I consider myself lucky in that I lived across the river from Windsor Ontario. I could get CBC radio 2 on my dial and they played the Hell out of Marjan Mosetich in the early to mid 2000's. I'm grateful for that. From what I gather, he was an adherent of atonal music long ago but rediscovered romanticism, not unlike the painter Phillip Ghuston who was an abstract expressionist and left it behind for figurative painting, and his legacy was cemented into the tapestry of art history. Mosetich will be remembered in a similar way, I suspect.
I'd never heard of this piece or this composer before. It was performed last night in the 2016 Sunflower Music Festival (Topeka, KS) by a 7 piece chamber group (harp, flute, clarinet, 2 violins, viola, cello): -- stirring, absolutely BEAUTIFUL!! While the SMF usually presents music within a Hayden-Dvorak time frame, I heard many expressing sentiments similar to mine; it got a standing ovation. (The actual piece is about 20 minutes long, IIRC.)
The first work in the same orchestration as Ravel's Introduction et Allegro to approach it in quality. It could easily share the program with that masterpiece.
Tout à fait d'accord j'ai commencé à apprendre la harpe à 52 ans et j'en ai 76 et je prends encore des cours et travaille plusieurs heures par jour , un bienfait, un bonheur pendant cette pandémie ....un suissesse
Quite intense feelings through Marjan’s music!🥹Love the smooth build up on the intensity of depicted emotions all throughout. What a gift❤
Unlike many composers who turn to romanticism as a weakness, Mozetich's music has inner strength and conviction. Also real technical skill.
I consider myself lucky in that I lived across the river from Windsor Ontario. I could get CBC radio 2 on my dial and they played the Hell out of Marjan Mosetich in the early to mid 2000's. I'm grateful for that. From what I gather, he was an adherent of atonal music long ago but rediscovered romanticism, not unlike the painter Phillip Ghuston who was an abstract expressionist and left it behind for figurative painting, and his legacy was cemented into the tapestry of art history. Mosetich will be remembered in a similar way, I suspect.
His music is so purely an emotional journey, it transcends the moment
you think you think it but then you're in it.
That’s the right word, journey. His music takes you on a beautiful joirney🥹❤️
Musik und Bilder haben eine große Harmonie....perfekt, danke !
Absolutely beautiful!!
I'd never heard of this piece or this composer before. It was performed last night in the 2016 Sunflower Music Festival (Topeka, KS) by a 7 piece chamber group (harp, flute, clarinet, 2 violins, viola, cello): -- stirring, absolutely BEAUTIFUL!! While the SMF usually presents music within a Hayden-Dvorak time frame, I heard many expressing sentiments similar to mine; it got a standing ovation. (The actual piece is about 20 minutes long, IIRC.)
This piece is one of the world's most beautiful, inspiring, and angelic pieces I have ever heard. Truly inspirational.
Tout à fait d'accord I love
I love this!
The first work in the same orchestration as Ravel's Introduction et Allegro to approach it in quality. It could easily share the program with that masterpiece.
Brilliant and great!... Also very nice!
so beautiful
Mágico!!! Belíssimo!
This is so beautiful!
qué bello!!!..........genial
The harp adds a lot!
Tout à fait d'accord j'ai commencé à apprendre la harpe à 52 ans et j'en ai 76 et je prends encore des cours et travaille plusieurs heures par jour , un bienfait, un bonheur pendant cette pandémie ....un suissesse
J'adore , dommage de ne pas voir les musiciens surtout le harpiste
An pattern composer whose music is in technique and emotional depth much better Philip Glass