careful with softbox too high (especially for close-ups) - it leaves no or uneven catch lights in the eyes which it is a bit of a 'dead' look.
everything explain is good but i see the image much darker then the natural light. you can use that i little bit, but whole process make photos so much darker .
Thank you! I think you have to bear in mind that we all have our own styles - and that's good! Art is subjective. What you see as being too dark, I see as being just right, what I see as being too light, you see as being just right. We are all different 😊
Hi.. I am Indian..Light Effect the Best ...Sorry But Light to Opposite Torch Warm LED Light Sent On the Subject Perfect Result of working. you Looking the Image Sir
i have a question @time line 4:17 you said S/S 1250 and you says not changing any setting and @8:13 S/s 1/200 with off camera flash , explain me how come the soft box light power give in such low shutter speed , i am confused
@@NeilRedfern Neil, in using shutter speed of 1/1250 you are exceeding the flash sync time - don't you need HSS within TTL? I can't imagine right shutter speed of 1/1250 when flash power amounts 1/128 on manual. Please help me to understand. Thank you for the Vid - and kindly regards
Sorry, I am not sure what you mean by "HSS within TTL" for the off camera flash shots in this video I used a flash power of 1/4 because I was shootig at 1/1250th which is HSS. If you are shooting in HSS you will need much more stronger flash powers. I hope this helps?
@@NeilRedfern I mean, I have to use high speed synchronization to get around the shutter speed limitation. Maybe I overlooked that in the video to sorry.Thanks for answer.
Please note that every off camera flash photograph in this video was taken with a shutter speed of 1/1250 - some of settings in the video say 1/200, which they were not. Sorry for any confusion!
Understood.
Got ya. An amazing photographer you are my friend
Using filter ?
High speed sync ?
This has to be the most understandable education moment I have seen in a long time. Thank you, Neil.
This right here!! Absolutely beautiful!!! Such elegant portraits!! Thank you for such a great tutorial!!
You really did an amazing explanation here. Really looking forward to applying your techniques at tomorrow's shoot. Thanks for sharing!
Absolutely one of the best videos I've seen with great explanations. Thank you.
Thank you so much! That means a lot
OMG you just made this so easy to understand. I have been taking landscapes for a while now and would like to get into portrait as well. I heard about off camera flash and was wondering how to do it. This was so helpful thank you very much!
Excellent step by step instructions. Very well explained and demonstrated. I wish there was enough time during the actual event to do this, and that too, without an assistant. Everything is usually rush rush rush.
Thank you very much! I do agree, these things are always harder when the pressure is on and we have time restrictions. However, I promise that with practice, shots like these can be achieved very very quickly
You are my inspiration to improve my skills. I have a lot of respect for you as a master photographer.
That is very very kind, thank you 😊
What an amazing and educational video. Thank you. I am currently trying out flash with my photography.
That's great - I hope you enjoy using flash!
I have only just discovered you through research in to Magmod. This is by far the most useful, understandable, and enjoyable explanation of OCF I have ever watched. I did get confused with the shutter speed but you addressed this in comments. I have never purchased anything of the back of RUclips channels but I will be definitely buying magmod for portability! Lovely photos of Darcie's wedding by the way. I have met and worked with Darcie in the past a true pro model. Thanks
What a video.
I’ve been watching these types for months, and you have just nailed all the steps and key decisions in a concisely and clear manner.
Great teacher, gorgeous model, with an outstanding team.
Kudos, thanks much. Keep them coming!
JE
Your photography is always on another level Neil! Love your videos! Thanks for sharing.
Too kind! Thank you very much
Thank you brother! This is by far and beyond the best explanation I've ever heard.
Thank you so much!! That is honestly so nice to read - I really appreciate that
@@NeilRedfern absolutely my pleasure!
Hi Neil thanks for another awesome video, I am currently struggling with OCF and your explanation is easy to understand, Thank you. Mark from Australia
Thank you very much Mark! I am pleased you found the video helpful 😊
Best explanation and tutorial I've come across in a long time! Thanks Neil
What you showed n Wat you explained was superb n understood very easily sir thank you
Top drawer once again Neil. You are a very talented man, both in photography and content. Many thanks 👏👏💪
Thank you so much, I really appreciate that
Nice one sir,
I am new to photography.
Please I will need more tutorials from you.
Thanks
Amazing photo! Neill is an amazing photographer!😍👍👍👍
Thank you very much! 🙌
Absolutely love the way you deliver all of the information ❤
Thank you so much!
This is so helpful. Have been struggling with this. Thanks a bunch!
Five minutes and I already subscribed wow, just well
Very good tutorial. Did you use a CTO gel on the flash to match the lamp colour?
Hi Neil, I'm new to your site and like what you showed in this vid. I do appreciate getting the background light exposure right, rather than ambient light as the darker feels adds mood. When it comes to OCF via a gridded softbox your approach delivers nicely.
I use Godox flash too, but feel if you had an AD200 unit you would have more power to work with for a similar bulk. High speed sync does allow you to use higher shutter speeds which in turn are needed to reduce ambient light impact. But, HSS is a real drain on flash power. It may be worth considering something like a 3 stop ND allowing you to use flash without high speed sync (HSS).
Separately, Godox do decent (good value) soft boxes that will fit straight onto a 'bare bulb's configured AD200. Or, if preferred, you can switch to a round head to fit other mods. Nowadays I quite like a PixaPro PakFlat 70 softbox in Bowens mount. More expensive but super fast to rig/collapse. Still easy to use with an AD200 via a Bowens bracket adapter. Anyway lots and lots of options, mostly all great value in the Godox ecosystem.
If you have an assistant or want less mass on the end of a quick stick then AD200 (and larger 400 or 600 heads) can have batteries and capacitors split away from head and connected via lead. Anyway lots of options that can be useful to anyone using flash on location.
Brilliant and creativity inspiring ❤ thank you so much
Hi Neil, love all your videos but especially this one. Great explanation. One question, what white balance do you use please. I can’t get my head round how you keep the colour of the lights and also the colour temp of flash in the subject. Hope that makes sense, I’m new to all this
man you explain very well, thank you from india..
Thank you very much!
Excellent Very detailed but simple to undestand the process.
Thanks
Very kind, thank you!
Love this set up, gorgeous photos. Really like you style and your videos are well explained ❤
Thank you very much Geraldine, very kind of you
Wonderful clear concise. Thanks Neil! Beautiful work!
Thank you very much 😊
The best video I ever watched thank you 🙏 for sharing your experience with us.
That is so kind, thank you!
This is great but may I ask how do you see the screen as it will become dark. Kind regards Mark
Great explanation with simple words; really appreciated!
Thank you very much!
I am new to portraits I mainly shoot landscapes. So needless to say this is out of my wheelhouse but after running across this video I bought some flash equipment. Do you have recommended settings like flash sync speeds and setting the camera up to take photos like this. Maybe you already have a video? Thanks and I have watched alot of your videos alot of great info for sure 👍
Do you have links to the flash/gears that you used for this video? Thanks for the simple explanation
Thanks for sharing! I really enjoy your content. Greetings from Southern California!
Thank you so much, I appreciate your support!
Great Video Neil. What is the handle used with the light stand called? Thanks
Thank you very much! The pole is called a QuickStik+ Telescopic Handle and I bought it from Adorama
Explained very well! Thank you!
Thank you!
Neil Love this video and how you break it down, my question is if you shoot the same subject matter but don’t have your assistant holding high you’re magbox could you still get the same results if magbox is on a light stand with no assistant?
Thank you! Yes, you can use a lightstand instead of an assistant, however just be aware that unless you use a 'c stand' you are unlikely to be able to get the softbox at the same angle as I use in this video - so the direction of light will be slightly different
Gold as always Neil!
Thank you so much TJ! 🙌
Amazing explanation. You have a new subscriber. Thank you
Was gorgeous
Thank you!
Very well done
Thank you very much
Fantastic job
Great video Neil, well explained.
Very kind, thank you
Fantastic demonstration. Cheers
My pleasure, thank you
Wow very impressive, good tutorial...Thank You
Thank you very much 😊
Amazing, thanks 😎
Thank you Neil
My pleasure!
Love your explanations and teachings. Thank you. ❤😊
Thank you so much Lisa!
Neil, when do you use the ND filter on the flash? Can you prepare a video for us on the use of ND in flash, please. Thanks greetings
You would generally only use an ND filter on a speed light if you wanted less flash power than the minimum settings of the speedlight
Hi Neil - impressive as always! I have a question: what type of boom is the one with the grip holding the magmod?
Thank you! The pole is called a QuickStik+ Telescopic Handle
@@NeilRedfern Great! Thank you!
Siempre quise hacer algo así y no entendía cómo hacerlo. Muchas gracias.
Mi placer! Me alegra que hayas disfrutado el vídeo :-)
This is a master at work. Very lovely job.
Very very kind, thank you so much 🙌
What is the distance from subject to flash approximately?
And also can you make a video on how to expose/ light for backdrop when shooting model on backdrops
You can see that in the video? It is very close. That is a good subject but goes in to studio photography, which is something which I do not do very much of. My suggestion would be to practice and work out what works best for you
Good job.
Thank you!
Good stuff, Neil! Muchos Mahalos from Hawaii!
Thank you so much Biz! 🌊☀🙌
great job, the images are amazing.
love it!
Great explanation!!! Thanks!
What method do you use to set the white balance? Auto, tungsten, shadow, etc?
I use manual white balance
Hi @NeilRedfern congratulation for Your vidéo very cool! I have one question for you😊 I see that the model have a great skin tone a bit yellow colo which it a great because the lights on the background are yellowish two so it seems that she is lit a bit with them, so my question is do you use a CTO gel on the flash? (Cause you still have a bit of day light on her from the windows) and if you do use a cto gel I presume that sh will be more blueish tone. What white balance have you set on your camera ?( cause you a bit of mix light speed light and natural light) thank you in advance for your response and great job I love your videos very useful 👍😀cheers
Thank you very much! No, I rarely do use gels - I probably should - but I like to shoot in manual WB and just make sure that I am happy with the skin tones. I can correct the rest in post. So, no, I rarely use correction gels, but that isn't to say you shouldn't, just that I am a bit lazy 😂
@@NeilRedfern thank you for answering me! :-) I don’t think you are lazy 😂 Gels maybe good in some situations ( I rarely use them myself to light people) but in your photoshoot maybe it´s better to change the WB to have great skin tone (that´s the most important subject t in the photo) by the way could you tell me in your photoshoot you have light with 3200k in the background (more or less) and 5600k with the strobe and daylight, do you mix the kelvins (5600+3200)/2 that give 4400k) so do you use 4400k on camera and then adjust in post, so you have great Gold skin tone that mix well with the lights on the background?
What do you get when joining the monthly?
video starts at 01:28
You are the best
On an actual wedding day, do you shoot in Manual or AP outside?
subscribed,very good.
hi Neil, great video... but I have a question... around min 4:17 you set the camera for the ambient light.... min 4:17 shows a picture F1.8, 1/200, ISO100...this pic looks good exposed... the room os bright... then you increase the time to 1/1250 and say that is the exposure you want... later at min 9:49 you show a picture with a darken room, model is well exposed with setting F1.8, 1/200, ISO100.... what I wonder is that the room is darken... more darken than at min 4:17 with the same setting..., why? many thanks, brgds Patrik
@neil it's called penumbra, the graduation of the shadow area
I did not know that! Thank you 😊
Ngl if you try watching this in lower resolution the quality drops alot compared to some a9iii videos. Great tips on the flash tho!
Thank you 😊 I am confused though, this video is nothing to do with the A9iii?
@@NeilRedfern Lol I was watching your a9iii video and commented on the wrong one :P
Super class
Thank you!
thank you Neil! I end overheating my godox flashes when I use sync speed 😩
Any advice?
I haven't experienced this. All I can suggest it to not shoot too fast if you are using your speedlights at high powers
What light stand is the assistant using? Looks short. Don't see it linked.
It is called a QuickStik+ Telescopic Handle
Is the first time someone explained clearly how to do …
Why did you have to use sync if you was shooting at 1/200 of sec and the sync speed of that camera is at 250 you got New subscriber. I would like to to hear your answer
His camera was set at 1/1250 not 1/200
You are great 🤯
Very kind, thank you
Did you gel your flash?
No, I didn't in this example
Where do we get the quick stick from Neil.
Adorama in the US mate 😊
wow!
Thank you very much
Some photographers recommend using ND filters vs High Speed Sync to overcome flash sync speed issue. Could you comment?
A ND filter would do a good job in this situation so they are a good option. Personally I don't use them because, as a wedding photographer, I am used to working very fast in limited time, but there is certainly nothing wrong with using one :)
Sir how about WB? Are you on auto?
Manual ☺️
I would be careful with softbox too high (especially for close-ups) - it leaves no or uneven catch lights in the eyes which it is a bit of a 'dead' look.
Good point, I agree with you, this is important to avoid. I sometimes slightly tilt the softbox towards the subject or ask them to look up slightly
What was the white balance set to?flash,auto or what?
I always use manual white balance and have it set to around 5800K
everything explain is good but i see the image much darker then the natural light. you can use that i little bit, but whole process make photos so much darker .
Thank you! I think you have to bear in mind that we all have our own styles - and that's good! Art is subjective. What you see as being too dark, I see as being just right, what I see as being too light, you see as being just right. We are all different 😊
Hi.. I am Indian..Light Effect the Best ...Sorry But Light to Opposite Torch Warm LED Light Sent On the Subject Perfect Result of working. you Looking the Image Sir
i have a question @time line 4:17 you said S/S 1250 and you says not changing any setting and @8:13 S/s 1/200 with off camera flash , explain me how come the soft box light power give in such low shutter speed , i am confused
Please accept my apologies- you are correct, this is a mistake. All the off camera flash photos were taken at 1/1250th
@@NeilRedfern Neil, in using shutter speed of 1/1250 you are exceeding the flash sync time - don't you need HSS within TTL? I can't imagine right shutter speed of 1/1250 when flash power amounts 1/128 on manual. Please help me to understand. Thank you for the Vid - and kindly regards
Sorry, I am not sure what you mean by "HSS within TTL" for the off camera flash shots in this video I used a flash power of 1/4 because I was shootig at 1/1250th which is HSS. If you are shooting in HSS you will need much more stronger flash powers. I hope this helps?
@@NeilRedfern I mean, I have to use high speed synchronization to get around the shutter speed limitation. Maybe I overlooked that in the video to sorry.Thanks for answer.
@@NeilRedfern Neil, thank you so much - it helps! Have a nice day 🙂 it's hard to be a photographer, the hardest to be a flasher...
Low Key
1250? shutter
Pinned comment ☺️